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Raised in [[Florida]], he attended the [[University of Miami]] from 1952 to 1956, before becoming a [[beatnik]] coffee house poet in [[Greenwich Village]] and [[North Beach, San Francisco|San Francisco's North Beach]]. As a poet, he wrote under the name C.V.J. Anderson and edited the little magazines ''Beatitude'' and ''Underhound''. In journalism, he specialized in [[rock and roll]]. In that area, he was a friend of [[Paul Williams (Crawdaddy! creator)|Paul Williams]] and edited ''[[Crawdaddy!]]'' for a few issues in 1968-1969.
Raised in [[Florida]], he attended the [[University of Miami]] from 1952 to 1956, before becoming a [[beatnik]] coffee house poet in [[Greenwich Village]] and [[North Beach, San Francisco|San Francisco's North Beach]]. As a poet, he wrote under the name C.V.J. Anderson and edited the little magazines ''Beatitude'' and ''Underhound''. In journalism, he specialized in [[rock and roll]]. In that area, he was a friend of [[Paul Williams (Crawdaddy! creator)|Paul Williams]] and edited ''[[Crawdaddy!]]'' for a few issues in 1968-1969.


He also wrote [[science fiction]], because of [[Michael Kurland]].{{cn|date=December 2022}} Anderson's ''[[The Butterfly Kid]]'' is the first part of what is called the Greenwich Village Trilogy, with Kurland writing the second book (''[[The Unicorn Girl]]'') and the third volume (''[[The Probability Pad]]'') written by [[T.A. Waters]]. The novel was nominated for the 1968 [[Hugo Award for Best Novel]]. It, and his few other genre works are associated with [[New Wave (science fiction)|New Wave science fiction]].
He also wrote [[science fiction]], because of [[Michael Kurland]] (the two of them having collaborated on ''Ten Years to Doomsday'' in 1964). Anderson's ''[[The Butterfly Kid]]'', published in 1967, is the first part of what is called the Greenwich Village Trilogy, with Kurland writing the second book (''[[The Unicorn Girl]]'') and the third volume (''[[The Probability Pad]]'') written by [[T.A. Waters]]. The novel was nominated for the 1968 [[Hugo Award for Best Novel]]. ''The Butterfly Kid'', and Anderson's few other genre works are associated with [[New Wave (science fiction)|New Wave science fiction]].


He was also a gifted musician, played two-part inventions with two recorders simultaneously, played duets with [[Laurence M. Janifer]] at the Cafe Rienzi. He subsequently moved to [[San Francisco]] during the [[Summer of Love]] and, along with Claude Hayward, was one of the founders of the Communications Company (ComCo), the "publishing arm" of the anarchist guerrilla street theater group [[Diggers (theater)|The Diggers]],<ref>{{cite web
He was also a gifted musician, playing two-part inventions with two [[Recorder (musical instrument)|recorders]] simultaneously, and playing duets with [[Laurence M. Janifer]] at the Cafe Rienzi.

He subsequently moved to [[San Francisco]] during the [[Summer of Love]]. Having bought a [[mimeograph]] with his second royalty check from ''The Butterfly Kid'',<ref>[http://www.diggers.org/comco/mss_banc.htm#Letter%20to%20Thurl Anderson, Chester. "Letter To Thurl" ''Chester Anderson (1932- ) Papers (ca. 1963-1980)''. Accessed 03-31-2011]</ref> Anderson and Claude Hayward were the founders of the Communications Company (ComCo), the publishing arm of the anarchist guerrilla street theater group [[Diggers (theater)|The Diggers]].<ref>{{cite web
|url=http://www.diggers.org/comco/comco.html
|url=http://www.diggers.org/comco/comco.html
|title=The Communication Company -- Publishing Arm of the Diggers
|title=The Communication Company -- Publishing Arm of the Diggers
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|url-status=dead
|url-status=dead
}}
}}
</ref> having bought a [[mimeograph]] with his second royalty check from ''Butterfly Kid''.<ref>[http://www.diggers.org/comco/mss_banc.htm#Letter%20to%20Thurl Anderson, Chester. "Letter To Thurl" ''Chester Anderson (1932- ) Papers (ca. 1963-1980)''. Accessed 03-31-2011]</ref> Through ComCo, he circulated a number of his own bitter broadside polemics in [[Haight-Ashbury]], including "Uncle Tim's Children," with its infamous, often-quoted line, "Rape is as common as bullshit on Haight Street."<ref>{{Cite web|url=http://www.diggers.org/bibcit_fulltext_SQL.asp?bib2=33|title=Com/Co Biblio|website=diggers.org|access-date=2017-07-25}}</ref> [[Joan Didion]] described the role Chester Anderson and ComCo played in Haight-Ashbury in her 1968 book ''[[Slouching Towards Bethlehem]]''.
</ref> Through ComCo, Anderson circulated a number of his own bitter broadside polemics in [[Haight-Ashbury]], including "Uncle Tim's Children," with its infamous, often-quoted line, "Rape is as common as bullshit on Haight Street."<ref>{{Cite web|url=http://www.diggers.org/bibcit_fulltext_SQL.asp?bib2=33|title=Com/Co Biblio|website=diggers.org|access-date=2017-07-25}}</ref> [[Joan Didion]] described the role Chester Anderson and ComCo played in Haight-Ashbury in her 1967 essay, "[[Slouching Towards Bethlehem]]."<ref>Didion, Joan. [https://www.saturdayeveningpost.com/2017/06/didion/ "Slouching Toward Bethelem,"] ''Saturday Evening Post'' (September 23, 1967).</ref>


After his stint with ''Crawadaddy!'' he was connected for a brief period with the underground newspaper ''[[Tuesday's Child (newspaper)|Tuesday's Child]]'' and with Peace Press, a small movement print shop in Los Angeles.
In 1968, Anderson co-founded [[Entwhistle Books]] with Paul Williams, [[David G. Hartwell]], and Joel Hack.<ref>[https://www.jamescumminsbookseller.com/images/upload/paul-williamsfinal.pdf "The Archive of Paul Williams,"] James Cummins Bookseller website. Retrieved Dec. 26, 2022.</ref> After his stint with ''Crawadaddy!'' Anderson was connected for a brief period with the underground newspaper ''[[Tuesday's Child (newspaper)|Tuesday's Child]]'' and with Peace Press, a small movement print shop in Los Angeles.


He published two works, both of them thinly disguised memoirs (one, ''Puppies'', about sexual excess in the 1960s, as John Valentine) with Entwhistle Books. (Several scenes in ''Puppies'' were set in the offices of ''Tuesday's Child'', where Anderson slept in a back room while putting out the paper and cruising the nearby [[Sunset Strip]].)
He published two works, both of them thinly disguised memoirs (one, ''Puppies'', published under the name "John Valentine," about sexual excess in the 1960s,) with Entwhistle Books. (Several scenes in ''Puppies'' were set in the offices of ''Tuesday's Child'', where Anderson slept in a back room while putting out the paper and cruising the nearby [[Sunset Strip]].)


He lived for a number of years in [[Mendocino, California]], where he collaborated with local artist [[Charles Marchant Stevenson]] on their pseudo [[graphic novel]] ''Fox & Hare: The Story of a Friday Evening''. A number of science fiction and publishing personalities, including [[Norman Spinrad]] and [[Lou Stathis]], posed on location for the illustrations in this book, which attempted to recreate a particular evening in [[Greenwich Village]] in the 1960s.{{cn|date=December 2022}}
He lived for a number of years in [[Mendocino, California]], where he collaborated with local artist [[Charles Marchant Stevenson]] on their proto-[[graphic novel]] ''Fox & Hare: The Story of a Friday Evening'' (also published by Entwhistle Books). A number of science fiction and publishing personalities, including [[Norman Spinrad]] and [[Lou Stathis]], posed on location for the illustrations in this book, which attempted to recreate a particular evening in [[Greenwich Village]] in the 1960s.{{cn|date=December 2022}}


==Bibliography==
==Bibliography==

Revision as of 05:27, 27 December 2022

This article is about the writer. For the American football and wrestling coach, see Chester Anderson (American football). For the American football player, see Chet Anderson.
Chester Anderson
Born
Chester Valentine John Anderson

(1932-08-11)August 11, 1932
Stoneham, Massachusetts, U.S.
DiedApril 11, 1991(1991-04-11) (aged 58)
Other namesC.V.J. Anderson
John Valentine
EducationUniversity of Miami
Occupation(s)Novelist, poet, editor
Notable workThe Butterfly Kid
Underhound, vol. 1. no. 4 (1960). One of Chester Anderson's early little magazines, satirizing the beatnik coffee house scene in North Beach.

Chester Valentine John Anderson (August 11, 1932 – April 11, 1991) was an American novelist, poet, and editor in the underground press.

Biography

Raised in Florida, he attended the University of Miami from 1952 to 1956, before becoming a beatnik coffee house poet in Greenwich Village and San Francisco's North Beach. As a poet, he wrote under the name C.V.J. Anderson and edited the little magazines Beatitude and Underhound. In journalism, he specialized in rock and roll. In that area, he was a friend of Paul Williams and edited Crawdaddy! for a few issues in 1968-1969.

He also wrote science fiction, because of Michael Kurland (the two of them having collaborated on Ten Years to Doomsday in 1964). Anderson's The Butterfly Kid, published in 1967, is the first part of what is called the Greenwich Village Trilogy, with Kurland writing the second book (The Unicorn Girl) and the third volume (The Probability Pad) written by T.A. Waters. The novel was nominated for the 1968 Hugo Award for Best Novel. The Butterfly Kid, and Anderson's few other genre works are associated with New Wave science fiction.

He was also a gifted musician, playing two-part inventions with two recorders simultaneously, and playing duets with Laurence M. Janifer at the Cafe Rienzi.

He subsequently moved to San Francisco during the Summer of Love. Having bought a mimeograph with his second royalty check from The Butterfly Kid,[1] Anderson and Claude Hayward were the founders of the Communications Company (ComCo), the publishing arm of the anarchist guerrilla street theater group The Diggers.[2] Through ComCo, Anderson circulated a number of his own bitter broadside polemics in Haight-Ashbury, including "Uncle Tim's Children," with its infamous, often-quoted line, "Rape is as common as bullshit on Haight Street."[3] Joan Didion described the role Chester Anderson and ComCo played in Haight-Ashbury in her 1967 essay, "Slouching Towards Bethlehem."[4]

In 1968, Anderson co-founded Entwhistle Books with Paul Williams, David G. Hartwell, and Joel Hack.[5] After his stint with Crawadaddy! Anderson was connected for a brief period with the underground newspaper Tuesday's Child and with Peace Press, a small movement print shop in Los Angeles.

He published two works, both of them thinly disguised memoirs (one, Puppies, published under the name "John Valentine," about sexual excess in the 1960s,) with Entwhistle Books. (Several scenes in Puppies were set in the offices of Tuesday's Child, where Anderson slept in a back room while putting out the paper and cruising the nearby Sunset Strip.)

He lived for a number of years in Mendocino, California, where he collaborated with local artist Charles Marchant Stevenson on their proto-graphic novel Fox & Hare: The Story of a Friday Evening (also published by Entwhistle Books). A number of science fiction and publishing personalities, including Norman Spinrad and Lou Stathis, posed on location for the illustrations in this book, which attempted to recreate a particular evening in Greenwich Village in the 1960s.[citation needed]

Bibliography

  • (poems) Colloquy (San Francisco: Bolerium Books, 1960) — Hand-set & printed at The Bread & Wine Press by Harvey Wilder Bentley, San Francisco; Self-published by the poet
  • (poems) A Liturgy for Dragons and 17 Other Poems: 1953-1961 (New York: Chas. P. Young Company, 1961)
  • The Pink Palace (Greenwich: Fawcett, 1963)
  • (with Michael Kurland) Ten Years to Doomsday (Pyramid Publications, 1964)
  • The Butterfly Kid (Pyramid Books, 1967)
  • (editor) Growing Up in Minnesota: Ten Writers Remember Their Childhoods (University of Minnesota Press, 1976) ISBN 978-0816607655
  • (as John Valentine) Puppies (Entwhistle Books, 1979)
  • Fox & Hare: The Story of a Friday Evening (Entwhistle Books, 1980) ISBN 9780960142897 — illustrated by Charles Marchant Stevenson

Further reading

References

  1. ^ Anderson, Chester. "Letter To Thurl" Chester Anderson (1932- ) Papers (ca. 1963-1980). Accessed 03-31-2011
  2. ^ "The Communication Company -- Publishing Arm of the Diggers". The Diggers Archive. Archived from the original on 2011-07-21. Retrieved 2010-12-07.
  3. ^ "Com/Co Biblio". diggers.org. Retrieved 2017-07-25.
  4. ^ Didion, Joan. "Slouching Toward Bethelem," Saturday Evening Post (September 23, 1967).
  5. ^ "The Archive of Paul Williams," James Cummins Bookseller website. Retrieved Dec. 26, 2022.
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