José Trinidad Reyes: Difference between revisions
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The Father '''José Trinidad Reyes y Sevilla''' (June 11, 1797 – September 20, 1855) was a [[Hondurans|Honduran]] priest who founded the [[Universidad Nacional Autónoma de Honduras|National Autonomous University of Honduras]], formerly called "{{lang|es-HN|La Sociedad del Genio emprendedor y del buen gusto}}" ('The Society of the Enterprising Genius and Good Taste'). He advocated against poverty |
The Father '''José Trinidad Reyes y Sevilla''' (June 11, 1797 – September 20, 1855) was a [[Hondurans|Honduran]] priest who founded the [[Universidad Nacional Autónoma de Honduras|National Autonomous University of Honduras]], formerly called "{{lang|es-HN|La Sociedad del Genio emprendedor y del buen gusto}}" ('The Society of the Enterprising Genius and Good Taste'). He advocated against poverty by assisting the poor and insisting on their right to education on matters of faith, culture and science. |
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He wrote several theatrical [[pastorela]]s. These works established a base for the subsequent appearance of [[theatre]] in Honduras. Father Reyes presented these pastorelas in [[Tegucigalpa|Tegucigalpa's]] churches. One song he wrote was "{{lang|es-HN|Navidad nuestra}}" ('Our Christmas'), which over time has turned into a classic of Honduran contemporary theatre owing to its harmonious mixing of different traditions that take place during Christmas in Honduras. |
He wrote several theatrical [[pastorela]]s. These works established a base for the subsequent appearance of [[theatre]] in Honduras. Father Reyes presented these pastorelas in [[Tegucigalpa|Tegucigalpa's]] churches. One song he wrote was "{{lang|es-HN|Navidad nuestra}}" ('Our Christmas'), which over time has turned into a classic of Honduran contemporary theatre owing to its harmonious mixing of different traditions that take place during Christmas in Honduras. |
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Reyes was a polemicist in favour of women's rights. His stance is reflected in his [[pastorela]]s, |
Reyes was a polemicist in favour of women's rights. His stance is reflected in his [[pastorela]]s, which features strong female characters in many of his work. His most celebrated document, a feminist manifesto, appeared under the pseudonym of Sofía Seyers. In it, Reyes pleads for women to be given the right to basic education. Many ideas expressed by Reyes in this article were inspired by the ideas of the women of the [[French Revolution]]. During his political tenure he was able to change the views of many on the French Revolution. Reyes was influenced by ideas from [[Age of Enlightenment|The Enlightenment]], [[Humanism]] and [[Sacred art|Religious Art]]. |
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He was convinced of the importance of the arts, especially in theatre, as an instrument to civilize and bring progress to nations. During his life in Tegucigalpa he fought against political fanaticism and religious superstition. |
He was convinced of the importance of the arts, especially in theatre, as an instrument to civilize and bring progress to nations. During his life in Tegucigalpa he fought against political fanaticism and religious superstition. |
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José Trinidad Reyes | |
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 "Wisdom, not only distinguishes man from the beasts, but it gives him superiority and preference over his peers."[a] | |
| Personal details | |
| Born | José Trinidad Reyes June 11, 1797 |
| Died | September 20, 1855 (aged 58) Tegucigalpa, Honduras |
| Nationality | Honduran |
| Denomination | Catholic |
| Parents | Felipe Santiago de Reyes and María Francisca Sevilla |
| Profession | Bachelor in Philosophy, Theology and Canon law |
The Father José Trinidad Reyes y Sevilla (June 11, 1797 – September 20, 1855) was a Honduran priest who founded the National Autonomous University of Honduras, formerly called "La Sociedad del Genio emprendedor y del buen gusto" ('The Society of the Enterprising Genius and Good Taste'). He advocated against poverty by assisting the poor and insisting on their right to education on matters of faith, culture and science.
He wrote several theatrical pastorelas. These works established a base for the subsequent appearance of theatre in Honduras. Father Reyes presented these pastorelas in Tegucigalpa's churches. One song he wrote was "Navidad nuestra" ('Our Christmas'), which over time has turned into a classic of Honduran contemporary theatre owing to its harmonious mixing of different traditions that take place during Christmas in Honduras.
Reyes was a polemicist in favour of women's rights. His stance is reflected in his pastorelas, which features strong female characters in many of his work. His most celebrated document, a feminist manifesto, appeared under the pseudonym of Sofía Seyers. In it, Reyes pleads for women to be given the right to basic education. Many ideas expressed by Reyes in this article were inspired by the ideas of the women of the French Revolution. During his political tenure he was able to change the views of many on the French Revolution. Reyes was influenced by ideas from The Enlightenment, Humanism and Religious Art.
He was convinced of the importance of the arts, especially in theatre, as an instrument to civilize and bring progress to nations. During his life in Tegucigalpa he fought against political fanaticism and religious superstition.
Biography
José Trinidad Reyes was born to music teacher Felipe Santiago de Reyes and María Francisca Sevilla in San Miguel County, Tegucigalpa. He was baptized on June 14 of same year, at three days old, by the Reverend Father Fray Nicolás Hermosilla.
In 1804, he entered a private school in Tegucigalpa and began to learn the reading and teaching of the Catholic faith with Miss Góme, one of called "the tezchers". In 1812, at age 15, he learned Latin. He took music classes from Friar Juan Altamiran, of the convent "Nuestra Señora de las Mercedes", and learned to draw from Mr Rafael U. Martínez, a Guatemalan painter located in Honduras.
On June 20, 1815, in order to continue his studies, Reyes left Tegucigalpa for León, Nicaragua under the guard of a farmworker named Miguel Alvarez. He was accompanied by devotees who were on pilgrimage to the town of El Viejo. In León, he earned a bachelor's degree in Philosophy, Theology and Canon Law, and perfected his knowledge of music by getting a job as assistant of the Kapellmeister of León's cathedral. In 1819, he joined the Convento de los Recoletos de León ('Convent of the Recoletos of León') as a novice, and later became a Subdeacon of that convent.
Diaconate and priesthood
In 1825, he began his religious profession as deacon and priest, receiving the orders from the bishop of the city, Garcia Jerez.
In 1825, due to the civil war unleashed in Nicaragua, the Recoletos were expelled and saw themselves forced to go to Guatemala. There, Reyes studied the Greek and Latin classics, works of the Spanish dramatists Lope de Vega and Calderón de la Barca and read some theatrical pieces from México, especially from Oaxaca and Chiapas. He finished his humanist and religious education in Guatemala.
In 1828, with permission from his superiors Reyes returned to Honduras to spend some time close to his family. He passed through the town of Chiquimula and stopped in Esquinpulas, where it is said that he lost his sight for a few days. On the afternoon of July 13, he arrived to the nearby town "La Concepcion" ('The Conception') —or Comayagüela— and at next day celebrated his first mass in the church of "La Concepción".
After that he was installed in the vacant convent of "Nuestra Señora de la Mercedes", located in Tegucigalpa. According to his biographer Ramón Rosa, that would be his habitual dwelling until his death.
In 1830, Trinidad Reyes wrote in verse a birthday felicitation to General Francisco Morazán, president of the Federal Republic of Central America.
In 1835, he rebuilt the chapel of the temple in "La Merced" and the temples in "San Francisco" and "El Calvario". He also built the small temples in "Las Casitas", the temple "Soraguara" and "Suyapa", since then famous for its little virgin. He also helped to Mr Antonio Tranquilino de la Rosa in the reparation of the Parochial Church of Tegucigalpa, which was in ruins due to land tremors at 1809.
In February 1837, Reyes pronounced a praiser sermon to mark the restoration of Parochial Church of Tegucigalpa, where he opened his Mass called "El Tancredo". The same year, he contracted Asian cholera during his work helping victims, and barely survived after being "between life and death", according to Ramón Rosa.
In 1838, he wrote his "Second Pastorela" Micol, dedicated to Misses Juana y Rafaela Robelo. Previously had written Noemí that, according to his biographers, is his earliest work, written between 1828 and this year.
In 1840, he wrote an Auto Sacramental divided into three acts: Adoración a los Santos Reyes Magos, literally translated: Adoration to the Three Magician Kings, so called the Wise Men.
In 1841, he opened his pastorela Micol in Tegucigalpa.
In 1842, he was nominated in the list of candidates to occupy the Honduras' church diocese. However, was appointed the presbyter Mr Francisco de Paula Campoy y Pérez, who had been Vicar Departmental of Gracias. It Has been refuted, with reliable proves, the arguments of Dr. Ramón Rosa, who guarantees that Father Reyes was appointed Honduras' Bishop by Gregory XVI. In 1845 he traveled to city Comayagua, were trated [sic?] the recently consecrated Honduras' Bishop, Campoy y Pérez. Ramón Rosa declares that Reyes was there as detained by orders of General Francisco Ferrera.
On December 14 of that year, he installed himself at the Government House, the "Society of the Enterprising Genius and Good Taste", where he later founded the Honduras Autonomous University, of which Father Reyes was rector. He, as rector, gave an eloquent opening speech, whose text was rescued by Esteban Guardiola in his History of the University of Honduras.
In 1846, he went to Comayagua, and on May 23, wrote his Elegy to General Mr. Francisco Ferrera, on the death of his son Fulgencio. This composition shows, relatively, that it hadn't any enmity with General Francisco Ferrera, but the contrary, a familiarity.
In June 1847, he returned to Tegucigalpa due to his mother's death.
On September 19, Trinidad Reyes opened the Honduras' University, chairing the event with the chief of state Mr Juan Lindo and Bishop Campoy y Perez. That year, he organized the first Honduras' library called "Library of the Academy", and made first operational print of the Honduran country, the "Print of the Academy", which was brought by General Francisco Morazán in 1829.
Reyes brought the first piano to the city Tegucigalpa, believed to have formerly been in the municipality Ojojona, property of the Díaz Zelaya family by his biographers.
This same year he wrote one of his acquaintances When..., satirical compositions and filled of family humour. To these, only three numbers were conserved, written in tenths octosyllabic and ending with the exclamation "when".
In 1848, he wrote his well-known "Invitation to stroll to the lake" to the society of Tegucigalpa, dated on February 9, and made by petition of students.
In 1849, his father died, a victim of mental insanity.
On April 16 of 1850, Reyes wrote his poem Honduras, which has six octaves in ten syllables and is dedicated to the generals Gerardo Barrios and Trinidad Cabañas, and all soldiers, officers and chiefs of El Salvador and Honduras.
On September 29 of the same year, he wrote his poem "To the independence", which consists of seven octaves in ten syllables, and a quartet as the epigraph.
On February 2, 1851, the Candlemas Day, he opened with his pastorela Elisa, dedicated to the young ladies Juana and Jerónima Godoy. By then he had written and presented his pastorelas: Neftalia, Selfa y Rubenia. The first was dedicated to the young ladies María and Isidora Reyes, who did the role of Séfora. The other two pastorelas were dedicated to the young ladies Manuela Vega, Juana Velásquez and Maclovia Bonilla.
He also wrote his pastorela Albano, which he dedicated to young lady Raimunda Milla, and although it was rehearsed, it was never performed due to threatened violence over the appearing of political figures, according Ramón Rosa.
On September 15, 1852, he presented his Political-Religious Discourse at the opening of Central American Congress, met in Tegucigalpa, which were deputies of the nation. On October 10 he wrote and issued for this occasion his Octaves to the deputies of the National Constituent Congress.
On September 10, 1853, he wrote Canto Elegíaco, on the death of Bishop Mt. Jorge Viteri y Ungo.
In early 1855, Reyes started to get sick of stomach and was treated by the doctors Mr. Máximo Soto and Mr. Hipólito Matute. This year he published his Elementary Lessons of Fhysics, which in March, with the Printer of Academy, became a study book for the youth of the time.
Before June, he traveled to the city Comayagua, to visit the bishop, Hipólito Casiano Flores, who had come to consecrate himself from El Salvador, and who he accompanied on his first Pontifical Mass, according to Ramón Rosa.
In his final year, he wrote his most poetically successful pastorela, Olympia, named probably by inspiration of the French feminist Olympe de Gouges, murdered by her struggle for equality between men and women. This work was dedicated to a young lady, Trinidad Boquín.
He retired to the country, to the neighbouring village Soroguara —in late July possibly— to recover his health, and returned in late August to Tegucigalpa, where, he was in his deathbed since mid-September until his death on 20th of this month at ten hours, surrounded by his disciples and families in the room now occupied by the National Archive. His remains are buried in the Parish Church.
Literary criticism
Rubén Darío said of Father Reyes: "This was a simple poet, though sometimes he took flight with the audacity of a magnificent inspiration. His main works were made to be sung or performed."[1]
Notes and references
- ^ Translation from Spanish:“La sabiduría, no sólo distingue al hombre de las fieras, si no que le da superioridad y preferencia, sobre sus semejantes".
References
- ^ Darío, Rubén (1887). "La Literatura en Centro-América". Revista de artes y letras (in Spanish). XI. Biblioteca Nacional de Chile: 595. MC0060418. Retrieved 25 March 2019.
Padre Reyes, también poeta. Este es el poeta sencillo, aunque á veces volara lleno de las audacias de una inspiración soberbia. Sus principales producciones fueron escritas para ser representadas ó cantadas. A veces autos sacramentales, á veces pastorelas y villancicos. Aún en los pueblos que conservan sabor de lo pasado se representan las segundas en las noches de pascua. Placía sus versos el padre para ser entendidos por los rústicos, y, en verdad, que hay en todos perfume de égloga, dulzura de miel de abeja.
Sources
- Aguilar-Paz Cerrato, Francisco Salvador (March–April 1965). "José Trinidad Reyes". Honduras Literaria. 14. Universidad Nacional Autónoma de Honduras.
- Aguilar-Paz Cerrato, Francisco Salvador. "José Trinidad Reyes: Dramaturgo". Retrieved 2014-01-28.
- Castro, Carlos M. "José Trinidad Reyes (Honduras, 1797-1855)". Archived from the original on 2009-08-05. Retrieved 2014-01-28.
