Nick Gold: Difference between revisions
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Gold graduated from the [[University of Sussex]] with a degree in [[African history]], prior his graduation, he started his career working in a [[jazz]] record store in [[London]] where he discovered about Arts Worldwide, an organization that puts up concerts for musicians across the world. The organization would go on and created a record company to produce recordings after high demand from audiences who wanted records. Preceding the creation of the label, the organization hired Gold as the pantologist of the label and was given first appointment to find a recording studio and a producer for [[Kenya|Kenyan]] musical group, Shiratti Jazz. According to the ''New York Times'', that was his first time in a [[recording studio]] and the first time he saw a [[mixing console]].<ref>{{Cite news |last=Sisario |first=Ben |date=2006-07-25 |title=A master of mixing world musicians - Arts & Leisure - International Herald Tribune |language=en-US |work=[[The New York Times]] |url=https://www.nytimes.com/2006/07/25/arts/25iht-ali.2285440.html |access-date=2023-02-25 |issn=0362-4331}}</ref> |
Gold graduated from the [[University of Sussex]] with a degree in [[African history]], prior his graduation, he started his career working in a [[jazz]] record store in [[London]] where he discovered about Arts Worldwide, an organization that puts up concerts for musicians across the world. The organization would go on and created a record company to produce recordings after high demand from audiences who wanted records. Preceding the creation of the label, the organization hired Gold as the pantologist of the label and was given first appointment to find a recording studio and a producer for [[Kenya|Kenyan]] musical group, Shiratti Jazz. According to the ''New York Times'', that was his first time in a [[recording studio]] and the first time he saw a [[mixing console]].<ref>{{Cite news |last=Sisario |first=Ben |date=2006-07-25 |title=A master of mixing world musicians - Arts & Leisure - International Herald Tribune |language=en-US |work=[[The New York Times]] |url=https://www.nytimes.com/2006/07/25/arts/25iht-ali.2285440.html |access-date=2023-02-25 |issn=0362-4331}}</ref> |
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Around early 90s, Gold bought the organization and took over. Prior that, Gold invited American musician [[Ry Cooder]] and Malian singer [[Ali Farka Touré]] in london where they passed a guitar to and fro and came to an agreement to work together in the future. In 1996, he intended to bring two Malian guitarists to [[Cuba]] for sessions with Ry Cooder and a group of Cuban musicians, as an inspection in Afro-Cubanism but the guitarists didn't make it to Cuba because they were not given visas. Gold would go on and concregated more Cubans of varying ages and performing styles and founded Beauna Vista Social Club. |
Around early 90s, Gold bought the organization and took over. Prior that, Gold invited American musician [[Ry Cooder]] and Malian singer [[Ali Farka Touré]] in london where they passed a guitar to and fro and came to an agreement to work together in the future.<ref>{{Cite web |title=Ry Cooder Interview 2 Excerpts - Buena Vista Social Club |url=https://www.pbs.org/buenavista/musicians/bios/cooder_int_2_excerpts.html |access-date=2023-02-26 |website=[[PBS]]}}</ref> In 1996, he intended to bring two Malian guitarists to [[Cuba]] for sessions with Ry Cooder and a group of Cuban musicians, as an inspection in Afro-Cubanism but the guitarists didn't make it to Cuba because they were not given visas. Gold would go on and concregated more Cubans of varying ages and performing styles and founded Beauna Vista Social Club. |
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Gold produced 1984 Grammy award-winning studio album by Ali Farka Touré, ''Cherie'', he co-produced Buena Vista Social Club's 1996 debut studio album [[Buena Vista Social Club (album)|Buena Vista Social Club]]. Gold is also noted for his production, engineering and coordination credits on [[Toumani Diabaté]], [[London Symphony Orchestra]], [[Afro-Cuban All Stars]], [[Afel Bocoum]], [[Tony Allen (musician)|Tony Allen]], [[Orchestra Baobab]], [[Djeli Moussa Diawara]], [[Fatoumata Diawara]], [[Cheikh Lô]], [[Oumou Sangaré]] and [[Hugh Masekela]].<ref>{{Cite web |title=Nick Gold {{!}} Credits |url=https://www.allmusic.com/artist/nick-gold-mn0000337280/credits |access-date=2023-02-25 |website=[[AllMusic]] |language=en}}</ref> |
Gold produced 1984 Grammy award-winning studio album by Ali Farka Touré, ''Cherie'', he co-produced Buena Vista Social Club's 1996 debut studio album [[Buena Vista Social Club (album)|Buena Vista Social Club]]. Gold is also noted for his production, engineering and coordination credits on [[Toumani Diabaté]], [[London Symphony Orchestra]], [[Afro-Cuban All Stars]], [[Afel Bocoum]], [[Tony Allen (musician)|Tony Allen]], [[Orchestra Baobab]], [[Djeli Moussa Diawara]], [[Fatoumata Diawara]], [[Cheikh Lô]], [[Oumou Sangaré]] and [[Hugh Masekela]].<ref>{{Cite web |title=Nick Gold {{!}} Credits |url=https://www.allmusic.com/artist/nick-gold-mn0000337280/credits |access-date=2023-02-25 |website=[[AllMusic]] |language=en}}</ref> |
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Revision as of 18:29, 26 February 2023
Nick Gold is a British record producer, multi-instrumentalist and music executive best known for being the founder of World Circuit Records and Buena Vista Social Club, which he established in 1996. Gold is a two time Grammy Award winner. In 2006, The New York Times described him as a "Musical Matchmaker".[1][2]
Biography
Gold graduated from the University of Sussex with a degree in African history, prior his graduation, he started his career working in a jazz record store in London where he discovered about Arts Worldwide, an organization that puts up concerts for musicians across the world. The organization would go on and created a record company to produce recordings after high demand from audiences who wanted records. Preceding the creation of the label, the organization hired Gold as the pantologist of the label and was given first appointment to find a recording studio and a producer for Kenyan musical group, Shiratti Jazz. According to the New York Times, that was his first time in a recording studio and the first time he saw a mixing console.[3]
Around early 90s, Gold bought the organization and took over. Prior that, Gold invited American musician Ry Cooder and Malian singer Ali Farka Touré in london where they passed a guitar to and fro and came to an agreement to work together in the future.[4] In 1996, he intended to bring two Malian guitarists to Cuba for sessions with Ry Cooder and a group of Cuban musicians, as an inspection in Afro-Cubanism but the guitarists didn't make it to Cuba because they were not given visas. Gold would go on and concregated more Cubans of varying ages and performing styles and founded Beauna Vista Social Club.
Gold produced 1984 Grammy award-winning studio album by Ali Farka Touré, Cherie, he co-produced Buena Vista Social Club's 1996 debut studio album Buena Vista Social Club. Gold is also noted for his production, engineering and coordination credits on Toumani Diabaté, London Symphony Orchestra, Afro-Cuban All Stars, Afel Bocoum, Tony Allen, Orchestra Baobab, Djeli Moussa Diawara, Fatoumata Diawara, Cheikh Lô, Oumou Sangaré and Hugh Masekela.[5]
References
- ^ Sisario, Ben (2006-07-23). "Nick Gold, the Musical Matchmaker Who Gave Mali the Blues". The New York Times. ISSN 0362-4331. Retrieved 2023-02-25.
- ^ "Nick Gold". Grammy Awards. Retrieved 2023-02-25.
- ^ Sisario, Ben (2006-07-25). "A master of mixing world musicians - Arts & Leisure - International Herald Tribune". The New York Times. ISSN 0362-4331. Retrieved 2023-02-25.
- ^ "Ry Cooder Interview 2 Excerpts - Buena Vista Social Club". PBS. Retrieved 2023-02-26.
- ^ "Nick Gold | Credits". AllMusic. Retrieved 2023-02-25.
