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| quote =In his casting notes, Jacobs observes that two of his favorite films, “The Bicycle Thief” and “Open City,” as well as the Brazilian “City of God,” used amateur performers in the lead roles “with great success.”
| quote =In his casting notes, Jacobs observes that two of his favorite films, “The Bicycle Thief” and “Open City,” as well as the Brazilian “City of God,” used amateur performers in the lead roles “with great success.” “I figured it would be easier to teach a street kid to act than to teach a teen actor to play street,” he writes.
“I figured it would be easier to teach a street kid to act than to teach a teen actor to play street,” he writes.
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Revision as of 14:15, 15 March 2023

For persons of a similar name, see Alan Jacobs (disambiguation).

Alan Jacobs is an American independent film director, screenwriter and producer.[1] His films have been acquired by major distributors, including Miramax and Columbia Pictures and have been invited to several major festivals, including Sundance and Toronto.[2] His career began at Apple Inc., where he was the in-house filmmaker. Jacobs is a graduate of Wesleyan University and the Stanford Business School.

Early life and career

Jacobs was born to Sara and Bernard Jacobs, in Tappan, New York. He grew up in Tappan NY and attended Tappan Zee High School, in Orangeburg, New York.[3] Jacobs studied writing and literature at Wesleyan University in Middletown, Connecticut from which he graduated in 1980.[4] He received an MBA from the Stanford Business School in 1988.[5]

After graduation, he began his career at Apple Inc., where he was the in-house filmmaker.[6][7] Jacobs left Apple in 1991 in his mid-20s, before which he had almost no interest in movies.[6][8] That year he wrote the screenplays for two movies based in San Francisco, California: Nina Takes a Lover and Just One Night (then titled SFO).[6]

Nina Takes a Lover

His first feature, Nina Takes a Lover (1994), was an independent film that Jacobs wrote, directed and produced for $600,000.[5] The film features a young woman who retells the story of an affair she had when she felt that the romance had disappeared from her marriage. At the movie's end, the viewer learns that the affair was an elaborate sexual roleplay with her actual husband.[9] Jacobs funded the film in part with help from his former classmates at Stanford's Graduate School of Business.[5]

From the beginning, Jacobs wanted Laura San Giacomo to play the main character, Nina, but his first casting directors refused to pursue her, saying that San Giacomo was too big a star. Jacobs fired them and hired a new casting director, Rick Pagano, who agreed to help. San Giacomo loved the screenplay and agreed to join the movie for the Screen Actors Guild minimum rate.[5] Paul Rhys, Fisher Stevens, and Michael O'Keefe also joined the production, with Rhys playing the eponymous lover of the title.[7]

Both the Sundance Film Festival[10] and the Toronto International Film Festival[11] accepted the film. At Sundance, the film was a nominee for the Grand Jury Prize in the Dramatic category.[12] Columbia Pictures bought the rights to Nina Takes a Lover and distributed it theatrically.[5]

On general release, Nina Takes a Lover received mixed reviews. On Rotten Tomatoes, the film has an approval rating of 50% based on 6 critics' reviews.[13]

Todd McCarthy of Variety called it "a wisp of a film that leaves no indelible impression save a general attractiveness and civilized sensibility."[14] Roger Ebert praised the acting and said the two leads "generate authentic chemistry," but said he "felt vaguely cheated and empty" when the movie concluded.[9] Stephen Holden of The New York Times wrote that the film "aspires to be a gently amused evocation of sexual boredom within marriage. It even offers a novel solution to the problem. But its characters are hopelessly shallow, evasive and charmless, the perfect targets for confirmed yuppie-bashers."[15]

TV Guide said "San Francisco's charm is well used" and the film makes it seem "like the most romantic city on earth."[16] David Armstrong of the San Francisco Chronicle wrote that while the film's twist ending didn't feel convincing, Alan Jacobs "coaxes warm yet wary performances from his actors" and "has a good ear for how lovers talk - the shyly revealed secrets, the shared code words - and a strong sense of the way newly intimate strangers peel away layers of defense, their own and the other person's."[17] Mick LaSalle, also of the San Francisco Chronicle, called it "a nice little picture" that showed a non-tourist side of San Francisco and gave Jacobs "a good track record".[6]

Early 2000s

Following the release of Nina Takes a Lover, the San Francisco Chronicle reported that Jacobs was working on a picture called SFO starring Timothy Hutton, again set in San Francisco.[17][6] Unlike in Nina Takes a Lover, Jacobs focused on more touristy-y aspects of the city in his shooting, since Hutton's protagonist was from out of town. The picture also included appearances from San Francisco notables Don Novello (a comedian) and Mayor Willie Brown.[6]

In 2000, the picture was released under the title Just One Night. It is a screwball comedy about the crazy exploits of an earnest groom-to-be (Timothy Hutton) who seeks his lost shoe all over the city with the help of an unhappily married woman (Maria Grazia Cucinotta).[18][19]

Also in 2000, Jacobs co-directed the Indian-US animated co-production Sinbad: Beyond the Veil of Mists with Evan Ricks.[20] It was the first full-length animated movie ever created solely from the motion capture process.[21][22] The movie tells the story of Sinbad the Sailor, best known from One Thousand and One Nights, as he seeks the ingredients for a magic potion to save the life of a king. The film starred Brendan Fraser as Sinbad, with Leonard Nimoy and Mark Hamill in supporting roles.[23]

Moria described some of the film's early scenes as "uninvolving" and that the film's limited technology came out "looking like a Pixar test reel." However, the reviewer also praised the film's "conceptual wildness of animation" and the more exciting adventure scenes in its second half, such as a sequence with a giant robotic manta ray.[22] Jeff Vice for Deseret News said that the technology looked "more like a video game than a movie" and disliked the acting and screenplay, though he also praised the "imaginative production design".[24]

In 2002, Miramax Films released Jacob's next film, American Gun (2002), which he wrote and directed. Starring James Coburn, Virginia Madsen, and Barbara Bain, the film tells interwoven stories centering on a fatal shooting.[25][26] It would be Coburn's final screen appearance.[26] Critics generally praised Coburn's lead role, with Andrew Wright of The Portland Mercury writing, "Coburn is the whole show [here]."[27]

Jacobs' directing and screenplay drew a variety of reactions. David Hunter of The Hollywood Reporter wrote that Jacobs was "getting a lot of quality cinema out of a tight budget" and praised the "risky" storytelling,[27] while David Nusair at Reel Film Reviews called it a "mostly engaging and intriguing character study".[26] However, Chris Hewitt of the St. Paul Pioneer Press criticized the film's "anti-gun message, warm family drama … and its fake-out structure."[27]

Down for Life

In 2009, Jacobs released Down for Life, a docudrama chronicling the true story of Lesly Castillo, a Hispanic teenage girl who was a gang leader in South Central Los Angeles. Castillo's story gained nationwide attention in 2005 as the subject of a New York Times story by Michael Winerip, "Essays in Search of Happy Endings".[28][29]

Inspired by films that had previously used amateur actors with great success – such as Roberto Rossellini's Rome, Open City, Vittorio De Sica's The Bicycle Thief, and Fernando Meirelles's City of God – Jacobs took a similarly neorealist approach by seeking an amateur performer for Down for Life's lead role of "Rascal." He told the Los Angeles Times, "I figured it would be easier to teach a street kid to act than to teach a teen actor to play street."[30]

The film stars Jessica Romero, who was discovered on a lunch line at Manual Arts High School in Los Angeles, with a supporting cast that includes Danny Glover, Kate del Castillo, Laz Alonso, Elizabeth Peña and Snoop Dogg. The producers of the film visited several inner city schools and conducted brief auditions with approximately 600 teenage girls before casting Romero and her co-stars, Sheila Ochoa, Isamar Guijarro, Ilene Trujillo, and Andrea Valenzuela.[30] Down for Life was invited to both the Toronto and Sundance Film Festivals (though it was not completed in time to screen at the latter). Critics described the film as “moving, motivating, and a must-see.”[31]

Other activities

Jacobs recently started "Archer Entertainment Group," an integrated media company which manages talent in addition to producing films.

Filmography

References

  1. ^ Alan Jacobs, Filmbug, Retrieved 4 June 2013 <http://www.filmbug.com/db/36498>
  2. ^ Alan Jacobs, IMDB, Retrieved 4 June 2013 <https://www.imdb.com/name/nm0414312/>
  3. ^ Tappan Zee High School, Retrieved 4 June 2013 <http://www.socsd.org/tzh/tappanzeehigh.htm Archived 2014-01-06 at the Wayback Machine>[dead link‍]
  4. ^ "Alumni Films Shown at Toronto International Film Festival". The Wesleyan Connection. September 22, 2009. Retrieved March 15, 2023.
  5. ^ a b c d e Klein, Don (22 February 2012). "Independent Streak". Stanford Magazine. Retrieved 19 September 2022.
  6. ^ a b c d e f LaSalle, Mick (22 February 1999). "Renewing an Affair With San Francisco, Alan Jacobs, Ex-Local Gone Hollywood, Returns to Film 'SFO'". San Francisco Chronicle. filminamerica.com. Retrieved 19 September 2022.
  7. ^ a b Brodie, John (January 10, 1994). "'Picture Bride' jilts Sundance". Variety. Retrieved March 15, 2023.
  8. ^ Alan Jacobs Filmography, Fandango, Retrieved 4 June 2013 <http://www.fandango.com/alanjacobs/filmography/p277041> [dead link‍]
  9. ^ a b Ebert, Roger (1995-05-05). "Nina Takes A Lover Movie Review (1995)". RogerEbert.com. Retrieved 2018-06-09.
  10. ^ Sundance Film Festival, Retrieved 4 June 2013 <http://www.sundance.org/festival/>
  11. ^ Toronto International Film Festival, Retrieved 4 June 2013 <http://tiff.net/>
  12. ^ "Nina Takes a Lover (1994) - Awards". Internet Movie Database. Retrieved March 15, 2023.
  13. ^ "Nina Takes a Lover". Rotten Tomatoes. Retrieved October 6, 2022.
  14. ^ McCarthy, Todd (1994-01-25). "Nina Takes a Lover". Variety. Retrieved 2018-06-09.
  15. ^ Holden, Stephen (1995-05-12). "FILM REVIEW; The Course Of an Affair To Forget". The New York Times. Retrieved 2018-06-09.
  16. ^ "Nina Takes a Lover". TVGuide.com. Retrieved October 6, 2022.
  17. ^ a b Armstrong, David (3 March 1995). "Acting and writing impressive in 'Nina'". San Francisco Chronicle. Retrieved 19 September 2022.
  18. ^ "Just One Night — 2000". AV Club. Retrieved March 15, 2023.
  19. ^ "Just One Night". Internet Movie Database. Retrieved March 15, 2023.
  20. ^ "Evan Ricks". Internet Movie Database. Retrieved March 15, 2023.
  21. ^ "Sinbad: Beyond the Veil of Mists". msn.com. Retrieved March 15, 2023.
  22. ^ a b "Sinbad: Beyond the Veil of Mists (2000)". Moria Reviews. Retrieved March 15, 2023.
  23. ^ "Sinbad: Beyond the Veil of Mists Reviews". TV Guide. 1999. Retrieved March 15, 2023.
  24. ^ Vice, Jeff (July 10, 2004). "Film review: Sinbad: Beyond the Veil of Mists". Deseret News. Retrieved March 15, 2023.
  25. ^ "American Gun". Internet Movie Database. Retrieved March 15, 2023.
  26. ^ a b c Nusair, David (15 February 2004). "American Gun (February 15/04)". ReelFilm. Retrieved 19 June 2015.
  27. ^ a b c "American Gun". Rotten Tomatoes. Retrieved March 15, 2013.
  28. ^ Winerip, Michael (August 10, 2005). "Essays in Search of Happy Endings". The New York Times. Retrieved March 15, 2023.
  29. ^ Faughnder, Ryan (October 25, 2010). "REVIEW: 'Down for Life' exposes realities of gang involvement". Intersections. Retrieved March 15, 2023.
  30. ^ a b Johnson, Reed (September 14, 2009). "Lending the film L.A. authenticity". The Los Angeles Times. Retrieved March 15, 2023. In his casting notes, Jacobs observes that two of his favorite films, "The Bicycle Thief" and "Open City," as well as the Brazilian "City of God," used amateur performers in the lead roles "with great success." "I figured it would be easier to teach a street kid to act than to teach a teen actor to play street," he writes.
  31. ^ Down for Life, The Voice, Retrieved 17 June 2013
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