Haft Awrang: Difference between revisions
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==Freer Jami== |
==Freer Jami== |
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Between 1556 and 1565, while he was governing [[Mashad]], Prince Sultan [[Ibrahim Mirza]], nephew and son-in-law of Shah [[Tahmasp I]], commissioned his own atelier of painters and calligraphers to create a sumptuous illustrated version of the Haft Awrang, producing one of the undoubted masterpieces of the [[Persian miniature]], now in the [[Freer Gallery of Art]], and known as the Freer Jami. |
Between 1556 and 1565, while he was governing [[Mashad]], Prince Sultan [[Ibrahim Mirza]], nephew and son-in-law of Shah [[Tahmasp I]], commissioned his own atelier of painters and calligraphers to create a sumptuous illustrated version of the Haft Awrang, producing one of the undoubted masterpieces of the [[Persian miniature]], now in the [[Freer Gallery of Art]], and known as the '''Freer Jami'''.<ref>{{Cite book |last=Simpson |first=Marianna Shreve |url=https://www.worldcat.org/oclc/36011617 |title=Sultan Ibrahim Mirza's Haft awrang : a princely manuscript from sixteenth-century Iran |date=1997 |publisher=Yale University Press |others=Massumeh Farhad, Freer Gallery of Art |isbn=0-300-06802-6 |location=New Haven |oclc=36011617}}</ref> |
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==== History of the Freer Jami manuscript ==== |
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The manuscript's journey can be traced across the centuries and several empires through official seal stampings on its pages and variations in materials and styles particular to certain periods and locations throughout the [[Persia]], [[India|India,]] and [[Europe]]. |
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Ibrahim Mirza may have originally commissioned the manuscript's creation to celebrate the wedding of Shah Tahmasp I. The romantic and philosophical themes of Jami's seven masnavis would have been appropriate as a gift to a recently married man. At least five calligraphers contributed to the manuscript's creation: Shah Mahmud Nishapuri, Rustam 'Ali, Muhibb 'Ali, Malik al-Daylami, and Ayshi ibn Ishrati. It was also transcribed in three different cities: Mashhad, Qazvin, and Herat. Once the individual contributions were brought together and assembled, further decoration was added. The manuscript includes copious illuminations throughout the seven poems, including 28 full-page paintings featuring complex arrangements of detailed architectural settings and idealized figures.<ref name=":0">{{Cite book |url=https://www.worldcat.org/oclc/1112145568 |title=The Oxford illustrated history of the book |date=2020 |others=James Raven |isbn=978-0-19-870298-6 |edition=First edition |location=Oxford, United Kingdom |oclc=1112145568}}</ref> |
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The first indication of transfer can be found on a page with multiple seal impressions indicating that around 1609, the Safavid [[Abbas the Great|shah 'Abbas I]] donated the manuscript to the dynastic shrine at [[Ardabil]].<ref name=":0" /> |
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Around the mid-seventeenth century, the manuscript found its way to the [[Mughal Empire]] in India. A page with inspection notes and more seal impressions was added to the end folio which references [[Shah Jahan|Shah Jahan I]] (r. 1628-1658) and his successor [[Aurangzeb|Awrangzib]] (r.1658-1707).<ref name=":0" /> |
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Scholars believe it travelled back to the region which is now Iran by the late eighteenth or nineteenth century, as the first folio exhibits illumination in the [[Qajar art|Qajar]] period style (1785-1906). It most likely acquired its current decorated 'lacquer' covers and red leather spine in Europe after that. The next verified step in the manuscript's journey is in a sale catalog from 1926 Milan, Italy, where [[Hagop Kevorkian]] acquired it. The [[Smithsonian Institution|Smithsonian Institute]] purchased the manuscript from him in 1946.<ref name=":0" /><ref name=":1">{{Cite web |title=You searched for Haft Awrang |url=https://asia.si.edu/search/Haft+Awrang/ |access-date=2023-03-22 |website=Smithsonian's National Museum of Asian Art |language=en-US}}</ref> It remains in the Washington D.C. [[Freer Gallery of Art|Freer Gallery]]. All of the manuscript's pages can be viewed in the Smithsonian Institute's online database.<ref name=":1" /> |
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==References== |
==References== |
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Revision as of 02:53, 22 March 2023
Haft Awrang (Template:Lang-fa, meaning "Seven Thrones") by the Persian poet Jami is a classic of Persian literature composed some time between 1468 and 1485. Jami completed the work as seven books following a masnavi format:
- "Selselat adh-dhahab" (سلسلة الذهب, "Chain of Gold"): a collection of didactic anecdotes
- "Yusof-o Zulaikhā" (یوسف و زلیخا, "Joseph and Zulaikha"): the romance of Joseph and Zulaikha, wife of Potiphar based on the Islamic traditions.
- "Sabhat al-abrār" (سبحة الابرار, "Rosary of the Pious"): another collection of didactic anecdotes
- "Salaman-o Absāl" (سلامان و ابسال, Salaman and Absal): A doomed romance between a prince and his nursemaid. The original story is Greek, translated in the early Islamic times to Arabic by Ibn Hunain and then rendered into Persian poem by Jami. Dehkhoda suggests this story might have an Israelite origin.
- "Tohfat ol-ahrār (تحفة الاحرار, "Gift of the Free")
- "Layli-o Majnun" (لیلی و مجنون, "Layla and Majnun")
- "Kheradnāma-i Eskandari" (خردنامهٔ اسکندری, "Alexander's Book of Wisdom") account of events leading up to Alexander's death.
The term Haft Awrang itself is a reference to the seven stars that form the Big Dipper (the Plough or دب اکبر).
Religion, philosophy, and ethics of Sufi origin lie at the root of all seven masnavis.
Freer Jami
Between 1556 and 1565, while he was governing Mashad, Prince Sultan Ibrahim Mirza, nephew and son-in-law of Shah Tahmasp I, commissioned his own atelier of painters and calligraphers to create a sumptuous illustrated version of the Haft Awrang, producing one of the undoubted masterpieces of the Persian miniature, now in the Freer Gallery of Art, and known as the Freer Jami.[1]
History of the Freer Jami manuscript
The manuscript's journey can be traced across the centuries and several empires through official seal stampings on its pages and variations in materials and styles particular to certain periods and locations throughout the Persia, India, and Europe.
Ibrahim Mirza may have originally commissioned the manuscript's creation to celebrate the wedding of Shah Tahmasp I. The romantic and philosophical themes of Jami's seven masnavis would have been appropriate as a gift to a recently married man. At least five calligraphers contributed to the manuscript's creation: Shah Mahmud Nishapuri, Rustam 'Ali, Muhibb 'Ali, Malik al-Daylami, and Ayshi ibn Ishrati. It was also transcribed in three different cities: Mashhad, Qazvin, and Herat. Once the individual contributions were brought together and assembled, further decoration was added. The manuscript includes copious illuminations throughout the seven poems, including 28 full-page paintings featuring complex arrangements of detailed architectural settings and idealized figures.[2]
The first indication of transfer can be found on a page with multiple seal impressions indicating that around 1609, the Safavid shah 'Abbas I donated the manuscript to the dynastic shrine at Ardabil.[2]
Around the mid-seventeenth century, the manuscript found its way to the Mughal Empire in India. A page with inspection notes and more seal impressions was added to the end folio which references Shah Jahan I (r. 1628-1658) and his successor Awrangzib (r.1658-1707).[2]
Scholars believe it travelled back to the region which is now Iran by the late eighteenth or nineteenth century, as the first folio exhibits illumination in the Qajar period style (1785-1906). It most likely acquired its current decorated 'lacquer' covers and red leather spine in Europe after that. The next verified step in the manuscript's journey is in a sale catalog from 1926 Milan, Italy, where Hagop Kevorkian acquired it. The Smithsonian Institute purchased the manuscript from him in 1946.[2][3] It remains in the Washington D.C. Freer Gallery. All of the manuscript's pages can be viewed in the Smithsonian Institute's online database.[3]
References
- Simpson, J.R.R. Marianna Shreve (1997). Sultan Ibrahim Mirza's Haft Awrang: A Princely Manuscript from Sixteenth-Century Iran. Yale University Press. hardback: ISBN 978-0-300-06802-3
External links
- ^ Simpson, Marianna Shreve (1997). Sultan Ibrahim Mirza's Haft awrang : a princely manuscript from sixteenth-century Iran. Massumeh Farhad, Freer Gallery of Art. New Haven: Yale University Press. ISBN 0-300-06802-6. OCLC 36011617.
- ^ a b c d The Oxford illustrated history of the book. James Raven (First edition ed.). Oxford, United Kingdom. 2020. ISBN 978-0-19-870298-6. OCLC 1112145568.
{{cite book}}:|edition=has extra text (help)CS1 maint: location missing publisher (link) CS1 maint: others (link) - ^ a b "You searched for Haft Awrang". Smithsonian's National Museum of Asian Art. Retrieved 2023-03-22.