Europa (1991 film): Difference between revisions
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The film received largely positive reviews from critics. [[Review aggregator]] website [[Rotten Tomatoes]] reports an 81% score based on 16 reviews, with an average rating of 7.3/10.<ref>{{cite web |url=http://www.rottentomatoes.com/m/zentropa/ |title=Zentropa (Europa) (1992) |work=[[Rotten Tomatoes]] | access-date=8 March 2018}}</ref> |
The film received largely positive reviews from critics. [[Review aggregator]] website [[Rotten Tomatoes]] reports an 81% score based on 16 reviews, with an average rating of 7.3/10.<ref>{{cite web |url=http://www.rottentomatoes.com/m/zentropa/ |title=Zentropa (Europa) (1992) |work=[[Rotten Tomatoes]] | access-date=8 March 2018}}</ref> |
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The Lexicon of International Film gave a positive review: "A straightforwardly told mixture of thriller and melodrama, which is based on the classic role models of the genres, but goes beyond the given limits due to its unusual visual creative will. At the same time, an attempt is made to use film as a means of mass suggestion. Worth seeing because of the optically sophisticated form".<ref>{{Cite web |title=Europa |url=https://www.filmdienst.de/film/details/20992/europa |access-date=2023-01-29 |website=www.filmdienst.de |language=de}}</ref> |
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=== Accolades === |
=== Accolades === |
Revision as of 19:33, 14 May 2023
Europa | |
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Directed by | Lars von Trier |
Written by |
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Produced by | |
Starring | |
Narrated by | Max von Sydow |
Cinematography |
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Edited by | Hervé Schneid |
Music by | Joachim Holbek |
Production companies | |
Distributed by | |
Release dates | |
Running time | 114 minutes[6] |
Countries | |
Languages |
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Budget | |
Box office | $1 million[7] |
Europa (known as Zentropa in North America) is a 1991 experimental psychological drama period film[8][9] directed and co-written by Lars von Trier. The film is an international co-production between Denmark and five other European countries, it is von Trier's third theatrical feature film, and the third and final installment in his Europa trilogy, following The Element of Crime (1984) and Epidemic (1987).[10]
The film features an international ensemble cast, including Germans Barbara Sukowa and Udo Kier, expatriate American Eddie Constantine, and Swedes Max von Sydow and Ernst-Hugo Järegård. This was German-born French-American Jean-Marc Barr's first collaboration of a series of films with von Trier.
Europa was influenced by Franz Kafka's Amerika, and the title was chosen "as an echo" of that novel.[11] The music, including the main theme, was composed by von Trier's ex-brother-in-law and frequent collaborator Joachim Holbek, who also composed Riget (1991-2022) and Manderlay (2005).
Plot
Set in the mid-1940s, whereas US-occupied Germany after the end of World War II, the entire population is under close surveillance. In this turbulent time, in an atmosphere saturated with fear and violence, the main events of the life of two completely different, but very close people unfold. A narrator (Max von Sydow) announces to the viewer that he will soon be waking up in Europe. The voice counts to ten and proclaims, "when you have counted to ten inwardly, you will be in Europe".
A young American with German descent, Leopold Kessler (Jean-Marc Barr), comes to Germany and gets a job as a train conductor of the railway company Zentropa with his uncle (Ernst-Hugo Järegård). Leopold only sees Germany from the perspective of moving trains, train stations or dormitories. As he tries unsuccessfully to conform to society's rules, he witnesses the country's inner turmoil and the aftermath of its recent past.
Before that, he falls in love with a young German woman, Katharina (Barbara Sukowa), the younger sister of Lawrence Hartmann (Udo Kier) and daughter of the Zentropa's founder Max Hartmann (Jørgen Reenberg), who secretly associated with a group of underground Nazi terrorist conspiracy Werwolf. She invites him to dinner at her half-bombed family mansion. With the help of a false testimony from a Jewish American (Lars von Trier), who claims he was the lifesaver, Max Hartmann receives a clean bill of health and is rehabilitated, later commits suicide out of shame. Later, Leopold marries Katharina in the cathedral, but shortly thereafter she disappears without a trace.
One day, Werwolf group demands Leopold by giving several explosives that he blow up the train. Leopold makes the necessary preparations as ordered, but then discover Katharina, demands the same to him. He tries to tell an American officer about the bomb, but circumstances prevent him from doing so. At this time, Leopold's superiors are trying to test his professional suitability. In desperation, he plants the bomb and sets the clockwork. However, pity for the people makes Leopold turn off the explosives.
In the meantime, the occupation authorities uncover the Werwolf cell. Leopold sees Katharina in handcuffs. She convinces him that it was he who made her mistake, because there are no innocent people in Germany, since during the war years its citizens either killed or betrayed. Leopold is driven to despair, he pulled the emergency brake to prevent them from leaving Germany, but they refused, he reluctantly decides to detonate it left from the room. As a result, one of the train explodes on the bridge as intended, crashes into the river and eventually killed several people including his uncle and Katharina in a train while the others survived from the train, but Leopold did not make it in time, result of being drowned in the sunken train, floated out into the sea.
It is later revealed the narrator appears, approaching the freedom to Leopold from the image of Europa.
Cast
- Jean-Marc Barr as Leopold Kessler, a train conductor of Zentropa
- Barbara Sukowa as Katharina Hartmann, a femme fatale and superior of Werwolf
- Udo Kier as Lawrence Hartmann, Katharina's older brother
- Ernst-Hugo Järegård as Uncle Kessler
- Henning Jensen as Siggy
- Erik Mørk as Pater
- Eddie Constantine as Colonel Harris
- Jørgen Reenberg as Max Hartmann
- Benny Poulsen as Steleman
- Erno Müller as Heifer
- Michael Phillip Simpson as Robins
- Holger Perfort as Mr. Ravenstein
- Anne Werner Thomsen as Mrs. Ravenstein
- Lars von Trier as Jew
- Baard Owe as Man with papers
- Leif Magnusson as Doctor Magnus
Style
Europa employs an experimental style of cinema, combining largely black and white visuals with occasional intrusions of colour (which later inspired Steven Spielberg's 1993 Holocaust film Schindler's List), having actors interact with rear-projected footage, and layering different images over one another to surreal effect. The voice-over narration uses an unconventional second-person narrative imitative of a hypnotist.
The film's characters, music, dialogue, and plot are self-consciously melodramatic and ironically imitative of film noir conventions.
Morando Morandini writes: "More than the characters, what counts is the technical-formalistic apparatus: color contrasted with black and white, superimpositions, distorting lenses, dynamic camera, expressionistic-style set designs. Anti-German in substance, it is profoundly German in form".[12]
Production
The film was shot throughout Poland (Chojna Cathedral (Marienkirche) and the Chojna Roundhouse) and in Denmark (Nordisk Film studios, Copenhagen and the Copenhagen Dansk Hydraulisk Institut). The cathedral where the main characters are getting married is that of Chojna, whose roof was destroyed by the Soviet army during the war.
Von Trier's production company, Zentropa Entertainments, is named after the sinister railway network featured in this film, which is in turn named after the real-life train company Mitropa.
Reception
Europa was released as Zentropa in North America to avoid confusion with Europa Europa (1990).
Critical reception
This section needs expansion. You can help by adding to it. (February 2016) |
The film received largely positive reviews from critics. Review aggregator website Rotten Tomatoes reports an 81% score based on 16 reviews, with an average rating of 7.3/10.[13]
The Lexicon of International Film gave a positive review: "A straightforwardly told mixture of thriller and melodrama, which is based on the classic role models of the genres, but goes beyond the given limits due to its unusual visual creative will. At the same time, an attempt is made to use film as a means of mass suggestion. Worth seeing because of the optically sophisticated form".[14]
Accolades
The film won three awards at the 1991 Cannes Film Festival (Best Artistic Contribution, Jury Prize, and Technical Grand Prize).[10] Upon realizing that he had not won the Palme d'Or, von Trier gave the judges the finger and stormed out of the venue.[15]
Home media
The Criterion Collection released the film on DVD in 2008. The package contained several documentaries on the film and an audio commentary by von Trier.
References
- ^ Stevenson, Jack (2002). Lars von Trier. British Film Institute. p. 72. ISBN 978-0-85170-902-4. Retrieved 14 October 2010.
- ^ a b c d "Europa (1991)". British Film Institute. Retrieved 29 April 2023.
- ^ Lasagna, Roberto; Lena, Sandra (12 May 2003). Lars von Trier. Gremese Editore. p. 123. ISBN 978-88-7301-543-7. Retrieved 15 October 2010.
- ^ a b "Europa (1991)". Lumiere. Retrieved 29 April 2023.
- ^ a b "Zentropa (1991)". Unifrance. Retrieved 29 April 2023.
- ^ "EUROPA (15)". British Board of Film Classification. 25 February 1992. Retrieved 10 October 2014.
- ^ "Zentropa (1992)". Box Office Mojo. IMDb. Retrieved 15 February 2016.
- ^ Europa (1991), retrieved 13 October 2022
- ^ Zentropa (1991) - Lars von Trier | Synopsis, Characteristics, Moods, Themes and Related | AllMovie, retrieved 13 October 2022
- ^ a b "Festival de Cannes: Europa". festival-cannes.com. Retrieved 8 September 2009.
- ^ Lars Von Trier: Interviews, pp. 82-83
- ^ Europa - MYmovies
- ^ "Zentropa (Europa) (1992)". Rotten Tomatoes. Retrieved 8 March 2018.
- ^ "Europa". www.filmdienst.de (in German). Retrieved 29 January 2023.
- ^ "Zentropa". Chicago Sun-Times.
External links
- Europa at IMDb
- Europa in the Danish Film Database
- Europa at the TCM Movie Database
- Europa at Box Office Mojo
- Europa at Rotten Tomatoes
- Europa: Night Train an essay by Howard Hampton at the Criterion Collection
- 1991 films
- 1990s avant-garde and experimental films
- 1991 drama films
- Best Danish Film Bodil Award winners
- Best Danish Film Robert Award winners
- British avant-garde and experimental films
- British drama films
- Danish avant-garde and experimental films
- Danish drama films
- English-language Danish films
- 1990s English-language films
- Films about Nazis
- Films directed by Lars von Trier
- Films partially in color
- Films set in 1945
- Films set in 1946
- Films set in Germany
- Films shot in Denmark
- Films shot in Poland
- French avant-garde and experimental films
- French drama films
- English-language French films
- German avant-garde and experimental films
- German drama films
- English-language German films
- 1990s German-language films
- Polish avant-garde and experimental films
- Polish drama films
- English-language Polish films
- Rail transport films
- Swedish avant-garde and experimental films
- Swedish drama films
- English-language Swedish films
- Swiss avant-garde and experimental films
- Swiss drama films
- English-language Swiss films
- Films produced by Peter Aalbæk Jensen
- 1990s British films
- 1990s French films
- 1990s German films
- 1990s Swedish films
- British psychological drama films
- German psychological drama films
- 1990s psychological drama films
- Anti-war films