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Sasha Gordon was born in 1998 to a Polish American Jewish father and a Korean mother. She grew up in [[Somers, New York]] and expressed interest in art at an early age. Her artistic mother encouraged this interest by setting up a permanent table with crayons, colored pencils, and paper for Sasha when she was four years old.<ref name="Vogue">{{Cite web|title=Vogue Magazine - By Painting Herself, Sasha Gordon Found True Perspective|url=https://www.vogue.com/article/sasha-gordon-profile|access-date=2023-03-06|website=www.vogue.com|language=en-gb}}</ref> |
Sasha Gordon was born in 1998 to a Polish American Jewish father and a Korean mother. She grew up in [[Somers, New York]] and expressed interest in art at an early age. Her artistic mother encouraged this interest by setting up a permanent table with crayons, colored pencils, and paper for Sasha when she was four years old.<ref name="Vogue">{{Cite web|title=Vogue Magazine - By Painting Herself, Sasha Gordon Found True Perspective|url=https://www.vogue.com/article/sasha-gordon-profile|access-date=2023-03-06|website=www.vogue.com|language=en-gb}}</ref> |
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Gordon entered the [[Rhode Island School of Design]] in 2016. |
Gordon entered the [[Rhode Island School of Design]] in 2016. In her early RISD days, Gordon experimented with hyperrealistic paintings of the human face. <ref name="Amadeus"/> During her sophomore year, she began shifting towards painting self-portraits that explored the complexities of who she was. This caught the attention of gallerist Matthew Brown who included one of Gordon's paintings in a group show at his LA gallery in 2019 while she was still at RISD, and then gave Gordon her first solo show the following year, which drew favorable reviews from critics and led to her first museum acquisition by ICA Miami.<ref name="Vogue" /><ref>{{Cite web|title=Artsy - The Artsy Vanguard 2022: Sasha Gordon|url=https://www.artsy.net/article/artsy-editorial-artsy-vanguard-2022-sasha-gordon|access-date=2023-03-06|website=www.artsy.com|language=en-gb}}</ref> |
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Over the following years, Gordon's career and following gained significant momentum. In 2022, one of her large self-portraits was featured at the [[Rudolph Tegner Museum|Rudolph Tegners Museum]] outside Copenhagen alongside older established artists like Cecily Brown and Jenna Gribbon. In 2023, her painting "Campire" appeared alongside Njideka Akunyili Crosby, Christina Quarles, Jonas Wood, and others at the [[Hammer Museum]]’s show “Together in Time”. Gordon’s work was exclusively featured in many of the museum’s advertising banners for this exhibition.<ref>{{cite web |title=Together in Time: Selections from the Hammer Contemporary Collection |url=https://hammer.ucla.edu/exhibitions/2023/together-time-selections-hammer-contemporary-collection |website=Hammer Museum |access-date=20 May 2023}}</ref> Her work is the subject of a forthcoming solo show at the [[Institute of Contemporary Art (Miami)|Institute of Contemporary Art, Miami]].<ref name="Vogue"/> |
Over the following years, Gordon's career and following gained significant momentum. In 2022, one of her large self-portraits was featured at the [[Rudolph Tegner Museum|Rudolph Tegners Museum]] outside Copenhagen alongside older established artists like Cecily Brown and Jenna Gribbon. In 2023, her painting "Campire" appeared alongside Njideka Akunyili Crosby, Christina Quarles, Jonas Wood, and others at the [[Hammer Museum]]’s show “Together in Time”. Gordon’s work was exclusively featured in many of the museum’s advertising banners for this exhibition.<ref>{{cite web |title=Together in Time: Selections from the Hammer Contemporary Collection |url=https://hammer.ucla.edu/exhibitions/2023/together-time-selections-hammer-contemporary-collection |website=Hammer Museum |access-date=20 May 2023}}</ref> Her work is the subject of a forthcoming solo show at the [[Institute of Contemporary Art (Miami)|Institute of Contemporary Art, Miami]].<ref name="Vogue"/> |
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Gordon attended the 2023 [[Met Gala|Met Gala]] as a guest of Balenciaga, wearing a custom outfit designed for the occasion by [[Elena Velez]].<ref>{{cite web |last1=Wheeler |first1=Andre-Naquian |title=Meet the Four Independent Designers Balenciaga Invited to the Met Gala |url=https://www.vogue.com/article/meet-the-four-independent-designers-balenciaga-invited-to-the-met-gala |website=Vogue |access-date=20 May 2023}}</ref> |
Gordon attended the 2023 [[Met Gala|Met Gala]] as a guest of Balenciaga, wearing a custom outfit designed for the occasion by [[Elena Velez]].<ref>{{cite web |last1=Wheeler |first1=Andre-Naquian |title=Meet the Four Independent Designers Balenciaga Invited to the Met Gala |url=https://www.vogue.com/article/meet-the-four-independent-designers-balenciaga-invited-to-the-met-gala |website=Vogue |access-date=20 May 2023}}</ref> |
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| ⚫ | Gordon found it difficult to relate to many of the artists and artworks she was exposed to in her youth because the artists and their subject matter were white. She discovered the work of [[Liu Wei (artist)|Liu Wei]], which empowered her and inspired her to make paintings of people that she connects with racially and emotionally. Other artists that Gordon cites as impactful on her are [[Kerry James Marshall]], [[Nicole Eisenman]], [[Dana Schutz|Dana Shutz]], and Cheyenne Julien.<ref name="Amadeus"/> |
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== Work == |
== Work == |
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Gordon's work often revisits and rewrites memories of her childhood by inserting herself now, often in multiples, to lay claim to the right to occupy space as a biracial, queer woman.<ref>{{Cite web|title=What Defines Queer Art?|url=https://www.wmagazine.com/culture/queer-artists-interview-2021|access-date=2021-12-13|website=W Magazine|language=en}}</ref><ref name="Juxtapoz">{{Cite web|title=Juxtapoz Magazine - Enters Thief: Sasha Gordon @ Matthew Brown, Los Angeles|url=https://www.juxtapoz.com/news/painting/enters-thief-sasha-gordon-matthew-brown-los-angeles/|access-date=2021-12-13|website=www.juxtapoz.com|language=en-gb}}</ref> She defiantly responds to the fetishization of the Asian female body by depicting empowering self-portraits of her (often nude) body.<ref>{{Cite web|date=2021-10-04|title=5 Asian American activists creating a safe space for a promising future|url=https://kulturehub.com/asian-american-activists-list-creating-promising-future-2021/|access-date=2021-12-13|website=Kulture Hub|language=en-US}}</ref> Her everyday scenes of joy and distress fill large canvases with vibrant, rich cool tones and exacting technical detail.<ref name="Juxtapoz"/> Her figures' eyes often are unnaturally glossy, their skin soft and plasticky, illustrating the alienation and disconnection in a white, heteronormative space while also offering a surreal escape.<ref name="Juxtapoz"/> In this way, art-making offers the artist a therapeutic processing of vulnerable memories.<ref name="ItsNiceThat">{{Cite web|title=Sasha Gordon's intimate paintings explore her biracial identity|url=https://www.itsnicethat.com/articles/sasha-gordon-art-280119|access-date=2021-12-13|website=www.itsnicethat.com|language=en}}</ref> |
Gordon's work often revisits and rewrites memories of her childhood by inserting herself now, often in multiples, to lay claim to the right to occupy space as a biracial, queer woman.<ref>{{Cite web|title=What Defines Queer Art?|url=https://www.wmagazine.com/culture/queer-artists-interview-2021|access-date=2021-12-13|website=W Magazine|language=en}}</ref><ref name="Juxtapoz">{{Cite web|title=Juxtapoz Magazine - Enters Thief: Sasha Gordon @ Matthew Brown, Los Angeles|url=https://www.juxtapoz.com/news/painting/enters-thief-sasha-gordon-matthew-brown-los-angeles/|access-date=2021-12-13|website=www.juxtapoz.com|language=en-gb}}</ref> She defiantly responds to the fetishization of the Asian female body by depicting empowering self-portraits of her (often nude) body.<ref>{{Cite web|date=2021-10-04|title=5 Asian American activists creating a safe space for a promising future|url=https://kulturehub.com/asian-american-activists-list-creating-promising-future-2021/|access-date=2021-12-13|website=Kulture Hub|language=en-US}}</ref> Her everyday scenes of joy and distress fill large canvases with vibrant, rich cool tones and exacting technical detail.<ref name="Juxtapoz"/> Her figures' eyes often are unnaturally glossy, their skin soft and plasticky, illustrating the alienation and disconnection in a white, heteronormative space while also offering a surreal escape.<ref name="Juxtapoz"/> In this way, art-making offers the artist a therapeutic processing of vulnerable memories.<ref name="ItsNiceThat">{{Cite web|title=Sasha Gordon's intimate paintings explore her biracial identity|url=https://www.itsnicethat.com/articles/sasha-gordon-art-280119|access-date=2021-12-13|website=www.itsnicethat.com|language=en}}</ref> |
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| ⚫ | |||
| ⚫ | Gordon found it difficult to relate to many of the artists and artworks she was exposed to in her youth because the artists and their subject matter were white. She discovered the work of [[Liu Wei (artist)|Liu Wei]], which empowered her and inspired her to make paintings of people that she connects with racially and emotionally. Other artists that Gordon cites as impactful on her are [[Kerry James Marshall]], [[Nicole Eisenman]], [[Dana Schutz|Dana Shutz]], and Cheyenne Julien.<ref name="Amadeus"/> |
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== Selected Works == |
== Selected Works == |
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Revision as of 18:55, 20 May 2023
Sasha Gordon (b. 1998 in the Bronx, NY) is an American figurative painter. Her self-portraits, executed with oil paints, typically depict her nude body in a variety of strange situations. Her work grapples with misogyny, racism, and homophobia while carving out space to reimagine and heal from the past.[1]
Sasha Gordon | |
|---|---|
| Born | 1998 Bronx, NY |
| Education | Rhode Island School of Design, BFA Painting |
Biography
Sasha Gordon was born in 1998 to a Polish American Jewish father and a Korean mother. She grew up in Somers, New York and expressed interest in art at an early age. Her artistic mother encouraged this interest by setting up a permanent table with crayons, colored pencils, and paper for Sasha when she was four years old.[2]
Gordon entered the Rhode Island School of Design in 2016. In her early RISD days, Gordon experimented with hyperrealistic paintings of the human face. [3] During her sophomore year, she began shifting towards painting self-portraits that explored the complexities of who she was. This caught the attention of gallerist Matthew Brown who included one of Gordon's paintings in a group show at his LA gallery in 2019 while she was still at RISD, and then gave Gordon her first solo show the following year, which drew favorable reviews from critics and led to her first museum acquisition by ICA Miami.[2][4]
Over the following years, Gordon's career and following gained significant momentum. In 2022, one of her large self-portraits was featured at the Rudolph Tegners Museum outside Copenhagen alongside older established artists like Cecily Brown and Jenna Gribbon. In 2023, her painting "Campire" appeared alongside Njideka Akunyili Crosby, Christina Quarles, Jonas Wood, and others at the Hammer Museum’s show “Together in Time”. Gordon’s work was exclusively featured in many of the museum’s advertising banners for this exhibition.[5] Her work is the subject of a forthcoming solo show at the Institute of Contemporary Art, Miami.[2]
Gordon attended the 2023 Met Gala as a guest of Balenciaga, wearing a custom outfit designed for the occasion by Elena Velez.[6]
Work
Gordon's work often revisits and rewrites memories of her childhood by inserting herself now, often in multiples, to lay claim to the right to occupy space as a biracial, queer woman.[7][8] She defiantly responds to the fetishization of the Asian female body by depicting empowering self-portraits of her (often nude) body.[9] Her everyday scenes of joy and distress fill large canvases with vibrant, rich cool tones and exacting technical detail.[8] Her figures' eyes often are unnaturally glossy, their skin soft and plasticky, illustrating the alienation and disconnection in a white, heteronormative space while also offering a surreal escape.[8] In this way, art-making offers the artist a therapeutic processing of vulnerable memories.[10]
Influences
Gordon found it difficult to relate to many of the artists and artworks she was exposed to in her youth because the artists and their subject matter were white. She discovered the work of Liu Wei, which empowered her and inspired her to make paintings of people that she connects with racially and emotionally. Other artists that Gordon cites as impactful on her are Kerry James Marshall, Nicole Eisenman, Dana Shutz, and Cheyenne Julien.[3]
Selected Works
Campfire, 2021, Oil and molding paste on canvas, 6 x 9'.
In this monumental painting, Gordon presents herself in many forms and a range of affective states.[11] The work's cool tones and rich blues render the piece surreal and magical. While some renditions of the artist frolic in the water, another proudly chops wood besides several smoking and drinking Gordons.[11] Here, the artist is free from the gaze and impositions of others, except the viewer, who is named "Thief" by the artist's clever exhibition title (Enters Thief). The painting offers Gordon the ability to reflect and heal from her experiences "as a lesbian Asian girl growing up in a white, upper-middle-class New York suburb."[11]
Concert Mistress, 2021, Oil on canvas, 72 x 48 x 2 1/4".
This large self-portrait shows the artist grinning wildly while playing a violin, an unseen viewer peering through the window. Playing with the model minority stereotype, Gordon pushes viewers to question their biases and to address the pressures of the white gaze and the stereotypes it engenders. [1]
The Archer (diptych), 2021, Oil on canvas, 3 x 6'.
These pieces face each other across a room--one self-portrait draws her arrow toward the opposing painting, where another self-portrait resignedly and anxiously offers a thumbs up, apple on head and missed arrows at her feet. At war with herself and "catching viewers in the crossfire," the artist implicates those gazing upon her body.[1]
I Left The Night The Dummy Crashed The Gordon’s Volvo, 2017, Oil on canvas, 5'x 6'.
This work is the most pronounced of a series of works that Gordon executed in the fall of 2017 as she transitioned from her early hyperrealistic work to her signature works featuring her body. This series of transitional works featured Gordon as a latex dummy. In a 2018 interview, Gordon said of this particular painting: "In my recent work, I have this figure, sometimes multiple, in a black, latex, plastic suit that represents my anxiety and depression, personifying it. A large part of my anxiety is my fear of death. I’ve had dreams and thoughts of possible ways that I could die, and I thought it would be interesting to see these visions as one of my paintings... I wanted this painting to represent me letting my anxiety and depression take over me, for I am the figure in the latex suit in this painting. In this piece, I am faking my death, to escape reality."[3]
Exhibitions
2023
Solo Show (Forthcoming), Institute of Contemporary Art Miami, Miami, FL
Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA
2022
Wonder Woman, Jeffrey Deitch Gallery, Los Angeles, CA
Hands of Others, Jeffrey Deitch Gallery, New York, NY
Heroic Bodies, Rudolph Tegners Museum, Dronningmølle, Denmark
2021
Mother and Child, Friends Indeed Gallery, San Francisco, CA
Enters Thief, Matthew Brown Gallery, Los Angeles, CA
2020
NO TIME LIKE THE PRESENT, Public Gallery, London, UK
2019
BIG PAINTING, Patrick Parrish Gallery, New York, NY
Nostos, Matthew Brown Gallery, Los Angeles, CA
Basta Cosi: The Lemon has been Squeezed, Palazetto Cenci, Rome, Italy
2018
You’re Invited Sleepover, Gelman Gallery, Providence, RI
Teen Art Gallery, Brooklyn Bridge Park Pier 5, Brooklyn, NY
PAUHAUS Art Festival and Exhibition, Robeson Art Gallery, Peekskill, NY
2017
Pure as a Seagull’s Belly, Gelman Gallery, Providence, RI
2016
Teen Dream, Presented by TopShop, New York, NY
See Also
References
- ^ a b c Wong, Harley; Wong, Harley (2021-06-07). "Sasha Gordon's Perturbing Paintings of Recreation". ARTnews.com. Retrieved 2021-12-13.
- ^ a b c "Vogue Magazine - By Painting Herself, Sasha Gordon Found True Perspective". www.vogue.com. Retrieved 2023-03-06.
- ^ a b c Hudnut, Conor. "SASHA GORDON'S PAINTINGS ARE HEAVILY STEEPED IN HER EXPLORATION OF IDENTITY". Amadeus. Retrieved 20 May 2023.
- ^ "Artsy - The Artsy Vanguard 2022: Sasha Gordon". www.artsy.com. Retrieved 2023-03-06.
- ^ "Together in Time: Selections from the Hammer Contemporary Collection". Hammer Museum. Retrieved 20 May 2023.
- ^ Wheeler, Andre-Naquian. "Meet the Four Independent Designers Balenciaga Invited to the Met Gala". Vogue. Retrieved 20 May 2023.
- ^ "What Defines Queer Art?". W Magazine. Retrieved 2021-12-13.
- ^ a b c "Juxtapoz Magazine - Enters Thief: Sasha Gordon @ Matthew Brown, Los Angeles". www.juxtapoz.com. Retrieved 2021-12-13.
- ^ "5 Asian American activists creating a safe space for a promising future". Kulture Hub. 2021-10-04. Retrieved 2021-12-13.
- ^ "Sasha Gordon's intimate paintings explore her biracial identity". www.itsnicethat.com. Retrieved 2021-12-13.
- ^ a b c "Six queer figurative painters are reimagining intimacy in their work". Retrieved 2021-12-13.