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==Reception==
==Reception==
Reviewer Jim McLennan of girlswithguns.org gave the film a rating of 3 out of 5 stars, writing, "Daphne is played gloriously against all the tropes of the female assassin: it’s no coincidence her most effective undercover disguise is an estate agent. Add to this, Varela is deaf: this element affects, yet does not define, her character and that’s exactly the way disability should be portrayed. It is even worked nicely in to the plot, with one of McCabe’s weapons in development being a sonic cannon. However, I’d like to have seen more of her in action; perhaps for budgetary reasons, this is limited, or perhaps Cappello just wasn’t interested in that aspect."<ref>https://girlswithguns.org/steele-wool/</ref>
Reviewer Jim McLennan of girlswithguns.org gave the film a rating of 3 out of 5 stars, writing, "Daphne is played gloriously against all the tropes of the female assassin: it’s no coincidence her most effective undercover disguise is an estate agent. Add to this, Varela is deaf: this element affects, yet does not define, her character and that’s exactly the way disability should be portrayed. It is even worked nicely in to the plot, with one of McCabe’s weapons in development being a sonic cannon. However, I’d like to have seen more of her in action; perhaps for budgetary reasons, this is limited, or perhaps [[Cappello Alpino|Cappello]] just wasn’t interested in that aspect."<ref>https://girlswithguns.org/steele-wool/</ref>


Reviewer Alan Ng of filmthreat.com wrote, "When a story lays tonally flat, it’s challenging to engage and connect with the audience. If the stakes were higher, we’d root for the protagonist. If the jokes where funnier, we’d wait for the next one. If the drama were grounded, then we can connect with the character’s plight. It’s not to say there weren’t moments. There is a moment of connection when Daphne executes her first kill, but it’s just not enough. Engage and connect with the audience."<ref>https://filmthreat.com/reviews/steele-wool/</ref> He concluded, "Overall, Steele Wool tells a solid story, with heart, and mild laughs, but it really needed a moment to burst out with a ball of energy from somewhere to shake up its mild tone."<ref>https://filmthreat.com/reviews/steele-wool/</ref>
Reviewer Alan Ng of filmthreat.com wrote, "When a story lays tonally flat, it’s challenging to engage and connect with the audience. If the stakes were higher, we’d root for the protagonist. If the jokes where funnier, we’d wait for the next one. If the drama were grounded, then we can connect with the character’s plight. It’s not to say there weren’t moments. There is a moment of connection when Daphne executes her first kill, but it’s just not enough. Engage and connect with the audience."<ref>https://filmthreat.com/reviews/steele-wool/</ref> He concluded, "Overall, Steele Wool tells a solid story, with heart, and mild laughs, but it really needed a moment to burst out with a ball of energy from somewhere to shake up its mild tone."<ref>https://filmthreat.com/reviews/steele-wool/</ref>

Revision as of 11:01, 24 May 2023

Steele Wool
Directed byFrank Cappello
Written byFrank Cappello
Produced byFrank Cappello
Cami Varela
StarringCami Varela
Frank Cappello
Edited byFrank Cappello
Music byFrank Cappello
Production
company
Distributed byIndie Rights
Release date
2019
Running time
103 minutes
CountryUnited States
LanguageEnglish

Steele Wool is a 2019 American dark comedy thriller film directed by Frank Cappello and starring Cami Varela and Cappello himself.

Plot

Tony Steele's deaf ex-girlfriend Daphne Wool kills her abusive husband during a fight before Joey, the hitman hired to kill him, gets a chance to do the job. Joey is impressed by Daphne's ability to kill a man with her bare hands and hires her to be a contract killer.

Cast

Reception

Reviewer Jim McLennan of girlswithguns.org gave the film a rating of 3 out of 5 stars, writing, "Daphne is played gloriously against all the tropes of the female assassin: it’s no coincidence her most effective undercover disguise is an estate agent. Add to this, Varela is deaf: this element affects, yet does not define, her character and that’s exactly the way disability should be portrayed. It is even worked nicely in to the plot, with one of McCabe’s weapons in development being a sonic cannon. However, I’d like to have seen more of her in action; perhaps for budgetary reasons, this is limited, or perhaps Cappello just wasn’t interested in that aspect."[1]

Reviewer Alan Ng of filmthreat.com wrote, "When a story lays tonally flat, it’s challenging to engage and connect with the audience. If the stakes were higher, we’d root for the protagonist. If the jokes where funnier, we’d wait for the next one. If the drama were grounded, then we can connect with the character’s plight. It’s not to say there weren’t moments. There is a moment of connection when Daphne executes her first kill, but it’s just not enough. Engage and connect with the audience."[2] He concluded, "Overall, Steele Wool tells a solid story, with heart, and mild laughs, but it really needed a moment to burst out with a ball of energy from somewhere to shake up its mild tone."[3]

Reviewer Richard Propes of theindependentcritic.com wrote, "I'd be remiss if not giving Cappello and Varela much respect for the film's authentic representation and for sticking a middle finger up at anything resembling the usual inspiration porn disability stereotypes. Instead, Varela's Daphne is a badass with a heart who's also deaf and who also uses a cochlear implant throughout the course of the film."[4]

References