Jefimija: Difference between revisions
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'''Jefimija''' ({{lang-sr-Cyrl|Јефимија}}, {{IPA-sh|jěfiːmija|sr}}; 1349–1405), secular name '''Jelena Mrnjavčević''' (Serbian Cyrillic: Јелена Мрњавчевић, {{IPA-sh|jělena mr̩̂ɲaːʋtʃeʋitɕ|sr}} <small>or</small> {{IPA-sh|mr̩ɲǎːʋ-|}}), daughter of [[Vojihna]] and widow of [[Uglješa Mrnjavčević|Jovan Uglješa Mrnjavčević]], is considered the first female Serbian poet. Her ''Lament for a Dead Son'' and ''Encomium of [[Prince Lazar]]'' are famous in the canon of medieval Serbian literature.{{sfn|Gavrilović|2006|pp=78-79}}<ref name=":0">{{Cite book|last=Hawkesworth|first=Celia|title=Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia|publisher=Central European University Press|year=2000|pages=80}}</ref> |
'''Jefimija''' ({{lang-sr-Cyrl|Јефимија}}, {{IPA-sh|jěfiːmija|sr}}; 1349–1405), secular name '''Jelena Mrnjavčević''' (Serbian Cyrillic: Јелена Мрњавчевић, {{IPA-sh|jělena mr̩̂ɲaːʋtʃeʋitɕ|sr}} <small>or</small> {{IPA-sh|mr̩ɲǎːʋ-|}}), daughter of [[Vojihna]] and widow of [[Uglješa Mrnjavčević|Jovan Uglješa Mrnjavčević]], is considered the first female Serbian poet. Her ''Lament for a Dead Son'' and ''Encomium of [[Prince Lazar]]'' are famous in the canon of medieval Serbian literature.{{sfn|Gavrilović|2006|pp=78-79}}<ref name=":0">{{Cite book|last=Hawkesworth|first=Celia|title=Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia|publisher=Central European University Press|year=2000|pages=80}}</ref> |
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Jefimija was also as a skilled needlewoman and engraver. Her lament for her beloved son was carved on the back of the [[diptych]], (two-panelled icon representing a virgin and Child) which Teodosije, Bishop of [[Serres]], had presented as a gift to the infant Uglješa at his baptism. The piece of art |
Jefimija was also as a skilled needlewoman and engraver. Her lament for her beloved son was carved on the back of the [[diptych]], (two-panelled icon representing a virgin and Child) which Teodosije, Bishop of [[Serres]], had presented as a gift to the infant Uglješa at his baptism. The piece of art has Jefemija's lament engraved on its back.<ref>{{Cite book|last=Pavlikianov|first=Cyril|title=The Medieval Aristocracy on Mount Athos: Philological and Documentary Evidence for the Activity of Byzantine, Georgian and Slav Aristocrats and Eminent Churchmen in the Monasteries of Mount Athos from the 10th to the 15th Century|year=2001|location=Sofia|publisher=Center for Slavo-Byzantine Studies|url=https://books.google.com/books?id=twYuAAAAYAAJ|isbn=9789540715957}} |
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Revision as of 23:26, 27 August 2023
Jefimija (Euphemia) | |
|---|---|
| Native name | Jelena Mrnjavčević |
| Occupation | Nun |
| Nationality | Medieval Serbian |
| Years active | 14th century |
| Notable works | Royal doors curtain of Hilandar; covering of Prince Lazar's Ark |
| Spouse | Uglješa Mrnjavčević |
| Relatives | Vojihna (father) |
Jefimija (Serbian Cyrillic: Јефимија, Serbo-Croatian pronunciation: [jěfiːmija]; 1349–1405), secular name Jelena Mrnjavčević (Serbian Cyrillic: Јелена Мрњавчевић, Serbo-Croatian pronunciation: [jělena mr̩̂ɲaːʋtʃeʋitɕ] or [mr̩ɲǎːʋ-]), daughter of Vojihna and widow of Jovan Uglješa Mrnjavčević, is considered the first female Serbian poet. Her Lament for a Dead Son and Encomium of Prince Lazar are famous in the canon of medieval Serbian literature.[1][2]
Jefimija was also as a skilled needlewoman and engraver. Her lament for her beloved son was carved on the back of the diptych, (two-panelled icon representing a virgin and Child) which Teodosije, Bishop of Serres, had presented as a gift to the infant Uglješa at his baptism. The piece of art has Jefemija's lament engraved on its back.[3]
Encomium of Prince Lazar
-
embroidered cross standard -
embroidered iconography -
Poem
Legacy
She is included in The 100 most prominent Serbs.
See also
- Maria Angelina Doukaina Palaiologina
- Princess Milica of Serbia
- Saint Angelina of Serbia
- Mara Branković
- Olivera Despina
- Jelena Balšić
- Helen of Anjou
- Simonida
- Katarina Branković
References
- ^ Gavrilović 2006, pp. 78–79.
- ^ Hawkesworth, Celia (2000). Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia. Central European University Press. p. 80.
- ^ Pavlikianov, Cyril (2001). The Medieval Aristocracy on Mount Athos: Philological and Documentary Evidence for the Activity of Byzantine, Georgian and Slav Aristocrats and Eminent Churchmen in the Monasteries of Mount Athos from the 10th to the 15th Century. Sofia: Center for Slavo-Byzantine Studies. ISBN 9789540715957.
Sources
- Ćirković, Sima (2004). The Serbs. Malden: Blackwell Publishing.
- Gavrilović, Zaga (2006). "Women in Serbian politics, diplomacy and art at the beginning of Ottoman rule". In Jeffreys, Elizabeth M. (ed.). Byzantine Style, Religion and Civilization: In Honour of Sir Steven Runciman. Cambridge University Press. pp. 72–90.
- Pavlikianov, Cyril (2001). The Medieval Aristocracy on Mount Athos: Philological and Documentary Evidence for the Activity of Byzantine, Georgian and Slav Aristocrats and Eminent Churchmen in the Monasteries of Mount Athos from the 10th to the 15th Century. Sofia: Center for Slavo-Byzantine Studies.
Further reading
| International | |
|---|---|
| National | |
| People | |
| Other | |
Categories:
- 1349 births
- 1405 deaths
- 14th-century Serbian nuns
- 15th-century Serbian nuns
- 14th-century poets
- 15th-century poets
- 14th-century women writers
- 15th-century women writers
- Medieval Serbian poets
- Medieval Serbian princesses
- Serbian epic poetry
- Serbian women poets
- 14th-century Serbian writers
- 15th-century Serbian writers
- 15th-century women artists