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A note is natural when it is neither lowered nor raised by [[Flat (music)|flat]] ({{music|b}}) or [[Sharp (music)|sharp]] ({{music|#}}) (or [[Double flat|double-flat]] {{music|bb}} or [[Double sharp|double-sharp]] {{music|x}}). '''Natural notes''' are the notes A, B, C, D, E, F, and G represented by the white keys on the [[Musical keyboard|keyboard]] of a [[piano]] or [[Organ (music)|organ]]. On a modern [[Pedal harp|concert harp]], the middle position of the seven pedals that alter the tuning of the strings gives the natural pitch for each string.
A note is natural when it is neither lowered nor raised by other [[key signature]]<nowiki/>s or accidentals. '''Natural notes''' are the notes A, B, C, D, E, F, and G represented by the white keys on the [[Musical keyboard|keyboard]] of a [[piano]] or [[Organ (music)|organ]]. On a modern [[Pedal harp|concert harp]], the middle position of the seven pedals that alter the tuning of the strings gives the natural pitch for each string.


The scale of [[C major]] is sometimes regarded as the central, natural or basic [[major scale]] because all of its notes are natural notes, whereas every other major scale in the [[circle of fifths]] has at least one sharp or flat in it.
The scale of [[C major]] is sometimes regarded as the central, natural or basic [[major scale]] because all of its notes are natural notes, whereas every other major scale in the [[circle of fifths]] has at least one sharp or flat in it.

Revision as of 00:48, 4 September 2023

Example
An A natural, then A♭.
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In music theory, a natural (♮) is an accidental which cancels previous accidentals and represents the unaltered pitch of a note.[1]

Examples

It can be used as key signature or accidental. An example of an A note with an accidental in place is shown below.

{ \override Score.TimeSignature #'stencil = ##f \relative c'' { \time 4/4 a!1 } }

A note is natural when it is neither lowered nor raised by other key signatures or accidentals. Natural notes are the notes A, B, C, D, E, F, and G represented by the white keys on the keyboard of a piano or organ. On a modern concert harp, the middle position of the seven pedals that alter the tuning of the strings gives the natural pitch for each string.

The scale of C major is sometimes regarded as the central, natural or basic major scale because all of its notes are natural notes, whereas every other major scale in the circle of fifths has at least one sharp or flat in it.

The notes F♭, C♭, E♯, B♯, and most notes inflected by double-flats and double-sharps correspond in pitch with natural notes; however, they are not regarded as natural notes but rather as enharmonic equivalents of them and are just as much chromatically inflected notes as most sharped and flatted notes that are represented by black notes on a keyboard.

The natural sign is derived from a square b used to denote B♮ in medieval music (in contrast with the round b denoting B♭, which became the flat symbol). The Unicode character MUSIC NATURAL SIGN '♮' (U+266E) should display as a natural sign. Its HTML entity is &#9838;.

Notation

In musical notation, a natural sign (♮) is a sign used to cancel a flat or sharp from either a preceding note or the key signature. But, naturals are assumed (by default) in key signatures and mentioned only in key signature changes.

When used as an accidental, it is written to the left of the note head.

{ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef G \time 4/4 b!1 } }

When used as an accidental, it is applied to the note after the natural sign in the same octave in the same bar.

Double natural

A double natural is a symbol that has two naturals (♮♮).[2]

In a case where one needs to cancel both flats or sharps of a double flat or double sharp, it is acceptable to write a single natural (♮) in modern notational practice. In older practice, two naturals (♮♮) can be written. (It's a 'double natural' sign.)[2]

{ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef G \time 4/4 beses2_\markup "Older Practice" \tweak Accidental.restore-first ##t b bisis \tweak Accidental.restore-first ##t b beses_\markup "Modern Practice" b bisis b } }

Similarly, to cancel one flat or sharp from a double flat or double sharp, the traditional convention is to use (♮♭ or ♭♮) or (♮♯ or ♯♮) instead of ♭ or ♯, respectively, but the naturals are generally omitted in modern notational practice: It is acceptable to use ♭ or ♯.

{ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef G \time 4/4 beses2_\markup "Older Practice" bes bisis2 bis \accidentalStyle modern beses_\markup "Modern Practice" bes bisis2 bis } }
  • A ♮♭ can be also written when changing a sharp to a flat. Similarly, a ♮♯ can be also written when changing a flat to a sharp.[5]

See also

References

  1. ^ Benward & Saker (2003). Music in Theory and Practice, Vol 1, p.6. McGraw-Hill, Seventh edition. "Natural (♮)—cancels any previous sharp or flat and returns to the natural, or unaltered, pitch."
  2. ^ a b "OnMusic Dictionary - Term". www.music.vt.edu. Retrieved 20 July 2020.
  3. ^ Max Reger: Clarinet Sonata No.2 (Complete Score), pp. 33.: Scores at the International Music Score Library Project
  4. ^ Wen, Eric (2011). "E-quadruple flat: Tovey's Whimsy". Zeitschrift der Gesellschaft für Musiktheorie (in German). 8 (1): 77–89. doi:10.31751/612.
  5. ^ Chopin: Études No. 9, Op.10 (C.F. Peters), pp. 429.: Scores at the International Music Score Library Project
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