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The most famous literary version of Melusine tales, that of [[Jean d'Arras]], compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette ([[wikisource:fr:Couldrette|coulrette (in French)]]). He wrote ''The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine'', giving source and historical notes, dates and background of the story. He goes into detail and depth about the relationship of Melusine and Raymondin, their initial meeting, and the complete story.
The most famous literary version of Melusine tales, that of [[Jean d'Arras]], compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette ([[wikisource:fr:Couldrette|coulrette (in French)]]). He wrote ''The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine'', giving source and historical notes, dates and background of the story. He goes into detail and depth about the relationship of Melusine and Raymondin, their initial meeting, and the complete story.


The tale was translated into [[German language|German]] in 1456 by Thüring von Ringoltingen, which version became popular as a [[chapbook]]. It was later translated into [[English language|English]], twice, around 1500, and often printed in both the 15th century and the 16th century. There are also a [[West_Iberian_languages | Castilian]] and a Dutch translation, both of which were printed at the end of the 15th century.<ref>{{harvp|Zeldenrust|2020}}{{pages needed|date=November 2022}}</ref> A prose version is entitled the ''Chronique de la princesse'' (''Chronicle of the Princess'').
The tale was translated into [[German language|German]] in 1456 by Thüring von Ringoltingen, which version became popular as a [[chapbook]]. It was later translated into [[English language|English]], twice, around 1500, and often printed in both the 15th century and the 16th century. There are also a [[West_Iberian_languages | Castilian]] and a Dutch translation,<ref>''Historie van Meluzine'', Geraert Leeu, Antwerpen 1491, [https://data.cerl.org/istc/ij00218420 ISTC No. ij00218420].</ref> both of which were printed at the end of the 15th century.<ref>{{harvp|Zeldenrust|2020}}{{pages needed|date=November 2022}}</ref> A prose version is entitled the ''Chronique de la princesse'' (''Chronicle of the Princess'').


The story tells how in the time of the Crusades, Elynas, the King of [[Alba]]ny (an old name for [[Scotland]] or [[Alba]]), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of [[fairy|fay]] and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of [[Avalon]].
The story tells how in the time of the Crusades, Elynas, the King of [[Alba]]ny (an old name for [[Scotland]] or [[Alba]]), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of [[fairy|fay]] and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of [[Avalon]].

Revision as of 22:21, 8 September 2023

For other uses, see Melusine (disambiguation).

Melusine's secret discovered, from Le Roman de Mélusine by Jean d'Arras, ca 1450–1500. Bibliothèque nationale de France.

Mélusine (French: [melyzin]) or Melusine or Melusina is a figure of European folklore, a female spirit of fresh water in a holy well or river. She is usually depicted as a woman who is a serpent or fish from the waist down (much like a lamia or a mermaid). She is also sometimes illustrated with wings, two tails, or both. Her legends are especially connected with the northern and western areas of France, Luxembourg, and the Low Countries.

The Limburg-Luxemburg dynasty (which ruled the Holy Roman Empire from 1308 to 1437 as well as Bohemia and Hungary), the House of Anjou and their descendants the House of Plantagenet (kings of England), and the French House of Lusignan (kings of Cyprus from 1205–1472, and for shorter periods over Cilician Armenia and Jerusalem) are said in folk tales and medieval literature to be descended from Melusine. The story combines several major legendary themes, such as the water nymph or mermaid, the earth being (terroir), the genius loci or guardian spirit of a location, the succubus who comes from the diabolical world to unite carnally with a man, or the banshee or harbinger of death.

Etymology

The French Dictionnaire de la langue française suggests the Latin melus, meaning "melodious, pleasant".[1] Another theory is that Melusine was inspired by a Poitevin legend of "Mère Lusine," leader of a band of fairies who built Roman edifices throughout the countryside.[2] Melusine's name varies depending on the areas, such as Merlusse in Vosges or Merluisaine in Champagne.

Literary versions

Raymond walks in on his wife, Melusine, in her bath and discovers she has the lower body of a serpent. Illustration from the Jean d'Arras work, Le livre de Mélusine (The Book of Melusine), 1478.

The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. He goes into detail and depth about the relationship of Melusine and Raymondin, their initial meeting, and the complete story.

The tale was translated into German in 1456 by Thüring von Ringoltingen, which version became popular as a chapbook. It was later translated into English, twice, around 1500, and often printed in both the 15th century and the 16th century. There are also a Castilian and a Dutch translation,[3] both of which were printed at the end of the 15th century.[4] A prose version is entitled the Chronique de la princesse (Chronicle of the Princess).

The story tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.

The three girls—Melusine, Melior, and Palatyne—grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday.

Raymond or Raymondin of Poitou came across Melusine in a forest of Coulombiers in Poitou in France, and proposed marriage. Just as her mother had done, she laid a condition: that he must never enter her chamber on a Saturday. For many years Raymond kept his promise, and Melusine bore him ten sons and organized the construction of marvelous castles. However, Raymond was eventually goaded by a relative and grew suspicious of Melusine's activities on Saturday. He broke his promise and peeked into her chamber, where he saw Melusine bathing in half-serpent form. He kept his transgression a secret, until one of their now-adult sons murdered one another. In front of his court, the grieving Raymond blamed Melusine and called her a "serpent." She then assumed the form of a dragon, provided him with two magic rings, and flew off, never to be seen again. She returned only at night to nurse her two youngest children, who were still infants.[5]

Analysis

In folkloristics, German folklorist Hans-Jörg Uther classifies the Melusine tale and related legends as its own tale type of the Aarne-Thompson-Uther Index. In the German Folktale Catalogue (German: Deutscher Märchenkatalog), they are grouped under type *425O, "Melusine", part of a section related to tales where a human maiden marries a supernatural husband in animal form (Animal as Bridegroom).[6]

As in tales of swan maidens, shapeshifting and flight on wings away from oath-breaking husbands figure in stories about Mélusine. According to Sabine Baring-Gould in Curious Tales of the Middle Ages, the pattern of the tale is similar to the Knight of the Swan legend which inspired the character "Lohengrin" in Wolfram von Eschenbach's Parzival.[7]

Jacques Le Goff considered that Melusina represented a fertility figure: "she brings prosperity in a rural area...Melusina is the fairy of medieval economic growth".[8]

Other versions

In France

Melusine legends are especially connected with the northern areas of France, Poitou and the Low Countries, as well as Cyprus, where the French Lusignan royal house that ruled the island from 1192 to 1489 claimed to be descended from Melusine.[9] Oblique reference to this was made by Sir Walter Scott who told a Melusine tale in Minstrelsy of the Scottish Border (1802–1803) stating that "the reader will find the fairy of Normandy, or Bretagne, adorned with all the splendour of Eastern description". The fairy Melusina, also, who married Guy de Lusignan, Count of Poitou, under condition that he should never attempt to intrude upon her privacy, was of this latter class. She bore the count many children, and erected for him a magnificent castle by her magical art. Their harmony was uninterrupted until the prying husband broke the conditions of their union, by concealing himself to behold his wife make use of her enchanted bath. Hardly had Melusina discovered the indiscreet intruder, than, transforming herself into a dragon, she departed with a loud yell of lamentation, and was never again visible to mortal eyes; although, even in the days of Brantome, she was supposed to be the protectress of her descendants, and was heard wailing as she sailed upon the blast round the turrets of the castle of Lusignan the night before it was demolished.[10]

In Luxembourg

Statue of Melusine near the Alzette in Luxembourg

The Counts of Luxembourg also claimed descent from Melusine through their ancestor Siegfried.[11] When in 963 A.D. Count Siegfried of the Ardennes (Sigefroi in French; Sigfrid in Luxembourgish) bought the feudal rights to the territory on which he founded his capital city of Luxembourg, his name became connected with the local version of Melusine. This Melusina had essentially the same magic gifts as the ancestress of the Lusignans. The morning after their wedding, she magically created the Castle of Luxembourg on the Bock rock (the historical center point of Luxembourg City). On her terms of marriage, she too required one day of absolute privacy each week. Eventually Sigfrid was tempted by curiosity and entered her apartment on Saturday, when he saw her in her bath and discovered her to be a mermaid. He cried out in surprise, and Melusina and her bath sank into the earth. Melusine remained trapped in the rock but returns every seven years either as a woman or a serpent, carrying a golden key in her mouth. Anyone brave enough to take the key will free her and win her as his bride. Also every seven years, Melusine adds a stitch to a linen chemise; if she finishes the chemise before she can be freed, all of Luxembourg will be swallowed by the rock.[12] In 1997, Luxembourg issued a postage stamp commemorating her.[13]

In Germany

Melusine by Ludwig Michael von Schwanthaler (1845)

In his Table Talk, Martin Luther mentioned Melusina of Lucelberg (Luxembourg), whom he described as a succubus or the devil. Luther attributed stories like Melusine to the devil appearing in female form to seduce men.[14]

The story of Melusine strongly influenced Paracelsus's writings on elementals and especially his description of water spirits.[15] This, in turn, inspired Friedrich de la Motte Fouqué's novella Undine (1811), and a collaboration on the subject with composer E.T.A. Hoffman, in which Fouqué wrote the libretto for Hoffman's opera Undine (1816). Other adaptations and references of Fouqué's story are found in works such as Hans Christian Andersen's fairy tale The Little Mermaid (1837), Antonín Dvořák's opera Rusalka (1901), andJean Giraudoux's play Ondine (1939).

In a legend set in the forest of Stollenwald, a young man meets a beautiful woman named Melusina who has the lower body of a snake. If he will kiss her three times on three consecutive days, she will be freed. However, on each day she becomes more and more monstrous, until the young man flees in terror without giving her the final kisses. He later marries another girl, but the food at their wedding feast is mysteriously poisoned with serpent venom and everyone who eats it dies.[16]

Other Germanic water sprites include Lorelei and the nixie.

In Britain

Melusine is one of the pre-Christian water-faeries [citation needed] who were sometimes responsible for changelings. The "Lady of the Lake", who spirited away the infant Lancelot and raised the child, was such a water nymph.

A folktale tradition of a demon wife similar to Melusine appears in early English literature. According to the chronicler Gerald of Wales, Richard I of England was fond of telling a tale that he was a descendant of an unnamed countess of Anjou.[17] In the legend, an early Count of Anjou encountered a beautiful woman from a foreign land. They were married and had four sons. However, the count became troubled because his wife only attended church infrequently, and always left in the middle of Mass. One day he had four of his men forcibly restrain his wife as she rose to leave the church. She evaded the men and, in full view of the congregation, flew out of the church through its highest window. She carried her two youngest sons away with her. One of the remaining sons was the ancestor of the later Counts of Anjou, their troublesome nature being the result of their demonic background.[18][19]

A similar story became attached to his mother Eleanor of Aquitaine, as seen in the 14th-century romance Richard Coer de Lyon. In this fantastical account, Henry II's wife is not named Eleanor but Cassodorien, and she always leaves Mass before the elevation of the Host. They have three children: Richard (presumably the later King Richard I, "The Lionheart"), John (presumably the later King John), and a daughter named Topyas. When Henry forces Cassodorien to stay in Mass, she flies through the roof of the church carrying her daughter, never to be seen again.[20][21]

The Travels of Sir John Mandeville recounts a legend about Hippocrates' daughter. She was transformed into a hundred-foot long dragon by the goddess Diane, and is the "lady of the manor" of an old castle. She emerges three times a year, and will be turned back into a woman if a knight kisses her, making the knight into her consort and ruler of the islands. Various knights try, but flee when they see the hideous dragon; they die soon thereafter. This appears to be an early version of the legend of Melusine.[22]

The motif of the cursed serpent-maiden freed by a kiss also appears in the story of Le Bel Inconnu.

Arts

"Melusine" by Julius Hübner.
  • Melusine is the subject of Halévy's grand opera La magicienne (1858), although the story is greatly altered. Rather than a half-fairy under a curse, Melusine is a witch who has sold her soul to the Devil and is beautiful by day and hideous by night.
  • Johann Wolfgang von Goethe reinterpreted the legend in his short story Die Neue Melusine ("The New Melusine") and published it as part of Wilhelm Meisters Wanderjahre (1807). In this version, Melusine is a tiny elf who sometimes takes on human size.
  • The playwright Franz Grillparzer brought Goethe's tale to the stage and Felix Mendelssohn provided a concert overture The Fair Melusine (Zum Märchen von der Schönen Melusine), opus 32.
  • Marcel Proust's main character compares Gilberte to Melusine in Within a Budding Grove. She is also compared on several occasions to the Duchesse de Guermantes who was (according to the Duc de Guermantes) directly descended from the Lusignan dynasty. In the Guermantes Way, for example, the narrator observes that the Lusignan family "was fated to become extinct on the day when the fairy Melusine should disappear".[23]
  • The story of Melusine (also called Melusina) was retold by Letitia Landon in the poem "The Fairy of the Fountains" in Fisher's Drawing Room Scrap Book[24] and reprinted in her collection The Zenana. Here she is representative of the female poet. An analysis can be found in DeLong 2012, pp. 124–131.
  • In Our Lady of the Flowers, Jean Genet twice says that Divine, the main character, is descended from "the siren Melusina".[25]
  • Dorothy L. Sayers's short story The leopard lady in the 1939 collection In the teeth of the evidence features a Miss Smith "who should have been called Melusine".
  • Melusine appears to have inspired aspects of the character Mélisande, who is associated with springs and waters, in Maurice Maeterlinck's play Pelléas and Mélisande, first produced in 1893. Claude Debussy adapted it as an opera by the same name, produced in 1902.
  • Margaret Irwin's fantasy novel These Mortals (1925) revolves around Melusine leaving her father's palace, and having adventures in the world of humans.[26]
  • In Andrè Breton's 1928 novel Nadja, the eponymous character evokes the character of Melusina while discussing dreams and her painting outside the Palais-Royal with the author.[27]
  • Charlotte Haldane wrote a study of Melusine in 1936 (which her then husband J.B.S. Haldane referred to in his children's book "My Friend Mr Leakey").
  • Aribert Reimann composed an opera Melusine, which premiered in 1971.
  • The Melusine legend is featured in A. S. Byatt's late 20th century novel Possession. One of the main characters, Christabel LaMotte, writes an epic poem about Melusina.
  • Philip the Good's 1454 Feast of the Pheasant featured as one of the lavish 'entremets' (or table decorations) a mechanical depiction of Melusine as a dragon flying around the castle of Lusignan.[28]
  • Rosemary Hawley Jarman used a reference from Sabine Baring-Gould's Curious Myths of the Middle Ages[29] that the House of Luxembourg claimed descent from Melusine in her 1972 novel The King's Grey Mare, making Elizabeth Woodville's family claim descent from the water-spirit.[30] This element is repeated in Philippa Gregory's novels The White Queen (2009) and The Lady of the Rivers (2011), but with Jacquetta of Luxembourg telling Elizabeth that their descent from Melusine comes through the Dukes of Burgundy.[31][11]
  • In The Wandering Unicorn (1965) by Manuel Mujica Láinez, Melusine tells her tale of several centuries of existence, from her original curse to the time of the Crusades.[32]
  • In his 2016 novel In Search of Sixpence the writer Michael Paraskos retells the story of Melusine by imagining her as a Turkish Cypriot girl forceably abducted from the island by a visiting Frenchman.
  • In the 2021 novel Matrix by Lauren Groff, the poet Marie de France is said to be descended from the fairy Melusine.
  • The 2023 album Mélusine by Cécile McLorin Salvant uses songs to illustrate the tale.[33]

Video games

  • In Monster Musume, a subspecies of lamia that has a pair of bat wings is named after her.[34]
  • In Fire Emblem Engage, the exclusive class of the villainous character Zephia is named after the melusine.[35]
  • Melusine appears as a Lancer-Class servant in the mobile game Fate/Grand Order.
  • Melusine appears as a card for the Skellige faction in the standalone version of Gwent, from the Witcher franchise.[36]
  • Melusine appears as an enemy/boss in the Final Fantasy series.
  • In the Fontaine region of Genshin Impact, the Melusines are an all-female race of non-human NPCs, which originated from the being named Elynas.[37]

Other references

  • In Czech and Slovak, the word meluzína refers to wailing wind, usually in the chimney. This is a reference to the wailing Melusine looking for her children.[38]
  • In June 2019, it was announced that Luxembourg's first petascale supercomputer, a part of the European High-Performance Computing Joint Undertaking (EuroHPC JU) programme, is to be named "Meluxina".[39]
  • The siren or mermaid with two tails and a crown, a heraldic symbol which inspired the Starbucks logo, is frequently identified as a melusine.[40][41] However, this name and the link to Melusine seems to have originated in the late 19th century.[42]
  • In 2022, the French postal system released a 1.65 euro stamp depicting la fee melusine as part of a series of myths and legends.[43][44]

See also

Literature

  • Maddox, Donald; Sturm-Maddox, Sara (1996). Melusine of Lusignan: foundling fiction in late medieval France. University of Georgia Press. ISBN 9780820318233. Essays on the Roman de Mélusine (1393) of Jean d'Arras.
  • Zeldenrust, Lydia (2020). The Mélusine Romance in Medieval Europe: Translation, Circulation, and Material Contexts. Cambridge: D.S. Brewer. ISBN 9781843845218. On the many translations of the romance, covering French, German, Dutch, Castilian, and English versions.
  • d'Arras, Jean (1932). Stouff, Louis (ed.). Mélusine, roman du XIVe siècle (in French). Dijon: Bernigaud & Privat. A scholarly edition of the important medieval French version of the legend by Jean d'Arras.
  • Eckert, Otto J. (1955). Luther and the Reformation (lecture).
  • Proust, Marcel (1996). Within A Budding Grove. Translated by Scott-Moncrieff, C. K. Random House UK. p. 190. ISBN 9780099362319.
  • Letitia Elizabeth Landon, Fisher's Drawing Room Scrap Book, 1835 (1834).[45] The Fairy of the Fountains.
  • DeLong, Anne (2012). Mesmerism, Medusa and the Muse: The Romantic Discourse of Spontaneous Creativity. Lexington Books. ISBN 9780739170434.

References

  1. ^ "mélusine". Dictionnaire Littré.
  2. ^ A Bilingual Edition of Jean D'Arras's Melusine, Or, L'histoire de Lusignan, Book 1. Edwin Mellen Press. 2007. p. 15.
  3. ^ Historie van Meluzine, Geraert Leeu, Antwerpen 1491, ISTC No. ij00218420.
  4. ^ Zeldenrust (2020)[pages needed]
  5. ^ Boria Sax, The Serpent and the Swan: Animal Brides in Literature and Folklore. Knoxville, TN: University of Tennessee Press/ McDonald & Woodward, 1998.
  6. ^ Uther, Hans-Jörg. Deutscher Märchenkatalog. Ein Typenverzeichnis. Waxmann Verlag, 2015. p. 104. ISBN 9783830983323.
  7. ^ Baring-Gould, Sabine (1882). Curious Myths of the Middle Ages. Boston: Roberts Brothers. pp. 343–393.
  8. ^ J. Le Goff, Time, Work and Culture in the Middle Ages (London 1982) p. 218-9
  9. ^ Mark, Joshua J. "Melusine". World History Encyclopedia. Retrieved 28 September 2022.
  10. ^ Scott, Sir Walter (1849). The minstrelsy of the Scottish border. Vol. 2. Edinburgh: Robert Cadell. p. 264.
  11. ^ a b Philippa Gregory; David Baldwin; Michael Jones (2011). The Women of the Cousins' War. London: Simon & Schuster.
  12. ^ Casey, Robert Joseph (1921). The Land of Haunted Castles. Century Company. pp. 55–58.
  13. ^ Luxembourg Stamps: 1997
  14. ^ Irmischer, Johann Konrad (1854). Dr. Martin Luther's sämmtliche Werke, Volumes 60-62. Heyder & Zimmer. p. 37.
  15. ^ Elmes, Melissa Ridley (2017). Melusine's Footprint: Tracing the Legacy of a Medieval Myth. Brill. pp. 94–108.
  16. ^ Bechstein, Ludwig (1853). Deutsches Sagenbuch. Leipzig: Verlag von Georg Wigand. pp. 729–30.
  17. ^ Flori, Jean (1999), Richard Coeur de Lion: le roi-chevalier, Paris: Biographie Payot, ISBN 978-2-228-89272-8 (in French)
  18. ^ Huscroft, R. (2016) Tales From the Long Twelfth Century: The Rise and Fall of the Angevin Empire, Yale University Press, pp. xix–xx
  19. ^ Stevenson, Joseph (1858). The Church Historians of England: Prereformation series, Volume 5, Part 1. Seeleys. p. 224.
  20. ^ Turner, Ralph V. (2009). Eleanor of Aquitaine: Queen of France, Queen of England. Yale University Press.
  21. ^ Chapman, Robert L. (June 1955). "A Note on the Demon Queen Eleanor". Modern Language Notes. 70 (6): 393–396. doi:10.2307/3039577. JSTOR 3039577 – via JSTOR.
  22. ^ Christiane Deluz, Le livre de Jehan de Mandeville, Leuven 1998, p. 215, as reported by Anthony Bale, trans., The Book of Marvels and Travels, Oxford 2012, ISBN 0199600600, p. 15 and footnote
  23. ^ Proust (1996), p. 5
  24. ^ Landon (1834)
  25. ^ Genet, Jean (1991). Our Lady of the Flowers. Grove Press. pp. 198, 298. ISBN 9780802130136.
  26. ^ Brian Stableford, " Re-Enchantment in the Aftermath of War", in Stableford, Gothic Grotesques: Essays on Fantastic Literature. Wildside Press, 2009, ISBN 978-1-4344-0339-1 (p.110-121)
  27. ^ Breton, Andrè (1928). Nadja. London: Penguin Modern Classics. p. 106.
  28. ^ Jeffrey Chipps Smith, The Artistic Patronage of Philip the Good, Duke of Burgundy (1419–1467), PhD thesis (Columbia University, 1979), p. 146
  29. ^ "Stephan, a Dominican, of the house of Lusignan, developed the work of Jean d'Arras, and made the story so famous, that the families of Luxembourg, Rohan, and Sassenage altered their pedigrees so as to be able to claim descent from the illustrious Melusina", citing Jean-Baptiste Bullet's Dissertation sur la mythologie française (1771).
  30. ^ Jarman, Rosemary Hawley (1972). "Foreword". The King's Grey Mare.
  31. ^ Gregory, Philippa (2009). "Chapter One" (PDF). The White Queen.
  32. ^ Láinez, Manuel Mujica (1983) The Wandering Unicorn Chatto & Windus, London ISBN 0-7011-2686-8;
  33. ^ Hochman, Steve (28 March 2023). "Cécile McLorin Salvant's Mélusine Is Imaginative And Thrilling". Spin. Retrieved 6 May 2023.
  34. ^ "Lamia and Their Subspecies".
  35. ^ "Zephia - Fire Emblem Engage Wiki Guide - IGN".
  36. ^ "Melusine Gwent Card".
  37. ^ "Who are the Melusines? | Genshin Impact｜Game8". Game8｜The Top Gaming and App Walkthroughs Straight from Japan!. 8 August 2023. Retrieved 19 August 2023.
  38. ^ Smith, G.S.; C. M. MacRobert; G. C. Stone (1996). Oxford Slavonic Papers, New Series. Vol. XXVIII (28, illustrated ed.). Oxford University Press, USA. p. 150. ISBN 978-0-19-815916-2.
  39. ^ "Le superordinateur luxembourgeois "Meluxina" fera partie du réseau européen EuroHPC" [Luxembourgish supercomputer "Meluxina" will be part of the EuroHPC European network]. gouvernement.lu (in French). 14 June 2019. Retrieved 30 June 2019.
  40. ^ Woodard, Larry (6 January 2011). "Can You Say 'Melusine?" Starbucks Will Explain". ABC News. Retrieved 28 April 2021.
  41. ^ Wilson, Mark (17 January 2018). "The Starbucks Logo Has A Secret You've Never Noticed". Fast Company. Retrieved 7 June 2021.
  42. ^ Allison, Sarah (2023). "Melusine and the Starbucks' Siren: Art, Mermaids, and the Tangled Origins of a Coffee Chain Logo". Shima. 17 (1): 280–288. doi:10.21463/shima.190. S2CID 258306641.
  43. ^ "Timbre : 2022 Mythes et Légendes - la fée Mélusine - EUROPA | WikiTimbres".
  44. ^ "Série Europa - Mythes et légendes - la fée Mélusine".
  45. ^ Landon, Letitia Elizabeth (1834). "poem". Fisher's Drawing Room Scrap Book, 1835. Fisher, Son & Co.
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