Blue Man Group: Difference between revisions
Line 21: | Line 21: | ||
===Character=== |
===Character=== |
||
The Blue Man can be considered a type of ''[[homologue]]''; i.e., a creature approximating a real male human being. The strongest and most obvious Blue Man characteristic is his static appearance, namely, the earless, bright blue head and face and nondescript, [[utilitarian]] clothing. In action, the Blue Man does not speak and his face is usually expressionless, although suggestions of curiosity, surprise, wonder, chagrin, etc. are sometimes visible (though only in the eyes and eyebrows). The Blue Man does not communicate through speech or broad [[body language]] or gestures; rather, he communicates through intense eye contact and simple gestures. He acts impulsively and primarily as a group of three, "checking in" with the other two when making decisions and before moving to their next action. The Blue Man's outwardly apparent motivations are often presented in mild [[caricature]] in order to make a humorous and/or ironic point to the audience. Additionally, the Blue Man is inscrutably motivated to drum. |
The Blue Man can be considered a type of ''[[homologue]]''; i.e., a creature approximating a real male human being. The strongest and most obvious Blue Man characteristic is his static appearance, namely, the earless, bright blue head and face and nondescript, [[utilitarian]] clothing. In action, the Blue Man does not speak and his face is usually expressionless, although suggestions of curiosity, surprise, wonder, chagrin, etc. are sometimes visible (though only in the eyes and eyebrows). The Blue Man does not communicate through speech or broad [[body language]] or gestures; rather, he communicates through intense eye contact and simple gestures. He acts impulsively and primarily as a group of three, "checking in" with the other two when making decisions and before moving to their next action. The Blue Man's outwardly apparent motivations are often presented in mild [[caricature]] in order to make a humorous and/or ironic point to the audience. Additionally, the Blue Man is inscrutably motivated to drum. They even have their own 'goodbye' hand gesture. These characteristics provide a character free of stereotypes or race and allow all members of the audience to identify with them equally. |
||
===Themes=== |
===Themes=== |
Revision as of 04:31, 27 March 2007
Blue Man Group (Blue Man, BMG) is a creative organization centered on a trio of mute performers, called Blue Men, that present themselves in blue grease paint, latex bald caps, and black clothing. Blue Man Group's theatrical acts incorporate rock music (with an emphasis on percussion), odd props, audience participation, sophisticated lighting, and large amounts of paper. It is also noted for having a "poncho section" of the audience; in the front rows, audience members are provided with plastic ponchos in order to protect them from various foods, substances, paints, and so on, which get thrown, ejected, or sprayed from the stage. The shows are family-oriented, humorous, energetic and often employ thought-provoking satire on modern life. Much of the humor breaks the fourth wall, for example, interrupting the show to ridicule latecomers in the audience.
Early History
Friends Chris Wink, Matt Goldman and Phil Stanton (collectively referred to by the fan community as CMP or ChrisMattPhil) conceived the idea during the 1980s while in New York City. They began appearing on the streets in Blue Man regalia, busking for passersby and staging unusual events such as The Funeral For the 80s, and doing short bits as part of the underground cabarets of Tom Murrin, The Alien Comic, in "The CLUB" at La MaMa Experimental Theater Club.
Meryl Vladimer, the Artistic Director of The CLUB, saw their work and commissioned Blue Man Group to create a full-length show. The resulting piece, TUBES, took off after Vladimer persuaded The New York Times critic Stephen Holden to review it. Blue Man Group's popularity continued to snowball, eventually winning CMP an Obie Award and a Lucille Lortel Award, which led producers to take the show to off-Broadway. TUBES opened in 1991 at the Astor Place Theatre. This show, and frequent appearances on The Tonight Show with Jay Leno, enabled CMP and Blue Man Group team to open similar productions and expand their concepts into other kinds of performances.
Theatrical productions
List of theatrical productions
- "Tubes/Rewired" in New York at the Astor Place Theatre (1991 — )
- "Tubes/Rewired" in Boston at the Charles Playhouse (1995 — )
- "Tubes/Rewired" in Chicago at the Briar Street Theater (1997 — )
- "Live at Luxor" in Las Vegas at the Luxor Hotel and Casino (March 10, 2000 – September 15, 2005)
- "Bluephoria/Live at the Venetian" in Las Vegas at The Venetian Resort Hotel and Casino (October 10, 2005 — )
- Berlin at the Theater am Potsdamer Platz (May 9, 2004 — Janaury 31, 2006) at the BLUEMAX (February 1, 2006 — )
- Toronto at the Panasonic Theatre (June 20, 2005 – January 7, 2007)
- London at the New London Theatre (November 2005 — )
- Amsterdam at the Theater Fabriek (December 2006 — )
- Oberhausen at the Metronom Theatre (March 11, 2007 — )
Character
The Blue Man can be considered a type of homologue; i.e., a creature approximating a real male human being. The strongest and most obvious Blue Man characteristic is his static appearance, namely, the earless, bright blue head and face and nondescript, utilitarian clothing. In action, the Blue Man does not speak and his face is usually expressionless, although suggestions of curiosity, surprise, wonder, chagrin, etc. are sometimes visible (though only in the eyes and eyebrows). The Blue Man does not communicate through speech or broad body language or gestures; rather, he communicates through intense eye contact and simple gestures. He acts impulsively and primarily as a group of three, "checking in" with the other two when making decisions and before moving to their next action. The Blue Man's outwardly apparent motivations are often presented in mild caricature in order to make a humorous and/or ironic point to the audience. Additionally, the Blue Man is inscrutably motivated to drum. They even have their own 'goodbye' hand gesture. These characteristics provide a character free of stereotypes or race and allow all members of the audience to identify with them equally.
Themes
There are a number of different themes found in various Blue Man performances. These themes include:
- Science and technology, especially the topics of fractals, human sight, DNA, and the Internet.
- Information overload and information pollution, such as when the audience is asked to choose one of three simultaneous streams of information to read.
- Innocence, as when the Blue Men appear to be surprised and perplexed by common artifacts of modern society or by audience reactions.
- Self-conscious and naïve imitation of cultural norms, such as attempting to stage an elegant dinner for an audience member with Twinkies; or following the Rock Concert Instruction Manual with the expectation that following a series of instructions is all it takes to put on a rock concert.
- The Outsider. Blue Men always appear as a group of three. This is because not only are Blue Men viewed as outsiders to the rest of the world, but three is the smallest group possible where one member could be viewed as an outsider by the other two. Many of the Blue Man skits involve one of the three Blue Men performing in a manner inconsistent with the other two.
- Rooftops, or otherwise climbing to the top. There are a number of references, both in visual pieces and in lyrics from the COMPLEX tour, that have a common theme of getting to the roof. This theme is a metaphor for the advice CMP were given by Joseph Campbell and Bill Moyers's PBS program The Power of Myth and represents "Following your bliss."
Future productions
Blue Man Group is scheduled to open three new shows in 2007:
- In February, Blue Man Group moved its Berlin production from the Theater Am Potsdamer Platz to a former IMAX theater, renamed "Bluemax".
- In March, Blue Man Group will open a second show in Germany, this time in Oberhausen.
- In June, Blue Man Group is scheduled to open a new show at Universal Orlando Resort using space formerly occupied by Nickelodeon Studios. According to the official Nov. 9 press release, the building is being re-designed as a 1,000-seat theater and the show itself is being custom-designed for Universal Orlando; it will include elements of the group's existing shows as well as newly created material.
Music and tours
In 1999, the group released their first audio recording, appropriately called Audio. Although it contained some of the music from their stage productions, it was less of a soundtrack and more a collection of full-length instrumentals that featured new instruments.
In 2002, the group participated in Moby's Area2 tour, giving a more rock-oriented performance than in the theatrical shows. Songs developed during this tour appeared on 2003's album The Complex.
Unlike Audio, The Complex featured a variety of vocalists and guests including Tracy Bonham, Dave Matthews, Gavin Rossdale, and Venus Hum's singer Annette Strean. The record spawned its own 2003 tour, the first headlined by Blue Man Group. The tour cleverly deconstructed the traditional rock concert experience into its often clichéd parts and was chronicled in a 2004 DVD release. The tour featured Tracy Bonham and Venus Hum as supporting acts.
Blue Man Group launched its second tour, The "How to Be a Megastar Tour 2.0", on September 26, 2006. The tour added some new material to material from the original Complex Rock Tour, and had Tracy Bonham as an opening act and vocalist. DJ/VJ Mike Relm is the opening act for the second leg of this tour. HowToBeAMegaStar.com.
Appearances and other work
- When Blue Man Group was still solely in New York, they ran a variety of fake advertisements in The Village Voice.
- Since 1992, Blue Man Group has appeared on The Tonight Show with Jay Leno 16 times and on Live with Regis and Kelly 4 times.
- The group achieved widespread visibility when they appeared in an Intel advertising campaign for Pentium 3 and Pentium 4 CPUs as well as Centrino technology.
- Blue Man Group "appeared" on animated TV series The Simpsons four times (once being referred to by Homer Simpson as "a rip off of The Smurfs"), once as part of one of the couch gags, had guest appearances in The Drew Carey Show, and appear in an informational video played continuously at security checkpoints in McCarran International Airport in Las Vegas, Nevada.
- Throughout the entire second season of Arrested Development, a running subplot was that of Tobias Fünke (David Cross) attempting to join the group. The group themselves were featured at least once.
- Blue Man Group was parodied in the Family Guy movie, Stewie Griffin: The Untold Story where Peter mentions that he and Lois went to Las Vegas to see the "Jew Man Group."
- In the Joss Whedon television series Angel, it is stated in the episode "The House Always Wins" that two members of Blue Man Group are actually demons.
- In 2004, Blue Man Group made an appearance in the show Las Vegas in the episode "Blood and Sand" (original airdate January 5, 2004). In the episode, they play themselves "trashing" the hotel managed by Ed Deline (James Caan), and shooting money from PVC pipes in the lobby.
- In 2004, the piece "Piano Smasher" was used in the soundtrack for the video game R-Type Final. [1]
- In 2005, the group collaborated with artist David LaChapelle and produced several new images for upcoming ad campaigns, including their show "bluephoria" at the Venetian in Las Vegas. These images are radically different from any of the group's previous advertising and can be seen on the official webpage.
- In Autumn 2005, the group appeared on the children's BBC program, Blue Peter, to promote their London production.
- In December 2005, Blue Man Group appeared at the Royal Variety Performance in Cardiff, where they performed "I Feel Love" with Katherine Jenkins on vocals. They created a piece of Yves Klein-inspired art by daubing comedian Joe Pasquale in paint, attaching him to a pulley, and swinging him against a large canvas; Blue Man Group performed their popular "spin art/marshmallows" skit. Videos of each of these segments are available on the Blue Man Library website.
- Blue Man Group provided music for two movies. "The Current" was featured on the soundtrack for Terminator 3: Rise of the Machines, and Blue Man Group played various percussion instruments on the score of the 2005 animated film Robots.
- Blue Man Group performed the American and Canadian national anthems at the home opener of the Toronto Blue Jays against the Minnesota Twins in April 2006.
- In June 2006, Swatch launched a new range of colored watches with BMG as the faces of the advertising campaign. A limited edition Blue Man Group watch was also released, featuring all 3 men throwing paint to each other on the strap.
- Blue Man Group appeared on the finale of America's Got Talent, where they performed a cover of The Who's "Baba O'Riley", from their Complex Rock Tour show.
- Blue Man Group made an appearance at the launch party of the new CW network in September 2006.
- Blue Man Group and their Las Vegas show were featured in the sixth season premiere episode of Scrubs on NBC titled "My Mirror Image".
- Blue Man Group have released two different musical instruments for kids, based on existing Blue Man creations. One is called the Blue Man Group Percussion Tubes, while the other is the Blue Man Group Keyboard Experience. Both are manufactured by ToyQuest.
Musical instruments
As the shows evolved, Blue Man Group developed a set of custom musical instruments, many designed from the observation that common materials, such as PVC pipes, make interesting noises when struck.
- PVC. The PVC is an instrument made out of 2" PVC pipe. The pipes are cut to exact lengths and the Blue Man plays the instrument by striking one of the open ends with a closed-cell foam rubber paddle. PVCs are somewhat based on the bamboo instruments used in Gamelan joged bumbung & Gamelan jegog ensembles. In the live shows, three separate PVC instruments are used, one for low, mid, and high octaves. This instrument also comes in a "backpack" variety for portability, which comes optionally equipped with confetti/streamer shooters. The "floor" PVC units are generally painted with phosphorescent dye invisible under normal lighting conditions, but of visibly different colors under ultraviolet light. During a performance, levels of such are generally adjusted to give the PVC the appearance of changing from white to colorful. Along with the tubulum and drumbone, PVCs can be classified as plosive aerophones.
- Tubulum. Similar in concept to the PVC, the Tubulum [ˈtuːb.juːˌlʌm] uses 4" PVC pipe and has cardboard or rubber "reeds" on the end that are struck with drumsticks. This gives the Tubulum a more "updated" sound than the PVC; in fact, the synthesizer-like sound quality of the instrument inspired Blue Man Group's cover of "I Feel Love" by Donna Summer. The Tubulum is designed for playing bass notes, so the tubes must be sufficiently long to generate the low sounds. Because of the unavoidably large size of this instrument, the performance venues for the theatrical shows in New York, Boston, and Chicago are not physically large enough to contain it. A more compact instrument was used on the Complex Rock Tour and in the video for "I Feel Love"; the tubes twist around for extra length, below the frame that holds the tube "heads". Backpack tubulums, with the same streamer-launching abilities of the backpack PVC, are used in the Las Vegas, Berlin & Toronto shows. Another variation of the Tubulum is the Paddle Tubulum, which allows the Blue Man to play bass notes with the ease of paddles, as on a PVC; this instrument was used on The Complex and the Complex Rock Tour.
- Airpoles. Airpoles are hollow fiberglass boat antennae of various lengths. The instrument is sharply swung to create a "swoosh" sound. These instruments come in three varieties. Sword airpoles are short and held on the end like a sword. Wiper airpoles are longer versions of sword airpoles. Angel airpoles are very long and are held in the middle so that both ends move in unison to create syncopated rhythm. This is supposedly one of the most difficult Blue Man instruments to learn, as it requires very precise muscle control that can take a long time to develop. Unlike most of the other instruments listed here, airpoles were not, strictly speaking, "invented"; they were discovered when one of the founders of the group swung a boat antenna through the air while experimenting to find new instruments.
- Drumbone. The Drumbone is another instrument made from 4" diameter PVC; this one uses two movable sections to alter the pitch. One Blue Man plays the instrument with drumsticks, another moves the horizontal slide, and the third Blue Man moves the vertical slide. The Drumbone is only used in the song of the same name, which is an audience favorite. Blue Man Group used a special Drumbone shaped like the number 4 for the Intel Pentium 4 commercials.
- Drumulum. The Drumulum [ˈdrʌm.juːˌlʌm] consists of a drum and a length PVC pipe (or "ulum") over the drum. The length of the tube, when in harmony with the pitch of the drum, creates the sound heard at the beginning of the hidden track "Mandelbrot 4" on The Complex.
- Hammered Dulcimer and Cimbalom. Although they are not inventions of Blue Man Group, these instruments are played with drumsticks rather than the usual felt hammers. This gives the instrument a much more aggressive sound with a sharp attack. Because of the nature of Blue Man Group's music, only a few notes of each instrument tend to be used on any given performance; to minimize the odds of sour notes, multiple adjacent strings are generally tuned to the same note.
- Chapman Stick. Used in the backup band, the Stick is most notably heard in the "Mandelbrot" series of songs (of which there are 4), "Synaesthetic", "Your Attention", and the main riff in "Utne Wire Man". In addition to "tapping" the instrument, the Stick player also "bows" the lowest two strings (with a .110 gauge bass string cut approx 10" long) in the "Mandelbrot" songs.
- Zither. Blue Man Group uses a custom-built, 98-stringed electric zither. Along with the Chapman stick player & drummer(s), the zither player fills out the "basic" backup band for Blue Man Group. Sometimes, the zither is played with a glass slide on the left hand and fingerpicks on the right hand. From there the signal goes through a series of guitar pedals and then into an old "Orange" vintage guitar amp. When played through a delay effect and phaser, the zither is called the Pressaphonic, which supplies the main riff in "Rods & Cones".
- Dogulum. This instrument is "played" by taking Chris Wink's dog and stroking him rhythmically until the dog enters a state of Zen-like complete contentment; the dog is then recorded, and the vibe is included on the album mix.
- Piano Smasher. The Piano Smasher is a piano stripped down to its frame and stood up on its side. It is played by hitting the strings with a large soft mallet, resulting in a clangy, almost discordant sound. In live performances, this instrument is generally played with a MIDI system, using sensors behind the strings, as the instrument goes out of tune very quickly. Each Piano Smasher is tuned to only one note, as it would be otherwise impossible to get anything resembling a musical tone from the instrument.
- Shaker Gong. A Shaker Gong is a matrix of ball bearings inside a steel casing, suspended from a frame by surgical tubing. It is struck with a mallet to produce a sharp, lingering sound vaguely reminiscent of a rattlesnake.
- Gyro Shot. This was a failed instrument from the Audio sessions. It consisted of ball bearings inside spinning tubes. Although it looked futuristic, the only sound Blue Man Group managed to get from it was a weak rain stick-like sound.
- Aronophonic. The Aronophonic was invented by Blue Man Group instrument technician Aron Sanchez in order to reinvent cymbals, shakers and other high frequency percussive instruments. It consists of multiple pieces of metal laid out on a rack so the drummers can hit them with drumsticks and allow the pieces of metal to stay together.
- Electric Dog Toy. Blue Man Group took a dog toy that had whale sound sampled in it and moved it in different ways near an electric guitar pickup. The result was a high-pitched squeal that can be heard at the end of "Drumbone".
Community
Blue Man Group has a large following comprising a diverse group of fans from all over the world. The community is centered on the message boards on the official website, as well as fan-based web sites like Blue Man Library. The BML also creates a weekly podcast called "Switchback," the official podcast of the Blue Man Group fan community. Blue Man Productions, the company responsible for Blue Man Group, has been extremely supportive of the fan community; Blue Man Group employees will often post messages exclusive to the fan base and participate in regularly scheduled chat sessions at Blue Man Library.
Controversy
Announcing their debut in Toronto, Ontario in 2005, Blue Man Group attracted considerable controversy for opting not to use unionized workers for their show, which many labor groups regarded as being highly unusual for a show of its size in Canada. Their June 20, 2005 premiere in Toronto was picketed by members of the Canadian Actors' Equity Association, the Toronto Musicians' Association, and two locals of the International Alliance of Theatrical Stage Employees. The Ontario Teacher's Union also joined in the boycott, which essentially eliminated any business from school trips and student matinees. The show closed after 18 months, staging its final show on January 7, 2007.
In Las Vegas in April 2006, Blue Man Group moved from the Luxor Hotel, where they had a union contract, to the Venetian Hotel, electing not to keep the contract. Employees who went from the Luxor venue to the Venetian started an organizing campaign with IATSE Local 720 in Las Vegas, claiming that without the union contract they would not receive a pension and could not provide adequate healthcare for themselves or their families.
On May 25, 2006, employees at the Blue Man Group Las Vegas voted to be represented by IATSE Local 720 in Las Vegas Nevada. The election was supervised by the National Labor Relations Board region 28 based in Phoenix Arizona. The winning election now permits the employees to start bargaining a contract with Blue Man Productions.
Discography
-
Audio CD LP (1999) -
Audio DVD-audio LP with 5.1 surround sound mix (2000) -
The Complex CD LP (2003) -
"The Current" (Single) first single from The Complex (2003) -
"I Feel Love" (Single) second single from The Complex (2004) -
The Complex DVD-audio LP with 5.1 surround sound mix (2004) -
"Rods and Cones" (Live Single) iTunes exclusive digital single from Live at the Venetian (2006) -
Live at the Venetian, Las Vegas iTunes exclusive digital download (2006) -
Last Train to Trancentral (EP) iTunes exclusive digital download (2006)
Videography
- The Complex Rock Tour Live DVD (2003)
File:Thecomplextourlive2003.jpg
- Inside the Tube (2006). A special one-hour documentary created and aired exclusively for PBS. Features interviews with CMP describing the Blue Men, and video clips from various theatrical performances.
Side projects
- Uberschall
- Transit (Dead as of 01:23, 24 October 2006 (UTC); archive at web.archive.org)
- Thirsty (Dead as of 01:23, 24 October 2006 (UTC))
- The Troubadors
- The Job
- The Tiny Specks
- Hot Fo' Gandhi
- Dead Ant Games
- The Schmeltz
References
External links
- Official websites: General, UK, Netherlands, Germany
- Blue Man Group at IMDb
- Blue Man Group discography at MusicBrainz
- Official Fan Website - Blue Man Library
Related articles
- "Blue Man Group: Color them cool" Orlando Sentinel, January 5, 2007
- "Toronto's blue period?" kapital magazine, December 2006
- "Who killed Blue Man Group?" - Toronto Star, September 29, 2006
- "Canuck unions blue over group" - Variety, June 16, 2005