Paul Berthon: Difference between revisions
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[[File:L'Ermitage LACMA M.87.294.2.jpg|thumb|upright|Berthon's [[Art Nouveau]]-influenced poster for the revue ''L'ermitage'', 1897]] |
[[File:L'Ermitage LACMA M.87.294.2.jpg|thumb|upright|Berthon's [[Art Nouveau]]-influenced poster for the revue ''L'ermitage'', 1897]] |
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'''Paul Berthon''' (Paul Emile Berthon, 15 March 1872 in Villefranche-sur-Saône – |
'''Paul Berthon''' (Paul Emile Berthon, 15 March 1872 in Villefranche-sur-Saône – 27 February 1934 in Paris) was a [[French people|French]] artist who produced primarily [[poster]]s and [[lithograph]]s.<ref>Haslam, Malcolm ''Marks & monograms: the decorative arts, 1880-1960'' 1995 p. 169, 345</ref> Berthon's work is in the style of [[Art Nouveau]], much like his contemporary [[Alfons Mucha|Alphonse Mucha]]. Berthon studied as a painter in [[Villefranche-sur-Saône]] before moving to [[Paris]]. He later enrolled at the Ecole Normale d'Enseignement de Dessin and received lessons in painting from [[Luc-Olivier Merson]] and lessons in decorative arts from [[Eugène Grasset]]. Grasset had a far greater influence on him, and he may be regarded as his pupil. His study of the [[decorative art]]s influenced his [[printmaking|print making]], influencing the strong lines and natural details that guided his art. The vast majority of Berthon's lithographed posters did not include [[advertising|advertisements]] and were meant to stand on their own. |
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==Further reading== |
==Further reading== |
Revision as of 21:10, 19 November 2023
Paul Berthon (Paul Emile Berthon, 15 March 1872 in Villefranche-sur-Saône – 27 February 1934 in Paris) was a French artist who produced primarily posters and lithographs.[1] Berthon's work is in the style of Art Nouveau, much like his contemporary Alphonse Mucha. Berthon studied as a painter in Villefranche-sur-Saône before moving to Paris. He later enrolled at the Ecole Normale d'Enseignement de Dessin and received lessons in painting from Luc-Olivier Merson and lessons in decorative arts from Eugène Grasset. Grasset had a far greater influence on him, and he may be regarded as his pupil. His study of the decorative arts influenced his print making, influencing the strong lines and natural details that guided his art. The vast majority of Berthon's lithographed posters did not include advertisements and were meant to stand on their own.
Further reading
- Les Maîtres de l'Affiche
- Gérald Schurr: Les Petits Maîtres de la peinture 1820–1920 : Les Éditions de l’Amateur, t. IV, : Paris 1979.
- Victor Arwas: Berthon & Grasset : Academy/Denoël: 1978, ISBN 978-0-856-70429-1.
References
- ^ Haslam, Malcolm Marks & monograms: the decorative arts, 1880-1960 1995 p. 169, 345