Raul Roulien: Difference between revisions
Ciro Lyndo (talk | contribs) →Life and career: Fixed typo Tags: Mobile edit Mobile web edit |
m clean up, link, removed stub tag |
||
Line 1: | Line 1: | ||
⚫ | |||
{{Short description|Brazilian actor, singer, screenwriter and film director}} |
{{Short description|Brazilian actor, singer, screenwriter and film director}} |
||
⚫ | |||
{{Portuguese name|Intini|Pepe}} |
{{Portuguese name|Intini|Pepe}} |
||
{{Infobox person |
{{Infobox person |
||
Line 28: | Line 28: | ||
'''Raul Salvador Intini Pepe Roulien''' (7 October 1904 – 8 September 2000), known professionally as '''Raul Roulien''', was a Brazilian actor, singer, screenwriter and film director.<ref>Solomon p.331</ref> He is widely considered the first male Brazilian star in Hollywood. |
'''Raul Salvador Intini Pepe Roulien''' (7 October 1904 – 8 September 2000), known professionally as '''Raul Roulien''', was a Brazilian actor, singer, screenwriter and film director.<ref>Solomon p.331</ref> He is widely considered the first male Brazilian star in Hollywood. |
||
He worked briefly in Hollywood in the waning days of the American movies' embrace of the "[[Latin lover]]" (a title invented for the Italian actor [[Rudolph Valentino]]), a phenomenon that encouraged the Jewish-American actor [[Jacob Krantz]] to change his name to Ricardo Cortez. |
He worked briefly in Hollywood in the waning days of the American movies' embrace of the "[[Latin lover]]" (a title invented for the Italian actor [[Rudolph Valentino]]), a phenomenon that encouraged the Jewish-American actor [[Jacob Krantz]] to change his name to Ricardo Cortez. |
||
Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company Abigail Maia-Raul Roulien, with then wife, actress Abigail Maia, authoring a genre called "frivolity theater", which were quick shows that took place between breaks in the cinema. |
Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company Abigail Maia-Raul Roulien, with then wife, actress Abigail Maia, authoring a genre called "frivolity theater", which were quick shows that took place between breaks in the cinema. |
||
In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to [[20th Century Fox]], where he worked between 1931 and 1934. His career spanned a total of 18 films, including ''[[Delicious (film)|Delicious]]'' (1931) and ''[[Flying Down to Rio]]'' (1933), the latter starring [[Fred Astaire]] and [[Ginger Rogers]] in their first dance together. |
In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to [[20th Century Fox]], where he worked between 1931 and 1934. His career spanned a total of 18 films, including ''[[Delicious (1931 film)|Delicious]]'' (1931) and ''[[Flying Down to Rio]]'' (1933), the latter starring [[Fred Astaire]] and [[Ginger Rogers]] in their first dance together. |
||
In 1933 his second wife, Diva Tosca (née Tosca Izabel Querze), was hit and killed as a pedestrian on Sunset Boulevard by [[John Huston]].<ref>{{Cite book |last=Meyers |first=Jeffrey |year=2011 |title=John Huston: Courage and Art |url=https://archive.org/details/johnhustoncourag0000meye |url-access=registration |location=New York |publisher=Crown/Archetype |page=[https://archive.org/details/johnhustoncourag0000meye/page/40 40] |isbn=9780307590695 }}</ref> |
In 1933 his second wife, Diva Tosca (née Tosca Izabel Querze), was hit and killed as a pedestrian on Sunset Boulevard by [[John Huston]].<ref>{{Cite book |last=Meyers |first=Jeffrey |year=2011 |title=John Huston: Courage and Art |url=https://archive.org/details/johnhustoncourag0000meye |url-access=registration |location=New York |publisher=Crown/Archetype |page=[https://archive.org/details/johnhustoncourag0000meye/page/40 40] |isbn=9780307590695 }}</ref> |
||
==Life and career== |
==Life and career== |
||
Raul Roulien was born Raul Salvador Intini Pepe on 7 October 1904, in [[Rio de Janeiro]], Brazil to Italian immigrants Biagio Pepe and Anna Intini. As a child, he used to sing all the time. He started his artistic career at age eight, as Raul Pepe, and he is reported to have performed to then [[President of Brazil]] [[Francisco de Paula Rodrigues Alves|Rodrigues Alves]] and to Brazilian writer, and his godfather, [[Ruy Barbosa]]. |
Raul Roulien was born Raul Salvador Intini Pepe on 7 October 1904, in [[Rio de Janeiro]], Brazil to Italian immigrants Biagio Pepe and Anna Intini. As a child, he used to sing all the time. He started his artistic career at age eight, as Raul Pepe, and he is reported to have performed to then [[President of Brazil]] [[Francisco de Paula Rodrigues Alves|Rodrigues Alves]] and to Brazilian writer, and his godfather, [[Ruy Barbosa]]. |
||
While visiting one of his brothers in [[Buenos Aires]], [[Argentina]], he was hired to sing at Cine Porteño. There, he rose to fame as a [[Chansonnier (singer)|chansonier]], a pianist and a composer, and began to pursue a career in the theater. In 1928, back in Brazil, he founded the "Abigail Maya-Raul Roulien Theater Company", with then wife, actress Abigail Maia, and created a performance genre called "Theater of Frivolity," which were quick shows that took place between movie sessions. |
While visiting one of his brothers in [[Buenos Aires]], [[Argentina]], he was hired to sing at Cine Porteño. There, he rose to fame as a [[Chansonnier (singer)|chansonier]], a pianist and a composer, and began to pursue a career in the theater. In 1928, back in Brazil, he founded the "Abigail Maya-Raul Roulien Theater Company", with then wife, actress Abigail Maia, and created a performance genre called "Theater of Frivolity," which were quick shows that took place between movie sessions. |
||
In 1931, divorced from Abigail, he went to New York and was signed to [[20th Century Fox]], as an actor, where he worked until 1934. He made his debut in a [[Spanish-language]] version of the 1931 Hollywood film ''[[Charlie Chan Carries On (film)|Charlie Chan Carries On]]'', called ''[[There Were Thirteen]]'' (1931). His second movie was ''[[Delicious (film)|Delicious]]'' (1931), directed by [[David Butler (director)|David Butler]], where Roulien played a Russian composer, and sang "Delishious", written by [[George Gershwin]]. In 1932, he starred in ''[[Careless Lady]]'', ''[[State's Attorney (film)|State's Attorney]]'', and ''[[The Painted Woman]]''; and in 1933, in ''No Dejes la Puerta Abierta'', ''El Último Varon Sobre La Tierra'', and ''[[It's Great to Be Alive (film)|It's Great to Be Alive]]''. That same year, he starred in the movie for which he is best remembered, ''[[Flying Down to Rio]]'', as part of a romantic triangle with [[Gene Raymond]] and [[Dolores del Río]], and for singing "Orchids in the Moonlight". The production is also memorable for featuring the first [[Fred Astaire]]/[[Ginger Rogers]] cinematic pairing. |
In 1931, divorced from Abigail, he went to New York and was signed to [[20th Century Fox]], as an actor, where he worked until 1934. He made his debut in a [[Spanish-language]] version of the 1931 Hollywood film ''[[Charlie Chan Carries On (film)|Charlie Chan Carries On]]'', called ''[[There Were Thirteen]]'' (1931). His second movie was ''[[Delicious (1931 film)|Delicious]]'' (1931), directed by [[David Butler (director)|David Butler]], where Roulien played a Russian composer, and sang "Delishious", written by [[George Gershwin]]. In 1932, he starred in ''[[Careless Lady]]'', ''[[State's Attorney (film)|State's Attorney]]'', and ''[[The Painted Woman]]''; and in 1933, in ''No Dejes la Puerta Abierta'', ''El Último Varon Sobre La Tierra'', and ''[[It's Great to Be Alive (film)|It's Great to Be Alive]]''. That same year, he starred in the movie for which he is best remembered, ''[[Flying Down to Rio]]'', as part of a romantic triangle with [[Gene Raymond]] and [[Dolores del Río]], and for singing "Orchids in the Moonlight". The production is also memorable for featuring the first [[Fred Astaire]]/[[Ginger Rogers]] cinematic pairing. |
||
==Stage and film work== |
==Stage and film work== |
||
Line 60: | Line 60: | ||
|- |
|- |
||
! scope="row" | {{sort|1931|1931}} |
! scope="row" | {{sort|1931|1931}} |
||
| ''[[Delicious (film)|Delicious]]'' |
| ''[[Delicious (1931 film)|Delicious]]'' |
||
| Sascha |
| Sascha |
||
| Singing "Delishious" |
| Singing "Delishious" |
||
Line 256: | Line 256: | ||
[[Category:Male actors from Rio de Janeiro (city)]] |
[[Category:Male actors from Rio de Janeiro (city)]] |
||
[[Category:Brazilian expatriates in the United States]] |
[[Category:Brazilian expatriates in the United States]] |
||
{{Brazil-actor-stub}} |
Revision as of 13:41, 12 December 2023
Raul Roulien | |
---|---|
Born | Raul Salvador Intini Pepe 7 October 1904 Rio de Janeiro, Brazil |
Died | 8 September 2000 São Paulo, Brazil | (aged 95)
Other names | Salvador Intini |
Occupations |
|
Years active | 1928–1970 |
Spouses | Abigail Maia
(m. 1928; div. 1930)Diva Tosca
(m. 1932; died 1933)Nelly Rodrigues (m. 1950) |
Raul Salvador Intini Pepe Roulien (7 October 1904 – 8 September 2000), known professionally as Raul Roulien, was a Brazilian actor, singer, screenwriter and film director.[1] He is widely considered the first male Brazilian star in Hollywood.
He worked briefly in Hollywood in the waning days of the American movies' embrace of the "Latin lover" (a title invented for the Italian actor Rudolph Valentino), a phenomenon that encouraged the Jewish-American actor Jacob Krantz to change his name to Ricardo Cortez.
Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company Abigail Maia-Raul Roulien, with then wife, actress Abigail Maia, authoring a genre called "frivolity theater", which were quick shows that took place between breaks in the cinema.
In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to 20th Century Fox, where he worked between 1931 and 1934. His career spanned a total of 18 films, including Delicious (1931) and Flying Down to Rio (1933), the latter starring Fred Astaire and Ginger Rogers in their first dance together.
In 1933 his second wife, Diva Tosca (née Tosca Izabel Querze), was hit and killed as a pedestrian on Sunset Boulevard by John Huston.[2]
Life and career
Raul Roulien was born Raul Salvador Intini Pepe on 7 October 1904, in Rio de Janeiro, Brazil to Italian immigrants Biagio Pepe and Anna Intini. As a child, he used to sing all the time. He started his artistic career at age eight, as Raul Pepe, and he is reported to have performed to then President of Brazil Rodrigues Alves and to Brazilian writer, and his godfather, Ruy Barbosa.
While visiting one of his brothers in Buenos Aires, Argentina, he was hired to sing at Cine Porteño. There, he rose to fame as a chansonier, a pianist and a composer, and began to pursue a career in the theater. In 1928, back in Brazil, he founded the "Abigail Maya-Raul Roulien Theater Company", with then wife, actress Abigail Maia, and created a performance genre called "Theater of Frivolity," which were quick shows that took place between movie sessions.
In 1931, divorced from Abigail, he went to New York and was signed to 20th Century Fox, as an actor, where he worked until 1934. He made his debut in a Spanish-language version of the 1931 Hollywood film Charlie Chan Carries On, called There Were Thirteen (1931). His second movie was Delicious (1931), directed by David Butler, where Roulien played a Russian composer, and sang "Delishious", written by George Gershwin. In 1932, he starred in Careless Lady, State's Attorney, and The Painted Woman; and in 1933, in No Dejes la Puerta Abierta, El Último Varon Sobre La Tierra, and It's Great to Be Alive. That same year, he starred in the movie for which he is best remembered, Flying Down to Rio, as part of a romantic triangle with Gene Raymond and Dolores del Río, and for singing "Orchids in the Moonlight". The production is also memorable for featuring the first Fred Astaire/Ginger Rogers cinematic pairing.
Stage and film work
Films
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1931 | There Were Thirteen | Max Minchin | ||
1931 | Delicious | Sascha | Singing "Delishious" | |
1932 | Careless Lady | Luis Pareda | ||
1932 | State's Attorney | Señor Alvarado | Uncredited | |
1932 | The Painted Woman | Jim Kikela | ||
1933 | El Último Varon Sobre La Tierra | Ralph Martin | ||
1933 | Primavera en otoño | Juan Manuel Valladres | ||
1933 | It's Great to Be Alive | Carlos Martin | ||
1933 | No Dejes la Puerta Abierta | Raul | ||
1933 | Flying Down to Rio | Julio Ribeiro | First Fred Astaire / Ginger Rogers pairing Singing "Orchids in the Moonlight" |
|
1934 | Granaderos del Amor | Erich Remberg / Pierre Laval | ||
1934 | The World Moves On | Carlos Girard (1825) / Henri Girard (1914) | ||
1935 | Asegure a Su Mujer | Ricardo Randall | ||
1935 | Piernas de Seda | Frank Alton | ||
1935 | Te Quiero Con Locura | Alberto Foster | ||
1937 | O Grito da Mocidade | Raul Melo | ||
1939 | El Grito de la Juventud | Director | ||
1939 | Aves Sem Ninho | Director | ||
1947 | Road to Rio | Cavalry Officer | Uncredited, (final film role) | |
1948 | Asas do Brasil | Story, screenwriter, director |
Stage
Production | Year | Theater | Note(s) | Ref(s) |
---|---|---|---|---|
Malibu | 1938 | – | Director | [3] |
Prometo Ser Infiel | 1941 | Teatro-Cassino Copacabana | Also director and translator | [4] |
Patinho de Ouro | 1941 | Teatro-Cassino Copacabana | Also director | [5] |
Garçon | 1941 | Teatro-Cassino Copacabana | Also director | [6] |
Alguns Abaixo de Zero | 1941 | Teatro Boa Vista | Also director | [7] |
Trio em Lá Menor | 1941 | Teatro Boa Vista | Also writer and director | [8] |
Diana, Eu Te Amo | 1941 | Teatro Boa Vista | Also director | [9] |
Coração | 1941 | Teatro Boa Vista | Also writer and director | [10] |
Na Pele do Lobo | 1942 | Teatro Regina | Also director and translator | [11] |
References
- ^ Solomon p.331
- ^ Meyers, Jeffrey (2011). John Huston: Courage and Art. New York: Crown/Archetype. p. 40. ISBN 9780307590695.
- ^ Malibu. Itaú Unibanco. n.d. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Prometo Ser Infiel. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Patinho de Ouro. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Garçon. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Alguns Abaixo de Zero. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Trio em Lá Menor. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Diana, Eu Te Amo. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Coração. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Na Pele do Lobo. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help)
Bibliography
- Aubrey Solomon. The Fox Film Corporation, 1915-1935: A History and Filmography. McFarland, 2011.
External links
- Raul Roulien at IMDb