Giovanni Francesco Grossi: Difference between revisions
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He was born near [[Pescia]] in [[Tuscany]], entered the papal chapel in 1675, and later sang at [[Venice]]. He derived his nickname of Siface from his impersonation of that character in [[Francesco Cavalli|Cavalli]]'s opera, ''[[Scipione affricano]]''. It has generally been said that he appeared as Siface in [[Alessandro Scarlatti]]'s ''Mitridate'', but the confusion is due to his having sung the part of Mitridate in Scarlatti's ''Pompeo at Naples'' in 1683.{{sfn|Chisholm|1911}} |
He was born near [[Pescia]] in [[Tuscany]], entered the papal chapel in 1675, and later sang at [[Venice]]. He derived his nickname of Siface from his impersonation of that character in [[Francesco Cavalli|Cavalli]]'s opera, ''[[Scipione affricano]]''. It has generally been said that he appeared as Siface in [[Alessandro Scarlatti]]'s ''Mitridate'', but the confusion is due to his having sung the part of Mitridate in Scarlatti's ''Pompeo at Naples'' in 1683.{{sfn|Chisholm|1911}} |
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From 1679 onwards he was employed by [[Francesco II d'Este, Duke of Modena|Francesco II d'Este, Duke of Moderna]]. The Duke sent Siface to London in 1787 to entertain the Duke's sister and recently married wife of James II, [[Mary of Modena|Mary Beatrice]]<ref>{{Cite book |last=Dixon |first=Graham |title=The Purcell Companion |publisher=Faber and Faber |year=1995 |isbn=0-571-16670-9 |editor-last=Burden |editor-first=Michael |pages=43-44 |chapter=Purcell's Italianate Circle}}</ref>. However, Siface returned to Moderna after only six months on account of the climate. |
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| ⚫ | He was murdered in 1697 on the road between [[Bologna]] and [[Ferrara]], allegedly by the agents of a nobleman with whose wife he had a liaison,{{sfn|Chisholm|1911}} although later sources indicate that he was killed at the behest of the brothers of Elena Marsili, a widowed Countess, who Siface had an affair with when they were both at the court of the Duke of Modena.<ref>Gramophone Magazine - July 2018, p. 97</ref> |
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Among [[Henry Purcell|Purcell]]'s [[harpsichord]] music is an air entitled ''Sefauchi's Farewell'',{{sfn|Chisholm|1911}} presumably written when Siface left England and returned to Italy. |
Among [[Henry Purcell|Purcell]]'s [[harpsichord]] music is an air entitled ''Sefauchi's Farewell'',{{sfn|Chisholm|1911}} presumably written when Siface left England and returned to Italy. |
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Revision as of 17:56, 27 December 2023
Giovanni Francesco Grossi (12 February 1653 – 29 May 1697) was one of the greatest Italian castrato singers of the baroque age. He is better known as Siface.
Biography
He was born near Pescia in Tuscany, entered the papal chapel in 1675, and later sang at Venice. He derived his nickname of Siface from his impersonation of that character in Cavalli's opera, Scipione affricano. It has generally been said that he appeared as Siface in Alessandro Scarlatti's Mitridate, but the confusion is due to his having sung the part of Mitridate in Scarlatti's Pompeo at Naples in 1683.[1]
From 1679 onwards he was employed by Francesco II d'Este, Duke of Moderna. The Duke sent Siface to London in 1787 to entertain the Duke's sister and recently married wife of James II, Mary Beatrice[2]. However, Siface returned to Moderna after only six months on account of the climate.
He was murdered in 1697 on the road between Bologna and Ferrara, allegedly by the agents of a nobleman with whose wife he had a liaison,[1] although later sources indicate that he was killed at the behest of the brothers of Elena Marsili, a widowed Countess, who Siface had an affair with when they were both at the court of the Duke of Modena.[3]
Among Purcell's harpsichord music is an air entitled Sefauchi's Farewell,[1] presumably written when Siface left England and returned to Italy.
References
- ^ a b c Chisholm 1911.
- ^ Dixon, Graham (1995). "Purcell's Italianate Circle". In Burden, Michael (ed.). The Purcell Companion. Faber and Faber. pp. 43–44. ISBN 0-571-16670-9.
- ^ Gramophone Magazine - July 2018, p. 97
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Grossi, Giovanni Francesco". Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 618. This work in turn cites:
- Corrado Ricci, Vita Barocca (Milan, 1904).
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