Alex Donis: Difference between revisions
ZimZalaBim (talk | contribs) Reverted 1 edit by 2603:8001:A400:E645:DC10:7661:503A:A6CA (talk) to last revision by Wakwakr |
|||
Line 25: | Line 25: | ||
[[Category:American LGBT artists]] |
[[Category:American LGBT artists]] |
||
[[Category:Guatemalan |
[[Category:Guatemalan diaspora in the United States]] |
||
[[Category:Chicano]] |
[[Category:Chicano]] |
Revision as of 02:29, 29 December 2023
Alex Donis (born 1964) is a queer Latinx visual artist.[1][2]
Biography
Donis was born in Chicago, Illinois. Donis attended California State University, Long Beach for his undergraduate degree, and obtained his graduate degree from Otis College of Art and Design in Los Angeles.[3] His work is known, partially, for the many attempts to censor his exhibitions.[2]
Notable art
Donis' exhibition titled My Cathedral, was held at the Galeria de la Raza in San Francisco in 1997.[1] The solo exhibition featured light-box paintings, including his painting titled, Jesus and Lord Rama (1997). This painting and another titled, Che Guevara and Cesar Chavez (1997) were destroyed in an act of vandalism at the exhibition.[3] The destroyed paintings illustrated each of the two titled figures kissing each other, such as Jesus kissing the Hindu god, Lord Rama and Che Guevara kissing Cesar Chavez.[1][3] In media reports, Donis stated that after the exhibition was vandalized, around 200 people from various different communities came together to have a discussion about homophobia.[3]
Donis' 2001 solo exhibition at the Watts Towers Arts Center, in Los Angeles, was titled WAR.[3] Donis was an art instructor at the Watts Towers Arts Center.[2] In media reports, it was stated that the exhibition was removed due to threats of violence by local gang members. This claim was not proven. It seemed that a community group members found the content objectionable, "pornographic" and "too homoerotic".[3][2] The images illustrated the war in Los Angeles between peace officers such as the Los Angeles Police Department and community youth perceived as gang affiliated.[3] Images included Popeye and Captain McGill (2001),[3] Officer Moreno and Joker (2001),[1] Lucky Dice and Officer Gates (2001),[4] and Young Crip, Young Blood (2001).[3] When the exhibition was removed, and at the request of the artist, the Watts Towers Arts Center placed the following sign on the empty walls which read, "War is Cancelled".[4] The removal of the exhibit sparked public outrage and news coverage, which caught the attention of the ACLU. [5] The exhibition was moved to the Frumkin/Duval Gallery in Santa Monica.[2]
References
- ^ a b c d Meyer, Richard (2003). "Alex Donis: An Introduction". Theatre Journal. 55 (3): 581–583. doi:10.1353/tj.2003.0130. ISSN 1086-332X. S2CID 191448055.
- ^ a b c d e "Thought-police brutality: out artist Alex Donis discusses his sexy new paintings--which the city of Los Angeles says are too controversial to display. (Art). - Free Online Library". www.thefreelibrary.com. Retrieved 2022-02-27.
- ^ a b c d e f g h i Donis, Alex (2015-10-01). "How to Make a Paint Bomb: Alex Donis Recalls My Cathedral and WAR". QED: A Journal in GLBTQ Worldmaking. 2 (3): 68–74. doi:10.14321/qed.2.3.0068. ISSN 2327-1574. S2CID 177082711.
- ^ a b Meyer, Richard (2008-02-25), "Who Needs Civil Liberties?", A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies, Oxford, UK: Blackwell Publishing Ltd, pp. 87–105, doi:10.1002/9780470690864.ch5, ISBN 9780470690864, retrieved 2022-03-03
- ^ Germann, Kaitlyn (14 April 2022). "Censorship: Seeing Alex Donis". OutWrite. Retrieved 15 April 2022.
External links
This article needs additional or more specific categories. (March 2022) |