Tango: Difference between revisions
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'''[[Tango]]''' is the name of a social dance form that originated in [[Buenos Aires]] and [[Montevideo]], Argentina, and of the musical styles that evolved together with the dance. Early tango was known as ''tango criollo'' or simply ''tango.'' Today, tango dance styles include Argentine Tango, Ballroom Tango (American and International styles), and vintage tangos. |
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'''[[Tango]]''' is |
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* a gathering for the purpose of dancing, originally by slaves from Africa, and later by their descendants, in some American countries |
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* a social dance style that originated in [[Buenos Aires]] and [[Montevideo]], likely in the 1880's (<i>Tango argentino</i> or <i>tango criollo</i>) |
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* a dance style that was developed from the Argentine Tango in Europe and North America in the early 20th century ("Ballroom Tango") |
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* the musical styles that evolved together with the dance |
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== History == |
== History == |
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The word "tango" has no clear etymology. It may derive from a place-name used in African languages, or from the Portuguese word ''tocar,'' 'touch.' The name was widely used among Black communities in Spanish America to refer to a place where people gathered to dance. Later the name was applied to various Black dance forms. |
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The word "Tango" may derive from the ''tan-go'', the name of an African drum. An alternative theory suggests that it derives via [[Portuguese language|Portuguese]] from the [[Latin]] ''tangere'', meaning "to touch". |
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The dance originated in the [[working |
The dance originated in the [[working-class]] slums of [[Montevideo]] and [[Buenos Aires]] during the late 19th century, which were packed with hundreds of thousands of poorly-paid European [[immigrant]]s. The music derived from the fusion of music from [[Europe]], the [[South America]] [[Milonga]] and [[Africa]]n rhythms. Since many men were young and single, the dance often took place in bars, dance halls and brothels with prostitutes, when the dance involved close body contact, or with other men due to the shortage of women. |
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The dance became known to the well-heeled sons of the establishment, who evidently visited the working class districts from time to time, and with their help less sleazy versions of the tango became very popular in the [[United States]] and parts of [[Europe]] in the [[1910s]]. It proved especially popular in [[Paris]], as well as in [[London]] and [[New York]]. Although these versions of Tango were modified to have less body contact ("Ballroom Tango"), the dance was at first thought shocking by many. |
The dance became known to the well-heeled sons of the establishment, who evidently visited the working class districts from time to time, and with their help less sleazy versions of the tango became very popular in the [[United States]] and parts of [[Europe]] in the [[1910s]]. It proved especially popular in [[Paris]], as well as in [[London]] and [[New York]]. Although these versions of Tango were modified to have less body contact ("Ballroom Tango"), the dance was at first thought shocking by many. |
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== Show Tango == |
== Show Tango == |
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Show tango is a more theatrical and exaggerated form of |
Show tango is a more theatrical and exaggerated form of Argentine Tango developed to suit the stage. |
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== Tango music == |
== Tango music == |
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Argentine [[Tango music]] is traditionally played by an <i> |
Argentine [[Tango music]] is traditionally played by an <i>orquestra tipica</i>, which often includes [[violin]], [[piano]], [[guitar]], [[flute]], and especially [[bandoneon]]. |
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The most famous tango musicians |
The most famous tango musicians and singers include [[Astor Piazzolla]], [[Carlos Gardel]], [[Osvaldo Pugliese]], [[Juan de Dios Filiberto]], [[Enrique Santos Discepolo]] and [[Anibal Troilo]]. |
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The so-called post-Piazzolla generation (1980-) includes musicians such as [[Dino Saluzzi]], [[Eduardo Mederos]], Enrique Martin Entenza and [[Juan Maria Solare]]. |
The so-called post-Piazzolla generation (1980-) includes musicians such as [[Dino Saluzzi]], [[Eduardo Mederos]], Enrique Martin Entenza and [[Juan Maria Solare]]. Piazzolla and his followers developed ''Nuevo Tango'', which incorporated jazz and classical influences into a more experimental style. |
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Important ''Orquestas típicas'' (around 1940-1950): from [[Rodolfo Biagi]], [[Juan Darienzo]], [[Alfredo De Angelis]]. |
Important ''Orquestas típicas'' (around 1940-1950): from [[Rodolfo Biagi]], [[Juan Darienzo]], [[Alfredo De Angelis]]. |
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Revision as of 14:16, 26 July 2003
Tango is the name of a social dance form that originated in Buenos Aires and Montevideo, Argentina, and of the musical styles that evolved together with the dance. Early tango was known as tango criollo or simply tango. Today, tango dance styles include Argentine Tango, Ballroom Tango (American and International styles), and vintage tangos.
History
The word "tango" has no clear etymology. It may derive from a place-name used in African languages, or from the Portuguese word tocar, 'touch.' The name was widely used among Black communities in Spanish America to refer to a place where people gathered to dance. Later the name was applied to various Black dance forms.
The dance originated in the working-class slums of Montevideo and Buenos Aires during the late 19th century, which were packed with hundreds of thousands of poorly-paid European immigrants. The music derived from the fusion of music from Europe, the South America Milonga and African rhythms. Since many men were young and single, the dance often took place in bars, dance halls and brothels with prostitutes, when the dance involved close body contact, or with other men due to the shortage of women.
The dance became known to the well-heeled sons of the establishment, who evidently visited the working class districts from time to time, and with their help less sleazy versions of the tango became very popular in the United States and parts of Europe in the 1910s. It proved especially popular in Paris, as well as in London and New York. Although these versions of Tango were modified to have less body contact ("Ballroom Tango"), the dance was at first thought shocking by many.
In Argentina Tango became widely fashionable and a matter of national pride under the government of Juan Perón, declining in the 1950s with economic depression and as the military dictatorships banned public gatherings, followed by the popularity of Rock and Roll. The dance lived on in smaller venues until its revival in the 1980s following the opening in Paris of the show Tango Argentino and the Broadway musical Forever Tango.
Ballroom tango illustration, 1914
Argentine Tango
Argentine Tango, based on the original style, remains popular worldwide. Many moves are danced with chest-to-chest and head-to-head contact, expressing passion and a range of emotions, with dramatic flicks of the leg. It's danced anti-clockwise around the edges of the room.
Show Tango
Show tango is a more theatrical and exaggerated form of Argentine Tango developed to suit the stage.
Ballroom Tango
Ballroom tango is very different from the Argentine variety. It tends to be danced in a stiff shoulder-to-shoulder stance, with a very "determined" style and with little eye contact. It's also danced to very different music.
Technique
All widely known forms of the tango are done by a couple using gliding steps. The basic position is a closed position similar to that of other kinds of ballroom dance. In the Argentine Tango the ball of the foot is placed first, while in the International style "heel leads" (stepping first onto the heel, then the whole foot) are used for forward steps. Ballroom tangos, including American and International, are based mainly on the movement of the feet across the floor, while the Argentine Tango includes various other moves such as the gancho (hooking one's leg around one's partner's leg).
Tango music
Argentine Tango music is traditionally played by an orquestra tipica, which often includes violin, piano, guitar, flute, and especially bandoneon.
The most famous tango musicians and singers include Astor Piazzolla, Carlos Gardel, Osvaldo Pugliese, Juan de Dios Filiberto, Enrique Santos Discepolo and Anibal Troilo.
The so-called post-Piazzolla generation (1980-) includes musicians such as Dino Saluzzi, Eduardo Mederos, Enrique Martin Entenza and Juan Maria Solare. Piazzolla and his followers developed Nuevo Tango, which incorporated jazz and classical influences into a more experimental style.
Important Orquestas típicas (around 1940-1950): from Rodolfo Biagi, Juan Darienzo, Alfredo De Angelis.
Tango on film
- The Tango Lesson - 1997 movie starring Sally Potter and Pablo Verón, directed by Sally Potter.