Jump to content

Mignon Dunn: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
m →Early years: replaced: Years → years
Line 4: Line 4:
'''Mignon Dunn''' (born June 17, 1928, in [[Memphis, Tennessee]]) is an American dramatic [[mezzo-soprano]] and voice teacher.<ref name=":0">{{Cite book|url=https://books.google.com/books?id=dsfq_5dFeL0C&q=1253+Dunn%2C+Mignon&pg=PA1253|title=Großes Sängerlexikon, Band 1 Aarden—Castles|last1=Kutsch|first1=Karl-Josef|last2=Riemens|first2=Leo|publisher=K. G. Saur Verlag GmbH München|year=2003|isbn=3598115989|edition=4|pages=1253, 1254|language=de}}</ref>
'''Mignon Dunn''' (born June 17, 1928, in [[Memphis, Tennessee]]) is an American dramatic [[mezzo-soprano]] and voice teacher.<ref name=":0">{{Cite book|url=https://books.google.com/books?id=dsfq_5dFeL0C&q=1253+Dunn%2C+Mignon&pg=PA1253|title=Großes Sängerlexikon, Band 1 Aarden—Castles|last1=Kutsch|first1=Karl-Josef|last2=Riemens|first2=Leo|publisher=K. G. Saur Verlag GmbH München|year=2003|isbn=3598115989|edition=4|pages=1253, 1254|language=de}}</ref>


==Early Years==
==Early years==
Born in Memphis, Mignon Dunn grew up in [[Tyronza, Arkansas]] and Memphis, Tennessee. She studied voice with [[Karin Branzell]] and [[Beverley Peck Johnson]].<ref name=":0" /> She made her professional debut, in the title role of Bizet's opera ''[[Carmen]]'', on September 8, 1955, at the Opera of New Orleans,<ref name=":0" /> moving on to play Maddalena in ''Rigoletto'' in Chicago that same year. On March 28, 1956 she made her New York City Opera debut as the 4th Lady in Walton’s ''Troilus and Cressida'', going on to sing several other roles with the company through 1975. Mignon Dunn made her debut with the [[Metropolitan Opera]] in 1958, as the Nurse in ''Boris Godunov'', conducted by [[Dimitri Mitropoulos]].<ref name=":1">{{Cite news |last=Rubin |first=Stephen E. |date=1973-10-14 |title=Music |language=en-US |work=The New York Times |publication-date=1973-10-14 |url=https://www.nytimes.com/1973/10/14/archives/how-does-it-feel-to-steal-the-show-on-opening-night-incredible.html |url-status=live |access-date=2019-05-09 |archive-url=https://web.archive.org/web/20190509065030/https://www.nytimes.com/1973/10/14/archives/how-does-it-feel-to-steal-the-show-on-opening-night-incredible.html |archive-date=2019-05-09 |issn=0362-4331}}</ref>
Born in Memphis, Mignon Dunn grew up in [[Tyronza, Arkansas]] and Memphis, Tennessee. She studied voice with [[Karin Branzell]] and [[Beverley Peck Johnson]].<ref name=":0" /> She made her professional debut, in the title role of Bizet's opera ''[[Carmen]]'', on September 8, 1955, at the Opera of New Orleans,<ref name=":0" /> moving on to play Maddalena in ''Rigoletto'' in Chicago that same year. On March 28, 1956 she made her New York City Opera debut as the 4th Lady in Walton’s ''Troilus and Cressida'', going on to sing several other roles with the company through 1975. Mignon Dunn made her debut with the [[Metropolitan Opera]] in 1958, as the Nurse in ''Boris Godunov'', conducted by [[Dimitri Mitropoulos]].<ref name=":1">{{Cite news |last=Rubin |first=Stephen E. |date=1973-10-14 |title=Music |language=en-US |work=The New York Times |publication-date=1973-10-14 |url=https://www.nytimes.com/1973/10/14/archives/how-does-it-feel-to-steal-the-show-on-opening-night-incredible.html |url-status=live |access-date=2019-05-09 |archive-url=https://web.archive.org/web/20190509065030/https://www.nytimes.com/1973/10/14/archives/how-does-it-feel-to-steal-the-show-on-opening-night-incredible.html |archive-date=2019-05-09 |issn=0362-4331}}</ref>


Revision as of 00:55, 5 February 2024

Mignon Dunn, American Opera Singer

Mignon Dunn (born June 17, 1928, in Memphis, Tennessee) is an American dramatic mezzo-soprano and voice teacher.[1]

Early years

Born in Memphis, Mignon Dunn grew up in Tyronza, Arkansas and Memphis, Tennessee. She studied voice with Karin Branzell and Beverley Peck Johnson.[1] She made her professional debut, in the title role of Bizet's opera Carmen, on September 8, 1955, at the Opera of New Orleans,[1] moving on to play Maddalena in Rigoletto in Chicago that same year. On March 28, 1956 she made her New York City Opera debut as the 4th Lady in Walton’s Troilus and Cressida, going on to sing several other roles with the company through 1975. Mignon Dunn made her debut with the Metropolitan Opera in 1958, as the Nurse in Boris Godunov, conducted by Dimitri Mitropoulos.[2]

Operatic Roles

Mignon Dunn is known especially for her portrayals of the dramatic Italian roles such as Amneris in Aida, Azucena in Il trovatore, Eboli in Don Carlo, both Laura and La Cieca in La gioconda, the Princess in Adriana Lecouvreur, and Santuzza in Cavalleria rusticana.

Her French repertoire includes Dalila in Samson et Dalila and Giulietta in The Tales of Hoffmann, as well as Dulcinée in Don Quichotte and Carmen, which she sang over 400 times in four different languages.[3]

Ms. Dunn's German repertoire embraced the leading mezzo roles in different productions of Wagner’s Ring Cycle, Ortrud in Lohengrin, Kundry in Parsifal, and Venus in Tannhäuser.  She gave many performances of Strauss’ operas: Klytämnestra in Elektra, Herodias in Salome, and the Nurse in Die Frau ohne Schatten conducted by Wolfgang Sawallisch and directed by Jean-Pierre Ponnelle, 1986).

She sang Kostelnicka in Jennufa, Jezibaba in Rusalka, and Kabanicha in Katya Kabanova in Czech as well as Marina in Boris Godunov in Russian. Her Spanish repertoire includes Goyescas and La vida breve.[4]

Performance Venues

Mignon Dunn sang the leading mezzo-soprano roles in the most important opera houses of the world. In Europe, she sang at La Scala, Milan; Vienna Staatsoper; London’s Royal Opera, Covent Garden; Paris Opéra; Moscow’s Bolshoi Theatre; Teatr Wielki, Warsaw; Hamburg Staatsoper; Deutsche Oper Berlin; the opera companies of Frankfurt and Dusseldorf; and the Verona Arena (Carmen, directed by Luca Ronconi, 1970).

In South and Central America, Ms. Dunn performed at the Teatro Colón in Buenos Aires, the Opera Nacional in Chile, Mexico City’s Bellas Artes, and the Opera of Puerto Rico. In Canada she performed with the Canadian Opera Company in Toronto and the Opéra de Montréal.

In the United States Mignon Dunn made her debut with the Metropolitan Opera in 1958, as the Nurse in Boris Godunov, conducted by Dimitri Mitropoulos. She also sang at the Chicago Lyric Opera, San Francisco Opera, New York City Opera, Santa Fe Opera, Opera Company of Boston, Opera Theater of Detroit, New Orleans Opera and Miami Opera.[4]

Concerts, Recitals & Recordings

Ms. Dunn performed recitals all over Europe and the United States and sang with many major symphony orchestras including the New York Philharmonic and the orchestras of Chicago, Los Angeles, Philadelphia, Detroit, Cincinnati, Hamburg, and Vienna. Her varied repertoire especially featured the works of Mahler, Ravel, and Verdi.[4]

Mignon Dunn can be heard on a variety of recordings produced by EMI, Erato, and Deutsche Grammophon.

Teaching

Mignon Dunn taught voice at the University Texas at Austin, University of Illinois, Northwestern University, and Brooklyn College. She was a voice faculty member at Manhattan School of Music from 1985 until her retirement in December 2023.

Honors & Recognition

1974 – Mignon Dunn received an Honorary Degree from Rhodes College in Memphis, Tennessee.[5]

1984 - Mignon was interviewed by Bruce Duffie for WNIB Classical 97 in Chicago. To read the transcript visit https://www.bruceduffie.com/dunn.html[6]

2011 – Mignon Dunn was awarded the President’s Medal for Distinguished Faculty Service from Manhattan School of Music.[7]

2014 – Mignon Dunn received the Sherrill Milnes Voice Award in 2014 for her "outstanding contribution in teaching and mentoring the next generation of opera singers."[8]

2019 – Mignon Dunn received the VERA Award from The Voice Foundation,[9] and the Artist Excellence Award from the Giulio Gari Foundation.[10]

2022 - Mignon Dunn discussed her life in music with Manhattan School of Music's Alumni Council Chair Justin Bischof. To watch the interview visit https://www.youtube.com/watch?v=ZTBjy228Se8

Personal life

Mignon Dunn was married to Austrian conductor Kurt Klippstätter from 1972 until his death, on January 4, 2000.[2][11]

References

  1. ^ a b c Kutsch, Karl-Josef; Riemens, Leo (2003). Großes Sängerlexikon, Band 1 Aarden—Castles (in German) (4 ed.). K. G. Saur Verlag GmbH München. pp. 1253, 1254. ISBN 3598115989.
  2. ^ a b Rubin, Stephen E. (1973-10-14). "Music". The New York Times. ISSN 0362-4331. Archived from the original on 2019-05-09. Retrieved 2019-05-09.
  3. ^ Salazar, David (2018-06-17). "Artist Profile: Mignon Dunn, Supreme 'Carmen' Interpreter". OperaWire. Retrieved 2023-12-27.
  4. ^ a b c "Mignon Dunn". Manhattan School of Music. Retrieved 2023-12-27.
  5. ^ Clinton, Will (2019). "Mignon Dunn Receives Honorary Degree". Rhodes College Digital Archives. Rhodes College Digital Archives. hdl:10267/30600. Retrieved December 27, 2023.
  6. ^ "Mignon Dunn Interview with Bruce Duffie . . . . . . . . ". www.bruceduffie.com. Retrieved 2023-12-27.
  7. ^ "Virtual Yearbooks: 2010s". Manhattan School of Music. Retrieved 2023-12-27.
  8. ^ "Savannah Voice Festival Honors Mignon Dunn With 2nd Annual Sherrill Milnes Award - The Savannah Tribune". SavannahTribune.com. 2014-07-09. Retrieved 2023-12-27.
  9. ^ "VERA Award - THE VOICE FOUNDATION". voicefoundation.org. 2013-03-20. Retrieved 2023-12-27.
  10. ^ Salazar, David (2019-10-07). "Lisette Oropesa, Mignon Dunn To be Honored At Giulio Gari Foundation Vocal Competition Gala Concert 2019". OperaWire. Retrieved 2023-12-27.
  11. ^ "KURT KLIPPSTATTER". chicagotribune.com. 2000-01-08. Archived from the original on 2019-05-09. Retrieved 2019-05-09.


Stub icon

This article about an American opera singer is a stub. You can help Wikipedia by expanding it.

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Mignon_Dunn&oldid=1203497406"