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:''For the band, see [[The Auteurs]].''
:''For the band, see [[The Auteurs]].''


The term '''auteur''' ([[French language|French]] for ''author'') is used to describe '''[[film director]]s''' (or, more rarely, producers, or writers) who are considered to have a distinctive, recognizable style, because they (a) repeatedly return to the same subject matter, (b) habitually address a particular psychological or moral theme, (c) employ a recurring style, or (d) demonstrate any combination of the above. In theory, an auteur's films are identifiable regardless of their [[genre]]. The term was first applied in its cinematic sense in [[François Truffaut]]'s 1954 essay "A Certain Tendency of the French Cinema" (see [[Auteur theory]]).
The term '''auteur''' ([[French language|French]] for ''author'') is used to describe '''[[film director]]s''' (or, more rarely, producers, or writers) who are considered to have a distinctive, recognizable style, because they (a) repeatedly return to the same subject matter, (b) habitually address a particular psychological or moral theme, (c) employ a recurring visual and aesthetic style, or (d) demonstrate any combination of the above. In theory, an auteur's films are identifiable regardless of their [[genre]]. The term was first applied in its cinematic sense in [[François Truffaut]]'s 1954 essay "A Certain Tendency of the French Cinema" (see [[Auteur theory]]).


==List of auteurs==
==List of auteurs==

Revision as of 00:54, 6 April 2007

For the band, see The Auteurs.

The term auteur (French for author) is used to describe film directors (or, more rarely, producers, or writers) who are considered to have a distinctive, recognizable style, because they (a) repeatedly return to the same subject matter, (b) habitually address a particular psychological or moral theme, (c) employ a recurring visual and aesthetic style, or (d) demonstrate any combination of the above. In theory, an auteur's films are identifiable regardless of their genre. The term was first applied in its cinematic sense in François Truffaut's 1954 essay "A Certain Tendency of the French Cinema" (see Auteur theory).

List of auteurs

The following is a list of directors whose status as an auteur is supported by published studies of their body of work.

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

R

S

T

V

W

Y

Z

Notes

  1. ^ Gwendolen Audrey Foster, ed. Identity and Memory: The Films of Chantal Akerman (Southern Illinois UP, 2003)
  2. ^ Tony Williams, Body and Soul: The Cinematic Vision of Robert Aldrich (Scarecrow Press, 2004)
  3. ^ Mary P. Nichols, Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen (Rowman and Littlefield, 1998)
  4. ^ Mark Allinson, A Spanish Labyrinth : The Films of Pedro Almodovar (Tauris, 2001)
  5. ^ ""Punch Drunk Love: The Budding of an Auteur"". Retrieved 2007-01-14.
  6. ^ Andrew Horton. The Films of Theo Angelopoulos: A Cinema of Contemplation (Princeton UP, 1999)
  7. ^ Peter Brunette, The Films of Michelangelo Antonioni (Cambridge UP, 1998)
  8. ^ Mayne, Judith. Directed By Dorothy Arzner, 1994 (Indiana U Press)
  9. ^ Biskind, Peter. Easy Riders, Raging Bulls, 1998 (Simon & Schuster)
  10. ^ Datta, Sengeeta. Shyam Benegal (BFI World Directors), 2003 (BFI)
  11. ^ Jesse Kalin, The Films of Ingmar Bergman (Cambridge UP, 2003)
  12. ^ Claretta Micheletti Tonetti, Bernardo Bertolucci: The Cinema of Ambiguity (Twayne, 1995)
  13. ^ Joseph Cunneen, Robert Bresson: A Spiritual Style in Film (Continuum, 2004)
  14. ^ Gwynne Edwards, The Discreet Art of Luis Buñuel: A Reading of His Films (Marion Boyars, 1991)
  15. ^ Alison McMahnan, The Films of Tim Burton: Animating Live Action in Contemporary Hollywood (Continuum, 2005)
  16. ^ Edward Turk, Child of Paradise : Marcel Carne and the Golden Age of French Cinema (Harvard UP, 1989)
  17. ^ Carney, Ray. The Films of John Cassavetes, 2005 (Cambridge U Press)
  18. ^ Fawal, Ibrahim. Youssef Chahine (BFI World Directors), 2001 (BFI)
  19. ^ Guy Austin, Claude Chabrol (Manchester UP, 1999).
  20. ^ Jeffrey Vance, Chaplin: Genius of the Cinema (Abrams, 2003)
  21. ^ Dwyer, Rachel. Yash Chopra (BFI World Directors), 2001 (BFI)
  22. ^ R.C. Dale, The Films of René Clair: Exposition and Analysis : Documentation (Scarecrow, 1986)
  23. ^ José-Louis Bocquet, Henri-Georges Clouzot, Cinéaste (La Sirène, 1993)
  24. ^ Dominique Paini, et al. Cocteau. (Centre Pompidou, 2004)
  25. ^ Carolyn R. Russell, The Films of Joel and Ethan Coen. (McFarland, 2001)
  26. ^ William Beard, The Artist as Monster: The Films of David Cronenberg (U of Toronto P, 2005).
  27. ^ Hood, John W. Essential Mystery: The Major Filmmakers of Indian Art Cinema Orient Longman, 2000
  28. ^ Ghatak, Ritwik. Rows and Rows of Fences: Ritwik Ghatak on Cinema, 2000 Seagull Press (posthumous translations)
  29. ^ Hood, John W. Essential Mystery: The Major Filmmakers of Indian Art Cinema Orient Longman, 2000
  30. ^ http://www.sensesofcinema.com/contents/directors/05/guney.html
  31. ^ Berthier, Nancy (2005), 'Tomás Gutiérrez Alea et la révolution cubaine', Corlet.
  32. ^ Christian Wessely, Michael Haneke und seine Filme. Eine Pathologie der Konsumgesellschaft (Schüren Presseverlag, 2005)
  33. ^ Quandt, James. Kon Ichikawa, 1982 (Cinematheque)
  34. ^ Mellen, Joan. Waves At Genji's Door: Japan Through Its Cinema, 1976 (Pantheon)
  35. ^ Quandt, James. Shohei Imamura, 1982 (Cinematheque)
  36. ^ Mellen, Joan. Waves At Genji's Door: Japan Through Its Cinema, 1976 (Pantheon)
  37. ^ Rosenbaum, Jonathan and Mehrnaz Saeed-Vafa. Abbas Kiarostami, 2003 (U of Illinois Press)
  38. ^ Richie, Donald. The Films Of Akira Kurosawa, 1965 & 2000 (UC Press)
  39. ^ Prince, Stephen. The Warrior's Camera: The Cinema of Akira Kurosawa, (Princeton)
  40. ^ Ramisa, Joan-Lluís (2002). “Julio Medem and Auteur Theory”, http://www.talkingpix.co.uk/ArticleJulioMedemAuteurTheory.html)
  41. ^ LeFanu, Mark. Mizoguchi and Japan, 2005 (BFI)
  42. ^ Bock, Audie. Naruse: A Master Of The Japanese Cinema, 1985 (Japan Society Gallery)
  43. ^ Mellen, Joan. "Waves At Genji's Door: Japan Through Its Cinema pp. 270-289, 1976 (Pantheon)
  44. ^ Oshima, Nagisa and Annette Michelson. Cinema, Censorship and the State: The Writings Of Nagisa Oshima, 1993 (MIT Press)
  45. ^ Sato, Tadao. Currents In Japanese Cinema pp. 213-221, 1983 (Kodansha America)
  46. ^ Richie, Donald. Ozu, 1974 (U of California Press)
  47. ^ Bordwell, David. Ozu and the Poetics of Cinema, (BFI)
  48. ^ Robinson, Andrew. Satyajit Ray: The Inner Eye, 1989 & 2004 (I. B. Tauris)
  49. ^ Tesson, Charles. Satyajit Ray (Cahiers du Cinema), 1992 (Diffusion Seuil)
  50. ^ Ganguly, Suranjan. Satyajit Ray, 2000 (Scarecrow Press)
  51. ^ Cooper, Darius. The Cinema of Satyajit Ray: Between Tradition and Modernity, 2000 (Cambridge U Press)
  52. ^ Ray, Satyajit. Our Films, Their Films: Essays, 1976 & 1992 (Hyperion)
  53. ^ Schwartz, Ronald, 'Latin American Films, 1932-1994: A Critical Filmography', 2005, McFarland & Company
  54. ^ Hood, John W. Chasing the Truth: The Films of Mrinal Sen, South Asia Press 1993
  55. ^ Zorn, John. "Branded to Kill". The Criterion Collection. Retrieved 2006-12-17.
  56. ^ Axel Madsen, Billy Wilder (Indiana University Press, 1969)
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