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In 1919-1920, he earned his first solo composer's credits with S. H. Kon's ''The Rabbi's Daughter'' and ''Free Slaves''. He worked in Philadelphia's [[Metropolitan Opera House (Philadelphia)|Metropolitan Opera House]] with director [[Boris Thomashevsky]]; in 1921-22 he was director and composer at [[Clara Young (Yiddish theater)|Clara Young]]'s [[Liberty Theater]]. He composed for the musical ''Di Yidishe Shikse'' by [[Anshel Schorr]] (1927) and ''A nakht fun libe (A Night of Love)'' by [[Israel Rosenberg]]. An exhaustive list of his many works can be found in the ''Leksikon fun Yidishn Teater''.<ref name=leksi/>
In 1919-1920, he earned his first solo composer's credits with S. H. Kon's ''The Rabbi's Daughter'' and ''Free Slaves''. He worked in Philadelphia's [[Metropolitan Opera House (Philadelphia)|Metropolitan Opera House]] with director [[Boris Thomashevsky]]; in 1921-22 he was director and composer at [[Clara Young (Yiddish theater)|Clara Young]]'s [[Liberty Theater]]. He composed for the musical ''Di Yidishe Shikse'' by [[Anshel Schorr]] (1927) and ''A nakht fun libe (A Night of Love)'' by [[Israel Rosenberg]]. An exhaustive list of his many works can be found in the ''Leksikon fun Yidishn Teater''.<ref name=leksi/>


In 1932, he wrote the melody for the popular song "[[Bei Mir Bistu Shein|Bay mir bistu sheyn]]" on the lyrics of [[Jacob Jacobs (theater)|Jacob Jacobs]] for the musical performed at the [[Parkway Theatre]] in [[Brooklyn]], which later became a major hit for the [[The Andrews Sisters|Andrews Sisters]]. Together with [[Aaron Zeitlin]], he wrote the famous [[Yiddish]] song "[[Dos kelbl]] (The Calf)" (also known as "[[Donna Donna]]") which was covered by many musicians, including [[Donovan]] and [[Joan Baez]].
In 1932, he wrote the melody for the popular song "[[Bei Mir Bistu Shein|Bay mir bistu sheyn]]" on the lyrics of [[Jacob Jacobs (theater)|Jacob Jacobs]] for the musical performed at the [[Parkway Theatre]] in [[Brooklyn]], which later became a major hit for the [[The Andrews Sisters|Andrews Sisters]].<ref>{{Cite web |date=2024-02-17 |title=Subscribe to the Financial Times |url=https://subs.ft.com/products |access-date=2024-03-02 |website=subs.ft.com |language=en-gb}}</ref> Together with [[Aaron Zeitlin]], he wrote the famous [[Yiddish]] song "[[Dos kelbl]] (The Calf)" (also known as "[[Donna Donna]]") which was covered by many musicians, including [[Donovan]] and [[Joan Baez]].


Along with [[Abraham Ellstein]], [[Joseph Rumshinsky]], and [[Alexander Olshanetsky]], he was one of the "big four" composers of his era in [[New York City]]'s [[Second Avenue (Manhattan)|Second Avenue]] [[National Theater (Manhattan)|National Theater]] ([[Yiddish theatre]]) scene in the [[Yiddish Theater District]].
Along with [[Abraham Ellstein]], [[Joseph Rumshinsky]], and [[Alexander Olshanetsky]], he was one of the "big four" composers of his era in [[New York City]]'s [[Second Avenue (Manhattan)|Second Avenue]] [[National Theater (Manhattan)|National Theater]] ([[Yiddish theatre]]) scene in the [[Yiddish Theater District]].

Revision as of 15:15, 2 March 2024

Sholom Secunda
Birth nameShloyme Abramovich Sekunda
Born4 September [O.S. 23 August] 1894
OriginAleksandriya, Kherson Governorate, Russian Empire
DiedJune 13, 1974(1974-06-13) (aged 79)
New York, United States
OccupationComposer
Sholom Secunda as a "wonder child" khazn

Sholom Secunda (4 September [O.S. 23 August] 1894, Alexandria, Kherson Governorate, Russian Empire – 13 June 1974, New York) was an American composer of Ukrainian-Jewish descent, best known for the tunes of "Bei Mir Bistu Shein" and "Donna Donna".[1]

Biography

See also: Bei Mir Bistu Shein

He was born in 1894 as Shloyme Abramovich Sekunda (Template:Lang-ru) in Aleksandria city, Kherson Governorate,[2] Russian Empire (now in Ukraine) to the family of Abram Secunda and Anna Nedobeika. In 1897, the family moved to the Black Sea port city of Mykolaiv, where they opened an iron bed factory.[2]

At age 12, Shloyme played Abraham/Avrom in Abraham Goldfaden's Akeydes Yitskhok (The Sacrifice of Isaac) and Markus in The Kishef-Makherin (The Sorceress).[2]

In 1907, like many other Jews of the Russian Empire (see History of the Jews in Russia), he and his family emigrated to the United States after a series of pogroms in 1905. In January 1908, the family arrived to New York as steerage passengers on board the SS Carmania and were inspected and briefly detained on Ellis Island. In New York City (they first lived on East 127th Street where his father had settled before sending for his wife and children), young Sholom became a noted child khazn (cantor). When his voice changed he studied music and taught piano, then worked in a comedy theater in the chorus until his song "Amerike" was accepted by Jennie Goldstein, who sang it in Kornblum's Unzere kinder (Our Children).[2]

In 1913, after studying at the Institute for Musical Arts in New York City (predecessor to the Juilliard School), he worked at the Odeon Theater as chorist and composer; 1914 saw the premier of "Yoysher, music by Sholom Secunda and Solmon Shmulevitsh". He began working in "lyric theater" as choir director, then as director and orchestrator of the old "historic" operetta repertoire; he studied orchestration for a year under Ernest Bloch.[2] In 1918, he became a naturalized US citizen.[3]

In 1919-1920, he earned his first solo composer's credits with S. H. Kon's The Rabbi's Daughter and Free Slaves. He worked in Philadelphia's Metropolitan Opera House with director Boris Thomashevsky; in 1921-22 he was director and composer at Clara Young's Liberty Theater. He composed for the musical Di Yidishe Shikse by Anshel Schorr (1927) and A nakht fun libe (A Night of Love) by Israel Rosenberg. An exhaustive list of his many works can be found in the Leksikon fun Yidishn Teater.[2]

In 1932, he wrote the melody for the popular song "Bay mir bistu sheyn" on the lyrics of Jacob Jacobs for the musical performed at the Parkway Theatre in Brooklyn, which later became a major hit for the Andrews Sisters.[4] Together with Aaron Zeitlin, he wrote the famous Yiddish song "Dos kelbl (The Calf)" (also known as "Donna Donna") which was covered by many musicians, including Donovan and Joan Baez.

Along with Abraham Ellstein, Joseph Rumshinsky, and Alexander Olshanetsky, he was one of the "big four" composers of his era in New York City's Second Avenue National Theater (Yiddish theatre) scene in the Yiddish Theater District. [5] Secunda also worked at another theater founded by Maurice Schwartz (an emigrant from the Russian Empire), Yiddishe Art Theater, earning $75/week for conducting an orchestra. In 1938, he gave an interview to the Courier-Post about the hit song, "Bei Mir Bistu Shein".

Personal life

Secunda married the former Betty Almer, and they had two sons, Sheldon and Eugene Secunda. He died on June 13, 1974, in New York City, and was buried in Montefiore Cemetery in Springfield Gardens, Queens.[1]

Works

Filmography

Operas

Autobiography

  • Sholom Secunda Tells ...[6]

References

  1. ^ a b Freeman, William (June 14, 1974). "Sholom Seconda Is Dead; Composer, Song Writer". New York Times. p. 36. Retrieved 23 September 2016.
  2. ^ a b c d e f Zalmen Zylbercweig, Leksikon fun Yidishn Teater (Volume 2), p. 1515-1518
  3. ^ "Roll 2254 - Certificates: 284350-284849" (10 May 1923-11 May 1923). Passport Applications, Jan. 2, 1906 - Mar. 31, 1925. U.S. National Archives.
  4. ^ "Subscribe to the Financial Times". subs.ft.com. 2024-02-17. Retrieved 2024-03-02.
  5. ^ Program notes [1] (Music of Los Angeles Jewish Composers Aminadav Aloni, Michael Isaacson, Robert Strassburg and Hidden Treasures from Prokofiev, Krejn, Grzegorz Fitelberg and Abe Ellstein), Valley Beth Shalom, November 29, 2005. Accessed online 13 November 2006.
  6. ^ "Sholom Secunda Tells..." In: Museum of Family History - Museum of the Yiddish Theatre. [English version of his autobiography edited by] Miriam Kressyn and Steven Lasky, accessed January 30, 2022.
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