The Stud (film): Difference between revisions
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Revision as of 10:34, 11 March 2024
 | This article needs additional citations for verification. (May 2014) |
| The Stud | |
|---|---|
 Theatrical Release Poster | |
| Directed by | Quentin Masters |
| Written by | Dave Humphries Christopher Stagg |
| Based on | The Stud (novel) by Jackie Collins |
| Produced by | Ron Kass |
| Starring | Joan Collins Oliver Tobias Sue Lloyd Walter Gotell |
| Cinematography | Peter Hannan |
| Music by | Biddu (original score) Various (soundtrack) |
Production companies | Artoc Films Stud Productions |
| Distributed by | Brent Walker Film Distributing |
Release dates | 30 April 1978 (UK) 28 September 1979 (U.S.) |
Running time | 95 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $600,000 |
| Box office | $20 million |
The Stud is a 1978 British drama film directed by Quentin Masters and starring Joan Collins and Oliver Tobias. It is based on the 1969 novel of the same name by Collins' younger sister Jackie Collins.
Plot
Fontaine Khaled (Joan Collins) is the London wife of a wealthy Arab businessman. She spends his money on her nightclub, Hobo, and her rather hedonistic partying lifestyle. She hires a handsome manager, Tony (Oliver Tobias), to run her club, but it is understood that his job security is dependent on his satisfying her nymphomaniac demands. Tony loses interest in Fontaine, as she treats him like a plaything, and turns his attention to her young stepdaughter Alexandra Khaled (Emma Jacobs), who uses him to get back at Fontaine after she discovers a video tape of Fontaine and Tony having sex in the Khaleds' private elevator, cheating on her father. Fontaine then dumps Tony and is divorced by her husband for adultery.
Cast
- Joan Collins as Fontaine Khaled
- Oliver Tobias as Tony Blake
- Sue Lloyd as Vanessa Grant
- Walter Gotell as Benjamin Khaled
- Mark Burns as Leonard Grant
- Doug Fisher as Sammy
- Emma Jacobs as Alex Khaled
- Peter Lukas as Ian Thane
- Natalie Ogle as Maddy
- Constantin De Goguel as Lord Newton
- Guy Ward as Peter
- Sarah Lawson as Anne Khaled
- Jeremy Child as Lawyer
- Peter Dennis as Marc
- Chris Jagger as Rock star
- Peter Bourke as Gordon
- Tania Rogers as Janine
- Felicity Buirski as Deborah
- Minah Bird as Molly
- Sharon Fussey as Denise
- Hilda Fenemore as Mrs Blake
- Bernard Stone as Mr Blake
- John Conteh as himself
- Milo Sperber as Kamara (uncredited)
- Suzanne Danielle as Disco dancer (uncredited)
- Susie Silvey as Girl in shower (uncredited)
Additional footage involving disco dancing was added for the US release. This footage involved members of the UK dance troupe Legs & Co., appearing (uncredited) as discotheque patrons.
Production notes
- Joan had asked her sister Jackie for the film rights for free and Jackie agreed whilst contributing to the screenplay.
- Joan met producer Brent Walker at the Cannes Film festival in 1977. He became excited by the project as it was proposed as a British alternative to Saturday Night Fever.
- Both Joan Collins' husband, Ron Kass, and Jackie Collins' husband, Oscar Lerhman, also acted as producers on the project.
- Joan Collins said she was drunk during the orgy scene.[1]
Soundtrack
A successful soundtrack album was released on Ronco Records to tie-in with the film. The album contained twenty tracks, including original material penned by Biddu specifically for the film, as well as a number of major British chart hits which were licensed for use in the film. The majority of the tracks were disco flavoured, although some non-disco tracks were also included. The album rose to number 2 on the UK albums chart, kept off the top spot by the Saturday Night Fever soundtrack album.[2]
Soundtrack album track list:
Side one
- The Biddu Orchestra – "The Stud"
- Michael Zager Band – "Let's All Chant"
- Samantha Sang – "Emotion"
- The Real Thing – "Let's Go Disco"
- Baccara – "Sorry, I'm a Lady"
- Rod Stewart – "You Wear It Well"
- Odyssey – "Native New Yorker"
- K.C. and the Sunshine Band – "That's the Way (I Like It)"
- Linda Lewis – "It's Good"
- Space – "Deliverance"
Side two
- Leo Sayer – "Moonlighting"
- Tina Charles – "Fire Down Below"
- Manfred Mann's Earth Band – "Davy's on the Road Again"
- 10cc – "I'm Not in Love"
- Rose Royce – "Car Wash"
- David Soul – "Silver Lady"
- Goldie – "Making Up Again"
- Patti Smith Group – "Because The Night"
- Bill Fredericks – "Almost"
- Heatwave – The Groove Line"
Release
Box office
Made for $600,000, the film grossed over $20,000,000 internationally.[3] The film was one of the most popular movies of 1978 at the British box office.[4] It did not perform well in the United States, which Brent Walker blamed on American International Pictures' handling of the film, including the "slapdash dubbing" of the British lead actors' voices.[5]
Legacy
The film helped to revitalise Joan Collins' career and she credits The Stud and its sequel The Bitch (1979) with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of Dynasty in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.
References
- ^ "An audience with Joan Collins: A simply riotous chat with her friend Piers Morgan". www.you.co.uk. 3 January 2021. Retrieved 23 April 2022.
- ^ "Week ending 27-05-1978". Official Charts Company. Retrieved 16 August 2011.
- ^ Gritten, David (26 November 1979). "Imperfect Past Behind Her, Joan Collins Says She Likes Turning Homebody". People. Retrieved 13 March 2018.
- ^ Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 273. ISBN 9780748654260.
- ^ "Simons Blames Bad Dub Job Of AIP For U.S. Flub On 'Stud'". Variety. 25 June 1980. p. 6. Retrieved 2 December 2023 – via Internet Archive.
Bibliography
- Simon Sheridan Keeping the British End Up: Four Decades of Saucy Cinema, Titan Books (fourth edition, 2011)