Frankie Laine: Difference between revisions
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Revision as of 08:46, 10 April 2007
Frankie Laine |
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Frankie Laine, born Francesco Paolo LoVecchio (March 30, 1913 – February 6, 2007), was one of the most successful American singers of the twentieth century. Often billed as America's Number One Song Stylist, his other nicknames include Mr. Rhythm, Old Leather Lungs, and Old Man Jazz.
Style
A clarion-voiced singer with lots of style, able to fill halls without a microphone, and one of the biggest hit-makers of late 1940s/early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 250 million disks.[1] Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr Rhythm for his driving jazzy style.
Laine was the first and biggest of a new breed of black-influenced singers who rose to prominence in the post-WWII era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles; and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:
In the Hollywood clubs, a new breed of black-influenced white performers laid down a baffling hip array of new sounds ... Most important of all these, though, was Frankie Laine, a big white lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox. ... Laine's intense vocal style owed nothing to Crosby, Sinatra or Dick Haymes. Instead he drew from Billy Eckstine, Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow. ... Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid.[2]
In the words of Jazz critic Richard Grudens:
Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time.[3]
His 1946 recording of "That's My Desire" remains a landmark record signalling the end of both the dominance of the big bands and the crooning styles favored by contemporaries Dick Haymes and Frank Sinatra.[4] Often called the first of the blue-eyed soul singers,[5] Laine's style cleared the way for many artists who arose in the late 40s and early 50s, including Kay Starr, Tony Bennett, Johnnie Ray and Elvis Presley (who was initially described by critics as "a cross between Johnnie Ray and Frankie Laine").[6]
I think that Frank probably was one of the forerunner of .... blues, of .... rock 'n' roll. A lot of singers who sing with a passionate demeanor -- Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. -- Patti Page[7]
Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including: Gunfight at the OK Corral, 3:10 to Yuma, Bullwhip and Rawhide. His rendition of the title song for Mel Brooks' 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of Rawhide for the series of the same name became a popular theme song.
You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when hear his records it was dynamite energy.-- Herb Jeffries[8]
Biography
Early years
Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913 to Giovanni and Cresenzia LoVecchio (nee Salerno). His parents had emigrated from Monreale, Sicily to Chicago's "Little Italy", where his father worked at one time as the personal barber for gangster Al Capone.
The eldest of eight children, he got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school. He next attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he cut school to see Al Jolson's current talking picture, "The Singing Fool." At 17 he sang before a crowd of 5,000 at The Merry Garden Ballroom to such enthusiastic applause that he ended up performing five encores on his first night. But success as a singer was another 17 years away.
Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and, especially, Bessie Smith -- a record of whose somehow wound up in his parents' collection:
I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! -- Frankie Laine[9]
Shortly after graduating high school, Laine signed on as a member of The Merry Garden Company, and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers including Rose Marie, Red Skelton and a fourteen-year old Anita O'Day for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller).
Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (more his trumpet playing, than his vocals), Billie Holiday, Mildred Bailey and Nat "King" Cole.
His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937. But success continued to elude him and he spent the next 10 years alternating between singing at small jazz clubs on both coasts, and a series of jobs including that of a bouncer, a dance instructor, a used car salesman, an agent, a synthetic leather factory worker, and a machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). At the lowest point of his career, he was sleeping on a bench in Central Park.
I would sneak into hotel rooms and sleep on floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. -- Frankie Laine[10]
In 1943 he moved out to California where he sang in the background of several Hollywood films including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid From Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl Fischer who was to be his songwriting partner, musical director and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again."
It wasn't until the end of 1946 when Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles that success finally arrived. Unemployed at the time, Laine would drop in the various Los Angeles nightclubs in hopes that the band playing there would call him up to sing. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby".
"That's My Desire"
Even after Carmichael's discovering him, Laine still was considered to be only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year old song that few people remembered in 1946: "That's My Desire." Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song -- meaning new to his repertoire at Berg's -- but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Frankie Laine quickly became the star attraction at Berg's, and the record company executives took note.
Laine soon had patrons lining up around the block to hear him sing Desire. Among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She went to listen to him every night, and eventually cut her own version of the song, which became a big-hit on the "harlem" charts. "I liked the way he did it" Brooks recalls, "he sings with soul, he sings the way he feels."[11]
He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the number one spot on the R&B charts, where Laine was initially mistaken for being black; and made it to the #4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the #2 spot, it was Laine's version that became the standard.
"Desire" became Frankie Laine's first Gold Record, and established him as a force in the music world. A series of hit singles quickly followed, including "Black and Blue," "Mam'selle," "Two Loves Have I," "Shine," "On the Sunny Side of the Street", "Monday Again," and many others.
At Mercury
Frankie Laine's name was synonymous with jazz in the late 40's[12] when, accompanied by Carl Fischer (with whom he wrote the great standard "We'll Be Together Again") and some of the best jazz men in the business, he was swinging standards like "By the River Sainte Marie," "Black and Blue," "Rockin' Chair," "West End Blues" "At the End of the Road," "Ain't That Just Like a Woman," "That Ain't Right," "Exactly Like You," and "Sleepy Ol' River" on the Mercury label.
But Laine had his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in Laine's voice which he began to exploit via a succession of chart-topping popular songs often with a folk or western flavor.
Laine and Miller became a formidable hit-making team who, with their first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold Record. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train" which proved to be an even bigger hit, making Frankie Laine the first artist to ever simultaneously hold the Number One and Two positions on the charts.) "Mule Train", with its whip cracks and echo, has been cited as the first song to utilize an "aural texture" that "set the pattern for virtually the entire first decade of rock."[13]
Other Laine/Miller Mercury hits included "Shine," "On the Sunny Side of the Street," "Mam'selle," "Two Loves Have I," "Dream a Little Dream of Me," "All of Me," "Georgia on My Mind", "Blue Turning Grey Over You," "The Stars and Stripes Forever," "Nevertheless" "The Cry of the Wild Goose," "Swamp Girl," "Satan Wears a Satin Gown," and "Music, Maestro Please".
He was my kind of guy. He was very dramatic in his singing ... and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. -- Mitch Miller[14]
But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later.[15]
At Columbia
Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel"/"Rose, Rose, I Love You," confirming his reputation as the premiere hitmaker of the early 50s. Other Laine hits from this period include "High Noon," "Jealousy (Jalousie)," "The Girl in the Woods," "When You're in Love," "Way Down Yonder in New Orleans" (with Jo Stafford), "Your Cheatin' Heart," "Granada," "Hey Joe!," "The Kid's Last Fight," "Cool Water," "Someday," "A Woman in Love," "Love is a Golden Ring" (with The Easy Riders), and "Moonlight Gambler."
A consummate duettist, he also scored hits with Patti Page ("I Love You for That"), Doris Day ("Sugarbush"), Jo Stafford ("Hey, Good Lookin'," "Gambella [The Gambling Lady])," "Hambone," "Floatin' Down to Cotton Town," "Settin' the Woods on Fire," and many others), Jimmy Boyd ("Tell Me a Story," "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head").
Frankie scored a total of 39 hit records on the charts while at Columbia,[16] and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print.
In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe," which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks: a little over half the year, when "Hey Joe!" and "Answer Me" became number one hits as well). In spite of the popularity of rock 'n' roll artists like Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold.[17]
Always exceedingly popular in the UK, he broke attendance records at the London Palladium in 1952 and gave a Command Performance for Queen Elizabeth II in 1954. By the end of the decade he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well.[18]
Throughout the remainder of the 50s and into the early 60s, he released a number of theme albums including Rockin' (with Paul Weston's Orchestra), Jazz Spectacular (with jazz trumpet great Buck Clayton), Frankie Laine And The Four Lads (a gospel album), Reunion In Rhythm (with Michel Legrand), Balladeer (folk songs), Torchin' (Torch songs), Hell Bent For Leather (western songs), Call Of The Wild (outdoor songs), Wanderlust (the last four with John Williams' Orchestra), etc.
It is during this period that many of Laine's fans consider his voice to have been at its peak.[19] "De Glory Road," from his Wanderlust album of 1963 was one of Laine's personal favorites. Other great Laine album cuts from Columbia include: "You Are My Love," "Because," "I Would Do Most Anything for You," "Blue Moon," "Lover Come Back to Me," "Rocks and Gravel," "On a Monday," "And Doesn't She Roll," "Riders in the Sky," "Serenade," "Bowie Knife," "Wanted Man," "La Paloma," "Midnight on a Rainy Monday," "These Foolish Things," "I Got it Bad," "On the Road to Mandalay," and "Stars Fell on Alabama."
Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald -- Frankie Laine was one of the great popular singers and stylists of that time. ... And his style ... he was one of those artists who had such a unique stamp -- nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. -- John Williams.[20]
Social Activism
Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and '60s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (foregoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still couldn't get enough sponsors to continue.
In the following decade, Frankie Laine joined several African American artists who gave a free concert for Martin Luther King's supporters during their Selma to Montgomery marches on Washington DC.[21]
Laine, who had a strong appreciation of African-American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mecury, and helped to contribute to the initial confusion among fans about his race.
Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless." He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation.
Film and Television
Beginning in the late 1940s, Frankie Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: "Make Believe Ballroom" - Columbia, 1949; "When You’re Smiling" - Columbia, 1950; "Sunny Side Of The Street" - Columbia, 1951; "Rainbow 'Round My Shoulder" - Columbia, 1952; "Bring Your Smile Along" - Columbia, 1955; "He Laughed Last" - Columbia, 1956; and "Meet Me In Las Vegas" - MGM, 1956. The last, a big budget MGM musical starring Cyd Charisse features Laine performing "Hell Hath No Fury" and provides us with a glimpse of what his 1950s Las Vegas nightclub act must have been like.
His films were very popular in the United Kingdom, but failed to establish him as a movie star in the United States. State side, Laine gained more popularity in the new medium of television.
On television he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show"(with Connie Haines) 1954-5, and "Frankie Laine Time" in 1955-6. The Last was a summer replacement for The Arthur Godfrey Show and featured such high-powered guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen.
He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all ... but again, you always knew that it was Frankie Laine. -- Connie Haines[22]
He was a frequent guest star on various other shows of the time including Shower of Stars, The Steve Allen Show, The Toast of the Town, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Gary Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand.
In the 1960s, he continued appearing on variety shows like Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, Burke's Law, and Perry Mason. His theme song for Rawhide proved to be popular and helped to make the show, starring a young, unknown actor named Clint Eastwood a hit. Other TV series' for which Laine sang the theme song included "Gunslinger," and "Rango." In 1976, Frankie recorded the Beatles song, “Maxwell's Silver Hammer” for the ill advised documentary All This and World War II.
Frankie Laine performed at three Academy Awards ceremonies: 1950 ("Mule Train"), 1960 ("The Hanging Tree"), and 1975 ("Blazing Saddles"). Only last two of these ceremonies were televised. In 1981 he performed a medley of his hits on "American Bandstand's 30th Anniversary Special," where he received a standing ovation from the many celebrities present. Later appearances include "Nashville Now," 1989 and "My Music," 2006.
At Capitol, ABC, and Beyond
In 1963 Frankie Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour.
After switching to ABC Records in the late 1960s, he found himself right back at the top of the charts again, beginning with the first song he'd recorded there, "I'll Take Care of Your Cares." Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls but was virtually unknown outside of the strip. Laine recorded a swinging version that made it to number 39 on the national and to number 2 on the adult contemporary charts. A string of hits followed including "Making Memories," "You Wanted Someone to Play With," "Laura, What's He Got that I Ain't Got," "To Each His Own" "Born to be with You," "I Found You," and "Lord, You Gave Me A Mountain" (which was written for him by country legend Marty Robbins. The last song was a number one hit on the adult contemporary charts (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (Peaking at #86 national) was the forceful reminder that "Dammit Isn't God's Last Name".
Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart," "That Lucky Old Sun," "I Believe," "Jezebel," "Shine," and "Moonlight Gambler." The new arrangements worked surprisingly well and many of the cuts can stand alongside of the originals.[23] His second album for Amos was called "A Brand New Day" and, along with the title song, features all new material including "Mr. Bojangles", "Proud Mary," "Put Your Hand in the Hand," "My God and I," and "Talk About the Good Times." It is one of Frankie Laine's personal favorites.[24] Unfortunately for Laine, Amos, which was soon to fold from lack of funds, couldn't adequately promote them at the time. However they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today.
Later years
His career slowed down a little in the 1980s due to triple and quadruple heart bypasses, but he nevertheless continued cutting albums including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004).
In 1986, he recorded an album, Round Up with Eric Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused,[25] having also placed songs on the country, rhythm and blues, and popular charts in his time.
He recorded his last song, "Taps/My Buddy," shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City Fire Fighters, and Laine has stipulated that profits from the song are donated, in perpetuity, to the NY Fire Fighters.
Frankie Laine's 70-plus year career spanned most of the 20th century and continued into the 21st. Laine was a key figure in the golden age of popular music. On June 12 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure.[26]
On February 6, 2007, Laine died of heart failure at Scripps Mercy Hospital in San Diego. In a prepared statement Laine's family said, "He will be forever remembered for the beautiful music he brought into this world, his wit and sense of humor, along with the love he shared with so many."[27]
Marriages
His first marriage was to actress Nan Grey (June 1950 - July 1993) and Laine adopted her daughters from a previous marriage, Pam and Jan. Following a three-year engagement to Anita Craighead, he married Marcia Ann Kline in June 1999.
Final appearance
In 2005 he appeared in the PBS My Music special despite a recent stroke. Laine died of heart failure on February 6 2007, following hip replacement surgery at Mercy Hospital in San Diego, not far from his Point Loma home. He was 93. A memorial mass for the late singer, who was a Roman Catholic, was held on Monday, February 12, at the Immaculata parish church on the campus of the University of San Diego.
Samples
- Download sample of "Basin Street Blues" by Laine and Jo Stafford
Hit singles
Release date | Title | UK chart position | US Billboard chart position | US Adult Easy Listening chart position | Gold Record |
---|---|---|---|---|---|
1947 | "That's My Desire" | 4 | * | ||
1947 | "Black and Blue" | 27 | |||
1947 | "Mamselle" | 14 | |||
1947 | "On the Sunnyside of the Street" | * | |||
1947 | "Two Loves Have I" | 21 | * | ||
1948 | "Shine" | 9 | * | ||
1948 | "Monday Again" | 24 | |||
1948 | "Baby, That Ain't Right" | 20 | |||
1948 | "You're All I Want for Christmas" | 11 | |||
1948 | "Ah, But It Happens" | 21 | |||
1949 | "Now That I Need You" | 20 | |||
1949 | "That Lucky Old Sun" | 1 | * | ||
1949 | "Mule Train" | 1 | * | ||
1950 | "Cry of the Wild Goose" | 1 | * | ||
1950 | "Satan Wears a Satin Gown" | 28 | |||
1950 | "Swamp Girl" | 12 | * | ||
1950 | "Stars and Stripes Forever" | 20 | |||
1950 | "Music, Maestro Please" | 13 | |||
1950 | "Dream a Little Dream of Me" | 18 | |||
1950 | "Nevertheless" | 11 | |||
1950 | "If I Were a Bell" | 30 | |||
1951 | "The Metro Polka" | 19 | |||
1951 | "Pretty-Eyed Baby" (w/Jo Stafford) | 13 | |||
1951 | "In the Cool, Cool, Cool of the Evening" | 17 | |||
1951 | "The Girl in the Wood" | 23 | |||
1951 | "Wonderful, Wasn't It?" | 17 | |||
1951 | "Gambella (The Gamblin' Lady)" (w/Jo Stafford) | 19 | |||
1951 | "The Gandy Dancers Ball" | 21 | |||
1951 | "When You're in Love" | 30 | |||
1951 | "Jezebel" | 2 | * | ||
1951 | "Rose, Rose I Love You" | 3 | * | ||
1951 | "Hey, Good Lookin'" (w/Jo Stafford) | 9 | |||
1951 | "Jealousy (Jalousie)" | 3 | * | ||
1952 | "Hambone" (w/Jo Stafford) | 6 | |||
1952 | "The Rock of Gibraltar" | 20 | |||
1952 | "Settin' the Woods on Fire" (w/Jo Stafford) | 21 | |||
1952 | "Chow Willy" (w/Jo Stafford) | 25 | |||
1952 | "I'm Just a Poor Bachelor" | 14 | |||
1952 | "Tonight You Belong to Me" | 26 | |||
1952 | "Sugarbush" (w/Doris Day) | 7 | * | ||
1952 | "High Noon" | 7 | 5 | * | |
1953 | "Girl in the Wood" | 11 | |||
1953 | "Your Cheatin' Heart" | 18 | * | ||
1953 | "The Little Boy and the Old Man" (w/Jimmy Boyd) | 24 | |||
1953 | "I Let Her Go" | 27 | |||
1953 | "Blowing Wild (The Ballad of Black Gold)" | 21 | |||
1953 | "I Believe" | 1 | 2 | * | |
1953 | "Where the Wind Blows" | 2 | |||
1953 | "Tell Me a Story" (w/Jimmy Boyd) | 4 | |||
1953 | "Hey Joe" | 1 | 6 | ||
1953 | "Answer Me" | 1 | 24 | ||
1953 | "Way Down Yonder in New Orleans" (w/Jo Stafford) | 26 | |||
1953 | "Granada" | 17 | |||
1954 | "Blowing Wild (The Ballad of Black Gold)" | 2 | |||
1954 | "Granada" | 9 | |||
1954 | "The Kid's Last Fight" | 3 | 20 | * | |
1954 | "Someday" | 14 | |||
1954 | "My Friend" | 3 | |||
1954 | "There Must Be A Reason" | 9 | |||
1954 | "Rain, Rain, Rain" | 8 | 21 | ||
1954 | "Your Heart, My Heart" | 28 | |||
1955 | "In the Beginning" | 20 | |||
1955 | "Cool Water" | 2 | * | ||
1955 | "Strange Lady in Town" | 6 | |||
1955 | "Hummingbird" | 16 | 17 | ||
1955 | "Hawkeye" | 7 | 30 | ||
1955 | "A Woman in Love" | 19 | * | ||
1956 | "Sixteen Tons" | 10 | |||
1956 | "Hell Hath no Fury" | 28 | |||
1956 | "A Woman in Love" | 1 | * | ||
1956 | "Moonlight Gambler" | 13 | 3 | * | |
1957 | "Love Is A Golden Ring" | 19 | 10 | ||
1957 | "Good Evening Friends" (w/Johnnie Ray) | 25 | |||
1957 | "Up Above My Head" (w/Johnnie Ray) | 25 | |||
1959 | "Rawhide" | 6 | * | ||
1963 | "Don't Make My Baby Blue" | 51 | 17 | ||
1967 | "I'll Take Care of Your Cares" | 39 | 2 | ||
1967 | "Making Memories" | 35 | 2 | * | |
1967 | "You Wanted Someone to Play With" | 48 | 5 | ||
1967 | "You, No One But You" | 83 | 6 | ||
1967 | "Laura" | 66 | 23 | ||
1968 | "To Each His Own" | 82 | 2 | ||
1968 | "Take Me Back" | 115 | 18 | ||
1968 | "I Don't Want to Set the World on Fire" | 26 | |||
1968 | "I Found You" | 118 | 19 | ||
1968 | "Please Forgive Me" | 30 | |||
1969 | "Lord, You Gave Me a Mountain" | 24 | 1 | * | |
1969 | "Dammit Isn't God's Last Name" | 86 |
Discography
Albums
Release date | Album cover | Album name | Label | Billboard Chart Position |
---|---|---|---|---|
1950 | Song from the Heart | Mercury | - | |
1952 | Frankie Laine | Columbia | - | |
1953 | Listen to Laine | Mercury | - | |
1952 | File:LaineOneforMyBaby.JPG | One for My Baby | Columbia | - |
1954 | File:FrankieLaine MrRhythmA.jpg | Mr Rhythm | Columbia | - |
1955 | Concert Date | Mercury | - | |
1955 | Frankie Laine Sings for Us | Mercury | - | |
1955 | File:LaineLoversLaine.JPG | Lover's Laine | Columbia | - |
1955 | Songs by Frankie Laine | Mercury | - | |
1955 | With All My Heart | Mercury | - | |
1956 | Command Performance | Columbia | - | |
1956 | File:FLJazz.jpg | Jazz Spectacular | Columbia | - |
1957 | File:LaineRockin.JPG | Rockin' | Columbia | 13 |
1958 | Foreign Affair | Columbia | - | |
1958 | File:LaineTorchin.JPG | Torchin' | Columbia | - |
1959 | Reunion in Rhythm | Columbia | - | |
1959 | You Are My Love | Columbia | - | |
1960 | Balladeer | Columbia | - | |
1961 | File:LaineHellBentforLeather.JPG | Hell Bent for Leather! | Columbia | 71 |
1961 | File:LaineDeucesareWild copy.jpg | Deuces Wild | Columbia | - |
1962 | Call of the Wild | CBS | - | |
1963 | Wanderlust | Columbia | - | |
1965 | File:FrankieLaineIBelieve.jpg | I Believe | Capitol | - |
1967 | File:LaineCareofYourCares.JPG | I'll Take Care of Your Cares | Paramount | 16 |
1967 | File:LaineWantedSomeonetoLove.jpg | I Wanted Someone to Love | ABC/Paramount | 162 |
1968 | To Each His Own | ABC/Paramount | 127 | |
1968 | Take Me Back to Laine Country | ABC/Paramount | 127 | |
1967 | Memory Laine | Tower | - | |
1968 | To Each His Own | ABC/Paramount | 127 | |
1969 | File:FLmountain.gif | You Gave Me a Mountain | MCA | 55 |
1971 | Frankie Laine's Greatest Hits | Amos | ||
1971 | Brand New Day | Amos | ||
1972 | Reflective Years | Score | ||
1975 | 20 Incredible Performances | ABC | ||
1975 | Frankie Laine's Greatest Hits | Springboard | ||
1975 | Sings His Very Best | Springboard | ||
1977 | The ABC Collection | ABC | ||
1977 | Spotlight on Frankie Laine | Phillips | ||
1977 | Spotlight on Frankie Laine | Phillips | ||
1977 | 20 Memories in Gold | Polydor | ||
1977 | Heartaches Can Be Fun | Pickwick | ||
1978 | That Lucky Old Sun | Pickwick | ||
1978 | Life is Beautiful | Polydor | ||
1979 | You Gave Me a Mountain | Pickwick | ||
1979 | Frankie Laine Sings | Koala | ||
1979 | Never Before | AFIAS | ||
1979 | It Only Happens Once | AFIAS | ||
1979 | British Summer Time | AFIAS | ||
1979 | Smilin' | AFIAS | ||
1979 | Too Marvelous for Words | Encore | ||
1981 | The Pick of Frankie Laine | 51 West | ||
1981 | Frankie Laine's Best | Exact | ||
1981 | Now and Then | CBS | ||
1982 | The World of Frankie Laine | Arcade | ||
1983 | Frankie Laine and Johnnie Ray: Back to Back | ERA | ||
1984 | Frankie Laine | MCA | ||
1985 | The Uncollected - 1947, Vol. 1 | Hindsight | ||
1985 | The Uncollected - 1947, Vol. 2 | Hindsight | ||
1985 | Frankie's Gold | Jubilate | ||
1985 | So Ultra Rare | Score | ||
1985 | Place in Time | Score | ||
1986 | A Country Laine | Playback | ||
1987 | Round-Up | Telarc | ||
1988 | New Directions | Score | ||
1989 | 16 Most Requested Songs | Columbia | ||
1989 | Greatest Hits | CBS | ||
1989 | Portrait of a Song Stylist | Harmony | ||
1990 | 18 All Time Hits | EMI | ||
1990 | On the Trail | Bear Family | ||
1991 | The Frankie Laine Collection: The Mercury Years | Mercury | ||
1991 | On the Trail Again | Bear Family | ||
1991 | Frankie Laine | Sony | ||
1991 | Gunfight at the O.K. Corral | Starlight | ||
1991 | Frankie Laine and Friends | Score | ||
1991 | Something Old, Something New | Prestige | ||
1992 | Frankie Laine and Jo Stafford: The Duets | Bear Family | ||
1992 | Frankie Laine's Greatest Hits, Vol. 1 | Laurie | ||
1992 | Frankie Laine's Greatest Hits, Vol. 2 | Laurie | ||
1993 | The Best of Frankie Laine (The Captiol Years | Curb | ||
1994 | Reunion in Jazz | Score | ||
1995 | Frankie Laine | Timeless | ||
1995 | The Return of Mr. Rhythm | Hindsight | ||
1995 | I Hear Music | Sony | ||
1996 | The Young Master | Pavilion | ||
1996 | The Very Best of the ABC Years | Taragon | ||
1996 | High Noon - 20 Greatest Hits | Spa | ||
1997 | Portrait of a Legend | After 9 | ||
1997 | That's My Desire | Pickwick | ||
1997 | The Voice of Our Choice, Vol. 1 | Hebeto | ||
1997 | The Fabulous Frankie Laine | Sony | ||
1997 | Memories - All of Me | Samba | ||
1997 | Frankie Laine and Lynn Anderson | Cedar | ||
1998 | Rare and Rockin' | Hebeto | ||
1998 | The Voice of Our Choice, Vol. 2 | Hebeto | ||
1998 | It Ain't Over 'Till It's Over | The Entertainers | ||
1998 | Frankie Laine | The Entertainers | ||
1998 | The Wheels of a Dream | After 9 | ||
1999 | Lyrics By Laine | Score | ||
1999 | That Lucky Old Sun | Prism | ||
1999 | The Lost Singles | Hebeto | ||
2000 | The European Concert | Score | ||
2000 | Your Cheatin' Heart | Pegasus | ||
2000 | That Lucky Old Sun | Bear | ||
2000 | Cocktail Hour | Allegro | ||
2000 | The Collection | Emporio | ||
2000 | Teach Me to Pray | Score | ||
2000 | Gospel Revival | Sony | ||
2001 | Frankie Laine Collection Vol.1 | Dressed to Kill | ||
2001 | Frankie Laine Collection Vol.2 | Dressed to Kill | ||
2001 | Golden Greats | Goldies | ||
2001 | I Believe | Bear Family | ||
2001 | Setting the Standard | Jasmine | ||
2001 | Christmas Wishin' | Score | ||
2002 | Riders in the Sky | Prestige | ||
2002 | Together Again, My Buddy | Score | ||
2002 | Rawhide | Bear Family | ||
2002 | Old Man Jazz | Score | ||
2002 | Songs of the West | Castle Plus | ||
2002 | That's My Desire | ASV Living Era | ||
2003 | The Nashville Connection | Score | ||
2003 | Sheworld | Score | ||
2006 | Ramblin' Man | Rajon | ||
2006 | File:LaineSongsfromtheWest.jpg | Songs of the West | Castle Pulse |
Complete Discography
1940s
- (1944) That's Liberty, In The Wee Small Hours
- (1945) Baby Baby All The Time, Heartaches, I'm Confessin', Coquette, Melancholy Madeline (with Johnny Moore's Three Blazers), Maureen (with Johnny Moore's Three Blazers, Someday Sweetheart
- (1946) Ain’t That Just Like A Woman, Black And Blue, Blue Turning Grey Over You, By The River Sainte Marie, I Can't Believe That You're In Love With Me, I May Be Wrong, It Ain’t Gonne Be Like That, Moonlight In Vermont, Oh! Lady Be Good, On The Sunny Side Of The Street, Pickle In The Middle (Artie Auerbach vocal, as "Mister Kitzel" -- Frankie can be heard in the background as a peanut vendor), Roses Of Picardy, September In The Rain, Sometimes I'm Happy, Sposin', Texas And Pacific, That’s My Desire, West End Blues, Wrap Your Troubles In Dreams, You Can Depend On Me, You've Changed
- (1947) Ah But It Happens, All Of Me, Baby Don't Be Mad At Me, But Beautiful, By The Light Of The Stars, Cherie I Love You, The Day Isn't Long Enough, Hold Me, I Haven't The Heart, Here Comes the Night (recording lost), Inspiration Point, It Only Happens Once, I've Only Myself To Blame, Kiss Me Again, Mam’selle, May I Never Love Again, Nevertheless, Old Fashioned Love, Our Dream, Put 'Em In A Box, Put Yourself In My Place Baby, Shine, Singing The Blues, Stay As Sweet As You Are, A Sunday Kind Of Love, Thanks For You, That Ain't Right, Till We Meet Again, Two Loves Have I, We’ll Be Together Again, When You're Smiling, Who Cares What People Say, With All My Heart, Yes My Dear
- (1948) Come Love With Me, Don't Have To Tell Nobody, I Wish You Were Jealous Of Me, I'm Looking Over A Four-Leaf Clover, Monday Again, Rosetta, Tara Talara Tala, What Could Be Sweeter?, You're All I Want For Christmas
- (1949) At The End Of The Road, Baby I Need You, Baby Just For Me, Bebop Spoken Here, Carry Me Back To Old Virginney, Don't Cry Little Children, Don't Do Something to Someone Else, Exactly Like You, Georgia On My Mind, Give Me A Kiss For Tomorrow, God Bless The Child, I Get Sentimental Over Nothing, Mule Train, My One My Only My All, Now That I Need You, Rockin’ Chair, Satan Wears A Satin Gown, Swamp Girl, Sweet Talk, That Lucky Old Sun, You're Just The Kind, You're Wonderful
1950s
- (1950 Black Lace, The Cry Of The Wild Goose, The Day Isn't Long Enough, Dear Dear Dear, Dream a Little Dream of Me, I Love You For That (with Patti Page), I Was Dancing With Someone, If I Were A Bell, If I Were You Baby (with Patti Page), I'm Gonna Live Till I Die, I'm In The Mood For Love, The Jalopy Song, A Man Gets Awfully Lonesome, May The Good Lord Bless And Keep You, Merry Christmas Everywhere, Music Maestro Please, Sleepy Ol' River, Stars And Stripes Forever, Thanks For Your Kisses, What Am I Gonna Do This Christmas?
- (1951) Ain't Misbehavin', Flamenco, Gambella (The Gamblin' Lady) (with Jo Stafford), The Gang That Sang Heart Of My Heart, Get Happy, The Girl In The Wood, Hey Good Lookin' (with Jo Stafford), I Would Do Most Anything For You, In The Cool Cool Cool Of The Evening, The Isle Of Capri, Jealousy (Jalousie), Jezebel, Love Is Such A Cheat, Metro Polka, Necessary Evil, One For My Baby, Pretty-Eyed Baby (with Jo Stafford), Rose, Rose, I Love You, She Reminds Me Of You, Song Of The Islands, South Of The Border, That's Good! That's Bad! (with Jo Stafford), That's How Rhythm Was Born, That's The One For Me (with Jo Stafford), To Be Worthty Of You, Tomorrow Mountain, What Could Be Sweeter?, When It’s Sleepy Time Down South, Wonderful Wasn't It?, Yes My Dear, You Left Me Out In The Rain
- (1952) Chow Willy (with Jo Stafford), Christmas Roses (with Jo Stafford), The Gandy Dancer's Ball, Hambone (with Jo Stafford), High Noon (Do Not Forsake Me), How Lovely Cooks The Meat (with Doris Day), I'd Give My Life, I'm Just A Poor Bachelor, Let's Have A Party (with Jo Stafford), The Mermaid, My Ohio Home, Piece A-Puddin' (with Jo Stafford), Ramblin' Man, The Rock Of Gibraltar, The Ruby And The Pearl, Settin' The Woods On Fire (with Jo Stafford), She's Funny That Way, Snow In Lovers Lane, Sugarbush (with Doris Day), Swan Song, Snow In Lovers Lane, That's How It Goes, There's A Rainbow 'Round My Shoulder, Tonight You Belong To Me, When You're In Love
- (1953) Ace In The Hole, After You've Gone (vocal duet with Carl Fischer), Answer Me My Love, Answer Me O' Lord, Basin Street Blues (with Jo Stafford), Blowing Wild (The Ballad Of Black Gold), A Bushel And A Peck (with Jo Stafford), Do You Know What It Means To Miss New Orleans, Drill Ye Tarriers, Floatin' Down To Cotton Town (with Jo Stafford), Goin' Like Wildfire (with Jo Stafford), Granada, Hey Joe!, A Hundred Years From Today, I Believe, I Let Her Go, Judy, The Kid's Last Fight, Laughing At Life, Let's Go Fishin' (with Jimmy Boyd), The Little Boy And The Old Man (with Jimmy Boyd), Long Distance Love, Lorelei, The Lord Don't Treat His Chillun That Way, Lullaby In Rhythm, New Orleans, Old Shoes, Poor Little Piggy Bank (with Jimmy Boyd), Rollin' Down The Line (with Jo Stafford), Sittin' In The Sun (Countin' My Money), Some Day, Some Day Sweetheart, Te Amo, Tell Me A Story (with Jimmy Boyd), There Must Be A Reason, Way Down Yonder In New Orleans (with Jo Stafford), Where The Winds Blow, Willow Weep For Me, Your Cheatin' Heart
- (1954) Ain't It A Pity And A Shame (with The Four Lads), Back Where I Belong (with Jo Stafford), God's Gonna Take The Saints To Heaven (with The Four Lads), High Society (with Jo Stafford), I Can't Give You Anything But Love, I Feel Like My Time Ain't Long (with The Four Lads), I'd Give My Life, In The Beginning, Juba-Juba-Jubalee (with The Four Lads), Keepin' Out Of Mischief Now, Let Me Be Ready Lord (with The Four Lads), My Friend, Out Of Nowhere, Rain Rain Rain (with The Four Lads), Wa-Hoo! (with The Four Lads), What Would I Do? (with The Four Lads), You Are Too Beautiful, Your Heart - My Heart
- (1955) Baby Baby All The Time (with Buck Clayton), Bring Your Smile Along, Bubbles, Champion The Wonder Horse, Cool Water, Didn't He Moan (with The Four Lads), Hawk-Eye, Hummingbird, I Heard The Angels Singing (with The Four Lads), If Spring Never Comes, If You Were Mine (with Buck Clayton), Make Me A Child Again, Mama Mia, Moby Dick, Mona Lisa, My Little One, Never Come Sunday, Remember Me (with The Four Lads), Robin Hood, Roses Of Picardy (with Buck Clayton), Sixteen Tons, Sposin' (with Buck Clayton), Stars Fell On Alabama (with Buck Clayton), Strange Lady In Town, Taking A Chance On Love (with Buck Clayton), The Tarrier Song, That Old Feeling (with Buck Clayton), The Thief, Tick Ticky Tick (I'M Gonna Tell On You), Until The Real Thing Comes Along (with Buck Clayton), Walking The Night Away, Where Can I Go (with The Four Lads), A Woman In Love, You Can Depend On Me (with Buck Clayton), Your Love
- (1956) A Capital Ship, Don't Cry, Good Evening Friends (with Johnnie Ray), Hell Hath No Fury, Lonely Man, Lotus Land, Love Is A Golden Ring (with The Easy Riders), Make Me A Child Again, Moonlight Gambler, The Most Happy Fella, On The Road To Mandalay, Only If We Love, There's Not A Moment To Spare, Up Above My Head (I Hear Music In The Air) (with Johnnie Ray), Without Him
- (1957) Addormentarmi Cosi (with Michel Legrand), All Of These And More, Annabel Lee, Autumn Leaves (with Michel Legrand), Besame Mucho (with Michel Legrand), (What Did I Do To Be So) Black And Blue, Blue Turning Grey Over You, By The River Sainte Marie, East Is East, Give Me A Kiss For Tomorrow, The Greater Sin, Gunfight At OK Corral, Jezebel, La Paloma (with Michel Legrand), Laura (with Michel Legrand), The Lonesome Road, Mam'selle (with Michel Legrand), My Gal And A Prayer, Nao Tem Solucao (with Michel Legrand), On The Sunny Side Of The Street, Quiereme Mucho (Yours) (with Michel Legrand), Rockin' Chair, Shine, Si Tu Partais (with Michel Legrand), That Ain't Right, That Lucky Old Sun, That's My Desire, The 3:10 to Yuma, Too Young (with Michel Legrand), Torna A Sorrento (with Michel Legrand), Uh-Huh Oh Yeah, We'll Be Together Again, West End Blues, You Know How It Is
- (1958) Baby Just For Me (with Michel Legrand), Because, Blue Moon (with Michel Legrand), Body And Soul, Choombala Bey, A Cottage For Sale, Dream a Little Dream of Me (with Michel Legrand), El Diablo, Forever More, Here Lies Love, I Cover The Waterfront, I Forget The Time (with Michel Legrand), I Get Along Without You Very Well, I Got It Bad (And That Ain't Good), I Have To Cry, I Married An Angel, I Would Do Anything For You (with Michel Legrand), I'll Get By, I'm Confessin' (That I Love You) (with Michel Legrand), In My Wildest Dreams, It Only Happens Once, It's The Talk Of The Town, Journey's End, A Kiss Can Change The World, The Love Of Loves (with Michel Legrand), Lover Come Back To Me (with Michel Legrand), Lovin' Up A Storm, Magnificent Obsession, Marie (with Michel Legrand), Midnight On A Rainy Monday, Mona Lisa (with Michel Legrand), My Kind Of Woman, My Little Love, Rawhide, Second Honeymoon, September In The Rain (with Michel Legrand), Side By Side, That's My Desire, These Foolish Things (Remind Me Of You), To My Wife, Too Marvelous For Words (with Michel Legrand), Torchin', The Touch Of Your Lips, Try A Little Tenderness, The Valley Of A Hundred Hills, We Just Couldn't Say Goodbye, When I Speak Your Name, You Are My Love, You're Just The Kind (with Michel Legrand), You've Changed
- (1959) And Doesn’t She Roll, Careless Love, Cherry Red, Jelly Coal Man, Kisses That Shake The World, Lucy D, New Orleans, Old Blue, Old Virginny, On A Monday, Rockin' Mother, Rocks And Gravel, Sixteen Tons, Stack Of Blues
1960s
- (1960) Along The Navajo Trail, Bowie Knife, City Boy, Cool Water, Cry Of The Wild Goose, Et Voila, God Bless This House, Gunfight At The O.K. Corral, The Hanging Tree, Here She Comes Now, High Noon, Mule Train, Rawhide, Sampson, Seven Women, St. James Infirmary, The 3:10 to Yuma, Wanted Man, You're All I Want For Christmas
- (1961) Ace In The Hole, Camptown Races, Cow-Cow Boogie, Dead Man’s Hand, Deuces Wild, Gamblin’ Woman, Get Rich Quick, The Green Leaves Of Summer, Gunslinger, The Hard Way, Horses And Women, Luck Be A Lady, The Man Who Broke The Bank At Monte Carlo, Miss Satan, Moonlight Gambler, Ride Through The Night, The Roving Gambler, Wheel Of Fortune
- (1962) Beyond The Blue Horizon, Call Of The Wild, If I Love Again, The Girl In The Wood, De Glory Road, The High Road, I Let Her Go, I'm Gonna Live 'Til I Die, Live Along With Me (Get With It), Love Is Where You Find It, Misirlou, The Moment Of Truth, The New Frontier, North To Alaska, On The Road To Mandalay, On The Trail, Riders In The Sky, Rolling Stone, Serenade, Song Of The Open Road, Swamp Girl, Tumbling Tumbleweeds, Wagon Wheels, The Wayfaring Stranger, A Wedded Man, We'll Be Together Again, What Kind Of Fool Am I?
- (1963) Die Welt War Niemals So Schon, Don’t Make Me Baby Blue, Hey There Mountain (unissued/lost), Ich Lass Dich Gehn, I'm Gonna Be Strong, No La Hagas Sufrir, No Sabras Mi Dolor, Non Farla Piangere, Prairie Belle, Saro Forte, Take Her, Up Among The Stars
- (1964) Che Me Ne Importa...A Me, For Your Love I'd Wait A Lifetime, A Girl, Go On With Your Dancing, Halfway, House Of Laughter, Lonely Days Of Winter, Tangolita
- (1965) Answer Me, Come Sunday, He, The Green Leaves Of Summer, Heartaches Can Be Fun, He'll Guide My Way, I Believe, May The Good Lord Bless And Keep You, My Friend, O Bless This House, Seven Days Of Love, The Sound Of Silence, Teach Me To Pray, Two Loves Have I
- (1966) Johnny Willow, The Meaning Of It All, Pray And He Will Answer You, What Do You Know
- (1967) Ev'ry Street's A Boulevard, Give Me Your Kisses I'll Give You My Heart, The Gypsy, Heartless One, I Heard You Cry Last Night, I Wish You Were Jealous Of Me, If I Didn't Care, I'll Take Care Of Your Cares, I'm Free, Laura (What's He Got That I Ain't Got), Making Memories, Maybe, The Moment Of Truth, The Real Meaning Of Love, Sometimes I Just Can't Stand You, Somewhere There's Someone, There's Not A Moment To Spare, What Do You Do With An Old Song, You - No One But You, You Taught Me How To Love You Now Teach Me To Forget, You Wanted Someone To Play With, You're Breaking My Heart
- (1968) By The Time I Get To Phoenix, Cold Cold Heart, Forsaking All Others, Gentle On My Mind, The Green Green Grass Of Home, Halfway, Honey, I Don't Want To Set The World On Fire, I Found You, I Need You, I Wish I Had Someone Like You, I'm Happy To Hear You're Sorry, It Didn't Mean A Thing To Me, I've Got A Right To Cry, Laughing On The Outside Crying On The Inside, Little Green Apples, Please Forgive Me, Pretty Little Princess, Silver Kisses And Golden Love, Take Me Back, To Each His Own, The Wayward Wind, What A Wonderful World, Where Does Love Go, You Always Hurt The One You Love
- (1969) Allegra, Born To Be With You, Dammit Isn't God's Last Name, Don't Make Promises, Fresh Out Of Tears, A Place In The Shade, The Secret Of Happiness, Sing An Italian Song, The Story Of My Life, Walk On Out Of My Life, You Gave Me A Mountain
1970s
- (1970) Rockin' remakes of: Don't Make My Baby Blue, I Believe, Jealousy, Jezebel, Moonlight Gambler, On The Sunny Side Of The Street, Shine, That Lucky Old Sun, That's My Desire, Your Cheatin' Heart
- (1971) A Brand New Day, Don't Blame The Child, California Bloodlines, Going To Newport, Mr. Bojangles, My God And I, Po' Folks, Proud Mary, Put Your Hand In The Hand, Talk About The Good Times
- (1972) Can You Hear Me Lord, My Own True Love, Time To Ride
- (1974) Blazing Saddles
- (1976) Maxwell's Silver Hammer, Talk To Me About The Hard Times
- (1977) Cool Water, The Cry Of The Wild Goose, Georgia On My Mind, High Noon, I Believe, Jealousy, Jezebel, The Kid's Last Fight, Memories In Gold, Moonlight Gambler, Mule Train, On The Sunny Side Of The Street, Rawhide, Shine, That Lucky Old Sun, That's My Desire, We'll Be Together Again, A Woman In Love, You Gave Me A Mountain, Your Cheatin' Heart
- (1978) End Of Session Blues, Evergreen, Forgetting Someone, I Don't Feel Like Singing Anymore, If I Never Sing Another Song, It's Gonna Happen, Hey! Hey! Jesus, Life Is Beautiful, The Only Thing That Matters, Nan, Nobody But You, Send In The Clowns, Sunday Morning Coming Down
1980s
- (1982) Answer Me, Cool Water, Cry Of The Wild Goose, Don't Fence Me In, Granada, High Noon, Hummingbird, I Believe, Jealousy, Jezebel, Moonlight Gambler, Mule Train, Rain Rain Rain, Rawhide, Rose Rose I Love You, Sixteen Tons, Strange Lady In Town, There Must Be A Reason, Wheel Of Fortune, A Woman In Love
- (1984) Love Rustler, Take Me Back To L.A., Texas, We'll Be Together Again
- (1985) The Girl I Love, How Do You Keep The Music Playing?, Fever, The Lady Digs Jazz, Makin' Whoopee, San Diego Lovely Lady By The Sea, Solitude, Strike Up The Band For San Diego, This Can't Be Love/Them There Eyes, Time You Old Gypsy Man, What Am I Here For?
- (1986) Another Somebody Done Somebody Wrong Song, The Green Green Grass Of Home, I Believe In You, Jambalaya, Let Me Learn To Dream Of You, Old Dogs Children And Watermelon Wine, One More Time, Over, She Never Could Dance, When Will I Be Loved
- (1987) Gunfight At The O.K. Corral (with Erich Kunzel and The Cincinnati Pops Orchestra), High Noon (with Erich Kunzel and The Cincinnati Pops Orchestra), Old Boston, Old Chicago, Old St. Louis, Merry Christmas Without You, Rawhide (with Erich Kunzel and The Cincinnati Pops Orchestra)
- (1988) Better To Have Loved, Butterfly, Fallen Angel, Fever, Fly Away, I'd Do It Over Again, Just A Dreamer, Rose Ellen, Still There's You
1990s
- (1991) Don't Cry Cry Baby, Old Enough To Be Your Father
- (1998) Back In The Game, The Best Of Each Other, Come Back To Me, A Day At A Time, The Good Old Days, Giving Back, How Sweet It Is, I Like To Travel, It Ain't Over 'Til It's Over, Moonglow, Nature Boy, Scarlet Ribbons, Song Of India, Soon I'll Be Following You, Taking Care Of My Soul, That's All, That's How I'd Like To Be Remembered, They Call The Wind Maria, This Time The Dream's On Me, How Do You Keep The Music Playing, Until Now, Wheels Of A Dream, You'll Never Find Another Love Like Mine, Young At Heart
2000s
- (2001) The Story of Taps, Taps/My Buddy
- (2002) After Me, The Best Of Love, Dandelion Wine, From Time To Time, The Greatest Thing That Almost Happened, Heavy Breathing, Here's To The Losers, I Don't Remember, Keep Goin' Back To Joe's, More Love, Old Man Jazz, Too Late Smart, Too Soon Old Too Late Smart, When Joanna Loved Me, When Sunny Gets Blue
- (2004) Contagious, Contagious (live version), Every Time She Cries, Father Time, A Heart Lies Still, I Go Flyin', If I Could See Into Your Heart, I'll Be Thinking Of You, Jake, Pity The One, She Never Could Dance, Shelter From The Storm, Stars In The Bars
Lyrics by Laine
- It Ain’t Gonna Be Like That (with Mel Torme)
- It Only Happens Once (words and music by Laine)
- Put Yourself In My Place (with Hoagy Carmichael)
- We’ll Be Together Again (with Carl Fischer)
- Our Dream (words and music)
- I Haven’t The Heart (with Matt Dennis)
- I’d Give My Life (with Carl Fischer)
- What Could Be Sweeter? (with Carl Fischer)
- Baby, Just For Me (with Carl Fischer)
- Satan Wears A Satin Gown (with Jacques Wilson and Fred Katz)
- Don’t Cry Little Children (with Norman Wallace)
- When You’re In Love (with Carl Fischer)
- Only If We Love (with Al Lerner)
- Torchin (with Al Lerner)
- The Love Of The Roses (with Carl Fischer)
- Magnificent Obsession (with Fred Karger)
- Forever More (with Carl Fischer)
- You Are My Love (with Carl Fischer)
- My Little Love (with Carl Eugster)
- And Doesn’t She Roll (with Jack Wilson and Fred Katz)
- God Bless This House (with Jack Wilson and Fred Katz)
- Deuces Wild (with Mike Oatman and Ray Barr)
- Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter)
- The High Road (with Margaret Bristol and Leo Kempinski)
- The Moment of Truth (with Nell Western and Fred Katz)
- What Am I Here For? (with Duke Ellington)
- Allegra (with Matt Dennis)
- Forevermore
- End Of Session Blues
- Nan
Filmography
As Actor
- Make Believe Ballroom - Columbia, 1949.
- When You’re Smiling - Columbia, 1950.
- Sunny Side Of The Street - Columbia, 1951.
- Rainbow 'Round My Shoulder - Columbia, 1952.
- Bring Your Smile Along - Columbia, 1955.
- He Laughed Last - Columbia, 1956.
- Meet Me In Las Vegas - MGM, 1956.
Sang the Title Song
- Blowing Wild - Warner, 1953.
- Man Without A Star - Universal, 1955.
- Strange Lady In Town - Warner, 1955.
- Gunfight at the O.K. Corral - Paramount, 1957.
- 3:10 to Yuma - Columbia, 1957.
- Bullwhip - Republic, 1958.
- Blazing Saddles - Warner/Crossbow, 1974.
Included in the Soundtrack
- The Last Picture Show - sang "Rose, Rose, I Love You," Columbia, 1971.
- All This and World War II - sang "Maxwell's Silver Hammer," Deluxe, 1976.
- House Calls - sang "On the Sunny Side of the Street," Universal, 1978.
- Lemon Popsicle - sang "My Little One," 1978.
- Going Steady - sang "My Little One," 1980.
- Raging Bull - sang "That's My Desire," United Artists, 1980.
- Whore - sang "The Love of Loves," 1991.
- Chopper - sang "Don't Fence Me In," 2000.
Television
- The Frankie Laine Hour - 1950.
- The Frankie Laine Show - 1954-5.
- Frankie Laine Time - 1955-6.
- Rawhide 1959-66 (sang the theme song)
- Gunslinger 1961 (sang the theme song)
- Rango 1967 (sang the theme song)
- The Misadventures of Sheriff Lobo 1979-81 (sang the theme song for the first season)
Guest star appearances
- Perry Mason - CBS, 1959.
- Rawhide - CBS, 1960.
- Bachelor Father - ABC, 1961.
- Burke's Law - ABC, 1963.
Biographies
- "That Lucky Old Son," co-authored with Joseph F. Laredo, Pathfinder Publishing, 1993.
- "The Best Damn Trumpet Player: Memories of the Big Band Era and Beyond" by Richard Grudens, Celebrity Profiles Publishing Co. (June 1, 1996) . Includes a Foreword by Frankie Laine as well as a chapter (by Grudens) on his music.'
- "A three volume set of table-sized Frankie Laine biographies, 'That Lucky Old Sun,' 'I Believe,' 'Rawhide'" by Todd Everett, accompany the Laine CD box-set collections put out by Bear Family Records.
Video documentary
Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others.
References
- ^ [1] [2] [3] [4] [5] [6]
- ^ "Cry: The Johnnie Ray Story," Jonny Whiteside, Barricade Books Inc., 1994, p40.
- ^ "The Best Damn Trumpet Player:Memories of the Big Band Era and Beyond," Richard Grudens, Celebrity Profiles Publishing, 1997, p42.
- ^ "Cry: The Johnnie Ray Story," Jonny Whiteside, Barricade Books Inc., 1994, p85. "Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenl found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie [Ray], dubbed "the Belters" and "the Exciters," came along with a brash vibrance and vulgar beat that made the old bandstand routine which Frank [Sinatra] meticulously perfected seem almost invalid. He had elevated popular song interpretation as no one since [Bing] Crosby, and now it seemed as if the public was defiantly turning their backs on him."
- ^ "That Lucky Old Son," Frankie Laine, co-authored with Joseph F. Laredo, Pathfinder Publishing, 1993, p82., http://ktla.trb.com/news/ktla-laineobit,0,5648361.story?coll=ktla-news-1, http://secure1.mppglobal.com/ishop/202/Frankie-Laine/Americas-Number-One-Song-Stylist!-Music-Download/281432/ProductInfo.aspx, http://www.post-gazette.com/pg/07038/759961-42.stm, http://news.scotsman.com/obituaries.cfm?id=212722007.
- ^ http://music.guardian.co.uk/obituaries/story/0,,2008165,00.html, "One of the first pop megastars, he set the pattern that led from Johnnie Ray to Elvis Presley."
- ^ Interviewed in "Frankie Laine: An American Dreamer," video documentary, 2003.
- ^ Ibid.
- ^ "That Lucky Old Son," Frankie Laine, co-authored with Joseph F. Laredo, Pathfinder Publishing, 1993, p15.
- ^ Ibid., p41
- ^ "That Lucky Old Sun," Todd Everett, Bear Family Records, 2000, p11.
- ^ "The Jazz Singer: Timeless Hit Maker Frankie Laine One Of The Best Jazz Singers Forgotten In Pop Successes," Stephen Fratallone, Jazz Connection Magazine, May 2001, www.jazzconnectionmag.com.
- ^ "Sinatra! The Song Is You," Will Friedwald, Da Capo Press, 1997, p174.
- ^ Interviewed in "Frankie Laine: An American Dreamer," video documentary, 2003.
- ^ http://www.channelnewsasia.com/stories/entertainment/view/257082/1/.html, http://www.thestandard.com.hk/news_detail.asp?we_cat=7&art_id=37785&sid=12107390&con_type=1&d_str=20070208, http://www.ofuzi.com/category/uncategorized/personalities/.
- ^ http://www.markalson2.com/lainefan/frankiehits.html.
- ^ http://www.retrocharts.com/mostweeksatno1.html, http://xrrf.blogspot.com/2007/02/jazzobit-frankie-laine.html, http://www.ukmix.org/articles/charts/1950s.html.
- ^ http://www.ukmix.org/articles/charts/coat.html.
- ^ http://www.cduniverse.com/search/xx/music/pid/6097215/a/Call+Of+The+Wild%2FWanderlust.htm.
- ^ Interviewed in "Frankie Laine: An American Dreamer," video documentary, 2003.
- ^ http://209.85.165.104/search?q=cache:66NLyQgj-LwJ:www.byways.org/browse/byways/2050/Selma_to_Montgomery_March_Byway_print_n_go_2050.pdf+martin+luther+king,+frankie+laine,+selma&hl=en&ct=clnk&cd=1&gl=us.
- ^ Interviewed in "Frankie Laine: An American Dreamer," video documentary, 2003.
- ^ http://www.cduniverse.com/search/xx/music/pid/3353511/a/22+Greatest+Hits.htm.
- ^ "That Lucky Old Son," Frankie Laine, co-authored with Joseph F. Laredo, Pathfinder Publishing, 1993, p69.
- ^ http://frankielaine.com/fl_career.shtml: "In 1987 Laine released a compact disc of Western musical Americana which he recorded with Eric Kunzel and the Cincinnati Pops Orchestra. Entitled, 'Roundup,' Frankie couldn't help but chuckle when it shot up Billboard's classical CD rankings. 'The last place I ever expected to find myself,' he noted, 'was on the classical music charts!'"
- ^ TRIBUTE TO FRANKIE LAINE -- HON. RANDY `DUKE' CUNNINGHAM (Extension of Remarks - March 25, 1993) [Page: E787] HON. RANDY `DUKE' CUNNINGHAM in the House of Representatives THURSDAY, MARCH 25, 1993 "Mr. CUNNINGHAM. "Mr. Speaker, I rise today to pay tribute to a true American original, Frankie Laine, of San Diego, CA, who celebrates his 80th birthday Tuesday, March 30, 1993. "With a song in his heart and a bold, strong voice, Frankie Laine revives the old spirit of the American frontier. He reminds us of a time when the work was hard and the pleasures and conveniences of life were few, but simple; a time of `Rawhide' and `Mule Trains'; a time we sometimes forget, but for the timeless music of Frankie Laine, we warmly remember again. "One would think that following a career gilded with 21 gold records, Frankie Laine would ease into retirement. Not so. In his adopted hometown of San Diego, Frankie has provided shoes to the homeless, friendship to the friendless, and countless hours of selfless service to the community and to the Salvation Army. The man called the Squire of Point Loma has been a prince of a good neighbor. "On his 80th birthday, Tuesday, March 30, 1993, let it be recorded in the permanent Record of the Congress of the United States that Frankie Laine is a national treasure, an American original, and a great and generous friend to the people of this Nation."
- ^ http://newsmax.com/archives/articles/2007/2/7/93624.shtml 'Rawhide' Singer Frankie Laine Dies at 93.
External links
- Official Frankie Laine Website
- Interview with Frankie Laine
- Comprehensive fan site with full discography
- The Frankie Laine International Appreciation Society
- Frankie Laine at IMDb
- Frankie Laine at the Latin Quarter, 1955 performance review
- Obituary from the Los Angeles Times
See also
Template:Great American Songbook