Suger: Difference between revisions
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| image1 = French 12th Century (mounting); Alexandrian 2nd-1st Century B.C.(cup) , Chalice of the Abbot Suger of Saint-Denis, NGA 1437.jpg |
| image1 = French 12th Century (mounting); Alexandrian 2nd-1st Century B.C.(cup) , Chalice of the Abbot Suger of Saint-Denis, NGA 1437.jpg |
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| caption1 = '''[[Chalice]] of Suger''', with on [[onyx]] cup of the 2nd or 1st century BC |
| caption1 = '''[[Chalice]] of Suger''', with on [[onyx]] cup of the 2nd or 1st century BC. |
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| alt1 = A gold |
| alt1 = A gold cup |
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| image2 = Aigle de Suger - Musée du Louvre Objets d'art MR 422.jpg |
| image2 = Aigle de Suger - Musée du Louvre Objets d'art MR 422.jpg |
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| caption2 = '''[[Suger's Eagle]]''', with a 2nd-century [[Porphyry (geology)|porphyry]] vase |
| caption2 = '''[[Suger's Eagle]]''', with a 2nd-century [[Porphyry (geology)|porphyry]] vase. |
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| alt2 = |
| alt2 = A gold eagle metalwork surrounding a vase |
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| image3 = Vase d'Aliénor - Musée du Louvre Objets d'Art MR 340.jpg |
| image3 = Vase d'Aliénor - Musée du Louvre Objets d'Art MR 340.jpg |
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| caption3 = '''Eleanor of Aquitaine vase''', a [[rock crystal vase]] from 6th- or 7th-century Persian vessel |
| caption3 = '''Eleanor of Aquitaine vase''', a [[rock crystal vase]] from 6th- or 7th-century Persian vessel. |
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| alt3 = |
| alt3 = A vase, with a translucent crystal middle |
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| image4 = Ewer birds Louvre MR333.jpg |
| image4 = Ewer birds Louvre MR333.jpg |
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| caption4 = '''''Aiguière aux oiseaux''''' ("[[Ewer]] with birds") with a 10th- or 11th-century Egyptian [[rock-crystal]] vessel |
| caption4 = '''''Aiguière aux oiseaux''''' ("[[Ewer]] with birds") with a 10th- or 11th-century Egyptian [[rock-crystal]] vessel. |
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| alt4 = |
| alt4 = A vase, with translucent body with bird patterning |
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| image5 = |
| image5 = Aiguière de sardoine.jpg |
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| caption5 = '''Sardonyx ewer''' (''Aiguière en Sardoine''), with a vase possibly from 7th-century [[Byzantium]]. |
| caption5 = '''Sardonyx ewer''' (''Aiguière en Sardoine''), with a vase possibly from 7th-century [[Byzantium]]. |
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| alt5 = |
| alt5 = A vase made of gem and hard stone; an ewer |
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Revision as of 21:03, 27 April 2024
Abbot Suger of St-Denis | |
---|---|
Personal life | |
Born | c. 1080/1, possibly in Chennevières-lès-Louvres[1] |
Died | 13 January 1151 (aged ~70) |
Resting place | Basilica of Saint-Denis |
Suger (French: [syʒɛʁ]; Template:Lang-la; c. 1081 – 13 January 1151) was a French abbot and statesman. He was abbot of the Basilica of Saint-Denis, and a key advisor to king Louis VI and his son Louis VII, acting as his regent during the Second Crusade. His supervision of the rebuilding of the Basilica of Saint-Denis where he was abbot, was instrumental in the creation of Gothic architecture.
Early Life
Suger's family origins are unknown. Several times in his writings he suggests that his was a humble background, though this may just be a topos or convention of autobiographical writing. In 1091, at the age of ten, Suger was given as an oblate to the abbey of St. Denis, where he began his education. He trained at the priory of Saint-Denis de l'Estrée, and there first met the future king Louis VI of France. From 1104 to 1106, Suger attended another school, perhaps that attached to the abbey of Saint-Benoît-sur-Loire. In 1106 he became secretary to the abbot of Saint-Denis. In the following year he became provost of Berneval in Normandy, and in 1109 of Toury. In 1118, Louis VI sent Suger to the court of Pope Gelasius II at Maguelonne (at Montpellier, Gulf of Lyon), and he lived from 1121 to 1122 at the court of Gelasius's successor, Calixtus II. On his return from Maguelonne, Suger became abbot of St-Denis. Until 1127, he occupied himself at court mainly with the temporal affairs of the kingdom, while during the following decade he devoted himself to the reorganization and reform of St-Denis.
Court Life and Influence
Suger served as the friend and counsellor to both Louis VI and Louis VII.
Suger and Louis VI
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Suger and Louis VII
In 1137, he accompanied the future king, Louis VII, into Aquitaine on the occasion of that prince's marriage to Eleanor of Aquitaine, and during the Second Crusade served as one of the regents of the kingdom (1147–1149). He bitterly opposed the king's divorce, having himself advised the marriage. Although he disapproved of the Second Crusade, he himself, at the time of his death, had started preaching a new crusade.
Suger, the Regent
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He urged the king to destroy the feudal bandits, was responsible for the royal tactics in dealing with the communal movements, and endeavoured to regularize the administration of justice. He left his abbey, which possessed considerable property, enriched and embellished by the construction of a new church built in the nascent Gothic style. Suger wrote extensively on the construction of the abbey in Liber de Rebus in Administratione sua Gestis, Libellus Alter de Consecratione Ecclesiae Sancti Dionysii, and Ordinatio.
Post-humous influence on Philip Augustus
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Contribution to the Arts
Abbey of Saint-Denis
Abbot Suger, friend and confidant of the French Kings Louis VI and Louis VII, decided in about 1137 to rebuild the great Church of Saint-Denis, the burial church of the French monarchs.[citation needed]
Suger began with the West front, reconstructing the original Carolingian façade with its single door. He designed the façade of Saint-Denis to be an echo of the Roman Arch of Constantine with its three-part division and three large portals to ease the problem of congestion. The rose window above the West portal is the earliest-known such example, although Romanesque circular windows preceded it in general form.[citation needed]
At the completion of the west front in 1140, Abbot Suger moved on to the reconstruction of the eastern end, leaving the Carolingian nave in use. He designed a choir (chancel) that would be suffused with light.[note 1][note 2] To achieve his aims, his masons drew on the several new features which evolved or had been introduced to Romanesque architecture, the pointed arch, the ribbed vault, the ambulatory with radiating chapels, the clustered columns supporting ribs springing in different directions and the flying buttresses which enabled the insertion of large clerestory windows.[citation needed]
The new structure was finished and dedicated on 11 June 1144,[2] in the presence of the King. The Abbey of Saint-Denis thus became the prototype for further building in the royal domain of northern France. It is often cited as the first building in the Gothic style. A hundred years later, the old nave of Saint-Denis was rebuilt in the Gothic style, gaining, in its transepts, two spectacular rose windows.[3]
Suger's Collections
Suger was also a patron of art. Among the liturgical vessels he commissioned are a gilt eagle, the King Roger decanter, a gold chalice and a sardonyx ewer.[citation needed] A chalice once owned by Suger is now in the collections of the National Gallery of Art in Washington, D.C., and the Eleanor of Aquitaine vase which he received that was subsequently offered to the saints at his abbey is now held in the Louvre in Paris, believed to be the only existing artefact of Eleanor's to exist today.
Historiography
Suger's Writing
Suger wrote several works, which regarded for their accuracy and detail. Of these, two record his activities as abbot of St-Denis. The Libellus Alter de Consecratione Ecclesiae Sancti Dionysii (Other Little Book on the Consecration of Saint-Denis) is a short treatise on the building and consecration of the abbey church.[4] The Liber De Rebus in Administratione sua Gestis (Book on Events under his Administration) is an unfinished account of his administration of the abbey, which he started on request of his monks in 1145.[5] In these texts, he treats of the improvements he had made to St Denis, describes the treasure of the church, and gives an account of the rebuilding. Unlike other medieval texts recording the deeds of religious figures, Suger’s are written by himself.[6]
Of his histories, Vie de Louis le Gros (Life of Louis the Fat) is his most substantial and widely circulated. It is a panegyric chronological narrative of king Louis VI, primarily concernred with warfare, but also his dependence on the Saint-Denis abbey.[7] Historia gloriosi regis Ludovici (The Illustrious King Louis) is the other demonstrably unfinished work of Suger, accounting for the first year of Louis VII’s reign.[8] Written in Suger’s final years, it (like his other history) covers in great detail events where Suger was himself present or involved in.
Suger’s secretary, William, himself produced two works on Suger: the first, a letter shortly after his death announcing the death; the other a short biography (Sugerii Vita; The Life of Suger) authored between summer 1152 and autumn 1154.[9][note 3] A collection of Suger’s letters exist in Saint Denis, mostly from near the end of his life, though its provenance is unknown.[10] Suger's works served to imbue the monks of St Denis with a taste for history and called forth a long series of quasi-official chronicles.[11]
Suger in the Gothic tradition
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Modern historiography
In the 1940s, the prominent art-historian Erwin Panofsky claimed that the theology of Pseudo-Dionysius the Areopagite influenced the architectural style of the abbey of St. Denis, though later scholars have argued against such a simplistic link between philosophy and architectural form.[note 4] Similarly the assumption by 19th century French authors that Suger was the "designer" of St Denis (and hence the "inventor" of Gothic architecture) has been almost entirely discounted by more recent scholars. Instead he is generally seen as having been a bold and imaginative patron who encouraged the work of an innovative (but now unknown) master mason.[12][13]
Citations
Notes
- ^ When the new rear part is joined to that in front,
The church shines, brightened in its middle.
For bright is that which is brightly coupled with the bright
And which the new light pervades,
Bright is the noble work Enlarged in our time
I, who was Suger, having been leader
While it was accomplished.
Abbot Suger: On What Was Done in His Administration c.1144–8, Chap XXVIII - ^ Erwin Panofsky argued that Suger was inspired to create a physical representation of the Heavenly Jerusalem, however the extent to which Suger had any aims higher than aesthetic pleasure has been called into doubt by more recent art historians on the basis of Suger's own writings.
- ^ After Suger’s death, William’s leading of a faction against the new abbot at Saint Denis, Odo of Deuil, meant he was exiled. It was during exile that he authored the life of Suger; it was thus intended to portray Suger in good light, implicitly criticising Odo. Grant, Church and State, 44.
- ^ For a summary of the 'arguments against' Panofsky's view, see Panofsky, Suger and St Denis, Peter Kidson, Journal of the Warburg and Courtauld Institutes, Vol. 50, (1987), pp. 1–17
References
- ^ Charles Higounet, La Grange de Vaulerent (Paris: S. E. V. P. E. N., 1965) 69.
- ^ Honour, H. and J. Fleming, (2009) A World History of Art. 7th edn. London: Laurence King Publishing, p. 376. ISBN 9781856695848
- ^ Wim Swaan, The Gothic Cathedral
- ^ Suger, Consc.
- ^ Suger, Admin., 155.
- ^ H. E. J. Cowdrey, The Age of Abbot Desiderius (Oxford: Oxford University Press, 1983) 13–6.
- ^ Suger, VLG.
- ^ Suger, Hist. VII.
- ^ Willelmus, Vita.
- ^ Grant, Church and State, 43–5.
- ^ Anne D. Hedeman, The Royal Image: Illustrations of the Grandes Chroniques de France, 1274-1422 (Berkeley: University of California Press, 1991) 3–6, 10.
- ^ Conrad Rudolph, Artistic Change at St Denis: Abbot Suger's Program and the Early Twelfth Century Controversy Over Art, Princeton University Press, 1990
- ^ Kibler et al (eds) Medieval France: An Encyclopedia, Routledge, 1995
Bibliography
Contemporary Works
- Suger. "Liber De Rebus in Administratione sua Gestis." In Abbot Suger, on the Abbey Church of St.-Denis and its Art Treasures, edited, translated, and annotated by Erwin Panofsky and Gerda Panofsky-Soergel, 40–81. 2nd ed. Princeton: Princeton University Press, 1979.
- ———. "Libellus Alter de Consecratione Ecclesiae Sancti Dionysii." In Abbot Suger, on the Abbey Church of St.-Denis and its Art Treasures, edited, translated, and annotated by Erwin Panofsky and Gerda Panofsky-Soergel, 82–121. 2nd ed. Princeton: Princeton University Press, 1979.
- ———. "Ordinatio AD. MCXL vel MCXLI confirmata." In Abbot Suger, on the Abbey Church of St.-Denis and its Art Treasures, edited, translated, and annotated by Erwin Panofsky and Gerda Panofsky-Soergel, 122–37. 2nd ed. Princeton: Princeton University Press, 1979.
- ———. The Deeds of Louis the Fat [Vie de Louis le Gros]. Translated by Richard C. Cusimano and John Moorhead. Washington D. C.: The Catholic University of America Press, 1992.
- ———. "The Illustrious King Louis [VII], Son of Louis [VI] [Historia gloriosi regis Ludovici]." In Selected Works of Abbot Suger of Saint Denis, translated by Richard C. Cusimano and Eric Whitmore, 127–83. Washington D. C.: The Catholic University of America Press, 2018.
- Willelmus. "The Life of Suger [Sugerii Vita]." In Selected Works of Abbot Suger of Saint Denis, translated by Richard C. Cusimano and Eric Whitmore, 184–216. Washington D. C.: The Catholic University of America Press, 2018.
- Oeuvres complètes de Suger; recueillies, annotées et publiées d'après les manuscrits (in French, available at Gallica BNF ). Edited by Albert Lecoy de La Marche. Paris, 1867.
Books
- Grant, Lindy. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France. Essex: Addison Wesley Longman, 1998.
- Gerson, Paula Lieber. Abbot Suger and Saint-Denis: a Symposium (available at Met OCLC ). New York: The Metropolitan Museum of Art, 1986.
- von Simson, Otto. The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order. 3rd ed. Princeton: Princeton University Press, 1988.
Journal Articles
Websites
- Hunt, Patrick. "Abbé Suger and a Medieval Theory of Light in Stained Glass: Lux, Lumen, Illumination". Philolog. Stanford University, January 26, 2006. Archived from the original on 17 March 2016.
See also
- 1080s births
- 1151 deaths
- Burials at the Basilica of Saint-Denis
- 12th-century French historians
- French abbots
- Medieval French architects
- French expatriates in England
- 12th-century architects
- 12th-century French artists
- French male writers
- 12th-century writers in Latin
- 12th-century French writers
- 12th-century regents