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[[Category:1970 albums]]
[[Category:1971 albums]]
[[Category:Anthony Braxton albums]]
[[Category:Anthony Braxton albums]]
[[Category:Delmark Records albums]]
[[Category:Delmark Records albums]]

Latest revision as of 22:40, 17 May 2024

For Alto
Studio album by
Anthony Braxton
Released1971
Recorded1969
GenreJazz
Length72:58
LabelDelmark Records
Anthony Braxton chronology
Three Compositions of New Jazz
(1968) 		For Alto
(1971) 		Silence
(1969)

For Alto is a jazz double-LP by composer/multi-reedist Anthony Braxton, recorded in 1969 and released on Delmark Records in 1971.[1][2] Braxton performs the pieces on this album entirely on alto saxophone, with no additional musicians, instrumentation or overdubbing. Although other jazz musicians, such as Coleman Hawkins, Sonny Rollins, and Eric Dolphy, had recorded unaccompanied saxophone solos,[3] For Alto was the first jazz album composed solely of solo saxophone music.[4]

Background

[edit]

According to Braxton, For Alto came about as a result of his fascination with the solo piano music of Arnold Schoenberg, Fats Waller, and Karlheinz Stockhausen.[5] However, feeling that his skills on the piano were inadequate, he decided to create "a particular language for the saxophone."[5] He also cited the experience of a 1967 improvised solo saxophone concert during which he ran out of ideas. He recalled: "I imagined I was just going to get up there and play for one hour from pure invention, but after ten minutes I'd run through all my ideas and started to repeat myself. I felt like, 'Oh my God, and there's still fifty minutes to go!'"[6] This led to a project in which he catalogued specific, easily identifiable musical elements (for example, long sounds, trills, multiphonics, short attacks[7]) which could then be used as "starting points or springboards to musical activity."[8] The concept would become known as "Language Music," of which For Alto is an early example.[8]

Braxton later stated that he recorded the music himself in the basement of the Parkway Community Center in Chicago, and that he "basically gave it to Delmark Records."[9] Although the published liner notes consist only of a series of diagrams,[10] he had originally intended to include a convoluted, winding essay in which, among other things, he stated: "If this record doesn't sell a million copies I will be very disappointed. Already I am making room on my mantle for a gold record and I am going to have parties and I am preparing an acceptance speech."[11] Braxton would go on to record a number of additional solo alto saxophone albums, such as Saxophone Improvisations Series F (1972) and Alto Saxophone Improvisations 1979, and For Alto would inspire other saxophonists, such as Joe McPhee, Evan Parker, and Steve Lacy, to record their own solo albums.[12]

Reception

[edit]
Professional ratings
Review scores
SourceRating
All About Jazz(favorable)[1]
AllMusic[13]
DownBeat[14]
The Encyclopedia of Popular Music[15]
MusicHound Jazz[16]
The Penguin Guide to Jazz[17]
The Rolling Stone Jazz Record Guide[18]
Sputnikmusic[19]

Initial reaction to the album was mixed. In a June 1971 DownBeat review, Joe H. Klee called the album "revolutionary" and awarded it five stars.[14] In that same edition of DownBeat, tenor saxophonist Harold Land was played the track, "To Artist Murry DePillars", in a Blindfold Test. Upon hearing the track, he commented: "I think that he's a very good saxophonist... I have great respect for his technique and his control of the instrument."[20]

Four months later, however, the magazine published a second Blindfold Test, this time with saxophonist Phil Woods, in which Woods, after listening to the same track, stated: "That was terrible, I can't imagine the ego of a person thinking they can sustain a whole performance by themselves... It's not jazzy, it's not classical... it's dull... this is such an ego trip..."[21]

Recent reactions have been positive, and the album is now recognized as one of the landmarks of free jazz and improvised music. The AllMusic review by Thom Jurek stated: "For Alto is one of the greatest solo saxophone records ever made, and maybe one of the greatest recordings ever issued, period".[13] The Penguin Guide to Jazz gives For Alto a four-star rating (of a possible four) along with its "crown" token of merit, and describes it as "one of the genuinely important American recordings. While some landmark performances retain only a mystical aura of their original significance, [For Alto] remains powerfully listenable and endlessly fascinating."[17]

On All About Jazz Derek Taylor observed "This is a recording and artistic statement that completely changed the rules. Braxton's gall seemed audacious to some, but revolutionary to far more and the hindsight of history has proven this latter camp correct. His opened the gates for solo improvisatory expression for all players up to the challenge to pass through and in the intervening years many of the giants of improvised music have followed suit".[1]

Author Tom Moon included the album in his book 1,000 Recordings to Hear Before You Die, writing: "For Alto is dizzying and maddening, dense and challenging, inventive and offputting. It's also among a handful of great solo saxophone recordings in jazz, alongside the unaccompanied tunes on Eric Dolphy's Far Cry. The sheer amount of music here is overwhelming... For Alto is a riveting blast of fresh air, radically adventurous early gems from one of the most important thinkers in jazz."[22]

In an article for Jazzwise, Kevin Le Gendre stated: "Braxton's alto saxophone is like the sound of acid dripped from the beating wings of hummingbirds, a charmingly corrosive caress. Through brilliant dynamics, lyricism, harmonic invention and pure sound trickery, Braxton showed a single horn could be a complete orchestra."[23]

Nate Wooley, writing for Sound American, commented: "a series of solo compositions are presented based roughly on the different language types, and it is a fascinating document of the concept, while also being an enjoyably rigorous example of his mastery of the alto saxophone... In each piece, Braxton very clearly, almost obsessively, works with one language type, exhausting its permutations finally before moving to the next."[8]

Track listing

[edit]

All tracks are written by Anthony Braxton

Side one
No.TitleLength
1."Dedicated to Multi-Instrumentalist Jack Gell"0:42
2."To Composer John Cage"9:30
3."To Artist Murry DePillars"4:17
4."To Pianist Cecil Taylor"5:18
Total length:19:47
Side two
No.TitleLength
1."Dedicated to Ann and Peter Allen"12:54
Total length:12:54
Side three
No.TitleLength
1."Dedicated to Susan Axelrod"10:24
2."To My Friend Kenny McKenny"10:06
Total length:20:30
Side four
No.TitleLength
1."Dedicated to Multi-Instrumentalist Leroy Jenkins"19:47
Total length:19:47

Personnel

[edit]

Anthony Braxton – alto saxophone

References

[edit]
  1. ^ a b c Taylor, Derek (September 1, 2000). "Anthony Braxton: For Alto". All About Jazz. Retrieved September 25, 2019.
  2. ^ Shatz, Adam (29 October 2000). "70's Redux: Notes From the Jazz Underground". The New York Times. Retrieved 28 February 2021.
  3. ^ Shoemaker, Bill (April 25, 2019). "Solo Saxophone Flights". JazzTimes.com. Retrieved June 27, 2022.
  4. ^ Martin, Henry; Waters, Keith (2009). Essential Jazz: The First 100 Years (2nd ed.). Schirmer. p. 205.
  5. ^ a b Lock, Graham (2018). Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music. Dover. p. 50.
  6. ^ Lock, Graham (2018). Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music. Dover. p. 51.
  7. ^ Lock, Graham (2018). Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music. Dover. p. 28.
  8. ^ a b c Wooley, Nate. "Anthony Braxton's Language Music". Sound American. Retrieved June 27, 2022.
  9. ^ Lock, Graham (2018). Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music. Dover. p. 53.
  10. ^ Braxton, Anthony (1971). For Alto (liner notes). Anthony Braxton. Delmark Records. DS-420/421.
  11. ^ Braxton, Anthony. "Anthony Braxton's For Alto Liner Notes". Delmark Records. Archived from the original on 4 November 2016. Retrieved June 27, 2022.
  12. ^ Spencer, Robert (January 1, 2001). "Anthony Braxton: For Alto". All About Jazz. Retrieved June 27, 2022.
  13. ^ a b Jurek, Thom. For Alto – Review at AllMusic. Retrieved November 3, 2016.
  14. ^ a b Klee, Joe H. (June 24, 1971). "Record Review: Anthony Braxton, For Alto". DownBeat. p. 18.
  15. ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1 (4th ed.). MUZE. p. 815. ISBN 0195313739.
  16. ^ Holtje, Steve; Lee, Nancy Ann (1998). MusicHound: The Essential Album Guide. Schirmer. p. 148.
  17. ^ a b Cook, Richard; Brian Morton (2006) [1992]. "Anthony Braxton". The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th ed.). New York: Penguin. p. 150. ISBN 0-14-102327-9.
  18. ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 29. ISBN 0-394-72643-X.
  19. ^ robertsona. Review: For Alto . Sputnikmusic. Retrieved September 24, 2019.
  20. ^ Lock, Graham (1999). Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton. Duke University Press. p. 146.
  21. ^ Feather, Leonard (October 14, 1971). "Blindfold Test". DownBeat. p. 33.
  22. ^ Moon, Tom (2008). 1,000 Recordings to Hear Before You Die. Workman Publishing. pp. 114–115.
  23. ^ Le Gendre, Kevin (May 7, 2021). "Jazz Albums That Shook The World: The 1960s". Jazzwise. Retrieved June 27, 2022.
[edit]
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