Eighties (song): Difference between revisions
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[[AllMusic]] writer [[Bill Janovitz]] reviewed "Eighties", comparing and contrasting "Come as You Are" and "Eighties":<ref name="allmusic">Janovitz, Bill. "[{{AllMusic|class=song|id=t968420|pure_url=yes}} Song Review-Eighties]". ''[[AllMusic]]''. Retrieved on 12 December 2008.</ref> |
[[AllMusic]] writer [[Bill Janovitz]] reviewed "Eighties", comparing and contrasting "Come as You Are" and "Eighties":<ref name="allmusic">Janovitz, Bill. "[{{AllMusic|class=song|id=t968420|pure_url=yes}} Song Review-Eighties]". ''[[AllMusic]]''. Retrieved on 12 December 2008.</ref> |
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{{cquote|While 'Eighties' unflinchingly displays the band's aggressive punk rock |
{{cquote|While 'Eighties' unflinchingly displays the band's aggressive punk rock roots—cold and hard to mirror the socio-political message—it also embraces dance-music grooves and a certain sort of melodic sensibility. One main, perhaps, crucial difference between the bands is that while Kurt Cobain practiced whisper-to-a-scream vocal dynamics, Killing Joke's Jaz Coleman was almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of [[Motörhead]]'s [[Lemmy]].}} |
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However, ''[[The Big Takeover]]'' magazine's [[Jack Rabid]] reported that [[Captain Sensible]]'s "Life Goes On", recorded by [[The Damned (band)|The Damned]] for their 1982 album, ''[[Strawberries (album)|Strawberries]]'', "features the exact same, extremely unique riff as both 'Eighties' and 'Come as You Are'".<ref name="TBT">Rabid, Jack. "What's This For? More Revelations from Jaz Coleman". ''[[The Big Takeover]]''. Issue 54, Summer 2004. [http://www.anirrationaldomain.net/articles/current/bigtakeover54.html Archived here] {{Webarchive|url=https://web.archive.org/web/20070907215824/http://www.anirrationaldomain.net/articles/current/bigtakeover54.html |date=7 September 2007 |
However, ''[[The Big Takeover]]'' magazine's [[Jack Rabid]] reported that [[Captain Sensible]]'s "Life Goes On", recorded by [[The Damned (band)|The Damned]] for their 1982 album, ''[[Strawberries (album)|Strawberries]]'', "features the exact same, extremely unique riff as both 'Eighties' and 'Come as You Are'".<ref name="TBT">Rabid, Jack. "What's This For? More Revelations from Jaz Coleman". ''[[The Big Takeover]]''. Issue 54, Summer 2004. [http://www.anirrationaldomain.net/articles/current/bigtakeover54.html Archived here] {{Webarchive|url=https://web.archive.org/web/20070907215824/http://www.anirrationaldomain.net/articles/current/bigtakeover54.html |date=7 September 2007}}.</ref> Coleman and [[Paul Ferguson]] separately claimed to have no knowledge of this.<ref name="FP">Smith, Alex (4 September 2004). [http://vassifer.blogs.com/alexinnyc/2006/03/interview_with_.html Interview with Big Paul Ferguson]. ''[[Flaming Pablum]]''. Retrieved on 12 December 2008.</ref><ref name="TBT" /> |
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==Track listings== |
==Track listings== |
Revision as of 02:43, 24 May 2024
"Eighties" | ||||
---|---|---|---|---|
Single by Killing Joke | ||||
from the album Night Time | ||||
B-side | "The Coming Mix" | |||
Released | April 1984 | |||
Genre | Post-punk | |||
Length | 3:51 | |||
Label | E.G. | |||
Songwriter(s) | ||||
Producer(s) |
| |||
Killing Joke singles chronology | ||||
| ||||
Music video | ||||
"Eighties" on YouTube |
"Eighties" is the lead single from English post-punk band Killing Joke's fifth studio album, Night Time (1985), produced by Chris Kimsey. The song had been premiered during a three track live performance for UK TV show The Tube in December 1983.[1] Upon its release, the single reached No. 60 in the UK Singles Chart.
A short snippet of "Eighties" was the opening theme to the 2002 sitcom That '80s Show. It was used for a party scene in the 1985 movie Weird Science. It is also used as the theme song for the Investigation Discovery series The 1980s: The Deadliest Decade. It was also used as the music at the closing credits of Season 1, Episode 6, "Bent", of The Lincoln Lawyer.
Reception
A retrospective review of AllMusic said: "Guitarist Geordie Walker shines on "Eighties," playing cyclical and repetitive riffs, each one a variation or inversion of the song's main theme, and each one a hook unto itself".[2]
Release
The studio version was released in April 1984 by E.G. Records as a 12-inch and 7-inch single. The 12-inch single A-side featured the track "Eighties (Serious Dance Mix)" with "Eighties" and "Eighties (The Coming Mix)" as B-sides. The 7-inch single exempted the "Serious Dance Mix" and instead, featured "Eighties" as the A-side. Also, the 7-inch single was sold with a bonus 7-inch single of "Let's All Go (to the Fire Dances)".
Music video
The official 1984 music video to "Eighties" was directed by Anthony Van Den Ende,[3] and shows the band performing the song while frontman Jaz Coleman stands in front of a microphone stand which has the U.S. flag draped over it. Behind him the flag of the Soviet Union can be seen. Their performance is intercut with stock footage of Margaret Thatcher, Ronald Reagan, Leonid Brezhnev (with the footage deliberately skipping), Anwar Sadat, Pope John Paul II, Ruhollah Khomeini, Konstantin Chernenko and John DeLorean. Other footage shows a space shuttle being launched, nuclear bomb explosion, a female bodybuilding contest, a group of punks at a concert in Hammersmith, book burnings, Beatles albums being burned after the "bigger than Jesus" comment and a dog wedding.[3]
Conflict with Nirvana
The song "Come as You Are", by American grunge band Nirvana, featured a riff similar to "Eighties". Nirvana and their management company, Gold Mountain, were unsure about releasing the song as a single from their 1991 studio album, Nevermind. Danny Goldberg, head of Gold Mountain, later revealed that "we couldn't decide between 'Come as You Are' and 'In Bloom.' Kurt [Cobain] was nervous about 'Come as You Are' because it was too similar to a Killing Joke song but we all thought it was still the better song to go with. And, he was right, Killing Joke later did complain about it".[4] Nirvana biographer Everett True wrote that "Come as You Are" was eventually chosen for release as a single because "Goldberg favoured the more obviously commercial song".
After Nirvana released the single in 1992, members of Killing Joke claimed the main guitar riff of "Come as You Are" plagiarized the riff of "Eighties", but according to Rolling Stone magazine, they did not file a copyright infringement lawsuit because of "personal and financial reasons".[4] However, conflicting reports, such as Kerrang!, have stated differently.
Cobain's death in 1994 effectively dissolved Nirvana and the conflict with Killing Joke.[5] If there was a lawsuit filed as Kerrang! claimed, it was either thrown out of court,[6] or it was dropped to take the burden off the remaining members of Nirvana and their management. However, the court that supposedly took the case was not named and many doubted that Killing Joke ever filed a lawsuit against Nirvana.[7]
An interview with Killing Joke guitarist Geordie Walker that same year[8] confirmed the possibility of a lawsuit along these lines, thus proving that the claim by Kerrang! was not fabricated. Walker stated:
We were very pissed off about that, but it's obvious to everyone. We had two separate musicologists' reports saying it was. Our publisher sent their publisher a letter saying it was and they went 'Boo, never heard of ya!', but the hysterical thing about Nirvana saying they'd never heard of us was that they'd already sent us a Christmas card!
Nine years later, in 2003, Nirvana drummer Dave Grohl took a leave of absence from his current band, the Foo Fighters, to record drums for Killing Joke's second self-titled album. The move surprised some Nirvana fans, given Nirvana's past conflict with Killing Joke. However, Foo Fighters had previously recorded a cover of another Killing Joke song, "Requiem", as a B-side to their 1997 single "Everlong."
AllMusic writer Bill Janovitz reviewed "Eighties", comparing and contrasting "Come as You Are" and "Eighties":[2]
While 'Eighties' unflinchingly displays the band's aggressive punk rock roots—cold and hard to mirror the socio-political message—it also embraces dance-music grooves and a certain sort of melodic sensibility. One main, perhaps, crucial difference between the bands is that while Kurt Cobain practiced whisper-to-a-scream vocal dynamics, Killing Joke's Jaz Coleman was almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of Motörhead's Lemmy.
However, The Big Takeover magazine's Jack Rabid reported that Captain Sensible's "Life Goes On", recorded by The Damned for their 1982 album, Strawberries, "features the exact same, extremely unique riff as both 'Eighties' and 'Come as You Are'".[9] Coleman and Paul Ferguson separately claimed to have no knowledge of this.[10][9]
Track listings
7-inch vinyl single
Side A
- "Eighties" – 03:35
Side B
- "Eighties (The Coming Mix)" – 03:33
12-inch vinyl single
Side A
- "Eighties (Serious Dance Mix)" – 06:02
Side B
- "Eighties" – 03:35
- "Eighties (The Coming Mix)" – 03:33
Charts
Chart (1984) | Peak Position |
---|---|
UK Singles (OCC)[11] | 60 |
References
- ^ "The Tube - Killing Joke live on The Tube ( Channel Four UK television)". Youtube. 16 December 1983. Retrieved 2 January 2019.
- ^ a b Janovitz, Bill. "Song Review-Eighties". AllMusic. Retrieved on 12 December 2008.
- ^ a b Pitalo, Stephen (20 March 2012). "Director Recalls Shooting "Eighties" Video For Killing Joke: "They Were a Frightening Band"". The Golden Age of Music Video. Retrieved 22 October 2018.
- ^ a b Borzillo-Vrenna, Carrie (10 April 2003). Nirvana Pay Back Killing Joke. Rolling Stone. Retrieved on 12 December 2008.
- ^ History Link biog of Cobain retrieved 12 December 2008
- ^ "Conspiracy of Two". Kerrang!. 12 April 2003
- ^ "Interview with Killing Joke's Geordie". BBC. Retrieved on 12 December 2008.
- ^ Slater, Tim. "Killing Joke interview". Guitarist. December 1994.
- ^ a b Rabid, Jack. "What's This For? More Revelations from Jaz Coleman". The Big Takeover. Issue 54, Summer 2004. Archived here Archived 7 September 2007 at the Wayback Machine.
- ^ Smith, Alex (4 September 2004). Interview with Big Paul Ferguson. Flaming Pablum. Retrieved on 12 December 2008.
- ^ "Official Singles Chart Top 100". Official Charts Company.
External links
- 1984 singles
- 1984 songs
- Killing Joke songs
- Song recordings produced by Chris Kimsey
- Cultural depictions of Ronald Reagan
- Cultural depictions of Margaret Thatcher
- Cultural depictions of Leonid Brezhnev
- Cultural depictions of Anwar Sadat
- Cultural depictions of Pope John Paul II
- Cultural depictions of Ruhollah Khomeini
- E.G. Records singles