User:MONTENSEM: Difference between revisions
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the relentless drive of the [[added-second chord]]s in Lou Reed's "[[I'm Waiting for the Man]]"<br>https://www.youtube.com/watch?v=99og_g7rXnA |
the relentless drive of the [[added-second chord]]s in Lou Reed's "[[I'm Waiting for the Man]]"<br>https://www.youtube.com/watch?v=99og_g7rXnA |
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the composite of apparently incongruous material in Henri Pousseur ''Crosses of Crossed Colors'' (and its vivid music, like the bell pealing upon the line "by some sublime event" at 12:50), performed here by the "vocally powerful and dramatically shrewd" [https://www.joyblackett.com/career/ Joy Blackett]<br>https://www.youtube.com/watch?v=vzkhlpctTiA |
the composite of apparently incongruous material in Henri Pousseur ''Crosses of Crossed Colors'' (and its vivid music, like the bell simply pealing upon the line "by some sublime event" at 12:50), performed here by the "vocally powerful and dramatically shrewd" [https://www.joyblackett.com/career/ Joy Blackett]<br>https://www.youtube.com/watch?v=vzkhlpctTiA |
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Revision as of 03:43, 5 August 2024
I edit typically on music history or music (and occasionally other topics) when I can, mostly when it is hot lately. I enjoy all kinds of music, e.g.,
the Orlando Consort's take on Ciconia's prolation canon "Le ray au soleyl"
https://www.youtube.com/watch?v=zsKF2G37kkg
this little gem (a "reminiscence" as in a reprise, analepsis, flashback, or repeat) from an Oper Frankfurt production of Franz Lehár's operetta Die lustige Witwe
https://www.youtube.com/watch?v=AFGa9-qgBd0
Françoise Pollet singing Webern's setting of Karl Kraus's "Wiese im Park" from Worte in Versen (ded. Sidonie Nádherná of Borutín); on the line "wie in dem grünen Spiegel hier der Schwan", Webern paints the static, distorted reflection of trees using the flute flutter-tonguing in its colorful, faint low register and portrays the swan on the water using a triplicate motif gliding on the clarinet and rippling across harp harmonics and pizzicato muted viola
https://www.youtube.com/watch?v=2NPmItw0oEk&t=22s
the relentless drive of the added-second chords in Lou Reed's "I'm Waiting for the Man"
https://www.youtube.com/watch?v=99og_g7rXnA
the composite of apparently incongruous material in Henri Pousseur Crosses of Crossed Colors (and its vivid music, like the bell simply pealing upon the line "by some sublime event" at 12:50), performed here by the "vocally powerful and dramatically shrewd" Joy Blackett
https://www.youtube.com/watch?v=vzkhlpctTiA