Richard Brompton: Difference between revisions
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[[File:Charles Saunders - Admiral der Royal Navy.jpg|thumb|''[[Charles Saunders (Royal Navy officer)|Charles Saunders]]'', painted in 1772/1773. Now in the [[National Maritime Museum]].]] |
[[File:Charles Saunders - Admiral der Royal Navy.jpg|thumb|''[[Charles Saunders (Royal Navy officer)|Charles Saunders]]'', painted in 1772/1773. Now in the [[National Maritime Museum]].]] |
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[[File:Thomas Lyttelton, 2nd Baron Lyttelton by Richard Brompton.jpg|thumb|''Portrait of [[Thomas Lyttelton, 2nd Baron Lyttelton]]'', ca. 1775. Now at the [[National Portrait Gallery (London)|National Portrait Gallery]].]] |
[[File:Thomas Lyttelton, 2nd Baron Lyttelton by Richard Brompton.jpg|thumb|''Portrait of [[Thomas Lyttelton, 2nd Baron Lyttelton]]'', ca. 1775. Now at the [[National Portrait Gallery (London)|National Portrait Gallery]].]] |
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'''Richard Brompton''' (1734 |
'''Richard Brompton''' (1734-1783) was an English [[portrait painting|portrait painter]]. |
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==Life== |
==Life== |
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Brompton was a pupil of [[Benjamin Wilson (painter)|Benjamin Wilson]]. He then went to Italy, and spent some time in Rome, where he had lessons with [[Anton Raphael Mengs|Raphael Mengs]]. He was also introduced to the patronage of the [[Charles Compton, 7th Earl of Northampton|Earl of Northampton]], and accompanied the earl to [[Venice]] when he was appointed ambassador to the republic. |
Brompton was a pupil of [[Benjamin Wilson (painter)|Benjamin Wilson]]. He then went to Italy, and spent some time in Rome, where he had lessons with [[Anton Raphael Mengs|Raphael Mengs]]. He was also introduced to the patronage of the [[Charles Compton, 7th Earl of Northampton|Earl of Northampton]], and accompanied the earl to [[Venice]] when he was appointed ambassador to the republic. At Venice Brompton painted a [[Conversation piece|conversation-piece]], in which he introduced the portraits of the [[Frederick, Duke of York and Albany|Duke of York]] and several English gentlemen then on their travels. The picture was afterwards exhibited at the rooms in Spring Gardens in 1763, at which time he returned to England, and for some years practised portrait painting.<ref>{{cite web |title=Richard Brompton (1734-1783), Artist |publisher=National Portrait Gallery |url=https://www.npg.org.uk/collections/search/person/mp06726/richard-brompton |access-date=25 December 2020}}</ref> Extravagant living and debtors brought him to the [[Court of King's Bench (England)|King's Bench]], but he was rescued by the [[Catherine II of Russia|Empress of Russia]], at whose request he went to [[St. Petersburg]], where he was appointed portrait painter to the empress, and where he met with much employment. During this time he was patronized by the empress favorite, [[Grigory Potemkin]]. He died in that city in 1783.<ref>{{Cite DNB |wstitle= Brompton, Richard |volume= 6 |last= Fagan |first= Louis Alexander |author-link= Louis Alexander Fagan |page = 405 |short=1}}</ref> |
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Among his best works are: |
Among his best works are: |
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Revision as of 02:05, 9 August 2024
 | This article needs additional citations for verification. (March 2022) |
Richard Brompton (1734-1783) was an English portrait painter.
Life
Brompton was a pupil of Benjamin Wilson. He then went to Italy, and spent some time in Rome, where he had lessons with Raphael Mengs. He was also introduced to the patronage of the Earl of Northampton, and accompanied the earl to Venice when he was appointed ambassador to the republic. At Venice Brompton painted a conversation-piece, in which he introduced the portraits of the Duke of York and several English gentlemen then on their travels. The picture was afterwards exhibited at the rooms in Spring Gardens in 1763, at which time he returned to England, and for some years practised portrait painting.[1] Extravagant living and debtors brought him to the King's Bench, but he was rescued by the Empress of Russia, at whose request he went to St. Petersburg, where he was appointed portrait painter to the empress, and where he met with much employment. During this time he was patronized by the empress favorite, Grigory Potemkin. He died in that city in 1783.[2]
Among his best works are:
- The Prince of Wales in the Robes of the Garter, in 1772; mezzotinted by John Saunders.
- Prince Frederick in the Robes of the Bath; mezzotinted by John Saunders.
- William Pitt, 1st Earl of Chatham, 1772
- Admiral Saunders; in the Old Royal Naval College, formerly Greenwich Hospital]] (pictured)
References
- ^ "Richard Brompton (1734-1783), Artist". National Portrait Gallery. Retrieved 25 December 2020.
- ^ Fagan, Louis Alexander (1886). . Dictionary of National Biography. Vol. 6. p. 405.
Further reading
- Fagan, Louis Alexander (1886). . Dictionary of National Biography. Vol. 6. p. 405.
Attribution
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Brompton, Richard". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
External links
Wikimedia Commons has media related to Richard Brompton.
- Works by Richard Brompton at Faded Page (Canada)
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- ^ Sebag Montefiore, Simon (2001). Catherine the Great & Potemkin (Phoenix Press ed.). Great Britain: Weidenfeld & Nicolson. p. 341. ISBN 978-1-780-22834-1.