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==Art==
==Art==
In the 1980s, he had converted a North Hollywood garage into a studio and was spending much time there painting. He said that he was hanging out with Santa Monica-based sculptor Jim Casey, who was teaching him the way he wanted to learn. 18 months prior to his being interviewed for the article he had taken up sculpting. His first one was a bust of [[Duke Ellington]], then one of [[Billy Eckstine]]. At the time he was working on one of [[Louis Armstrong]].<ref>''Los Angeles Times'', 31 May 1987 [http://articles.latimes.com/1987-05-31/entertainment/ca-9165_1_john-heard Jazz John Heard Carves Out New Career by Leaonard Feather]</ref>
In the 1980s, he had converted a North Hollywood garage into a studio and was spending much time there painting. He said that he was hanging out with Santa Monica-based sculptor Jim Casey, who was teaching him the way he wanted to learn. 18 months prior to his being interviewed for the article he had taken up sculpting. His first one was a bust of [[Duke Ellington]], then one of [[Billy Eckstine]]. At the time he was working on one of [[Louis Armstrong]].<ref>''Los Angeles Times'', 31 May 1987 [https://www.latimes.com/archives/la-xpm-1987-05-31-ca-9165-story.html Jazz John Heard Carves Out New Career by Leaonard Feather]</ref>


Examples of his work are held in the Oakland Museum of California. They include drawings of [[Bud Powell]] and [[Milt Jackson]].<ref>Oakland Museum of California OMCA Collections [http://collections.museumca.org/?q=collection-item/20105414866 african american art drawing figure, male Bud Powell]</ref><ref>Oakland Museum of California OMCA Collections [http://collections.museumca.org/?q=collection-item/20105414867 african american art drawing figure, male Milt Jackson]</ref>
Examples of his work are held in the Oakland Museum of California. They include drawings of [[Bud Powell]] and [[Milt Jackson]].<ref>Oakland Museum of California OMCA Collections [http://collections.museumca.org/?q=collection-item/20105414866 african american art drawing figure, male Bud Powell]</ref><ref>Oakland Museum of California OMCA Collections [http://collections.museumca.org/?q=collection-item/20105414867 african american art drawing figure, male Milt Jackson]</ref>
Line 53: Line 53:
In 1983, he joined [[Tom Ranier]] and [[Sherman Ferguson]] to create the group Heard, Ranier, Ferguson, which released an eponymous album on the ITI Records label in 1983. The album art included a lithograph of Count Basie that was drawn by John Heard.<ref>WorldCat [https://www.worldcat.org/oclc/24282624 Heard, Ranier, Ferguson]</ref><ref>Discogs [http://www.discogs.com/Heard-Ranier-Ferguson-Heard-Ranier-Ferguson/release/3454224 Heard* – Ranier* – Ferguson* – Heard Ranier Ferguson]</ref> An article in ''[[Billboard (magazine)|Billboard]]'''s October 1983 issue, indicated that he was going to be used as a graphic artist for the label. He was to be marketed as both an artist and a musician.<ref>Billboard 15 October 1983 [http://www.americanradiohistory.com/Archive-Billboard/80s/1983/BB-1983-10-15.pdf Page 36, Jazz – Fledgling ITA Label Maps Ambitious Plans]</ref>
In 1983, he joined [[Tom Ranier]] and [[Sherman Ferguson]] to create the group Heard, Ranier, Ferguson, which released an eponymous album on the ITI Records label in 1983. The album art included a lithograph of Count Basie that was drawn by John Heard.<ref>WorldCat [https://www.worldcat.org/oclc/24282624 Heard, Ranier, Ferguson]</ref><ref>Discogs [http://www.discogs.com/Heard-Ranier-Ferguson-Heard-Ranier-Ferguson/release/3454224 Heard* – Ranier* – Ferguson* – Heard Ranier Ferguson]</ref> An article in ''[[Billboard (magazine)|Billboard]]'''s October 1983 issue, indicated that he was going to be used as a graphic artist for the label. He was to be marketed as both an artist and a musician.<ref>Billboard 15 October 1983 [http://www.americanradiohistory.com/Archive-Billboard/80s/1983/BB-1983-10-15.pdf Page 36, Jazz – Fledgling ITA Label Maps Ambitious Plans]</ref>


In an article in the ''[[Los Angeles Times]]'' dated 31 May 1987, he said that he had always wanted to paint, and planned to leave music.<ref>''[[Los Angeles Times]]'', 31 May 1987 [http://articles.latimes.com/1987-05-31/entertainment/ca-9165_1_john-heard Jazz John Heard Carves Out New Career by Leaonard Feather]</ref> Before his retirement he had managed to record with musicians such as Spanish pianist [[Tete Montoliu]], Eddie "Lockjaw" Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams.<ref>Pittsburgh Music History [https://sites.google.com/site/pittsburghmusichistory/pittsburgh-music-story/jazz/modern-era/john-heard Pittsburgh Music Story > Jazz > Modern Era > John Heard]</ref>
In an article in the ''[[Los Angeles Times]]'' dated 31 May 1987, he said that he had always wanted to paint, and planned to leave music.<ref>''[[Los Angeles Times]]'', 31 May 1987 [https://www.latimes.com/archives/la-xpm-1987-05-31-ca-9165-story.html Jazz John Heard Carves Out New Career by Leaonard Feather]</ref> Before his retirement he had managed to record with musicians such as Spanish pianist [[Tete Montoliu]], Eddie "Lockjaw" Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams.<ref>Pittsburgh Music History [https://sites.google.com/site/pittsburghmusichistory/pittsburgh-music-story/jazz/modern-era/john-heard Pittsburgh Music Story > Jazz > Modern Era > John Heard]</ref>


===1990s===
===1990s===

Revision as of 04:47, 14 August 2024

John Heard
Birth nameJohn William Heard
Born(1938-07-03)July 3, 1938
Pittsburgh, Pennsylvania, United States
DiedDecember 10, 2021(2021-12-10) (aged 83)
GenresJazz
Occupation(s)Jazz musician
artist
Instrument(s)Double bass
Electric bass
Years active1960s–2021
LabelsITI Records

John William Heard (July 3, 1938 – December 10, 2021)[1] was an American bass player and artist. His recording credits include albums with Pharoah Sanders, George Duke, Oscar Peterson, Count Basie, Zoot Sims, Ahmad Jamal, Frank Morgan, George Cables. His professional jazz performance career lasted from the 1960s to the early 2010s, during which he also worked as a visual artist, producing drawings, paintings, and sculptures.

Background

He was born in Pittsburgh, Pennsylvania, United States.[1]

He also played saxophone in his early years.[2][3] He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art.

In 1958, he joined the United States Air Force and was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some art teaching, teaching the wives of officers. He left the Air Force in 1961 and enrolled at the Art Institute of Pittsburgh. He returned to music and went to Buffalo and later to California.[4]

On December 10, 2021, Heard died at the age of 83.[5]

Art

In the 1980s, he had converted a North Hollywood garage into a studio and was spending much time there painting. He said that he was hanging out with Santa Monica-based sculptor Jim Casey, who was teaching him the way he wanted to learn. 18 months prior to his being interviewed for the article he had taken up sculpting. His first one was a bust of Duke Ellington, then one of Billy Eckstine. At the time he was working on one of Louis Armstrong.[6]

Examples of his work are held in the Oakland Museum of California. They include drawings of Bud Powell and Milt Jackson.[7][8]

Musical career

1960s

Playing double-bass, he has worked with Tommy Turrentine and Al Jarreau from the mid to late 1960s.[1] Also in the late 1960s he worked with Jean-Luc Ponty, Sonny Rollins[1] and Wes Montgomery.

1970s

In the 1970s, he performed with Toshiko Akiyoshi, Count Basie, Louie Bellson, John Collins, Joe Henderson, Ahmad Jamal, Blue Mitchell and Oscar Peterson.[1]

1980s

In the 1980s, he performed with Eddie "Lockjaw" Davis, Buddy Montgomery and Pharoah Sanders.[9]

In 1981, he played bass on the Blue Balkan album by pianist Larry Vuckovich. Other musicians to play on the album were vibraphonist Bobby Hutcherson and drummer Eddie More.[10] Heard also played with Vuckovich's band on their first "Club Date" show on PBS, which was picked up by at least 120 cities in the U.S. In addition to Heard and Vuckovitch, the band included Tom Harrell on trumpet, and Sherman Ferguson on drums. As an unexpected bonus, the group was joined by saxophonist Charles McPherson for their last piece. The show's producer Paul Marshall spotted him in the audience, and asked him if he had his saxophone which he did and asked him to join them.[11]

In 1983, he joined Tom Ranier and Sherman Ferguson to create the group Heard, Ranier, Ferguson, which released an eponymous album on the ITI Records label in 1983. The album art included a lithograph of Count Basie that was drawn by John Heard.[12][13] An article in Billboard's October 1983 issue, indicated that he was going to be used as a graphic artist for the label. He was to be marketed as both an artist and a musician.[14]

In an article in the Los Angeles Times dated 31 May 1987, he said that he had always wanted to paint, and planned to leave music.[15] Before his retirement he had managed to record with musicians such as Spanish pianist Tete Montoliu, Eddie "Lockjaw" Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams.[16]

1990s

After taking time out from music to do painting, he returned to the scene and played with, Benny Carter, Jamal and others.[9]

2000s

In 2005, he had his album The Jazz Composer's Songbook released on Straight Ahead Records and produced by Stewart Levine and mastered by Bernie Grundman.[17]

Around the mid-2000s onwards, his group The John Heard Trio played at Charlie O's club in Van Nuys. In 2005, the group consisted of John Heard on bass, Tom Garvin on piano and Roy McCurdy on drums. At the club they played with Justo Almario and Rickey Woodard.[18] Around 2010, the group consisted of Heard on bass, Andy Langham on piano and Roy McCurdy on drums and later around 2011, Lorca Hart instead of McCurdy was on drums. They would play Fridays and Saturdays there. Some of the musicians they would appear with were trumpet player Scotty Barnhart, trumpet player Ron King, saxophonists Chuck Manning, Don Menza, Lanny Morgan and guitarist Thom Rotella.[19][20]

Discography

LPs

CDs

Appearances (selective)

References

  1. ^ a b c d e Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 195. ISBN 0-85112-580-8.
  2. ^ Secondhand songs Artist John Heard
  3. ^ Allmusic Artist Biography by Scott Yanow
  4. ^ All About Jazz John Heard
  5. ^ Barnhart, Scotty (10 December 2021). "RIP John Heard..." Facebook. Retrieved 20 December 2021.
  6. ^ Los Angeles Times, 31 May 1987 Jazz John Heard Carves Out New Career by Leaonard Feather
  7. ^ Oakland Museum of California OMCA Collections african american art drawing figure, male Bud Powell
  8. ^ Oakland Museum of California OMCA Collections african american art drawing figure, male Milt Jackson
  9. ^ a b Historical Dictionary of Jazz by John S. Davis Page 161 Heard, John William (1938 -)
  10. ^ Berkeleyside 3 October 2013 Larry Vuckovich: He’s got those Balkan Blues again by Andrew Gilbert
  11. ^ Larry Vuckovich website Photo Gallery: Group Dates Club Date (PBS)
  12. ^ WorldCat Heard, Ranier, Ferguson
  13. ^ Discogs Heard* – Ranier* – Ferguson* – Heard Ranier Ferguson
  14. ^ Billboard 15 October 1983 Page 36, Jazz – Fledgling ITA Label Maps Ambitious Plans
  15. ^ Los Angeles Times, 31 May 1987 Jazz John Heard Carves Out New Career by Leaonard Feather
  16. ^ Pittsburgh Music History Pittsburgh Music Story > Jazz > Modern Era > John Heard
  17. ^ a b Discogs John Heard & Co. – The Jazz Composer's Song Book
  18. ^ Jazz Police August 2005 Live Jazz in Los Angeles Tuesday, 26 May 2015
  19. ^ All About Jazz 2010-05-10 Legendary John Heard Returns to Charlie O's
  20. ^ Healdsburg Jazz Festival 7 April 2011 "Healdsburg All Stars at the Raven – June 11"
  21. ^ Discogs Heard* – Ranier* – Ferguson* – Heard Ranier Ferguson
  22. ^ Discogs John Heard & Co. – The Jazz Composer's Song Book
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