Richard Munday: Difference between revisions
Appearance
Content deleted Content added
removed Category:1685 births; added Category:1680s births using HotCat |
added Category:Artists from the Thirteen Colonies using HotCat |
||
Line 32: | Line 32: | ||
[[Category:Architects from Newport, Rhode Island]] |
[[Category:Architects from Newport, Rhode Island]] |
||
[[Category:People from colonial Rhode Island]] |
[[Category:People from colonial Rhode Island]] |
||
[[Category:Artists from the Thirteen Colonies]] |
|||
Revision as of 20:55, 21 August 2024
Richard Munday (c.1685-1739) was a prominent colonial American architect and builder in Newport, Rhode Island.
Munday built several notable public buildings in Newport between 1720 and 1739 helping to modernize the city. Christopher Wren's church of St. James at Piccadilly in London, England, and Old North Church in Boston, are believed to have greatly influenced Munday's baroque style. Munday also built many Georgian houses in Newport and was a parishioner at Trinity Church. Few details about his life have survived.
Works by Munday
- Old Colony House, 1739, a U.S. National Historic Landmark (NHL)
- Sabbatarian Meeting House (currently home of the Newport Historical Society), 1729 [1]
- Trinity Church, Newport, 1725, also an NHL
- Daniel Ayrault house, Newport, 1739-40 (built with Benjamin Wyatt)
- Malbone Castle and Estate, 1739-40 (resembled Colony House, destroyed in 1766 fire)
- Malbone town house, 1729 (demolished)
- Jahleel Brent House, (possible contributor)
- John Gidley House, (possible contributor)
External links and references
- James D. Kornwolf, Georgiana Wallis Kornwolf, Architecture and Town Planning in Colonial North America, (JHU Press, 2002), pg. 1026 [2]
- Preservation Society pictures of Munday's works
- Antoinette F. Downing, Early Homes of Rhode Island (Richmond, VA: Gt: 1937)
- A. F. Downing & V.J.Scully, The Architectural Heritage of Newport Rhode Island 1640-1915 (NY: Bramhill, 1967)
- Henry Russell Hitchcock, Rhode Island Architecture, (Providence: Mus. Pres., 1939)