Fabrizio Mejía: Difference between revisions
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== Charges of plagiarism == |
== Charges of plagiarism == |
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On April 27, 2019, writer [[Guillermo Sheridan]] published an article entitled "Fabrizio Mejía Madrid: el arte de no dar crédito" in the Mexican literary magazine [[Letras Libres]],<ref>{{Cite web|url=https://www.letraslibres.com/mexico/politica/fabrizio-mejia-madrid-el-arte-no-dar-credito|title = Fabrizio Mejía Madrid: El arte de no dar crédito|date = 27 April 2019}}</ref> in which he accuses Mejía Madrid of plagiarizing numerous portions of the book [[Representations of the Intellectual]] by [[Edward Said]]. Sheridan documents how, in the essay "El Intelectual", Mejía Madrid takes extended portions of Said's original text without crediting the author, or citing Said's work. |
On April 27, 2019, writer [[Guillermo Sheridan]] published, celarly with a load of spite, an article entitled "Fabrizio Mejía Madrid: el arte de no dar crédito" in the Mexican literary magazine [[Letras Libres]],<ref>{{Cite web|url=https://www.letraslibres.com/mexico/politica/fabrizio-mejia-madrid-el-arte-no-dar-credito|title = Fabrizio Mejía Madrid: El arte de no dar crédito|date = 27 April 2019}}</ref> in which he accuses Mejía Madrid of plagiarizing numerous portions of the book [[Representations of the Intellectual]] by [[Edward Said]]. Sheridan documents how, in the essay "El Intelectual", Mejía Madrid takes extended portions of Said's original text without crediting the author, or citing Said's work. |
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In a more recent piece in the same publication [[Guillermo Sheridan]] has again |
In a more recent piece in the same publication [[Guillermo Sheridan]] has again insinuated, without evidence, an alleged nature of Mejía Madrid's plagiarisms, this time trying to expose his ideas he has taken material from authors such as Deleuze, Isaacson, Douglas Day, Alain Corbin, and Giorgio Agamben. |
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| ⚫ | On October 6, 2019, Mejía Madrid addressed these accusations on his column in ''[[Proceso (magazine)|Proceso]]'',<ref>{{Cite web|url=https://www.proceso.com.mx/opinion/2019/10/6/siempre-tendremos-berlin-232199.html|title=Siempre tendremos Berlín|date=6 October 2019}}</ref> and [[Guillermo Sheridan]] replied again. |
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| ⚫ | On October 6, 2019, Mejía Madrid addressed these accusations on his column in ''[[Proceso (magazine)|Proceso]]'',<ref>{{Cite web|url=https://www.proceso.com.mx/opinion/2019/10/6/siempre-tendremos-berlin-232199.html|title=Siempre tendremos Berlín|date=6 October 2019}}</ref> and [[Guillermo Sheridan]] replied again. |
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==See also== |
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* [[Bogota39]] |
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== References == |
== References == |
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Revision as of 11:46, 22 September 2024
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Fabrizio Mejía Madrid (born 1968) is a Mexican writer and journalist from Mexico City.
Works
Fabrizio Mejía Madrid writes for the Mexican political magazine Proceso.[1] He also contributes in the magazines Letras Libres, Gatopardo, Chilango, and the cultural pages of the Reforma newspaper. His work was included in the anthologies The Mexico City Reader (University of Wisconsin Press, 2004), and A Ustedes les consta, the reunion of Mexican chronicles edited by Carlos Monsiváis (Era, 2006). For fifteen years he has written a literary column in the Mexican newspaper La Jornada. He has published three books of chronicles; Pequeños actos de disobediencia civil (1996), Entre las sábanas (1995) and Salida de emergencia (Random House, 2007), and two novels, Hombre al agua (Joaquín Mortiz, 2004) winner of the Antonin Artaud Prize for best novel, and El rencor (Planeta, 2006). Recently a committee in Bogotá, International Capital of the Book, shortlisted Mejía Madrid, along with Jorge Volpi and Álvaro Enrigue, as one of the 39 writers under forty that will define Latin American literature in the 21st century.[citation needed]Hay Festival, Bogotá 39, 2007.
Charges of plagiarism
On April 27, 2019, writer Guillermo Sheridan published, celarly with a load of spite, an article entitled "Fabrizio Mejía Madrid: el arte de no dar crédito" in the Mexican literary magazine Letras Libres,[2] in which he accuses Mejía Madrid of plagiarizing numerous portions of the book Representations of the Intellectual by Edward Said. Sheridan documents how, in the essay "El Intelectual", Mejía Madrid takes extended portions of Said's original text without crediting the author, or citing Said's work.
In a more recent piece in the same publication Guillermo Sheridan has again insinuated, without evidence, an alleged nature of Mejía Madrid's plagiarisms, this time trying to expose his ideas he has taken material from authors such as Deleuze, Isaacson, Douglas Day, Alain Corbin, and Giorgio Agamben.
On October 6, 2019, Mejía Madrid addressed these accusations on his column in Proceso,[3] and Guillermo Sheridan replied again.
References
- ^ "Search ResultsFabrizio Mejía Madrid". Proceso (in Spanish). Archived from the original on 12 February 2011. Retrieved 30 November 2010.
- ^ "Fabrizio Mejía Madrid: El arte de no dar crédito". 27 April 2019.
- ^ "Siempre tendremos Berlín". 6 October 2019.