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==Reception==
==Reception==
===Critical reception===
===Critical reception===
In his two-and-a-half star review, ''[[Chicago Sun-Times]]'' film critic [[Roger Ebert]] wrote of the film: "The movie is almost always good to look at, thanks to Richard MacDonald's sets (he linked together two giant sound stages) and Sven Nykvist's photography. And Nolte and Winger are almost able to make their relationship work, if only it didn't seem scripted out of old country songs and lonely hearts columns. It's tough to pull off a movie like this, in the semi-cynical 1980s (it would have been impossible in the truly cynical seventies). I guess we no longer believe in the essential heroism of the little guy, and in the proposition that anyone can succeed with a little luck."<ref>[http://www.rogerebert.com/reviews/cannery-row-1982 Ebert, Roger]. ''[[Chicago Sun-Times]]'' film review, January 1, 1982. Accessed: June 22, 2013.</ref> Vincent Canby of ''[[The New York Times]]'' dubbed the film 'precious nonsense' and felt it was a poor adaptation of Steinbeck.<ref>{{Cite news|url=https://www.nytimes.com/1982/02/12/movies/the-fanciful-dropouts-on-cannery-row.html|title = The Fanciful Dropouts on 'Cannery Row'|newspaper = The New York Times|date = 12 February 1982|last1 = Canby|first1 = Vincent}}</ref> ''[[Variety (magazine)|Variety]]'' praised Nolte and Winger's performance, but felt the material wasn't up to them.<ref>{{Cite web|url=https://variety.com/1981/film/reviews/cannery-row-1200425248/|title = Cannery Row|date = January 1982}}</ref>
In his two-and-a-half star review, ''[[Chicago Sun-Times]]'' film critic [[Roger Ebert]] wrote of the film: "The movie is almost always good to look at, thanks to Richard MacDonald's sets (he linked together two giant sound stages) and Sven Nykvist's photography. And Nolte and Winger are almost able to make their relationship work, if only it didn't seem scripted out of old country songs and lonely hearts columns. It's tough to pull off a movie like this, in the semi-cynical 1980s (it would have been impossible in the truly cynical seventies). I guess we no longer believe in the essential heroism of the little guy, and in the proposition that anyone can succeed with a little luck."<ref>[http://www.rogerebert.com/reviews/cannery-row-1982 Ebert, Roger]. ''[[Chicago Sun-Times]]'' film review, January 1, 1982. Accessed: June 22, 2013.</ref> [[Vincent Canby]] of ''[[The New York Times]]'' dubbed the film 'precious nonsense' and felt it was a poor adaptation of Steinbeck.<ref>{{Cite news|url=https://www.nytimes.com/1982/02/12/movies/the-fanciful-dropouts-on-cannery-row.html|title = The Fanciful Dropouts on 'Cannery Row'|newspaper = The New York Times|date = 12 February 1982|last1 = Canby|first1 = Vincent |author-link=Vincent Canby}}</ref> ''[[Variety (magazine)|Variety]]'' praised Nolte and Winger's performance, but felt the material wasn't up to them.<ref>{{Cite web|url=https://variety.com/1981/film/reviews/cannery-row-1200425248/|title = Cannery Row|date = January 1982}}</ref>


''Cannery Row'' holds a 71% rating on [[Rotten Tomatoes]] film review aggregator based on 7 reviews by critics.<ref>{{Cite web|url=https://www.rottentomatoes.com/m/cannery_row|title = Cannery Row|website = [[Rotten Tomatoes]]}}</ref>
''Cannery Row'' holds a 71% rating on [[Rotten Tomatoes]] film review aggregator based on 7 reviews by critics.<ref>{{Cite web|url=https://www.rottentomatoes.com/m/cannery_row|title = Cannery Row|website = [[Rotten Tomatoes]]}}</ref>

Revision as of 22:32, 29 September 2024

Cannery Row
Theatrical release poster by John Solie
Directed byDavid S. Ward
Screenplay byDavid S. Ward
William Graham
Based onCannery Row
Sweet Thursday
by John Steinbeck
Produced byMichael Phillips
Starring
Narrated byJohn Huston
CinematographySven Nykvist
Edited byDavid Bretherton
Music byJack Nitzsche
Production
companies
Distributed byMGM/United Artists Distribution and Marketing
Release date
  • February 12, 1982 (1982-02-12) (United States)
Running time
120 minutes
CountryUnited States
LanguageEnglish
Budget$11.5 million[1]
Box office$1.8 million[1]

Cannery Row is a 1982 American comedy-drama film directed by David S. Ward in his directorial debut, starring Nick Nolte and Debra Winger. The movie is adapted from John Steinbeck's novels Cannery Row (1945) and Sweet Thursday (1954).[2][3]

Plot

During World War II, declining fish stocks lead to the shutdown of the fishing and canning industry in Monterey, California. The bums and prostitutes living on the city's skid row lead colorful and adventurous lives in a balmy seaside setting.

Eddie "Doc" Daniels, a self-employed marine biologist, lives in a dockside warehouse and researches octopuses. Suzy DeSoto, works at the local bordello only out of necessity.

A collection of linked vignettes describes life on Cannery Row. It is depicted as an impoverished area inhabited by a motley band of people who have experienced failures, but somehow have found their niche among strangely kindred souls.

Doc and Suzy do not quite fit in, but are accepted. Mack and the boys gather frogs and sell them to give a surprise party for Doc, which turns into a brawl and breaks the tank housing Doc's octopus collection. To make amends, they decide to gift him with a microscope, but mistakenly purchase a telescope.

A deeper mystery revolves around why Doc stays in Cannery Row. Suzy discovers that Doc was once a professional baseball pitcher but quit.

Another character, Maxie Baker - known locally as "The Seer" - spends his days playing his trumpet on the beach. He depends on the gifts that mysteriously appear, such as groceries. Suzy eventually learns that the Seer is a former baseball player whom Doc injured with a pitch to the head; Doc has been looking after him. Doc and Suzy ultimately find love.

Cast

Production

Raquel Welch was originally cast as Suzy but was fired after the first few days of production and replaced by actress Debra Winger, who was 15 years her junior. Welch sued the filmmakers for breach of contract. In the case, MGM claimed Welch was fired for being a "temperamental actress" whose behaviour caused the film to go overbudget. She insisted on doing her hair and make-up at home, and would refuse to co-operate with the director or producers unless she got her own way, thus breaching her $250,000 pay or play contract herself. Welch won the case, and was awarded a reported settlement of $10.8 million in court in 1986. The judgement was upheld at an appeal in 1990, but the whole affair tarnished Welch's reputation in Hollywood. After launching her lawsuit, Welch was never offered another starring role in a major motion picture again.[4][5][6] Second unit filming took place in San Diego, California.[7]

Reception

Critical reception

In his two-and-a-half star review, Chicago Sun-Times film critic Roger Ebert wrote of the film: "The movie is almost always good to look at, thanks to Richard MacDonald's sets (he linked together two giant sound stages) and Sven Nykvist's photography. And Nolte and Winger are almost able to make their relationship work, if only it didn't seem scripted out of old country songs and lonely hearts columns. It's tough to pull off a movie like this, in the semi-cynical 1980s (it would have been impossible in the truly cynical seventies). I guess we no longer believe in the essential heroism of the little guy, and in the proposition that anyone can succeed with a little luck."[8] Vincent Canby of The New York Times dubbed the film 'precious nonsense' and felt it was a poor adaptation of Steinbeck.[9] Variety praised Nolte and Winger's performance, but felt the material wasn't up to them.[10]

Cannery Row holds a 71% rating on Rotten Tomatoes film review aggregator based on 7 reviews by critics.[11]

MGM reaction

MGM head of production David Begelman later said he should not have greenlit the film, saying it "was beyond the reach of the filmmaker to realise the wonderful, wonderful values he had in a brilliant script."[1]

References

  1. ^ a b c Boyer, Peter; Pollock, Dale (28 March 1982). "MGM-UA AND THE BIG DEBT". Los Angeles Times. p. 11.
  2. ^ Steinbeck, John (1993) [1945]. Cannery Row (Reprint ed.). London: Penguin Books. ISBN 978-0140177381.
  3. ^ Steinbeck, John (1954). Sweet Thursday. New York City: Viking Press. ISBN 978-0670686865.
  4. ^ Caulfield, Deborah (28 June 1986). "Welch Licks Wounds Of Battle". Los Angeles Times. Retrieved 3 April 2016.
  5. ^ Murphy, Kim (25 June 1986). "Raquel Welch Awarded $10.8 Million Over Firing". Los Angeles Times. Retrieved 3 April 2016.
  6. ^ Higgins, Bill (10 December 2015). "Hollywood Flashback: When Raquel Welch, Fired and Replaced by an Actress 15 Years Younger, Sued MGM (and Won)". The Hollywood Reporter. Retrieved 3 April 2016.
  7. ^ (1983-12-01). Spotlight on filming in SD County. Daily Times-Advocate, 52, 56-57.
  8. ^ Ebert, Roger. Chicago Sun-Times film review, January 1, 1982. Accessed: June 22, 2013.
  9. ^ Canby, Vincent (12 February 1982). "The Fanciful Dropouts on 'Cannery Row'". The New York Times.
  10. ^ "Cannery Row". January 1982.
  11. ^ "Cannery Row". Rotten Tomatoes.
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