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The band moved to [[Creation Records]] in 1986 and released ''[[Let the Snakes Crinkle Their Heads to Death]]'', the first of two instrumental albums they would record. Their next album, ''[[Forever Breathes the Lonely Word]]'', was a conventional collection of songs that gained the band praise and would become regarded by many as their best, though a full breakthrough continued to elude them.<ref>{{cite journal | last = MacBain | first = Hamish | title = Forever Breathes the Lonely Word | journal = [[NME]] | date = 1 January 2011}}</ref><ref>{{citation | last = McGee | first = Alan | title = Lawrence: the pop star who relished failure | journal = [[The Guardian]] | date = 10 December 2007 | url = https://www.theguardian.com/music/musicblog/2007/dec/10/lawrencethepopstarwhoreli}}</ref>
The band moved to [[Creation Records]] in 1986 and released ''[[Let the Snakes Crinkle Their Heads to Death]]'', the first of two instrumental albums they would record. Their next album, ''[[Forever Breathes the Lonely Word]]'', was a conventional collection of songs that gained the band praise and would become regarded by many as their best, though a full breakthrough continued to elude them.<ref>{{cite journal | last = MacBain | first = Hamish | title = Forever Breathes the Lonely Word | journal = [[NME]] | date = 1 January 2011}}</ref><ref>{{citation | last = McGee | first = Alan | title = Lawrence: the pop star who relished failure | journal = [[The Guardian]] | date = 10 December 2007 | url = https://www.theguardian.com/music/musicblog/2007/dec/10/lawrencethepopstarwhoreli}}</ref>


''[[Poem of the River]]'' followed in 1987, which took a much more low-key, intimate approach, at times recalling the sound of Felt's first two albums. In 1988, Felt released ''[[The Pictorial Jackson Review]]'', with one side devoted to tight, melodic pop songs and the other comprised of two solo piano pieces from Martin Duffy. The second release of that year was the polarising ''[[Train Above the City]]'', which saw Lawrence take on more of a directing role in the studio, guiding Duffy and Gary Ainge through a collection of [[cool jazz]]-influenced instrumentals.
''[[Poem of the River]]'' followed in 1987, which took a much more low-key, intimate approach, at times recalling the sound of Felt's first two albums. In 1988, Felt released ''[[The Pictorial Jackson Review]]'', with one side devoted to tight, melodic pop songs and the other comprised of two solo piano pieces from Martin Duffy. The second release of that year was the polarising ''[[Train Above the City]]'', which saw Lawrence take on more of a directing role in the studio, giving Duffy and Gary Ainge full rein through a collection of [[cool jazz]]-influenced instrumentals.


=== Break up and later ===
=== Break up and later ===

Revision as of 10:25, 2 November 2024

Felt
OriginWater Orton, Warwickshire, England
Genres
Years active1979–1989
Labels
Past members

Felt were an English jangle pop band, formed in 1979 in Water Orton, Warwickshire, and led by the mononymous Lawrence.[5] They were active for ten years through the 1980s, releasing ten singles and ten albums, although none reached the UK singles chart or albums chart. The band's name was inspired by Tom Verlaine's emphasis of the word "felt" in the Television song "Venus".[6]

History

Formation

Lawrence founded the band in 1979 with the release of the single "Index", a self-published solo recording.[7] A noisy effort unlike Felt's subsequent records, it was later awarded single of the week by Dave McCullough in music newspaper Sounds.[5]

With Lawrence initially on vocals and guitar, they formed properly in 1980 with the addition of schoolfriend Nick Gilbert on drums and local guitarist Maurice Deebank.[5] Becoming co-writer with Lawrence, Deebank's jangly, classical-influenced style of playing would provide the band's signature sound in its early years.[8]

The band performed as a trio before deciding that bass guitar was needed. Gilbert switched to bass and drummer Tony Race was added.[5] He was replaced soon after by Gary Ainge who would remain the only constant member besides Lawrence throughout the rest of Felt's existence, as well as the only member to play on all ten of their albums.[1]

Signing

Felt signed to Cherry Red Records and their first single as a band, "Something Sends Me to Sleep", was released in 1981. Their first album, Crumbling the Antiseptic Beauty, followed the next year. Exhausted by Lawrence's domineering nature during the album's recording, Gilbert left and was replaced on bass by Mick Lloyd, whilst Deebank would also take a sabbatical, recording a solo instrumental record Inner Thought Zone, before being coaxed by Lawrence to return to work on the band's second album, The Splendour of Fear. This lineup would then remain unchanged through their third album The Strange Idols Pattern and Other Short Stories, which took a more pop-orientated direction than the lengthy, ambient guitar workouts of its' precedessors. In 1982, the Felt song "My Face Is on Fire" appeared on the best-selling Pillows & Prayers compilation.[9]

In 1985, for the recording of their fourth album, keyboard player Martin Duffy was added and Marco Thomas became bassist.[10] Ignite the Seven Cannons was produced by Robin Guthrie of the Cocteau Twins and featured Elizabeth Fraser on the single "Primitive Painters". The song reached the top of the UK independent singles chart.[11] Deebank departed for good soon after, prompting a shift in Felt's sound with Duffy's keyboards becoming more central. The lead guitar position would subsequently be filled by an ever-changing succession of players.[8]

The band moved to Creation Records in 1986 and released Let the Snakes Crinkle Their Heads to Death, the first of two instrumental albums they would record. Their next album, Forever Breathes the Lonely Word, was a conventional collection of songs that gained the band praise and would become regarded by many as their best, though a full breakthrough continued to elude them.[12][13]

Poem of the River followed in 1987, which took a much more low-key, intimate approach, at times recalling the sound of Felt's first two albums. In 1988, Felt released The Pictorial Jackson Review, with one side devoted to tight, melodic pop songs and the other comprised of two solo piano pieces from Martin Duffy. The second release of that year was the polarising Train Above the City, which saw Lawrence take on more of a directing role in the studio, giving Duffy and Gary Ainge full rein through a collection of cool jazz-influenced instrumentals.

Break up and later

In 1989, Lawrence declared it had been his intention all along to release ten singles and ten albums in ten years and, having done so, announced the end of Felt.[7][14] After releasing their last album, Me and a Monkey on the Moon, and undertaking a short tour, the band split up. Lawrence went on to form Denim and later, Go Kart Mozart and Mozart Estate. Duffy joined Primal Scream. Ainge would later play with Vic Godard. Mick Lloyd died in 2016. Subsequent bass player Mick Bund died in 2017. Martin Duffy died in 2022.

In 2018, Cherry Red reissued all ten Felt albums[15] on CD and vinyl, with new mixes of songs plus revised tracklistings and packaging.

Legacy

Lawrence has said that he believes the band could have been more successful. According to Lawrence, "The reason Felt didn't make it is because John Peel didn't like us."[16]

Felt have been cited as an influence by Stuart Murdoch of Belle and Sebastian,[17] Tim Burgess of the Charlatans,[18] Manic Street Preachers,[19] Girls,[20] and the Tyde.[21]

Members

  • Lawrence – vocals, guitars (1979–1989)
  • Maurice Deebank – guitars (1980–1985)
  • Nick Gilbert – bass, drums (1980–1981)
  • Tony Race – drums (1980–1981)
  • Gary Ainge – drums, percussion (1981–1989)
  • Martin Duffy – keyboards (1985–1989; died 2022)
  • Mick Lloyd – bass (1982–1984; died 2016)
  • Marco Thomas – bass, guitars (1985–1987)
  • Phil King – bass (1986–1987)
  • Mick Bund – bass (1988; died 2017)
Timeline

Discography

Main article: Felt discography

References

  1. ^ a b Ankeny, Jason. "Felt – Biography". AllMusic. Retrieved 8 April 2021.
  2. ^ "This is How Maurice Deebank Felt". outsideleft.com. March 2018. Retrieved 8 April 2021.
  3. ^ "Felt - Archive session (1986)". BBC. Retrieved 29 January 2022.
  4. ^ Scott, Hayley (26 February 2018). "Strong Melodies For Humdrum Lives: The Singular Vision Of Lawrence". Clash Music. Retrieved 30 April 2023.
  5. ^ a b c d Pierce, Kevin (1992). "Nick Gilbert Interviewed". Absolute Classic Masterpieces (CD booklet). Archived from the original on 3 March 2016.{{cite AV media notes}}: CS1 maint: bot: original URL status unknown (link)
  6. ^ Moreland, Quinn (26 May 2019). "Felt: Forever Breathes the Lonely Word". Pitchfork.
  7. ^ a b Harrison, Ian (May 2012). "Tales of Ordinary Madness". Mojo: 58.
  8. ^ a b "Felt Biography". Amoeba Music.
  9. ^ Mojo (19 June 2008). MOJO Honours List 2008 — Cherry Red Acceptance Speech (YouTube). Archived from the original on 13 December 2021. Retrieved 29 January 2022.
  10. ^ McFadden, Lee. "Felt". Perfect Sound Forever.
  11. ^ Sendra, Tim. "Felt: Ignite the Seven Cannons". AllMusic. Retrieved 30 April 2023.
  12. ^ MacBain, Hamish (1 January 2011). "Forever Breathes the Lonely Word". NME.
  13. ^ McGee, Alan (10 December 2007), "Lawrence: the pop star who relished failure", The Guardian
  14. ^ Black, Johnny (October 2002). "Where Are They Now?". Q. p. 61. Archived from the original on 10 June 2010.{{cite magazine}}: CS1 maint: bot: original URL status unknown (link)
  15. ^ "Felt: A Decade In Music". thefeltdecade.com. Retrieved 8 September 2020.
  16. ^ Cavanagh, David (25 September 2015). "How John Peel created our musical world". The Guardian. Retrieved 1 May 2024.
  17. ^ Hodgkinson, Will (9 October 2003). "Yes man". The Guardian.
  18. ^ Wallace, Wyndham (18 July 2011). "Tim Burgess On Loving Lawrence & Felt". The Quietus.
  19. ^ Mackay, Emily (19 May 2009). "Manic Street Preachers Interview". NME.
  20. ^ Pelly, Jenn (7 November 2011). "Girls Announce New Single "Lawrence"". Pitchfork.
  21. ^ "Questions of Doom with Darren Radamaker of the Tyde". Bad Vibes.

Further reading

  • Flamm, Christian; Sperlinger, Mike, eds. (2010). Foxtrot Echo Lima Tango. London: Johnston & Vock.
  • Brouchard, JC (2011). Ballad of the Fan. Paris: Vivonzeureux. ISBN 978-2-9536575-3-1.
  • Couillerot, Fabrice; Findlay, Lora; Kelly, Paul, eds. (2011). Felt: The Book. Paris/London: First Third Books.
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