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Born in [[Easington, East Riding of Yorkshire|Easington]], [[Yorkshire]], Skelton was educated at the [[University of Leeds]] and [[Cambridge University]].<ref name="obit">{{cite news |last1=Silkin |first1=Jon |title=Obituary: Professor Robin Skelton |url=https://www.independent.co.uk/news/people/obituary-professor-robin-skelton-1247641.html |access-date=18 March 2021 |work=The Independent |date=27 August 1997}}</ref> From 1944 to 1947, he served with the [[Royal Air Force]] in India. He later taught at [[Manchester University]], where he was a founder member of [[The Peterloo Group]]. In 1963, he emigrated to Canada, and began teaching at the [[University of Victoria]] in British Columbia.<ref name="obit"/>
Born in [[Easington, East Riding of Yorkshire|Easington]], [[Yorkshire]], Skelton was educated at the [[University of Leeds]] and [[Cambridge University]].<ref name="obit">{{cite news |last1=Silkin |first1=Jon |title=Obituary: Professor Robin Skelton |url=https://www.independent.co.uk/news/people/obituary-professor-robin-skelton-1247641.html |access-date=18 March 2021 |work=The Independent |date=27 August 1997}}</ref> From 1944 to 1947, he served with the [[Royal Air Force]] in India. He later taught at [[Manchester University]], where he was a founder member of [[The Peterloo Group]]. In 1963, he emigrated to Canada, and began teaching at the [[University of Victoria]] in British Columbia.<ref name="obit"/>


Skelton was an authority on [[Irish literature]]. He is well known for his work as a literary editor; he was a founder and editor, with [[John Peter (novelist)|John Peter]], of ''[[The Malahat Review]]'', and a translator. Known as a practising [[Wicca]]n, Skelton also published a number of books on the subject of the [[occult]] and other [[neopagan]] religions.
Skelton was an authority on [[Irish literature]]. He is well known for his work as a literary editor; he was a founder and editor, with [[John Peter (novelist)|John Peter]], of ''[[The Malahat Review]]'', and a translator. Skelton was a friend of the poet [[W. S. Graham]], and helped archive some of Graham's work.<ref name="A"> David Nowell Smith, ''W. S. Graham :The Poem as Art Object''. Oxford, Oxford University Press, {{ISBN|9780192842909}} (pg. 216)</ref> Known as a practising [[Wicca]]n, Skelton also published a number of books on the subject of the [[occult]] and other [[neopagan]] religions.<ref name="A" />


Georges Zuk, a purported French [[surrealist poet]], was a [[heteronym (literature)|heteronym]] created by Skelton.
Georges Zuk, a purported French [[surrealist poet]], was a [[heteronym (literature)|heteronym]] created by Skelton.

Latest revision as of 14:25, 23 November 2024

Robin Skelton
Born12 October 1925
Easington, Yorkshire
Died22 August 1997(1997-08-22) (aged 71)
Pen nameGeorges Zuk
OccupationAcademic, writer, poet, and anthologist
NationalityCanadian
Alma mater

Robin Skelton (12 October 1925 – 22 August 1997) was a British-Canadian academic, writer, poet, and anthologist.

Biography

[edit]

Born in Easington, Yorkshire, Skelton was educated at the University of Leeds and Cambridge University.[1] From 1944 to 1947, he served with the Royal Air Force in India. He later taught at Manchester University, where he was a founder member of The Peterloo Group. In 1963, he emigrated to Canada, and began teaching at the University of Victoria in British Columbia.[1]

Skelton was an authority on Irish literature. He is well known for his work as a literary editor; he was a founder and editor, with John Peter, of The Malahat Review, and a translator. Skelton was a friend of the poet W. S. Graham, and helped archive some of Graham's work.[2] Known as a practising Wiccan, Skelton also published a number of books on the subject of the occult and other neopagan religions.[2]

Georges Zuk, a purported French surrealist poet, was a heteronym created by Skelton.

Writers he influenced include Jordan Stratford.[3]

Publications

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Poetry

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  • Patmos, And Other Poems (1955)
  • The Poetic Pattern (1956)
  • Third Day Lucky (1958)
  • The Cavalier Poets (1960)
  • Begging the Dialect: Poems and Ballads (1960)
  • Two Ballads of the Muse (1960)
  • The Dark Window (1962
  • A Valedictory Poem Upon His Departure from Manchester, England, for the New World (1963)
  • An Irish Gathering (1964)
  • A Ballad of Billy Barker (1965)
  • Because of This and Other Poems (1968)
  • The Hold of Our Hands : Eight Letters to Sylvia (1968)
  • Selected Poems, 1947–1967 (1968)
  • An Irish Album (1969)
  • Answers: Poems (1969)
  • The Hunting Dark (1971)
  • Private Speech: Messages, 1962–1970 (1971)
  • A Different Mountain, Messages 1962 – 1970: Poems And Photo-Collages (1971)
  • Remembering Synge (1971)
  • Musebook (1972)
  • Three For Herself (1972)
  • Country Songs (1973)
  • Time Light (1974)
  • The Limners (1975)
  • Callsigns (1976)
  • Mystics Mild: Song (1976)
  • Because of Love (1977)
  • Three Poems (1977)
  • Landmarks (1979)
  • They Call It the Cariboo (1980)
  • Limits (1981)
  • Collected Shorter Poems, 1947–1977 (1981)
  • Zuk (1982)
  • The Paper Cage (1982)
  • De Nihilo (1982)
  • Wordsong: Twelve Ballads (1983)
  • The Collected Longer Poems, 1947–1977 (1985)
  • Distances (1985)
  • Telling the Tale (1987)
  • Openings (1988)
  • Celtic Contraries (1989)
  • A Formal Music: Poems in Classical Metres (1993)
  • Popping Fuchsias: Poems, 1987–1992 (1992)
  • A Formal Music: Poems In Classical Metres (1993)
  • Islands: Poems in The Traditional Forms And Metres Of Japan (1993)
  • I Am Me: Rhymes For Small (1994)
  • A Way of Walking : Poems in the Traditional Forms and Metres of Japan (1994)
  • Wrestling the Angel: Collected Shorter Poems, 1947–1977 (1994)
  • Samhain (1994)
  • The Edge Of Time: Poems And Translations (1995)
  • Three for Nick (1995)
  • One Leaf Shaking: Collected Later Poems, 1977–1990 (1996)
  • A Further Spring: Love Poems (1996)
  • Lens of Crystal: Poems (1996)
  • Long, Long Ago (1996)
  • Love Poems: A Further Spring (1996)
  • Or So I Say: Contentions and Confessions – A Happenstance Book (1998)
  • The Shapes of Our Singing (1999)
  • The Shapes of Our Singing: A Guide to the Meters and Set Forms of Verse from Around the World (2002)
  • In This Poem I Am(2007)

Fiction

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  • The Man Who Sang In His Sleep (1984)
  • The Parrot Who Could (1987)
  • Fires of the Kindred (1987)
  • Hanky-Panky and Other Stories (1990)
  • Higgledy Piggledy (1992)

Non-fiction

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  • John Ruskin: The Final Years (1955)
  • Teach Yourself Poetry (1963)
  • The Practice of Poetry (1971)
  • J. M. Synge and His World (1971, US title: The Writings of J. M. Synge)
  • The Poet's Calling (1975)
  • Poetic Truth (1978)
  • Spellcraft: A Manual of Verbal Magic (1978)
  • Herbert Siebner (1979)
  • They Call It The Cariboo (1980)
  • Magical Practice of Talismans (1985, US title: Talismanic Magic)
  • Practice of Witchcraft Today: An Introduction to Beliefs & Rituals of the Old Religion (1988)
  • A Gathering of Ghosts (1989, with Jean Kozocari)
  • A Witches' Book of Ghosts and Exorcism (1990, with Jean Kozocari)
  • Earth Air, Fire, Water : Pre-Christian and Pagan Elements in British Songs, Rhymes and Ballads (1990, with Margaret Blackwood)
  • Practice of Witchcraft Today: An Introduction To Beliefs and Rituals (1990)
  • The Record of A Logophile (1990)
  • A Devious Dictionary (1991)

Memoir

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  • The Memoirs of A Literary Blockhead (1988)
  • Portrait of My Father (1989)

Anthologies

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  • Translations by J. M. Synge (1961)
  • Edward Thomas: Selected Poems (1962)
  • Collected Works of J. M. Synge (1962)
  • Six Irish Poets: Austin Clarke, Richard Kell, Thomas Kinsella, John Montague, Richard Murphy, Richard Weber (1962)
  • Penguin Book of Poetry of the Thirties (1963)
  • Collected Poems of David Gascoyne (1965)
  • The World of W B Yeats: Essays in Perspective (1965, with Anne Saddlemyer)
  • Irish Renaissance: A Gathering of Essays, Memoirs and Letters from the Massachusetts Review (1965, with David R. Clark)
  • Inscriptions (1967, with Herbert Siebner)
  • Five Poets of the Pacific Northwest (1968)
  • Poetry of the Forties (1968)
  • Contemporary Poetry of British Columbia (1970)
  • Collected Verse Translations of David Gascoyne (1970)
  • Herbert Read: A Memorial Symposium (1970)
  • Collected Plays of Jack B. Yeats (1971)
  • Selected Poems Of Byron (1971)
  • Introductions from an Island 1973: New Writing for Students in the Creative Writing Programme (1973)
  • A Gathering in Celebration of the Eightieth Birthday of Robert Graves (1975, edited with William Thomas)
  • Six Poets of British Columbia (1980)
  • From Syria by Ezra Pound (1981)
  • Herbert Siebner: A Celebration (1993)
  • Dark Seasons A Selection of Georg Trakl Poems (1994)

Translations

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  • Georges Zuk: Selected Verse (1969)
  • 200 Poems from the Greek Anthology (1971)
  • The Underwear of the Unicorn by Georges Zuk (1975)
  • George Faludy: Selected Poems, 1933–80 (1985)
  • Briefly Singing : A Gathering of Erotic Satirical and Other Inscriptions Epigrams and Lyrics from the Greek and Roman Mediterranean 800 BC – AD 1000 Including the Complete Poems of Rufinus (1994)
  • Rufinus. The Complete Poems (1997)

References

[edit]
  1. ^ a b Silkin, Jon (27 August 1997). "Obituary: Professor Robin Skelton". The Independent. Retrieved 18 March 2021.
  2. ^ a b David Nowell Smith, W. S. Graham :The Poem as Art Object. Oxford, Oxford University Press, ISBN 9780192842909 (pg. 216)
  3. ^ Stratford, Jordan. "The Wollstonecraft Detective Agency - Author Q&A". Random House Kids. Retrieved 26 February 2017. What has been the greatest influence on you with respect to encouraging you to write and become a published author? In my teens, I grew up, effectively, in my girlfriend's house. Her father was Robin Skelton, the poet and professor, who hosted a weekly salon of writers and artists. The university would fly in all kinds of amazing voices from all over, they'd do a reading, we'd go out for dinner and come back to this sprawling Victorian pile and party into the wee small hours, reading each other's poetry. And do it again next week. And I thought, this is it. A life of arts and letters. Gallery crawls every Sunday, readings every Thursday, and scrambling like hell to create something new to share for next week. Never looked back. Why would I?
  • Robin Skelton. The Record of A Logophile. Victoria: Reference West, 1990.
  • Barbara L. Turner, ed. Skelton at 60. Erin, Ont.: Porcupine's Quill, 1986.
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