Rishabhanatha

Tirthankara Rishabhanatha
1st Tirthankara
The idol of Lord Rishabhanatha at Palitana Temples situated in Bhavnagar District, Gujarat
Other names	Ādinātha, Ādeśvara (the first conqueror), Ādarśa Puruṣa (perfect man), Ikṣvāku
Venerated in	Jainism
Predecessor	Sampratti (last Tirthankara of the previous time-cycle)
Successor	Ajitanatha
Mantra	Oṃ Ṛṣabhadeva Namaḥ Oṃ Śrī Ādināthāya Namaḥ
Symbol	Bull
Height	500 dhanuṣ (1,500 meters)
Age	8.4 million purvas (592.704 x 1018 years)
Tree	Banyan
Color	Golden
Texts	Ādi purāṇa Mahāpurāṇa Bhaktāmara Stotra
Gender	Male
Festivals	Akshaya Tritiya
Genealogy
Born	Ṛṣabha Ayodhya
Died	Ashtapada
Parents	Kulakara Nabhi (father) Marudevi (mother)
Spouse	Sumangalā/Yaśasvatī Sunandā/Nandā
Children	• 100 sons (including: Chakravarti Bharata, Prince Nami, and Kamadeva Bahubali) • 2 daughters: Brāhmī and Sundarī (Mahasatis) Reference:

Birth of the Tirthankara Rishabha, folio from the Devasano Pado Kalpasutra, Kalpasutra and Kalakacharya Katha. Gujarat, c. 1500. Bharat Kala Bhavan

Rishabhanatha (Devanagari: ऋषभनाथ), also Rishabhadeva (Devanagari: ऋषभदेव, Ṛṣabhadeva), Rishabha (Devanagari: ऋषभ, Ṛṣabha) or Ikshvaku (Devanagari: इक्ष्वाकु, Ikṣvāku), is the first tirthankara (Supreme preacher) of Jainism. He was the first of twenty-four teachers in the present half-cycle of time in Jain cosmology and called a "ford maker" because his teachings helped one cross the sea of interminable rebirths and deaths. The legends depict him as having lived millions of years ago. He was the spiritual successor of Sampratti Bhagwan, the last Tirthankara of the previous time cycle. He is also known as Ādinātha (lit. "first Lord"), as well as Adishvara (first Jina), Yugadideva (first deva of the yuga), Prathamarajeshwara (first God-king) and Nabheya (son of Nabhi). He is also known as Ikshvaku, establisher of the Ikshvaku dynasty. Along with Mahavira, Parshvanath, Neminath, and Shantinath, Rishabhanatha is one of the five Tirthankaras that attract the most devotional worship among the Jains.

According to traditional accounts, he was born to king Nabhi and queen Marudevi in the north Indian city of Ayodhya, also called Vinita. He had two wives, Sumangalā and Sunandā. Sumangalā is described as the mother of his ninety-nine sons (including Bharata) and one daughter, Brahmi. Sunandā is depicted as the mother of Bahubali and Sundari. The sudden death of Nilanjana, one of the dancers sent by Indra in his courtroom, reminded him of the world's transitory nature, and he developed a desire for renunciation.

After his renunciation, the legends as described in major Jain texts such as Hemachandra's Trishashti-Shalakapurusha-Charitra and Adinathcharitra written by Acharya Vardhamansuri state Rishabhanatha travelled without food for 400 days. The day on which he got his first ahara (food) is celebrated by Jains as Akshaya Tritiya. In devotion to Rishabhanatha, Śvetāmbara Jains perform a 400-day-long fast, in which they consume food on alternating days. This religious practice is known as Varshitap. The fast is broken on Akshaya Tritiya. He attained Moksha on Mount Ashtapada. The text Adi Purana by Jinasena, Aadesvarcharitra within the Trishashti-Shalakapurusha-Charitra by Hemachandra are accounts of the events of his life and teachings. His iconography includes ancient idols such as at Kulpak Tirth and Palitana temples as well as colossal statues such as Statue of Ahimsa, Bawangaja and those erected in Gopachal hill. His icons include the eponymous bull as his emblem, the Nyagrodha tree, Gomukha (bull-faced) Yaksha, and Chakreshvari Yakshi.

Life

Rishabhanatha is known by many names including Adinatha, Adishwara, Yugadeva and Nabheya. Ādi purāṇa, a major Jain text records the life accounts of Rishabhanatha as well as ten previous incarnations according to the Digambara tradition. For Rishabhanatha's biography in accordance with the Śvetāmbara tradition is found in several texts such as Hemachandra's Trishashti-Shalakapurusha-Charitra and Adinathcharitra written by Acharya Vardhamansuri. Jain tradition associates the life of a tirthankara to five auspicious events called the pancha kalyanaka. These include garbha (mother's pregnancy), janma (birth), diksha (initiation), kevalyagyana (omniscience) and moksha (liberation).

According to Jain cosmology, the universe does not have a temporal beginning or end. Its "Universal History" divides the cycle of time into two halves (avasarpiṇī and utsarpiṇī) with six aras (spokes) in each half, and the cycles keep repeating perpetually. Twenty-four Tirthankaras appear in every half, the first Tirthankara founding Jainism each time after the destruction of dharma at the end of each half cycle of time. This is similar to, but not completely the same as the idea of destruction of dharma at the end of Kali Yuga in Hindu mythology. In the present time cycle, Rishabhanatha is credited as being the first tīrthaṅkara. Usually, all the tīrthaṅkaras are born in the fourth spoke of the half cycle. However, Rishabhanatha is an exception as he was born at the end of the third half (known as sukhamā-dukhamā erā).

Rishabhanatha is said to be the founder of Jainism in the present Avsarpini (a time cycle) by all sub-traditions and sects of Jainism. Jain chronology places Rishabhanatha in historical terms, as someone who lived millions of years ago. He is believed to have been born 10²²⁴ years ago and lived for a span of 8,400,000 purva (592.704 × 10¹⁸ years). His height is described in the Jain texts to be 500 bows (1312 ells), or about 4920 feet/1500 meters. Such descriptions of non-human heights and age are also found for the next 21 Tirthankaras in Jain texts and according to Kristi Wiley – a scholar at University of California Berkeley known for her publications on Jainism. Most Indologists and scholars consider all the first 22 of 24 Tirthankaras to be prehistorical, or historical and a part of Jain mythology. However, among Jain writers and some Indian scholars, some of the first 22 Tirthankaras are considered to reflect historical figures, with a few conceding that the inflated biographical statistics are mythical.

According to Sarvepalli Radhakrishnan, a professor of comparative religions and philosophy at Oxford who later became the second President of India, there is evidence to show that Rishabhdeva was being worshipped by the first century BCE. The Yajurveda mentions the names of three Tirthankaras – Rishabha, Ajitanatha and Arishtanemi, states Radhakrishnan, and "the Bhāgavata Purāṇa endorses the view that Rishabha was the founder of Jainism".

Birth

See also: Panch Kalyanaka

An idol of Rishabha with mother Marudevi at Palitana

Rishabhanatha was born to Nabhi and Marudevi, the king and queen of Ayodhya, on the ninth day of the dark half of the month of Chaitra (caitra krişna navamĩ). His association to Ayodhya makes it a sacred town for Jains, as it is in Hinduism for the birth of Rama. In Jain tradition, the birth of a tirthankara is marked by 14 auspicious dreams of the mother. These are believed to have been seen by Marudevi on the second day of Ashadha (a month of the Jain calendar) krishna (the new moon). The dreams signified the birth of a chakravartin or a tirthankara, according to the supposed explanation by Indra to Marudevi.

Marriage and children

Rishabhanatha is believed to have had two wives, Sunanda and Sumangala. Sumangala is claimed to be the mother of ninety-nine sons (including Bharata) and one daughter, Brahmi. Sunanda is believed to be the mother of Bahubali and Sundari. Jain texts state that Rishabhanatha taught his daughters Brahmi and Sundari, Brahmi script and the science of numbers (Ank-Vidya) respectively. The Pannavana Sutra (2nd century BCE) and the Samavayanga Sutra (3rd century BCE) of the aagams followed by the Śvetāmbaras list many other writing scripts known to the ancient Jain tradition, of which the Brahmi script named after Rishabha's daughter tops the list. His eldest son, Bharata, is stated to have ruled ancient India from his capital of Ayodhya. He is described as a just and kind ruler in Jain texts, who was not attached to wealth or vices.

Rule, administration and teachings

Ruins of ancient Jain settlement from 2nd century BCE in Kankali Tila, Mathura depicting the scene of Nilanjana's Dance from life of Rishabhdeva.

Rishabhanatha was born in bhoga-bhumi or the age of omnipresent happiness. It is further suggested that no one had to work because of miraculous wish-fulfilling trees called the kalpavrikshas. It is stated that people approached the king for help due to decreased efficacy of the trees with passage of time. Rishabhanatha is then said to have taught them six main professions. These were: (1) Asi (swordsmanship for protection), (2) Masi (writing skills), (3) Krishi (agriculture), (4) Vidya (knowledge), (5) Vanijya (trade and commerce) and (6) Shilp (crafts). In other words, he is credited with introducing karma-bhumi (the age of action) by founding arts and professions to enable householders to sustain themselves. Rishabhanatha is credited in Jainism to have invented and taught fire, cooking and all the skills needed for human beings to live. In total, Rishabhanatha is said to have taught seventy-two sciences to men and sixty-four to women. The institution of marriage is stated to have come into existence after his marriage to Sunanda marked the precedence. According to Paul Dundas, Rishabhanatha, in Jainism, is thus not merely a spiritual teacher, but the one who founded knowledge in its various forms. He is depicted as a form of culture hero for the current cosmological cycle.

Traditional sources state that Rishabhanatha was the first king who established his capital at Vinitanagara (Ayodhya). He is claimed to have given first laws for governance by a king. He is said to have established the three-fold varna system based on professions consisting of kshatriyas (warriors), vaishyas (merchants) and shudras (artisans). Bharata is said to have added the fourth varna, brahmin to the system.

Renunciation

Statuary representing meditation by Rishabhanatha in Kayotsarga posture. (Photo:Ajmer Jain temple)

Jain legends talk about a dance of celestial dancers organised in Rishabhanatha's royal assembly hall by Indra, the heavenly-king of the first heaven. Nilanjana, one of the dancers, is said to have died in midst of the series of vigorous dance movements. The sudden death of Nilanjana is said to have reminded Rishabhanatha of the world's transitory nature, triggering him to renounce his kingdom, family and material wealth. He is then believed to have distributed his kingdom among his hundred sons. Bharata supposedly got the city of Ayodhya and Bahubali is believed to have got the city of Taxila and the kingdom of Gandhara (as per the Śvetāmbara tradition) or Podanapur (as per the Digambara tradition). He is believed to have become a monk in Siddharta-garden, in the outskirts of Ayodhya, under Ashoka tree on the ninth day of the month of Chaitra Krishna (Hindu calendar). Tirthankaras usually tear out five handfuls of their hair at initiation. Śvetāmbara text Trisasti-salaka-purusa-caritra mentions Rishabhanatha tore only four handfuls of his hair. Just as the moment he was about to pull and tear a fifth handful, Indra requested him not to do so, because the remaining hair 'shone like emerald on his golden soulders'.

Akshaya Tritiya

Main article: Akshaya Tritiya

A diorama in Jain Museum of Madhuban, Giridih depicting Shreyansa offering sugarcane juice to Rishabhanatha

Jains believe that people did not know the procedure to offer food to a monk, since Rishabhanatha was the first one. His great-grandson, Shreyansa, a king of Gajapura (now Hastinapur) after recalling his previous birth in which he had offered food to a Jain monk keeping in mind all the dietary restrictions and preparing it to be free from all faults, offered him sugarcane juice (ikshu-rasa) with required procedure to break 400-days-long fast. Jains celebrate the event as Akshaya tritiya every year on the third day of the bright fortnight of the month Vaishaka (usually April). It is believed to be the starting of the ritual of ahara-daana (food offerings) from layperson to mendicants.

Omniscience

Rishabhanatha's moving over lotus after attaining omniscience

Rishabhanatha is said to have spent a thousand years performing austerities before attaining kevala jnana (omniscience) under a banyan tree in the town of Purimatla on the 11th day of falgun-krishna (a month in traditional calendar) after destroying all four of his ghati-karma. The Devas (heavenly beings) are suggested to have created divine preaching halls known as samavasaranas for him after that. He is believed to have given the five major vows for monks and 12 minor vows for laity. He is believed to have established the sangha (four-fold religious order) consisting of male and female mendicants and disciples. His religious order is mentioned in Kalpa Sutra to have consisted of 84,000 sadhus (male monks) and 3,000,000 sadhvis (female monks).

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  Ancient footprints of lord Rishabha commemorating the place of his Omniscience
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  New shrine built to protect the ancient footprints
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  Jaina monks & devotees paying homage to the lord Rishabha

Nirvana kalyanaka

Mount Kailash or Ashtapad, the Nirvana place of Rishabhdeva.

Rishabhanatha is said to have preached the principles of Jainism far and wide. He is suggested to have attained Nirvana or moksha, destroying all four of his aghati-karma. This is marked as liberation of his soul from the endless cycle of rebirths to stay eternally at siddhaloka. His death is believed in Jainism to have occurred on Ashtapada (also known as Mount Kailash) on the fourteenth day of Magha Krishna (Hindu Calendar). His total age at that time is suggested to be 84 lakh purva years, with three years and eight and a half months remaining of the third era. According to medieval era Jain texts, Rishabhanatha performed asceticism for millions of years, then returned to Ashtapada where he fasted and performing inner meditation to his moksha. They further state that Indra came with his fellow gods from the heavens after that, to perform rituals of the place from where Rishabhanatha attained moksha.

In literature

The Ādi purāṇa, a 9th-century Sanskrit poem, and a 10th-century Kannada language commentary on it by the poet Adikavi Pampa (fl. 941 CE), written in Champu style, a mix of prose and verse and spread over sixteen cantos, deals with the ten lives of Rishabhanatha and his two sons. In 11th century, Śvetāmbara monk Acharya Vardhamansuri wrote Adinathcharit, an 11000-verse-long biography of Rishabhanatha in Prakrit. The life of Lord Rishabhanatha is also detailed in Mahapurana of Jinasena, Trisasti-salaka-purusa-caritra by the Śvetāmbara monk Acharya Hemachandra, Kalpa Sutra (a Śvetāmbara Jain text written by Bhadrabāhu that contains the biographies of some of the Tirthankaras), and Jambudvipa-prajnapti. Bhaktamara Stotra by Acharya Manatunga is one of the most prominent prayers mentioning Rishabhanatha. There is mention of Rishabha in Hindu texts, such as in the Rigveda, Vishnu Purana and Bhagavata Purana (in 5th canto). In later texts, such as the Bhagavatapurana, he is described as an avatar of Vishnu, a great sage, known for his learning and austerities. Rishabhanatha is also mentioned in Buddhist literature. It speaks of several tirthankara and includes Rishabhanatha along with: Padmaprabha, Chandraprabha, Pushpadanta, Vimalanatha, Dharmanatha, and Neminatha. A Buddhist scripture named Dharmottarapradipa mentions Rishabhanatha as an Apta (Tirthankara).

Iconography

Carving at Ambika Gumpha, Udayagiri and Khandagiri Caves, 2nd century BCE

Rishabhanatha is usually depicted in the lotus position or kayotsarga, a standing posture of meditation. The distinguishing features of Rishabhanatha are his long locks of hair which fall on his shoulders, and an image of a bull in sculptures of him. In accordance with the Śvetāmbara tradition, almost all idols depicting Rishabhanatha have hairlocks on both his shoulders, in accordance with the mention of a loch (tearing out of hair) with four handfuls instead of the normal five handfuls in Trisasti-salaka-purusa-caritra, which makes his iconography distinctive from other Tirthankaras'. Most of his iconography as per the beliefs of the Śvetāmbara tradition can be found at Palitana temples. Rishabhanatha's hairlocks have been depicted in first century CE sculptures found in Mathura and Causa. Paintings of him usually depict legendary events of his life. Some of these include his marriage, and Indra performing a ritual known as abhisheka (consecration). He is sometimes shown presenting a bowl to his followers and teaching them the art of pottery, painting a house, or weaving textiles. The visit of his mother Marudevi is also shown extensively in painting. He is also associated with his Bull emblem, the Nyagrodha tree, Gomukha (bull-faced) Yaksha, and Chakreshvari Yakshi.

Statue of Ahimsa, carved out of a single rock, is a 108 feet (33 m) tall (121 feet (37 m) including pedestal) statue of Rishabhanatha and is 1,840 sq feet in size. It is said to be the world's tallest Jain idol. It is located 4,343 feet (1,324 m) above from sea level, at Mangi-Tungi hills near Nashik (Maharashtra). Officials from the Guinness Book of World Records visited Mangi Tungi and awarded the engineer of the 108 ft tall Rishabhdeva statue, C R Patil, the official certificate for the world's tallest Jain idol. In 2016, a 108 feet idol of Rishabhnatha (Adinatha) was installed at Palitana.

In Madhya Pradesh, there is the Bawangaja (meaning 52 yards (156 ft)) hill, near Barwani with a Gommateshvara figure covered on the top of it. This site is important to Jain pilgrims particularly on the full moon day in January. The site has a Rishabanatha statue carved from a volcanic rock. The 58.4 feet (17.8 m) Rishabhanatha Statue at Gopachal Hill, Gwalior Fort, Madhya Pradesh. Thousands of Jain idols including 58.4 foot idol of Rishabhanatha were carved in the Gopachal Hill idol from 1398 CE to 1536 CE by rulers of Tomar dynasty rulers – Viramdev, Dungar Singh and Kirti Singh. A 43 feet (13 m) statue of Rishabhanatha was unveiled at the Abhay Prabhavana Museum in 2024.

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  Idol of Rishabhanatha at Shri Bibrod Adinath Jain Shwetamber Tirth, Bibdod, Ratlam, Madhya Pradesh, India
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  Statue of Ahimsa, Maharashtra, 108 feet (33 m)
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  108 feet (33 m) statue at Palitana
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  Adinatha at Kundalpur
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  Bawangaja, Madhya Pradesh, 84 feet (26 m)
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  The 58.4 feet (17.8 m) colossal at Gopachal Hill
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  The 45 feet (14 m) tall rock cut idol at Chanderi
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  The 25 feet (7.6 m) idol at Dadabari, Kota
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  Idol at Golakot Jain temple
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  Ranakpur Jain Temple, Rajasthan

Temples

Palitana temples

Rishabhanatha is one of the five most devotionally revered Tirthankaras, along with Mahavira, Parshvanatha, Neminatha and Shantinatha. Various Jain temple complexes across India feature him, and these are important pilgrimage sites in Jainism. Mount Shatrunjaya, for example, is a hilly part of southern Gujarat, which is believed to have been a place where 23 out of 24 Tirthankaras preached, along with Rishabha. Numerous monks are believed to have attained their liberation from cycles of rebirth there, and a large temple within the complex is dedicated to Rishabha commemorating his enlightenment in Ayodhya. The central Rishabha icon of this complex is called Adinatha or simply Dada (grandfather). This icon is the most revered of all the murtipujaka icons, believed by some in the Jain tradition to have miracle making powers, according to John Cort. In Jain texts, Kunti and the five Pandava brothers of the Hindu Epic Mahabharata came to the hill top to pay respects, and consecrated an icon of Rishabha at Shatrunjaya. Important Rishabha temple complexes include Palitana temples, Dilwara Temples, Kulpakji, Kundalpur, Paporaji, Soniji Ki Nasiyan, Rishabhdeo, Sanghiji, Hanumantal Bada Jain Mandir, Trilok Teerth Dham, Pavagadh and Sarvodaya Jain temple.

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  Kesariyaji Jain Tirth, Rajasthan
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  Ranakpur Jain temple, Ranakpur, Rajasthan
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  Kulpak Jain Tirth
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  Adinatha temple, Khajuraho, a UNESCO World Heritage Site
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  Vimal Vasahi, Dilwara temples
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  Panchakuta Basadi

See also

• List of Jain Tirthankaras
• List of Tirthankaras
• God in Jainism
• History of Jainism
• Siddha

References

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