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| Associated_acts =
| Associated_acts =
| URL = http://www.negativland.com/
| URL = http://www.negativland.com/
| Personnel = Peter Dayton<br/>Chris Grigg<br/>Mark Hosler<br/>Don Joyce<br/>Richard Lyons<br/>David Wills<br/>Peter Conheim<br/>Ian Allen<br/>Tim Maloney<br/>Tom Koch<br/>Stukke and Stakke<br/>Jonathan Land<br/>Joan
| Personnel = Peter Dayton<br/>Chris Grigg<br/>Mark Hosler<br/>Don Joyce<br/>Richard Lyons<br/>David Wills<br/>Peter Conheim<br/>Ian Allen<br/>Tim Maloney<br/>Tom Koch<br/>Stukke and Stakke<br/>Jonathan Land<br/>Joan}}
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}}
'''Negativland''' is an [[experimental music]] and [[sound collage]] band which originated in the [[San Francisco Bay Area]] in the late [[1970s]]. They took their name from a [[Neu!]] song [http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:zarvad5ke8b5], while their record label is named after another Neu! song. The current core of the band consists of [[Mark Hosler]], [[Richard Lyons]], [[Don Joyce]], [[David Wills]] and [[Peter Conheim]] but membership is considered rather irrelevant and this personnel list may be wildly inaccurate or false.
'''Negativland''' is an [[experimental music]] and [[sound collage]] band which originated in the [[San Francisco Bay Area]] in the late [[1970s]]. They took their name from a [[Neu!]] song [http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:zarvad5ke8b5], while their record label is named after another Neu! song. The current core of the band consists of [[Mark Hosler]], [[Richard Lyons]], [[Don Joyce]], [[David Wills]] and [[Peter Conheim]] but membership is considered rather irrelevant and this personnel list may be wildly inaccurate or false.



Revision as of 01:27, 19 May 2007

Negativland

Negativland is an experimental music and sound collage band which originated in the San Francisco Bay Area in the late 1970s. They took their name from a Neu! song [1], while their record label is named after another Neu! song. The current core of the band consists of Mark Hosler, Richard Lyons, Don Joyce, David Wills and Peter Conheim but membership is considered rather irrelevant and this personnel list may be wildly inaccurate or false.

Negativland has released a number of albums ranging from pure collage to more musical affairs. These have mostly been released on their own label, Seeland Records. In the late 1980s and early 1990s, they produced several recordings for SST Records, most notably Escape From Noise, Helter Stupid, and U2. Negativland became involved in a lawsuit with U2's lawyers, which brought them widespread publicity and notoriety, but nearly destroyed them as a band.

History

1980s

Negativland started in Concord, California in 1979 around the core founding members of Lyons and Hosler (who were in high school at the time), and released an eponymous debut in 1980.

A number of releases followed in the early 1980s, but it wasn't until after the release of their breakthrough sample and cut-up sonic barrage Escape From Noise in 1987 that Negativland gained wider attention. Vinyl copies of the album came with "CAR BOMB" bumper stickers, in relation to the album's song "Car Bomb."

Following the somewhat unexpected success of this album, Negativland faced the prospect of going on a money-losing tour. To prevent this, they put together a phony press release. It claimed that the acts of a mass-murderer named David Brom had actually been incited by their song "Christianity is Stupid." The song contained samples deriding Christianity taken from the pro-Christianity film, If Footmen Tire You, What Will Horses Do?.

The resulting fallout and media frenzy, based on the hoax by Negativland, had the effect of pointing out the herd mentality of the mass media. Though the press release was completely unsubstantiated by any facts, the lurid combination of murder, religion, and "rock" music proved too tempting for the media to ignore. The story ran on TV news shows, newspapers, and magazines, with little to no fact-checking. Soon the world was informed of the "Killer Song" that caused a kid to murder his parents with an ax.

The scandal became the foundation for their next release, Helter Stupid, which featured a cover photo of a TV news "journalist" intoning the fake ax murder story, with the news station's caption "Killer Song" above his head, and a photo of the ax-murderer.

The U2 record incident

Negativland's next project was the infamous U2 EP, with samples from "America's Top 40" host Casey Kasem. In 1991, Negativland released a single with the title "U2" displayed in very large type on the front of the packaging, and "Negativland" in a smaller typeface. An image of the Lockheed U-2 spy plane was also on the single cover.

The songs within were parodies of the group U2's well-known 1987 song, "I Still Haven't Found What I'm Looking For", including kazoos and extensive sampling of the original song. The song "The Letter U And The Numeral 2" features a musical backing to an extended profane rant from well-known disc jockey Casey Kasem, lapsing out of his more polished and professional tone during a frustrating rehearsal, commenting, for instance: "These guys are from England and who gives a shit?" (U2's members are in fact from Ireland.)

U2's label Island Records quickly sued Negativland, claiming that placing the word "U2" on the cover violated trademark law, as did the song itself. Island Records also contended that the single was an attempt to deliberately confuse U2 fans, then awaiting the impending release of Achtung Baby.

In June, 1992, R. U. Sirius, publisher of the magazine Mondo 2000 came up with an interesting idea. Publicists from U2 had contacted him regarding the possibility of interviewing Dave Evans (aka "The Edge") hoping to promote U2's impending multi-million dollar Zoo TV Tour, which featured found sounds and live sampling from mass media outlets (things for which Negativland had been known for some time). Sirius, unbeknownst to Edge, decided to have his friends Joyce and Hosler of Negativland conduct the interview. Joyce and Hosler, fresh from Island's lawsuit, peppered the Edge with questions regarding his ideas about the use of sampling in their new tour, and the legality of using copyrighted material without permission. Midway through the interview, Joyce and Hosler revealed their identities as members of Negativland. An embarrassed Edge reported that U2 were bothered by the sledgehammer legal approach Island Records took in their lawsuit, and furthermore that much of the legal wrangling took place without U2's knowledge: "by the time we (U2) realized what was going on it was kinda too late, and we actually did approach the record company on your (Negativland's) behalf and said, 'Look, c'mon, this is just, this is very heavy...'" Island Records reported to Negativland that U2 never authorised samples of their material; Evans response was, "that's complete bollocks, there's like, there's at least six records out there that are direct samples from our stuff."[2]

The "U2" single (along with other related material) was re-released in 2001 on a "bootleg" album entitled These Guys Are From England And Who Gives A Shit (a quote about the group U2 taken from the Casey Kasem outtakes), released on "Seelard Records" (a parody of Negativland's record label Seeland Records). It is thought likely that Negativland themselves were responsible for the re-release, and that U2 gave their blessing; although the Negativland website refers to this release as a bootleg, it is available from major retailers like Best Buy, Amazon, and Tower Records, as well as Negativland's own mail-order business.

Negativland are interested in intellectual property rights, and argue that their use of U2's and others' material falls under the fair use clause. In 1995, they released a book, with accompanying CD, called Fair Use: The Story of the Letter U and the Numeral 2, about the whole U2 incident (from Island Records first suing Negativland for the release to Negativland gaining back control of their work four years later). The book ends with a large appendix of essays about fair use and copyright by Negativland and others, telling the story with newspaper clippings, court papers, faxes, press releases and other documents arranged in chronological order. An unfortunate side effect of the Negativland-Island lawsuit was another one brought on between Negativland and SST, which served to sever all remaining ties the two had. To get back at Negativland (while wryly circumventing their name), Ginn later released the Negativ(e)land: Live On Tour album on SST.

Negativland were the main subjects of Craig Baldwin's documentary Sonic Outlaws, detailing the use of culture jamming to subvert the messages of more traditional media outlets. There are many other artists who push the boundaries of copyright law in a similar way to Negativland, including John Oswald, the Evolution Control Committee, The Bran Flakes, Countymojo, The Tape-Beatles, Sir Mildred Pierce, and People Like Us.

ABCs and Teletubbies

File:Neg02a.jpg

In 1999 Negativland collaborated with UK anarchist band Chumbawamba to produce the album The ABCs of Anarchism, which is largely based around the writings of Alexander Berkman and cut-up versions of Chumbawamba's hit song "Tubthumping", the theme tune to the children's program Teletubbies and the Sex Pistols' "Anarchy in the UK".

Recent developments

In 2003, members of Negativland contributed their efforts to Creative Commons, an organization devoted to providing artists with a broader range of copyright options. In August of that year, Negativland spoofed Clear Channel radio stations in an audio track broadcast by pirate radio broadcasters jamming a Seattle Clear Channel station while the National Association of Broadcasters met in the city[3].

Member Don Joyce has long hosted a weekly radio show called Over The Edge most Thursdays at midnight on KPFA. Recordings of some noteworthy episodes of the show have been released by Seeland in its Over The Edge series.

In September 2005, to celebrate the 25th anniversary of the band, Negativland curated an art exhibit in Manhattan's Gigantic Artspace gallery. The exhibit, Negativlandland, included a number of pieces of artwork from and inspired by Negativland recordings, video projection of music videos created by the band and others, and some artwork created specifically for the show, such as an animatronic Abraham Lincoln figure (inspired by the band's Lincoln cut-up piece God Bull) and a hands-on exhibit featuring the Booper, the audio-processing unit that band member David Wills (a.k.a. The Weatherman) assembled out of old radio parts. The show appeared in Minneapolis on May 12, 2006, at Creative Electric Studios.

Snuggles

"Snuggles" is an e-mail discussion list originally intended to cover topics related to the band Negativland. Its purpose was diverted to being a forum for a loose collective of collage artists. It is the birthplace of a series of culture jamming projects including the Droplift Project, Free Speech For Sale, and Dictionaraoke.

The name is derived from the famous Casey Kasem expletive-ridden off-air rant that was used as the basis for the banned Negativland U2 single. The portion related to the name Snuggles is as follows:

Now, we're up to our long-distance dedication. And this one is about kids, and pets, and a situation that we can all understand, whether we have kids or pets or neither. It's from a man in Cincinnati, Ohio. And here's what he writes: "Dear Casey, This may seem to be a strange dedication request, but I'm quite sincere, and it'll mean a lot if you play it. Recently, there was a death in our family. He was a little dog named Snuggles, but he was most certainly a part of..." — let's come — start again. Coming out of the record. Play the record, OK? Please.

Discography

Albums

Over The Edge Radio Series

(CD's edited from Negativland's weekly live radio show)

Singles/EPs

Bootlegs

Interviews