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[[User:Roblangho|Roblangho]] 15:33, 12 February 2006 (UTC) |
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[[User:Roblangho|Roblangho]] 15:33, 12 February 2006 (UTC) |
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<br />[[Image:Symbol declined.svg|20px]] '''Declined'''. We cannot accept unsourced suggestions or sources that are [[Wikipedia:Reliable sources|not reliable]] per the [[Wikipedia:Verifiability|verifiability policy]]. Please provide '''reputable, third-party''' sources with your suggestions. Third party sources are needed both to establish the [[WP:Verifiability|verifiability]] of the submission as well as its [[Wikipedia:Notability|notability]]. --[[User:Draicone|<b>Draicone</b>]] [[User_talk:Draicone|<sup><span style="color: #FF9933;">(talk)</span></sup>]] 09:23, 3 July 2007 (UTC) |
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== [[Bob Hauer]] == |
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== [[Bob Hauer]] == |
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The Jimi Hendrix Experience Box Set is a compilation of rarities and outtakes from the four and a half year recording career of the Jimi Hendrix Experience. Released in 2000, the 57 previously unreleased recordings on the four-disc set was the result of the Experience Hendrix label.
The earliest recordings on the box set are taken from the fourth Jimi Hendrix Experience performance, recorded about thirty days after the band was formed, in Paris, 1966. Followed are outtakes from the Are You Experienced? sessions, as well as the breakthrough performance at the Monterey Pop Festival.
Found among rare demos and lesser-known songs are many big hits, yet all come in alternate and different forms. Along with studio tracks from Axis: Bold as Love and Electric Ladyland, the box set include later, post- Jimi Hendrix Experience work, much unavailable since his death. A wealth of cover songs also spans the box set, many of which could be found nowhere else.
Disc 1:
1. Purple Haze - (previously unreleased, alternate take)
2. Killing Floor - (previously unreleased, live)
3. Hey Joe – (previously unreleased, live)
4. Foxey Lady - (previously unreleased, alternate take)
5. Highway Chile - (previously unreleased, alternate take)
6. Hey Joe – (previously unreleased, alternate take)
7. Title #3 - (previously unreleased)
8. Third Stone From The Sun - (previously unreleased, alternate take)
9. Taking Care Of No Business - (previously unreleased)
10. Here He Comes (Lover Man) - (previously unreleased)
11. Burning of the Midnight Lamp - (previously unreleased, alternate take)
12. If Six Was Nine - (previously unreleased, alternate take)
13. Rock Me Baby - (previously unreleased, live)
14. Like A Rolling Stone - (previously unreleased, live)
Disc 2:
1. Sgt. Pepper's Lonely Hearts Club Band - (previously unreleased, live)
2. Burning of the Midnight Lamp - (previously unreleased, live)
3. Little Wing - (previously unreleased, alternate take)
4. Little Miss Lover - (previously unreleased, alternate take)
5. Wind Cries Mary, The - (previously unreleased, live)
6. Catfish Blues - (previously unreleased, live)
7. Bold As Love - (previously unreleased, alternate take)
8. Sweet Angel - (previously unreleased, alternate take)
9. Fire - (previously unreleased, live)
10. Somewhere - (previously unreleased)
11. (Have You Ever Been To) Electric Ladyland - (previously unreleased, in US)
12. Gypsy Eyes - (previously unreleased, alternate take)
13. Room Full Of Mirrors - (previously unreleased, alternate take)
14. Gloria - (previously unreleased)
15. It's Too Bad - (previously unreleased)
16. Star Spangled Banner - (previously unreleased)
Disc 3:
1. Stone Free - (previously unreleased, alternate take)
2. Spanish Castle Magic - (previously unreleased, alternate take)
3. Hear My Train A Comin' - (previously unreleased, alternate take)
4. Room Full Of Mirrors - (previously unreleased, alternate take)
5. I Don't Live Today - (previously unreleased, live)
6. Little Wing - (previously unreleased, live)
7. Red House - (previously unreleased, live)
8. Purple Haze - (previously unreleased, live)
9. Voodoo Child (Slight Return) - (previously unreleased, live)
10. Izabella - (previously unreleased, live)
Disc 4:
1. Message To Love - (previously unreleased, alternate take)
2. Earth Blues - (previously unreleased, alternate take)
3. Astro Man - (previously unreleased, alternate take)
4. Country Blues - (previously unreleased, alternate take)
5. Freedom - (previously unreleased, alternate take)
6. Johnny B. Goode - (previously unreleased, live)
7. Lover Man - (previously unreleased, alternate take)
8. Blue Suede Shoes - (previously unreleased, live)
9. Cherokee Mist - (previously unreleased)
10. Come Down Hard On Me - (previously unreleased)
11. Hey Baby / In From The Storm - (previously unreleased, live)
12. Ezy Rider - (previously unreleased, alternate take)
13. Night Bird Flying - (previously unreleased, alternate take)
14. All Along The Watchtower - (previously unreleased, live)
15. In From The Storm - (previously unreleased, live)
16. Slow Blues - (previously unreleased)
Sources
http://www.jimihendrix.com/radio/digital,video.html
http://www.amazon.com/gp/product/B00004WKII/104-7340473-1371916?v=glance&n=5174
149.159.10.207 04:41, 11 February 2006 (UTC)[reply]
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. --Draicone (talk) 09:20, 3 July 2007 (UTC)[reply]
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1st & Ten is the yellow line that a TV viewer sees during a live broadcast of a college or professional football game. It goes the width of the football field and indicates where the 1st down marker is located. The goal is to make it easier for television viewers to follow play on the field. There is also often a red/pink line that is used to identify the line of scrimmage.
The 1st & Ten line is made available by a private company called Sportvision and was developed in 1998.
This is roughly how the 1st & Ten line is made visible on the television screen:
Each football field has a unique contour (not perfectly flat) so it needs to have a 3D model made of it prior to the game. It also has a unique color palette, typicallyl various shades of green, depending on the type of surface (i.e. fake or real grass) and the weather (i.e. bright, shady or even snowing).
There are a number of cameras on the field, each one has a computer with it that monitors how the camera is used during the game (pan tilt, zoom, focus and extenter) and transmits that info live to the Sportvision production truck 30 times per second. This info helps keep the yellow line in the proper place without being distorted whenever the camera follows the players or the ball.
The first computer in the truck gathers all the separate readings from the cameras and transmits a single consolidated data stream to the central computer.
The central computer takes these readings, the 3D field model & color palette, the knowledge of which camera is on the air, and together using a geometrical calculation determines which pixels in the video frame would make up the first down line. All pixels that are obstructed by a player, a ref, the ball or any other object are identified and not included in the calculation. This will ensure that the 1st & Ten line will be behind all the action. The only object that is covered by the line is the field.
The only pixels that should change are the ones that are the same color as the field, typically several shades of green. There are two situations that are difficult. One is when the players uniform color nearly matches that of the field (i.e. Green Bay Packers jersey on a bright sunny day). The other is when the field itself changes, like during a rain/snow storm or if the grass field gets real muddy. In those cases, the field's color palette would need to include brown and/or white shades.
After the central computer has determined which pixels represent the 1st & Ten line, the final computer takes that pixel information and draws the yellow line in video format at 60 times per second.
The data collection and computation requires time. The audio feed goes to an audio delay to be synchronized with the delayed video. The total delay for the viewer from the live feed ends up being about 2/3 sec.
There are seven computers in total and a crew of 4 people. Two crew members, one inside the stadium and one in front of a computer, communicate the position of the real first down line to make sure everything is working. Another crew member is a troubleshooter. The last crew member monitors the various colors that will make up the color palette onto which the line is drawn.
Sources
http://www.sportvision.com/
24.113.72.80 06:17, 11 February 2006 (UTC)[reply]
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. --Draicone (talk) 09:21, 3 July 2007 (UTC)[reply]
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Terry Valderas aka DJ Stretchy aka VERNIXX was born in San Francisco and raised in Texas. He grew up listening to progressive rock like E.L.P., Yes, Gentle Giant, & King Crimson along with early punk like Wire, The Clash, Talking Heads, & The Ramones. Learned musical notation, composition, and classical percussion in public school as well as through private tutoring.
As a teen-ager, formed the seminal Fort Worth improvisational/psychedelic/progressive rock group E.S.P. in the late 80's with best friends from school. They played underground illegal clubs, warehouse "raves", and happenings which they organized. After much local notoriety, many parties, & lots of shows, the band splinters to his dismay.
Undaunted, was immediate grafted into the original line-up of legendary Dallas aggro-rock band THE TOADIES in 1989. They played the big shows as openers. Moved into headlining slots locally very fast. They flirted with record labels. Played their first out-of town shows. In 1990, was extracted for lifestyle differences with them, while they go on to national chart action.
Disillisioned with rock music & the lifestyle, moved to Portland Oregon for five years. Watched grunge hit, saw indy-rock sprout...but was musically-bored. Switched to electronic-based music in 1994 after hearing the first Underworld singles and seeing San Francisco's Wicked DJ's (Garth, Marky, & Jeno). Learned electronic production and DJ skills at once! Co-managed Portland (and now legendary) DJ TONY RUIZ while learning the industry & dance scene. Then, his life literally fell apart and he knew he must find his way back to his roots, sadly leaving the love of his life behind.
After serious lifestyle revelations, he abruptly moved back to Texas in 1997. Met his future Wife. Reconnected with his old friends. Began his life again. Formed two new bands at once. First was THE GIDEONS...a garage-punk expolsion of sound, attitude, and mayhem. They stormed the Fort Worth scene, drank lots of adult beverages, and never failed in having a total blast on stage. THE GIDEONS played on through 2001 and won a legion of fans and hecklers. He also simultaneously formed Fort Worth's hugely popular trip-hop band PARASITE LOST with old & new friends. Stormed the Dallas/FT Worth music scene, won awards, made recordings; got hyped beyond belief. Flirted with labels. Played the big venues. Ate from the VIP deli tray. Then, egos took hold and the band broke-up...after a brilliant 1998-1999 run.
He also DJed at many many raves playing Hard House, Techno, Trance, and Nu-NRG as well as Drum & Bass in the Southwest US as DJ STRETCHY from 1997-2002. He recorded three EP's of electro-pop-noise-goth-techno rock as STRETCHY from 1999 to 2001. He felt the call of the solo beast and took the charges...
Moved to North Carolina in 2002. Co-Hosted Saturday night hard dance/drum & bass show RPM on WZMB FM, Greenville (2002-2003). Began recording "high energy" dance-music hybrids as VERNIXX in 2002. Released an 80-minute album of techno/noise/intelligent beat called "Fused Music" as THE GOLDEN TALISMEN.
Moved to Oklahoma in early 2004. Continued the VERNIXX profile, gaining international DJ play, radio airplay, club rotation, and success. THE GOLDEN TALISMAN profile became TERRY VERNIXX in early 2005 and began anew by tailor making music for magick rituals, esoteric film soundtracks, and psychedelic fireside dancing. VERNIXX signed to new House label URBAN FLUX in 2005 and is promoted in Europe by Aftershock Records. He continues to DJ and produce House music in 2006.
Sources
http://www.acidplanet.com/vernixx
http://en.wikipedia.org/wiki/Toadies
http://www.aftershockrecords.co.uk
http://www.myspace.com/vernixx
70.233.177.254 16:19, 11 February 2006 (UTC)Terry Valderas aka Vernixx70.233.177.254 16:19, 11 February 2006 (UTC)[reply]
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A journalist, actress, model, and entertainer from Minnesota, Samantha Harris is currently co-host on ABC's "Dancing with the Stars." Her current credits also include hosting and reporting on E! Entertainment television for variety of shows including E! News daily.
Starting her career in broadcast with a dual degree in Theater and Journalist from Northwestern University in Illinois, she has worked on shows for TBS, TNN, and G4 Network. She has also made TV appearances on CBS's "CSI: Crime Scene Investigation" and Fox's "The Next Joe Millionaire". Prior to her work at E!, she was part of the syndicated newsmagazine EXTRA. She was also a guest correspondent at ABC's "Good Morning America."
Her stage and entertainment credits also include a role in "Edle Idle Exploits Monty Python"'s North American tour.
Her modelling credits include covers and features for various fitness magazines as well as commericial advertisements.
She currently lives in Los Angeles, California with her husband Michael.
File:Http://cache.eonline.com/On/People/Images/bio.harris.samantha2.jpg
Sources
http://www.samantha-harris.com/bio.html (Samantha Harris official website)
http://www.imdb.com/name/nm0365300/ (Samantha Harris on IMDB)
http://abc.go.com/primetime/dancing/bios/samantha_harris.html (ABC.com - Dancing with the Stars bio page)
http://www.enewsdaily.com/On/People/harris.html (E! On Air Personalities - Samantha Harris)
Samantha Harris was born Samantha Shapiro on November 27, 1974 in Minneapolis. Samantha is the youngest of two children (the other being Samantha's sister, Aimee Elizabeth) born to Hopkins, Minnesota concert promoter/Des Moines, Iowa-born Richard Shapiro (May 28, 1949- August, 1996) and the former Bonnie Harris, a dancer (May 7. 1948- present).
Samantha is a second cousin once-removed of Stacy Harris, the internationally-known country-music historian, music industry and popular culture analyst, columnist, broadcast journalist, feature writer, public speaker, pundit and arts critic and the publisher/editor of the popular Internet column, Stacy's Music Row Report.
http://www.roughstock.com/stacy/About_Stacy_Harris.html
http://www.zoominfo.com/people/harris_stacy_1423011.aspx
http://cache.zoominfo.com/cachedpage/?archive_id=0&page_id=957172144&page_url=%2f%2fwww.afm257.org%2fFMPro%3f-db%3dnewsarchive.fp5%26-format%3dafm%252farticle%255fdetail.htm%26-lay%3ddetail%26-sortfield%3ddate%26-sortorder%3ddescend%26-max%3d20%26-recid%3d32958%26-findall%3d&page_last_updated=1%2f3%2f2005+10%3a57%3a53+PM&firstName=Stacy&lastName=Harris
70.146.131.80 02:16, 18 October 2006 (UTC)[reply]
71.251.194.196 17:28, 11 February 2006 (UTC) Malchior[reply]
This article already exists in Wikipedia. delldot talk 00:34, 2 July 2007 (UTC)[reply]
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Aoyama Gakuin University in Tokyo, Japan (also known as “AGU”) is part of a comprehensive educational institution called Aoyama Gakuin, which includes a kindergarten, an elementary school, a high school, and a women's junior college. While Aoyama Gakuin's history dates back to October 1874, when missionaries from the Methodist-Episcopal Church of the United States established three small schools, the institution took its current form in 1949 when Aoyama Gakuin College was established as a comprehensive university.
As a vital educational and research community, it maintains a number of international exchange programs for students and faculty. In addition, many of its students and faculty have attended universities and research institutes abroad and numerous scholars and students from around the world have studied at the university.
Characteristics
The main campus, located in Shibuya in central Tokyo, is augmented by the Sagamihara Campus in Kanagawa Prefecture. The Sagamihara Campus is where freshmen and sophomores study, and it also houses the College of Science and Engineering. For the academic year 2003 (May 1 of 2003), the undergraduate student population at AGU was approximately 19,372. The university has graduated around 155,219 students in all and employs approximately 1,300 full-time and part-time faculty members. Aoyama Gakuin University is accredited by the Japanese University Association and is a member of the Japan Association of Private College and Universities.
Among notable aspects of the university are the inter-disclipinary School of International Politics, Economics and Business, and the English department in the College of Literature which offers courses in British and American Literature, Linguistics, including second language acquisition, and Communications as well as innovative language instruction for freshmen and sophmores that integrates the teaching of the skills of writing, speaking, listening, and reading and offers both content-based and task-based course work. Recently, graduate schools have been established for international management (2001), law (2003), and accountancy (2004).
External links
Sources
71.247.16.110 17:46, 11 February 2006 (UTC)Gregory Strong[reply]
This article already exists in Wikipedia. delldot talk 00:39, 2 July 2007 (UTC)[reply]
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Helen Barr is a Fellow and tutor in English at Lady Margaret Hall, Oxford University.
Her research interests include medieval literature and the social contexts of literature. Her publications include,
he Piers Plowman Tradition: A Critical Edition of Pierce the Ploughman’s Crede, Richard the Redeless, Mum and the Sothsegger, and The Crowned King (London: Everyman, 1993).
Signes and Sothe: Language in the Piers Plowman Tradition (Cambridge: Boydell and Brewer, 1994).
Socioliterary Practice in Late Medieval England (Oxford: Oxford University Press, 2001)
‘The Use of Latin Quotations in Piers Plowman with special reference to Passus XVIII of the “B” Text’, Notes and Queries, 33 (1986), 440-48.
‘The Dates of Richard the Redeless and Mum and the Sothsegger’, Notes and Queries, 235 (1990), 270-5.
‘The Relationship of Richard the Redeless and Mum and the Sothsegger’ The Yearbook of Langland Studies, 4 (1990), 105-33.
‘The Treatment of Natural Law in Richard the Redeless and Mum and the Sothsegger’ Leeds Studies in English, 23 (1992), 49-80.
‘Spekyng for one’s sustenance’: The Rhetoric of Counsel in Mum and the Sothsegger, Skelton’s Bowge of Court and Elyot’s Pasquil the Playne’ (with Kate Ward-Perkins), in the Long Fifteenth Century: Essays for Douglas Gray, ed. by Helen Cooper and Sally Mapstone (Oxford: Oxford University Press, 1997), pp.249-72.
‘Pearl – or “The Jeweller’s Tale”’,Medium Aevum, 69 (2000), 59-79. ‘Wycliffite Representations of the Third Estate’ in Lollards and their Books in Late Medieval England, ed. by Fiona Somerset, Jill Havens and Derek Pittard (Woodbridge: The Boydell Press, 2003), pp.197-216.
Sources
http://clients.networks.co.uk/ladymargarethall/collegelife/staff_detail.html?staff=44
129.67.113.245 18:13, 11 February 2006 (UTC)[reply]
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. --Draicone (talk) 09:22, 3 July 2007 (UTC)[reply]
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Frazer Lee is a writer/director from London, England. He directed actor Doug Bradley (Pinhead from Hellraiser) in two award-winning short horror movies 'On Edge' and 'Red Lines'. He has published one book, 'Urbane and Other Horror Tales' and is working on his first feature film, a horror movie also entitled 'Urbane'.
Sources
http://www.frazerlee.com
http://www.robber-baron.co.uk
http://www.urbanethemovie.com
http://imdb.com/name/nm0497281
Hellboy69
82.35.39.121 18:47, 11 February 2006 (UTC)[reply]
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Sources
205.208.239.153 20:13, 11 February 2006 (UTC)[reply]
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Submarine Fleet is the collaborative effort from members of Trance to the Sun, Nocturne pdx and Blade Fetish. Submarine Fleet combines dreamy high frequency shimmer, deep range melodiousness, and hypnotic rhythms to set the stage for passionate male vocal works with surrealist leanings.
Submarine Fleet has often been compared to the likes of 1980's 4AD label artists such as Cocteau Twins (primarily with respect to their heavily layered guitar work). However, upon closer observation, hints of things more reminiscent of Blonde Redhead, And Also The Trees, and Ummagumma era Pink Floyd become recognizable. Add to that their generous song lengths, which build and maintain their resonance through a well crafted intensity, and one comes up with a sound that is at once psychedelic, intriguing and mysterious.
“In a Case of Fire”, Submarine Fleet’s debut E.P., was officially released on July 26, 2005.
This entirely self-produced and self-released CD includes 5 songs from their all-original live repertoire; a catalogue of songs which has begun to engage and endear a respectable following amongst the concert-going crowds of Portland, Oregon.
On July 22nd the band, in ship-shape from the studio, performed a very well attended CD release party at Portland’s Ash Street Saloon. This event marked a definite high point in the band’s first nine months of playing live, months which have included appearances with other Portland artists such as Dorien, The Divided, The Gentry, The Prids, and nationally touring acts such as Collide and Girl in a Coma.
Submarine Fleet has its roots in its members’ previous (and in certain cases ongoing) projects.
These include :::
Dan Canty: drums (Nimbus {Eugene, OR})
Mark Linder: vocals (Blade Fetish {Santa Barbara, CA})
Lauren McKenzie: guitar (Saturnalia Trio {Portland, OR})
Ashe Ruppe: bass (disekt; The Elysium Facade; Low Spin Complex; Nocturne pdx {Portland, OR})
Ashkelon Sain: baritone guitar & synth (Blade Fetish; Trance to the Sun {Santa Barbara, CA})
Submarine Fleet was first conceptualized in the fall of 2001 by Ash Sain, following the conclusion of his critically acclaimed, though largely overlooked group Trance to the Sun (which had had a seven album run with the Tess, Ambulancia, and Precipice record labels). Sain began the new Submarine Fleet project by exquisitely recording nine CDs worth of solo ambient improvisational music concerts, several of which were made available to fans. In the spring of 2002, he relocated to Portland, Oregon for the express purpose of launching a full scale version of the group to be known as Submarine Fleet. An experimental period followed where, performing under the preliminary name of Electromagnet, the exquisite talents of bassist Ashe Ruppe and Guitarist Lauren McKenzie were integrated (Ruppe had toured with Trance to the Sun in ‘97). And after much deliberation over who might be able to fill the shoes for this group vocally, it was decided to import Sain’s former band mate Mark Linder from his seclusion in Arkansas (Sain and Linder had recorded and toured together previously under the name Blade Fetish). When Linder arrived in the summer of 2004, a new phase of song writing and demo-ing began in earnest. Then, in the fall of 2004, just at the point when it was most critically needed, drummer Dan Canty appeared through a chance meeting during a pre-dawn taxi trip to Portland International Airport. In the space of a single rehearsal, Canty left no doubt amongst the others that he was the ideal drummer for the job. The new members became quickly acclimated to each-other’s tastes and quirks, and finally the ideal incarnation of Submarine Fleet was up and running.
Sources
http://www.submarinefleet.com
http://www.myspace.com/submarinefleet
67.164.53.114 20:14, 11 February 2006 (UTC)Ashe Ruppe[reply]
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. --Draicone (talk) 09:22, 3 July 2007 (UTC)[reply]
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Any offer made for a property, whether orally or in writing, is normally made "Subject To Contract", which means that the offer is not binding until contracts have been signed and exchanged.
When an offer is make to purchase a property 'Subject to Contract' it means that all the dealings are subject to the actual exchange of the contract itself. Nothing is binding on either the vendor or purchaser until the contracts are exchanged.
Sources
[9]
[10]
85.250.95.197 08:13, 12 February 2006 (UTC)[reply]
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In 1860 in Orange, Massachusetts, chair manufacturers Thomas H. White and William L. Grout realized that there was a future in sewing machines. They had $350, three employees, a lathe, a planer and a drill press. With these, they began manufacturing “New England” model sewing machines, making 6 at a time and then loading them onto a horse-drawn wagon to be sold door-to-door for $10 each.
Over the years, the company grew and gained investors. In 1867 it was incorporated as the “Gold Medal Sewing Machine Company” under Andrew J. Clark and John Wilson Wheeler. A decade later, they began production on what would become their flagship model, the patented “New Home” machine. By 1870, it was being marketed and sold worldwide. On the basis of this success, the company was renamed the “New Home Sewing Machine Company” in 1882.
Throughout the following decades, the company continued to produce the New Home and other models, using assembly line techniques to produce 500 machines a day in 1884. They added woodworking and needle manufacturing facilities to their plant, and by 1907, production was up to 150,000 machines a year. The company now had 743 employees, and Mr. Grout held numerous patents for sewing machine parts and manufacturing techniques.
In the 1920’s, the company began to experience financial difficulties, which eventually led to the decision in 1930 by the board of directors to sell the company to a competitor, the “Free Sewing Machine Company.” The entire contents of their plant were moved to Illinois, where some New Home models continued to be manufactured. In 1937, it was estimated that over 7 million New Home sewing machines were in use worldwide.
Sources
Detailed company history is available via the International Sewing Machine Collectors Society website, New Home page: http://www.ismacs.net/nh/home.html
The above proposed entry is a greatly condensed & summarized version of that information, and was written by me for display with an antique sewing machine owned by my parents.
216.36.9.28 19:19, 12 February 2006 (UTC)Jessica Marie Speedling[reply]
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According to Frantz Fanon, the third phase of violence in the Algerian War but also in any colonial occupation. The Year of the Boomerang is the point where the violoence of the aggressor turns on him, yet the oppressor does not understand the process; he knows no more than he did in the first phase when he launched the violence. Because the oppressed are always defensive and the oppressor always aggressive, the oppressor is surprised when the people turn back on him with the force he has used against them.
Sources
The Huey P. Newton Reader edited by David Hilliard and Donald Weise
page 51, from the chapter "The Founding of the Black Panther Party"
136.167.156.82 21:59, 12 February 2006 (UTC)[reply]
RaGEZONE
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Najmeh Najafi was a social aid worker in Iran. Born in Tehran, she went to college in the United States. While there, she told author Helen Hinckley about her childhood, which resulted in the writing and publication of the book Persia is My Heart in 1953. She then moved back to Tehran, working to help small villages achieve financial independence. She mainly worked in the village of Sarbandan, trying to help the village set up a small carpet and clothing factory. Her hope was that all of Iran's small villages would have their own business co-operatives, which would bring steady income to the poorest citizens of Iran. She eventually wrote two more books describing her life and work, Reveille for a Persian Village
(1960) and A Wall and Three Willows (1967).
Sources
Najafi, Najmeh. Persia is my Heart. Harper, 1953
Najafi, Najmeh. Reveille for a Persian Village. V. Gollancz, 1960
Najafi, Najmeh. A Wall and Three Willows. V. Gollancz, 1967
70.16.101.34 22:14, 12 February 2006 (UTC)Joseph Zowghi[reply]
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