P. M. Pasinetti

Pier Maria (P.M.) Pasinetti (Birth 1913, Venice, Italy; Death 8 July 2006, Venice, Italy) (Writer, playwright, director, professor)

P. M. Pasinetti came to the U.S. in 1935 to study literature and writing. He spent some time at Louisiana State University and developed a friendship with Robert Penn Warren. Pasinetti’s first-published fiction in English appeared in the Southern Review. He had been publishing journalism pieces in Italy since the age of eighteen. His first book, three novellas, was published in 1942. During World War II, he held lectureships in Sweden (Goettingen and Stockholm). After the war Pasinetti returned to the United States in 1946, teaching briefly at Bennington College. He studied with Rene Wellek and earned a doctorate in comparative literature (the first ever awarded) from Yale University. In 1949, he accepted a professorship in comparative literature and Italian at UCLA. Until his death in 2006, Pasinetti divided his time between Venice, Italy and Beverly Hills, California. The Pasinetti House, build in 1959, was designed by Romanian-born, modernist architect Haralamb H. Georgescu, sometimes noted as Harlan Georgesco.

Brief Notes on P.M. Writings:

Venetian-born Pasinetti was a corresponding journalist for Il Corriere della Sera (1960s-1990s), writing the popular column "Dall'estrema America" ('From farthest America'). Among his novels are: Rosso veneziano or Red Venice (1957),Il ponte dell'Accademia or From the Academy Bridge (1968), Melodramma or Melodrama (1993). Students of comparative literature may recall the Norton Anthology of World Masterpieces, versions in the 1970s and 1980s, and most recently, 1997. Pasinetti served as an editor, with lead-anthologist Maynard “Sandy” Mack. Pasinetti helped found the Comparative Literature Department at UCLA, and is generally acknowledged as a pioneer in the cross-cultural study of literature in the orginal language.

A 1965 Time magazine review of P.M. Pasinetti’s book The Smile on the Face of the Lion (Random House: 1965) said this:

While it lasts, it's a spectacular show of style. Pasinetti, a Venetian who is currently professor of Italian at U.C.L.A., seems to have derived his literary manner in equal measure from Marcel Proust, Ian Fleming, Bernard Shaw and Michelangelo Antonioni—for whom he has done odd jobs of scriptwriting. Like Antonioni, he writes pattern instead of plot, and composes episodes that go nowhere slowly. Like Proust, he wanders for pages in indirect discourse—A tells B what C said to D about E—to populate and inflect his social scene, and sinks continually into interior monologue to liberate a character's stream of consciousness. Like Shaw, Pasinetti hits off his minor personages with one swift stroke of wit: "She addresses people always with the air of a lady asking for road directions from behind the wheel of an extremely classy automobile." Like Fleming, he prefers to imagine that all women' are beautiful and that sex is the supreme experience. "Her entire leg was in close contact with his, pressed against him from the hip to the ankle. He moved his hand over her face in a slow, strong caress. 'You know,' she said, 'I don't take tranquilizers any more.' "

With such prose available, there should be no need.

Links:[ Clark, William Bedford. “WARREN AND PASINETTI: A STUDY IN FRIENDSHIP.” Clemson University.][ http://www.clemson.edu/caah/cedp/warren%20essays/146-154_warren_clark_essay.pdf]

[Time, 1965] [1]

[The Norton Anthology of World Masterpieces; Expanded Edition in One Volume. Maynard Mack (General Editor), et al. ISBN 0-393-97143-0 • paper • 1997] [2]

Italian Los Angeles: An Oral History Project. Italian Journalists - a Little History on P.M. Pasinetti:[3]