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=== Human Biology and Evolution ===
=== Human Biology and Evolution ===
[[Image:AMNHrearentrance.JPG|thumb|left|The 77th street entrance to the museum]]
[[Image:AMNHrearentrance.JPG|thumb|left|The 77th street entrance to the museum]]
The Spitzer Hall of Human Origins, formerly the The Hall of Human Biology and Evolution[http://www.amnh.org/exhibitions/hall_hilites/hall1.html], originally known under the name "Hall of the Age of Man", was located on the first floor of the museum. It was the only major exhibit in the [[United States]] to present an in-depth investigation of human evolution. The displays traced the story of ''[[Homo sapiens]]'', displayed the path of human evolution and examined the origins of human creativity.
The Anne and Bernard Spitzer Hall of Human Origins, formerly the The Hall of Human Biology and Evolution, opened on February 10, 2007.[http://www.amnh.org/exhibitions/hall_hilites/hall1.html], Originally known under the name "Hall of the Age of Man", it is located on the first floor of the museum. It was the only major exhibit in the [[United States]] to present an in-depth investigation of human evolution. The displays traced the story of ''[[Homo sapiens]]'', displayed the path of human evolution and examined the origins of human creativity.


The hall featured four life-size dioramas of the human predecessors ''[[Australopithecus afarensis]]'', ''[[Homo ergaster]]'', [[Neanderthal]], and [[Cro-Magnon]], showing each species in its habitat and demonstrating the behaviors and capabilities that scientists believe it had. Also displayed were full-sized casts of important fossils, including the 3.2-million-year-old "[[Lucy (Australopithecus)|Lucy]]" skeleton and the 1.7-million-year-old "[[Turkana Boy]]," and ''[[Homo erectus]]'' specimens including a cast of "[[Peking Man]]."
The hall featured four life-size dioramas of the human predecessors ''[[Australopithecus afarensis]]'', ''[[Homo ergaster]]'', [[Neanderthal]], and [[Cro-Magnon]], showing each species in its habitat and demonstrating the behaviors and capabilities that scientists believe it had. Also displayed were full-sized casts of important fossils, including the 3.2-million-year-old "[[Lucy (Australopithecus)|Lucy]]" skeleton and the 1.7-million-year-old "[[Turkana Boy]]," and ''[[Homo erectus]]'' specimens including a cast of "[[Peking Man]]."

Revision as of 11:59, 22 August 2007

Central Park West entrance to the museum with the great Theodore Roosevelt Memorial designed by John Russell Pope in a competition immediately following Roosevelt's death in 1919
File:AMNH.jpg
Main Lobby in the Theodore Roosevelt Memorial. This vast space overlooks Central Park

The American Museum of Natural History is a landmark on the Upper West Side, Manhattan, New York, USA. The museum has a scientific staff of more than 200, and sponsors over 100 special field expeditions each year. Located on park-like grounds, the museum is comprised of 25 interconnected buildings that house 46 permanent exhibition halls, research laboratories, and its renowned library. The collections contain over 32 million specimens of which only a small fraction can be displayed at any given time.[1]

History

The famous Museum was founded in 1869. Prior to construction of the present complex, the museum was housed in the old Arsenal building in Central Park. Theodore Roosevelt, Sr., the father of the 26th U.S. President, was one of the founders with William E. Dodge, Jr., Joseph Choate, and J. Pierpont Morgan. The founding of the Museum realized the dream of naturalist Dr. Albert S. Bickmore. Bickmore, a one-time student of Harvard zoologist Louis Agassiz, lobbied tirelessly for years for the establishment of a natural history museum in New York. His proposal, backed by his powerful sponsors, won the support of the Governor of New York, John Thompson Hoffman, who signed a bill officially creating the American Museum of Natural History on April 6, 1869.

The American Museum of Natural History, c. 1900-1910

In 1874, ground was broken for the very first building, which is now hidden from view by the many buildings in the complex that today occupy most of Manhattan Square. The original neo-Gothic building(18741877), by Calvert Vaux and Jacob Wrey Mould, who were collaborating with Frederick Law Olmsted in structures for Central Park, was soon eclipsed by the South range of the museum, by J. Cleaveland Cady, a robust exercise in rusticated brownstone neo-Romanesque, influenced by H. H. Richardson. A triumphal Roman entrance on Central Park West, the New York State Memorial to Theodore Roosevelt completed by John Russell Pope in 1936, is an overscaled Beaux-Arts monument. It leads to a vast Roman basilica, where a cast of a skeleton of a rearing Barosaurus defending her young from an Allosaurus is not lost in the general monumentality. Recently the museum's 77th street foyer, renamed the 'Grand Gallery' has been redone in gleaming white and is illuminated by classic romanesque fixtures. The famous Haida canoe is now fully suspended, giving the appearance that it is floating above the viewer. The hall offers a dramatic entrance way to the hall of North West Coast Indians, the oldest extant exhibit in the museum.

On October 29, 1964, the Star of India, along with several other precious gems including the Eagle Diamond and the de Long Ruby, was stolen from the museum by several thieves. The group of burglars, which included Jack Murphy, gained entrance by climbing through a bathroom window they had unlocked hours before the museum was closed. The Star of India and other gems were later recovered from a locker in a Miami bus station, but the Eagle Diamond was never found; it may have been recut or lost.[citation needed]

Famous names associated with the museum include the paleontologist and geologist Henry Fairfield Osborn, president for many years; the dinosaur-hunter of the Gobi Desert, Roy Chapman Andrews (one of the inspirations for Indiana Jones); George Gaylord Simpson; biologist Ernst Mayr; pioneer cultural anthropologists Franz Boas and Margaret Mead; and ornithologist Robert Cushman Murphy. J. P. Morgan was also among the famous benefactors of the Museum. The philanthropist Harry Payne Whitney financed the Whitney South Seas Expedition (1920-1932) for the Museum, greatly expanding its collection of biological and anthropological specimens from the south-west Pacific region.

Library

From its founding in 1869, the Library of the American Museum of Natural History has grown into one of the world's great natural history collections. In its early years, the Library expanded its collection mostly through such gifts as the John C. Jay conchological library, the Carson Brevoort library on fishes and general zoology, the ornithological library of Daniel Giraud Elliot, the Harry Edwards entomological library, the Hugh Jewett collection of voyages and travel and the Jules Marcou geology collection. In 1903 the American Ethnological Society deposited its library in the Museum and in 1905 the New York Academy of Sciences followed suit by transferring its collection of 10,000 volumes. Today, the Library's collections contain over 450,000 volumes of monographs, serials, pamphlets and reprints, microforms, and original illustrations, as well as film, photographic, archives and manuscripts, fine art, memorabilia and rare book collections. The Library collects materials covering such subjects as mammalogy, geology, anthropology, entomology, herpetology, ichthyology, paleontology, ethology, ornithology, mineralogy, invertebrates, systematics, ecology, oceanography, conchology, exploration and travel, history of science, museology, bibliography, and peripheral biological sciences. The collection is rich in retrospective materials - some going back to the 15th century - that are difficult to find elsewhere.

Features

The Museum boasts habitat groups of African, Asian and North American mammals, the full-size model of a Blue Whale suspended in the Milstein Family Hall of Ocean Life (reopened in 2003), the 62-foot Haida carved and painted war canoe from the Pacific Northwest, and the "Star of India", the largest blue sapphire in the world. The circuit of an entire floor is devoted to vertebrate evolution, including the world-famous dinosaurs.

The Museum's anthropological collections are also outstanding: Halls of Asian Peoples and of Pacific Peoples, of Man in Africa, Native Americans in the United States collections, general Native American collections, and collections from Mexico and Central America.

Two of the iconic features of the Museum include the suspended life-sized model of a blue whale and the massive Cape York meteorite.

The Hayden Planetarium, connected to the museum, is now part of the Rose Center for Earth and Space, housed in a glass cube containing the spherical Space Theater, designed by James Stewart Polshek. The Center was opened February 19, 2000.

Human Biology and Evolution

The 77th street entrance to the museum

The Anne and Bernard Spitzer Hall of Human Origins, formerly the The Hall of Human Biology and Evolution, opened on February 10, 2007.[1], Originally known under the name "Hall of the Age of Man", it is located on the first floor of the museum. It was the only major exhibit in the United States to present an in-depth investigation of human evolution. The displays traced the story of Homo sapiens, displayed the path of human evolution and examined the origins of human creativity.

The hall featured four life-size dioramas of the human predecessors Australopithecus afarensis, Homo ergaster, Neanderthal, and Cro-Magnon, showing each species in its habitat and demonstrating the behaviors and capabilities that scientists believe it had. Also displayed were full-sized casts of important fossils, including the 3.2-million-year-old "Lucy" skeleton and the 1.7-million-year-old "Turkana Boy," and Homo erectus specimens including a cast of "Peking Man."

The hall also featured replicas of ice age art found in the Dordogne region of southwestern France. The limestone carvings of horses were made nearly 26,000 years ago and are considered to represent the earliest artistic expression of humans.

This hall has now been updated and replaced by the Anne and Bernard Spitzer Hall of Human Origins, opened on February 10, 2007.

Halls of Minerals and Gems

The Harry Frank Guggenheim Hall of Minerals is a vast, darkened room in which hundreds of unusual and rare specimens glow under brilliant spotlights. It adjoins the Morgan Memorial Hall of gems.

On display are many renowned pieces that are carefully chosen from among the museum's more than 100,000 specimens. Included among these are the Patricia Emerald, a 632 carat, 12 sided stone that is considered to be one of the world's most fabulous emeralds. It was discovered during the 1920's in a mine high in the Columbian Andies and was named for the mine-owner's daughter. The Patricia is one of the few, large, gem quality emeralds that remains uncut. Also on display is the 563 carat Star of India, the largest, and most famous, star sapphire in the world. It was discovered over 300 years ago in Sri Lanka, most likely in the sands of ancient river beds from where star sapphires continue to to be found today. It was donated to the museum by the financier J.P. Morgan. The thin, radiant, six pointed 'star', or 'asterism', is created by incoming light that reflects from needle-like crystals of the mineral rutile which are found within the sapphire. The Star of India is polished into the shape of a cabochon, or dome, to enhance the star's beauty. Among other notable specimens on diaplay are the 596 pound Brazilian Princess topaz, the largest topaz in the world, and a four and one half ton specimen of blue azurite/malachite ore that was found in the Copper Queen Mine in Bisbee Arizona at the turn of the century.

Fossil Halls

Most of the museum's rich collections of mammalian and dinosaur fossils remain hidden from public view. They are kept in numerous storage areas located deep within the museum complex. Among these many treasure troves, the most significant storage facility is the ten story Frick Building which stands within an inner courtyard of the museum. During construction of the Frick, giant cranes were employed to lift steel beams directly from the street, over the roof, and into the courtyard in order to ensure that the classic museum facade remained undisturbed. The predicted great weight of the fossil bones lead designers to add special steel reinforcement to the building's framework. The fossil collections occupy the basement and lower seven floors of the Frick Building while the top three floors contain laboratories and offices. It is inside this particular building that many of the museum's intensive research programs into vertebrate paleontology are carried out.

Other areas of the museum contain equally fascinating repositories of life from thousands and millions of years in the past. The Whale Bone Storage Room is a cavernous space in which powerful winches come down from the ceiling to move the giant fossil bones about. Upstairs in the museum attic there are yet more storage facilities including the Elephant Room, and downstairs from that space one can find the tusk vault and boar vault.

The great fossil collections that are open to public view occupy the entire fourth floor of the museum as well as a separate spectacular exhibit that is on permanent display in the Theodore Roosevelt Memorial Hall, the museum's main entrance. The architecture of the fourth floor lends itself perfectly to the exhibits which are viewed by following a circuitous path that leads through several museum buildings. On the 77th street side of the museum the visitor begins in the Orientation Center which leads directly into the wonderful Moorish architecture of the museum's oldest building where the 'fossil tour' begins. A carefully marked path takes the visitor along an evolutionary tree of life. As the tree 'branches' the visitor is presented the family relationships among vertebrates. This evolutionary pathway is known as a cladogram; of which the museum's fourth floor is the world's largest and most dramatic.

To create a cladogram, scientists look for shared physical characteristics to determine the relatedness of different species. For instance a cladogram will show a relationship between amphibians, mammals, turtles, lizards, and birds since these apparently disparate groups share the trait of having 'four limbs with movable joints surrounded by muscle'. This makes them tetrapods. A group of related species such as the tetrapods is called a 'clade'. Within the tetrapod group only lizards and birds display yet another trait; 'two openings in the skull behind the eye'. Lizards and birds therefore represent a smaller more closely related clade known as diapsids. In a cladogram the evolutionary appearance of a new trait for the first time is known as a 'node'. Throughout the fossil halls the nodes are carefully marked along the evolutionary path and these nodes alert us to the appearance of new traits representing whole new branches of the evolutionary tree. Species showing these traits are on display in alcoves on either side of the path.

The updated fossil halls celebrate the museum's architecture. Grand windows overlook Central Park and classic fixtures provide light. Many of the fossils on display represent unique and historic pieces that were collected during the museum's golden era of world wide expeditions (1930's through the 1950's). On a smaller scale, expeditions continue into the present and have resulted in additions to the collections from Vietnam, Madagascar, South America, and central and eastern Africa.

The fourth floor halls include the Hall of Vertebrate Origins, Hall of Saurischian Dinosaurs (recognized by their grasping hand, long mobile neck, and the downward/forward position of the pubis bone, they are forerunners of the modern bird), Hall of Ornithiscian Dinosaurs (defined for a pubic bone that points toward the back), Hall of Primitive Mammals, and Hall of Advanced Mammals.

Among the many outstanding fossils on display include:

  • Tyrannosaurus rex: Composed almost entirely of real fossil bones, it is mounted in a horizontal stalking pose beautifully balanced on powerful legs. The specimen is actually composed of fossil bones from two T. rex skeletons discovered in Montana in 1902 and 1908 by the legendary dinosaur hunter Barnum Brown.
  • Mammuthus: Larger then its relative the wooly mammoth, these fossils are from an animal that lived 11 thousand years ago in India.
  • Apatosaurus: This giant specimen was discovered at the end of the 19th century. Although most of its fossil bones are original, the skull is not, since none was found on site. It was only many years later that the first Apatosaurus skull was discovered and so a plaster cast of that skull was made and placed on the museum's mount.
  • Brontops: Extinct mammal distantly related to the horse and rhinoceros. It lived 35 million years ago in what is now South Dakota. It is noted for its magnificent and unusual pair of horns.

The Art of the Diorama: Recreating Nature

Renowned naturalists, artists, photographers, taxidermists and other museum personnel have all blended their talents to create the great habitat dioramas which can be found in halls throughout the museum. These world famous dioramas represent an unparalleled melding of art and science. Some of the diorama halls have themselves become major attractions for museum visitors from around the world. Notable among these is the Akeley Hall of African Mammals which opened in 1936. The enormous hall with its muted lighting creates a reverential space that showcases the vanishing wildlife of Africa. A herd of eight enormous elephants appear to thunder down the middle of the room while along the perimeter 28 brilliantly lighted windows usher the viewer into a world that many will never personally see. The hall is decorated in rich serpentinite, a volcanic stone that deepens the contrast with the diorama windows. Some of the displays are up to 18 feet in height and 23 feet in depth.

Carl Akeley was an outstanding taxidermist employed at the Field Museum in Chicago when the American Museum of Natural History sent him to Africa to collect elephant hides. Akeley fell in love with the rain forests of Africa and decried the encroachment of farming and civilization into formerly pristine natural habitats. Fearing the permanent loss of these natural areas, Akeley was motivated to educate the American public by creating the hall that bears his name. Akeley died in 1926 from infection while exploring the Kivu Volcanoes in his beloved Belgian Congo, an area near to that depicted by the hall's magnificent gorilla diorama.

With the 1942 opening of the Hall of North American Mammals, diorama art reached a pinnacle. It took more than a decade to create the scenes depicted in the hall which includes a 432 square foot diorama of the American bison. Today, although diorama art has ceased to be a major exhibition technique, dramatic examples of this art form are still employed. In 1997 museum artists and scientists traveled to the Central African Republic to collect samples and photographs for the construction of a 3,000 square foot recreation of a tropical African rain forest, the Dzanga-Sangha rain forest diorama in the Hall of Biodiversity.

Other notable dioramas, some dating back to the 1930's have recently been restored in the Milstein Hall of Ocean Life. The hall is a 29,000 square foot bi-level room that includes a delicately mounted 94 foot long model of a blue whale swimming beneath and around video projection screens and interactive computer stations. The entire room is bathed in a blue shimmering light that gives a distinct feel of the vast oceans of our world. Among the hall's notable dioramas are the 'sperm whale and giant squid', which represents a true melding of art and science since an actual encounter between these two giant creatures at over one half mile depth has never been witnessed. Another celebrated diorama in the hall is the 'Andros coral reef' in the Bahamas, a two story high diorama that features the land form of the Bahamas and the many inhabitants of the coral reef found beneath the water's surface.

Access

The museum can be easily reached by the B and C lines of the New York City subway, via a subway stop directly adjacent to the museum.

Images


See also

Footnotes

  1. ^ http://www.amnh.org/about/programs.php
  2. ^ "ABCNews.com". Stiller's 'Night' Boosts Museum Attendance. Retrieved January 8. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)

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