Jump to content

Treatise on Instrumentation: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Lethesl (talk | contribs)
DAB
No edit summary
Line 1: Line 1:
The '''Treatise on Instrumentation''' (sometimes ''Treatise on Orchestration'') is a technical study of Western [[musical instruments]], written by [[Hector Berlioz]]. The text was later revised by [[Richard Strauss]] in [[1904]] to include more modern instruments. The book discusses the various technical aspects of instruments, such as chromatic range, tone quality, and limitations. An explanation of the role of particular instruments within the [[orchestra]] is also provided. The book also provides orchestral experts from classical [[scores]] to give examples of techniques discussed. These examples are often of works by Berlioz himself, while [[Mozart]], [[Wagner]], [[Beethoven]], and [[Gluck]] are also frequently cited.
The '''Treatise on Instrumentation''' (sometimes ''Treatise on Orchestration'') is a technical study of Western [[musical instruments]], written by [[Hector Berlioz]]. The text was later revised by [[Richard Strauss]] in [[1904]] to include more modern instruments. The book discusses the various technical aspects of instruments, such as chromatic range, tone quality, and limitations. An explanation of the role of particular instruments within the [[orchestra]] is also provided. The book also provides orchestral excerpts from classical [[scores]] to give examples of techniques discussed. These examples are often of works by Berlioz himself, while [[Mozart]], [[Wagner]], [[Beethoven]], and [[Gluck]] are also frequently cited.


Many composers studied the work closely, such as [[Modest Mussorgsky]], [[Gustav Mahler]], [[Richard Strauss]], and [[Nikolai Rimsky-Korsakov]].
Many composers studied the work closely, such as [[Modest Mussorgsky]], [[Gustav Mahler]], [[Richard Strauss]], and [[Nikolai Rimsky-Korsakov]].

Revision as of 11:38, 24 August 2007

The Treatise on Instrumentation (sometimes Treatise on Orchestration) is a technical study of Western musical instruments, written by Hector Berlioz. The text was later revised by Richard Strauss in 1904 to include more modern instruments. The book discusses the various technical aspects of instruments, such as chromatic range, tone quality, and limitations. An explanation of the role of particular instruments within the orchestra is also provided. The book also provides orchestral excerpts from classical scores to give examples of techniques discussed. These examples are often of works by Berlioz himself, while Mozart, Wagner, Beethoven, and Gluck are also frequently cited.

Many composers studied the work closely, such as Modest Mussorgsky, Gustav Mahler, Richard Strauss, and Nikolai Rimsky-Korsakov.

Instruments discussed

Strings:

Plucked Strings:

Keyboards:

Wind Instruments:

Brass Instruments:

Voices (Soprano, Alto, Tenor, Bass etc.)

Percussion

New Instruments (note, this refers to new instruments as of ca. 1850)

The Orchestra

On Conducting

Treatise on Instrumentation & Orchestration