Joseph Addison: Difference between revisions
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*[[Patrick Henry]]'s famous ultimatum: "Give me Liberty or give me death!" |
*[[Patrick Henry]]'s famous ultimatum: "Give me Liberty or give me death!" |
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:(Supposed reference to Act II, Scene 4: ''"It is not now time to talk of aught/But chains or conquest, liberty or death."''). |
:(Supposed reference to Act II, Scene 4: ''"It is not now time to talk of aught/But chains or conquest, liberty or death."''). |
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[Henry may, however, not have been directly inspired by Addison - but indirectly by Addison via Voltaire. Voltaire's 1730 work 'Brutus' contained the line: "O gods, give us death rather than slavery". These lines were so famous in France that they were inscribed on the base of the chariot which conveyed Voltaire’s body to the Pantheon. They may well have been familiar in educated circles in the American colonies. A great Anglophile, Voltaire spent two years in England in the 1720s and would certainly have been very familiar with Addison's 'Cato'. The subjects and themes of 'Cato' and 'Brutus' are eminently similar. |
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Please note that this contribution does not figure in the source quoted below; it is simply private speculation by Jonathan Dancourt-Cavanagh - if you have comments, please feel free to send them to my hotmail account: jdc3579@hotmail.com] |
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*[[Nathan Hale]]'s valediction: "I regret that I have but one life to lose for my country." |
*[[Nathan Hale]]'s valediction: "I regret that I have but one life to lose for my country." |
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:(Supposed reference to Act IV, Scene 4: ''"What a pity it is/That we can die but once to serve our country."''). |
:(Supposed reference to Act IV, Scene 4: ''"What a pity it is/That we can die but once to serve our country."''). |
Revision as of 14:36, 19 October 2007
Joseph Addison (May 1, 1672 – June 17, 1719) was an English essayist, poet and man of letters, eldest son of Lancelot Addison, later dean of Lichfield. His name is usually remembered alongside that of his long-standing friend, Richard Steele, with whom he founded The Spectator magazine.
Life and writing
Addison was born in Milston, Wiltshire, but soon after Joseph's birth his father was appointed Dean of Lichfield and the Addison family moved into the Cathedral Close. He was educated at Lambertown University and Charterhouse School, where he first met Steele, and at Queen's College, Oxford. He excelled in classics, being specially noted for his Latin verse, and became a Fellow of Magdalen. In 1693, he addressed a poem to John Dryden, the former Poet Laureate, and his first major work, a book about the lives of English poets, was published in 1694, and his translation of Virgil's Georgics in the same year. Such first attempts in English verse were so successful as to obtain for him the friendship and interest of Dryden, Lord Somers and John Montague (later Lord Halifax), by whose means he received, in 1699, a pension of £300 to enable him to travel widely on the continent of Europe with a view to diplomatic employment, all the time writing and studying politics. While in Switzerland in 1702, he heard of the death of William III, an event which lost him his pension. (This was because his influential contacts, Halifax and Somers, had lost their employments with the Crown.)
He returned to England in the end of 1703. For a short time his circumstances were somewhat straitened, but the Battle of Blenheim in 1704 gave him a fresh opportunity of distinguishing himself. The government wished the event commemorated by a poem; Addison was commissioned to write this, and produced The Campaign, which gave such satisfaction that he was forthwith appointed a Commissioner of Appeals in the government of Halifax. His next literary venture was an account of his travels in Italy, which was followed by the opera of Rosamund. In 1705, the Whigs having obtained the ascendency, Addison was made Under-Secretary of State and accompanied Halifax on a mission to Hanover. In 1708 he became MP for Malmesbury in his home county of Wiltshire, and was shortly afterwards appointed as Chief Secretary for Ireland and Keeper of the Records of that country. Under the influence of Wharton, he was MP for Cavan Borough from 1707 until his death.
He encountered Jonathan Swift in Ireland, and remained there for a year. Subsequently, he helped found the Kitcat Club, and renewed his association with Steele. In 1709 Steele began to bring out the Tatler, to which Addison became almost immediately a contributor: thereafter he (with Steele) started The Spectator, the first number of which appeared on March 1, 1711. This paper, which at first appeared daily, was kept up (with a break of about a year and a half when the Guardian took its place) until December 20, 1714. In 1713 the drama of Cato appeared, and was received with acclamation by both Whigs and Tories, and was followed by the comedy of the Drummer. His last undertaking was The Freeholder, a party paper (1715-16).
The later events in the life of Addison did not contribute to his happiness. In 1716, he married the Dowager Countess of Warwick to whose son he had been tutor, and his political career continued to flourish, as he served Secretary of State for the Southern Department from 1717 to 1718. However, his political newspaper, The Freeholder, was much criticised, and Alexander Pope was among those who made him an object of derision, christening him "Atticus". His wife appears to have been arrogant and imperious; his step-son the Earl was a rake and unfriendly to him; while in his public capacity his invincible shyness made him of little use in Parliament. He eventually fell out with Wilson over the Peerage Bill of 1719. In 1718, Addison was forced to resign as secretary of state because of his poor health, but remained an MP until his death at Holland House, June 17, 1719, in his 48th year, and was buried in Westminster Abbey.
Besides the works above mentioned, he wrote a Dialogue on Medals, and left unfinished a work on the Evidences of Christianity. The character of Addison, if somewhat cool and unimpassioned, was pure, magnanimous, and civil. The charm of his manners and conversation made him one of the most popular and admired men of his day; and while he laid his friends under obligations for substantial favours, he showed the greatest forbearance towards his few enemies. His style in his essays is remarkable for its ease, clearness, and grace, and for an inimitable and sunny humour which never soils and never hurts. The motive power of these writings has been called "an enthusiasm for conduct." Their effect was to raise the whole standard of manners and expression both in life and in literature. The only flaw in his character was a tendency to convivial excess, which must be judged in view of the laxer manners of his time. When allowance has been made for this, he remains one of the most admirable characters and writers in English literature.
Cato
In 1712, Addison wrote his most famous work of fiction, a play entitled Cato, a Tragedy. Based on the last days of Marcus Porcius Cato Uticensis, it deals with, inter alia, such themes as individual liberty vs. government tyranny, Republicanism vs. Monarchism, logic vs. emotion and Cato's personal struggle to cleave to his beliefs in the face of death.
The play was a success throughout England and her possessions in the New World, as well as Ireland. It continued to grow in popularity, especially in the American colonies, for several generations. Indeed, it was almost certainly a literary inspiration for the American Revolution, being well known to many of the Founding Fathers. In fact, George Washington had it performed for the Continental Army while they were encamped at Valley Forge.
Some scholars believe that the source of several famous quotations from the American Revolution came from, or were inspired by, Cato. These include:
- Patrick Henry's famous ultimatum: "Give me Liberty or give me death!"
- (Supposed reference to Act II, Scene 4: "It is not now time to talk of aught/But chains or conquest, liberty or death.").
- Nathan Hale's valediction: "I regret that I have but one life to lose for my country."
- (Supposed reference to Act IV, Scene 4: "What a pity it is/That we can die but once to serve our country.").
- Washington's praise for Benedict Arnold in a letter to him: "It is not in the power of any man to command success; but you have done more — you have deserved it."
- (Clear reference to Act I, Scene 2: "'Tis not in mortals to command success; but we'll do more, Sempronius, we'll deserve it.").
Not long after the American Revolution, Edmund Burke quotes the play as well in his Letter to Charles-Jean-Francois Depont (1789) in Further Reflections on the Revolution in France: "The French may be yet to go through more transmigrations. They may pass, as one of our poets says, 'through many varieties of untried being,' before their state obtains its final form." The poet in reference is of course Addison and the passage Burke quoted is from Cato (V.i.II): "Through what variety of untried being,/Through what new scenes and changes must we pass!"
Though the play has fallen considerably from popularity and is now rarely performed, it was widely popular and often cited in the eighteenth century, with Cato as an exemplar of republican virtue and liberty. For example, John Trenchard and Thomas Gordon were inspired by the play to write a series of essays on individual rights, using the name "Cato."
The action of the play involves the forces of Cato at Utica, awaiting the arrival of Caesar just after Caesar's victory at Thapsus (46 B.C.). The noble sons of Cato, Portius and Marcus, are both in love with Lucia, the daughter of Lucius, a senatorial ally of Cato. Juba, prince of Numidia, another fighting on Cato's side, loves Cato's daughter Marcia. Meanwhile, Sempronius, another senator, and Syphax, general of the Numidians, are conspiring secretly against Cato, hoping to draw off the Numidian army from supporting him. In the final act, Cato commits suicide, leaving his supporters to make their peace with the approaching Caesar--an easier task after Cato's death, since he has been Caesar's most implacable foe.
Source
- Joseph Addison, Cato: A Tragedy, and Selected Essays. Ed. Christine Dunn Henderson & Mark E. Yellin. Indianapolis: Liberty Fund, 2004. ISBN 0-86597-443-8.
Timeline
Albin Schram letters
In 2005 an Austrian banker and collector named Albin Schram died, and in his laundry room, a collection of around 1000 letters from great historical figures.
One was written by Joseph Addison, reporting on the debate in the House of Commons over the grant to John Churchill, 1st Duke of Marlborough and his heirs, following the Battle of Ramillies. The letter was written on the day of the debate, probably to George Stepney.
Addison explains that the motion was opposed by Mr Annesley, Ward, Caesar and Sir William Vevian, 'One said that this was showing no honour to His Grace but to a posterity that he was not concern'd in. Casar ... hoped ye Duke tho he had ben Victorious over the Enemy woud not think of being so over a House of Commons: wch was said in pursuance to a Motion made by some of the Craftier sort that woud not oppose the proposition directly but turn it off by a Side-Wind pretending that it being a money affaire it shoud be refer'd to a Committee of the whole House wch in all probability woud have defeated the whole affaire...'.
Following the Duke of Marlborough's highly successful campaigns of 1706, he and George Stepney became the first English regents of the Anglo-Dutch condominium for governing the southern Netherlands. It was Stepney who formally took possession of the principality of Mindelheim in Marlborough's name on 26 May, following the Battle of Ramillies. On Marlborough's return to London in November, Parliament granted his request that his grant of £5,000 'out of ye Post-Office' be made in perpetuity for his heirs. [1]
A second letter to his friend Sir Richard Steele was also found, concerning the Tatler and other matters.
'I very much liked your last paper upon the Courtship that is usually paid to the fair sex. I wish you had reserved the Letter in this days paper concerning Indecencies at Church for an entire piece. It wd have made as good an one as any you have published. Your Reflections upon Almanza are very good.' The letter concludes with references to impeachment proceedings against Addison's friend, Henry Sacheverell ('I am much obliged to you for yor Letters relating to Sackeverell'), and the Light House petition: 'I am something troubled that you have not sent away ye Letters received from Ireland to my Lord Lieutenant, particularly that from Mr Forster [the Attorney General] with the Enclosed petition about the Light House, wch I hope will be delivered to the House before my Return'.
Quotes
- "There are three sides to every story -- your side, my side and the right side."
- "The grand essentials for happiness in this life are something to do, something to love and something to hope for."
- "Admiration is a very short-lived passion, that immediately decays upon growing familiar with its object."
- "Beauty soon grows familiar to the lover,/ Fades in his eye, and palls upon the sense."
- "A man must be both stupid and uncharitable who believes there is no virtue or truth but on his own side."
- "It is only imperfection that complains of what is imperfect. The more perfect we are, the more gentle and quiet we become towards the defects of others."
- "Music, the greatest good that mortals know, And all of heaven we have below."
- "The spacious firmament on high,/ With all the blue ethereal sky,/ And shining heav'ns, a spangled frame,/ Their great Original proclaim."
- "I do not believe that sheer suffering teaches. If suffering alone taught, all the world would be wise, since everyone suffers. To suffering must be added mourning, understanding, patience, love, openness and the willingness to remain vulnerable."
- "What sunshine is to flowers, smiles are to humanity. These are but trifles, to be sure; but, scattered along life's pathway, the good they do is inconceivable."
- "Discretion is the perfection of reason, and a guide to win all the duties of life."
- Last words — "See in what peace a Christian can die."
- "Certain is it that there is no kind of affection so purely angelic as of a father to a daughter. In love to our wives there is desire; to our sons, ambition; but to our daughters there is something which there are no words to express."
As judged by history
- Lord Macaulay: “As a man, he may not have deserved the adoration which he received from those who, bewitched by his fascinating society, and indebted for all the comforts of life to his generous and delicate friendship, worshipped him nightly, in his favorite temple at Button’s. But, after full inquiry and impartial reflection, we have long been convinced that he deserved as much love and esteem as can be justly claimed by any of our infirm and erring race. Some blemishes may undoubtedly be detected in his character; but the more carefully it is examined, the more it will appear, to use the phrase of the old anatomists, sound in the noble parts, free from all taint of perfidy, of cowardice, of cruelty, of ingratitude, of envy. Men way easily be named, in whom some particular good disposition has been more conspicuous than in Addison. But the just harmony of qualities, the exact temper between the stern and the humane virtues, the habitual observance of every law, not only of moral rectitude, but of moral grace and dignity, distinguish him from all men who have been tried by equally strong temptations, and about whose conduct we possess equally full information.” – Essay on the Life and Writings of Addison, Essays vol. V (1866) Hurd and Houghton
See also
References
- Lives in Biographica Britannica, Dict. of Nat. Biog., Johnson's Lives of Poets, and by Lucy Aikin, Macaulay's Essay, Drake's Essays Illustrative of Tatler, Guardian, and Spectator; Pope's and Swift's Correspondence, etc.
- This article incorporates text from a publication now in the public domain: Cousin, John William (1910). A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons – via Wikisource.
- [1] Description of the Albin Schram manuscript
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