Talk:Conducting

Paris Opera

The Palais Garnier is much after Lully's time and I've removed it; he hit himself in a church anyway. If it was meant that the Opera using a large baton through the mid 19c, this should be documented as well as clarified. Sparafucil 12:19, 16 June 2007 (UTC)

"Maestro

In Italian literally means master. Although "teacher" is a common usage, perhaps Master is a better translation for this page? Or that alternate meaning ought to be mentioned? Calaf 07:23, 3 April 2007 (UTC)

Duple/Double

Duple/Double: sorry, my ignorance. -- Viajero 09:16 25 Jul 2003 (UTC)

No problem - there should probably be a note explaining this on time signature if there isn't already. I see about putting one in there later tonight. --Camembert

Disambiguate from electricity?

Do we need to disambiguate this from conducting electricity? Rmhermen 13:23 25 Jul 2003 (UTC)

As far as I can see, all the pages which link to this article are looking for information on the musical kind of conducting, so I would say not. I wouldn't object to this being moved to conducting (music), but I don't think there's a need for it. --Camembert

It seems that it should Conductivity if it were about electricity. "Conducting" isn't really the word used there. ("Conductor" also applies to electricity, but not as directly.) - Rainwarrior 16:25, 4 June 2006 (UTC)

Conducting deaths

I'm intrigued by the information regarding Lully's conducting misadventure -- are there any other known cases of "fatal conducting"? TrbleClef 23:58, 24 Oct 2004 (UTC)

Felix Mottl died during a performance of Tristan, and it happened to another person (at the same point in the music) many years later. - Rainwarrior 16:21, 4 June 2006 (UTC)

It also happened often that conductors faint of fatigue on stage, particulary in long operas. (I study conducting, and, as far as I know, it is a widly respected and not uncommon dream of conductors to die on stage, after conducting the last note, although younger ones, like me, say that it would be kinder to die the moment you left the stage and entered your dressing room.)--Mary C. 18:06, 6 August 2006 (UTC)

Mariss Jansons had a heart attack on the podium, but has since recovered (fortunately). See the article for details, which also states that his father did die whilst conducting. David Underdown 14:24, 7 August 2006 (UTC)

Didn't Toscanini die from some kind of muscle injury sustained while conducting? —The preceding unsigned comment was added by Calaf (talk • contribs) 07:25, 3 April 2007 (UTC).

Downbeats/Upbeats

I'm a student in my school band, and we've always learned the downbeat to be the first "half" of the note and the upbeat to be the second "half" For example, if we're in 4/4 time there are four upbeats, four downbeats. Has anyone else taught this way? If so should the article be changed to reflect this?Mutton 12:22, 4 June 2006 (UTC)

If every beat is a dowbeat, what meaning would the word have? The downbeat is the first beat of the measure. Notes between beats are "off beat", not "up beat". - Rainwarrior 16:28, 4 June 2006 (UTC)

It's the first half of the quarter note that would be the downbeat of all four. Example, in 4/4 you could play an Eigth Note on the downbeats, so you would play four eigthnotes in one measure on the first half of each beat. Mutton 22:33, 4 June 2006 (UTC)

Sorry, I should have said this differently. What I mean is, the usage you speak of I have not seen in any literature or in any of my training in conducting or music in general. Here's a link to dictionary.com's downbeat and upbeat, which are accurate to the only usage I've ever seen of downbeat. As I've said, "downbeat" is the first beat of a measure. "Upbeats" are the other beats in the measure. "Off beats", or "syncopated" rhythms are those that occur between beats (ie. on a half of a beat). - Rainwarrior 03:10, 5 June 2006 (UTC)

I guess I've been mistaken then. Thanks for straightening that out for me. Mutton 23:46, 5 June 2006 (UTC)

It's good that you asked the question. (You might want to follow up and ask your teacher about it as well.) - Rainwarrior 05:49, 6 June 2006 (UTC)

Actually, thinking about it, Mutton is completely correct. Take a standard 4/4 pattern, and technically, each beginning eighth note is literally a "downward-beating" hand motion to the ictus, and the second eighth duration of each beat is an upward-beating motion coming out of the ictus. So yes, each first eight note of each beat is literally a down beat (but not a downbeat, which refers to the first beat of a measure). Anyway, I stopped using Wiki completely ever since it became a haven for censorship and re-writing history and science according to the "editors". I refuse to ever read Wiki now except since I am a conductor, I was curious to see how badly their entry was on the subject. It's downright god-awful, as I expected. —The preceding unsigned comment was added by 24.125.229.84 (talk) 05:00, 15 March 2007 (UTC).

POV tag

This article really makes me cringe. A very large percentage of everything after the history section violates WP:NPOV, WP:V, and WP:OR. I hope we can clean up this very important topic. MarkBuckles (talk) 05:31, 4 August 2006 (UTC)

-Really? I don't see how it does. —The preceding unsigned comment was added by 80.177.28.141 (talk • contribs) 18:04, 7 August 2006 (UTC)

It completely omits Hans von Bülow, and basically anyone who was ever only a conductor and not also a composer. Other than that (which is a glaring problem, but I don't have the references onhand to fix it right now), it seems good to me. But yeah, for the future, Mark Buckles, please leave specific comments, general statements like "there is a problem with this article" are rather confusing. - Rainwarrior 18:58, 7 August 2006 (UTC)

Okeydoke. Here you go:

Violates NPOV, i.e. is subjective

• "the only golden rule of conducting technique is that it should be clear and easy to follow." Golden-rule of conducting? Subjective.
• "An understanding of the three basic elements of musical expression (tempo, dynamics and style) makes any conductor capable of conveying a basic interpretation of the music to the performers." Just not true. Plenty of conductors understand these and are unable to convey them. Plus, since when is style one of the three basic elements of musical expression - this is a subjective list?
• "There is a particular distinction between orchestral conducting and choral conducting." As a choral conductor just returning from conducting an orchestra, I reject this claim.
• "Orchestral conductors typically use a baton (though not always: this is up to the conductor's personal preference), and giving a clear beat to the players is central. Choral conductors rarely use a baton, and although the beat is an important part of choral conducting, conductors tend to concentrate on musical expression and shape, making their movements appear more abstract." These are broad stereotypes that are really not true.
• "The two most important movements are the downbeat, which indicates the first beat of the bar, and the upbeat," not necessarily. They could be any important beat. What if the piece starts on beat 3? This just doesn't make sense to me.
• "the conductor's principal responsibility is to provide a preparation which forecasts with certainty the exact moment of the coming ictus" this is a responsibility. Some say the principal responability is to set the tempo, or to listen, or any number of things.
• "To encourage a particular accelerando or rallentando, a conductor may introduce beat subdivisions." You'd never subdivide for an accelerando. That's just wrong.
• "Dynamics are indicated in two main ways." Many famous conductors use neither of these methods, though I rather agree with the ones listed.
• "The former, changing the size of movements, often results in unintended tempo changes as well, that is, larger movements tend to slow down the tempo." This is a mostly problem with amateur conductors who have not perfected their technique and probably shouldn't be listed as something that often happens in general.
• "Loud dynamics would then correspond to strained muscles and rigid movements, while soft dynamics correspond to relaxed hands and soft movements." Often this may have more to do with articulation than dynamics.
• "In choral conducting, wiggling the fingers of the right hand is also an accepted signal for 'sing much more quietly'." Accepted signal? I disagree.
• "Cueing is done either by pointing at the section at the appropriate time" This is quite inaccurate. Proper cueing necessitates engaging the players well before their entry and executing a clear preparation in the appropriate character, all while maintaining eye contact. Of course, not everyone does this, but merely pointing at a section has little effect.
• "While most entries only require eye contact," this article should not tell the reader what the music requires of the conducting gesture - this is a very contentious issue.
• "Phrasing is indicated by wide overhead arcs or by a smooth hand motion either forwards or side-to-side" How about may be indicated.
• "Staccato and legato can be differentiated by more or less 'spiky' movements." Spikey? Can we find a better word?
• "A good conductor aims to maintain eye contact with the ensemble as much as possible, encouraging eye contact in return and increasing the general dialogue between players/singers and conductor. " Okay, I totally agree, but this article should not tell the reader what a good conductor aims to do.
• "Facial expressions are also important; all performers, but especially less experienced ones, respond well to encouraging expressions. " Totallly subjective.
• "The conducter also has to not grip the cork of the baton really tight because this gives them muscle tension that limates hand movement." There are so many ways to hold the baton. We can list some of them, but we shouldn't say what is right.

Hey, there's tons of good information in this article and I thank its contributors for that! There's just some that needs to be written in a more encyclopedic and neutral manner. If there's something you disagree with, let me know and let's figure out a way to say what needs to be said in a way that works for everybody. Best, MarkBuckles (talk) 17:06, 8 August 2006 (UTC)

This is a good list. I agree fully with all of these, except those about choral conducting, which I sort of half agree with. There are definitely different trends in choral conducting versus orchestral conducting, i.e. the use of hands/baton, sometimes gesturing with the rhythm of the piece rather than even beats (as choral music is often homorhythmic), etc. That said, there is more far more overlap than division between these two types of conducting, and the wording needs to reflect this. The points about "more abstract motions" and such probably refer to the rhythmic thing I mentioned, but vague wording like that makes the statement useless. "Wiggling fingers signify quiet" should be removed, as it is untrue. I'll leave it to you, MarkBuckles, to make the changes. - Rainwarrior 17:33, 8 August 2006 (UTC)

Careful with deeming items untrue. I have worked with many choral conductors who use that exact indication for piano. Calaf 07:22, 3 April 2007 (UTC)

Revision

I've had a go at improving some of these points and have removed the POV tag. I feel some of the sections still need to be made clearer for the non-specialist (e.g. subdivsion), but I feel much better about the general content and tone of the article. If I've done anything contentious, please let me know and let's find a way to make it work. MarkBuckles (talk) 17:10, 9 August 2006 (UTC)

Baton Grip

The grip of the baton is a contentious issue that varies from conductor to conductor. Despite a wide variety of styles, a number of standard conventions have developed.

Anybody care to expand that? :) The externally linked article has a very good description of good conductor grip. I understand why the sentence is so very vague (as to limit POV bias), but more info is always nice, don't you think?

A number of standard conventions have developed... which are...? =o) Kareeser|^Talk! 05:02, 17 November 2006 (UTC)

Popular ignorance

I'd like to see a bit about how the general public, as part of their ignorance of "classical music", has no idea what conductors do; it's a staple of low-grade stand-up comedy that "the guy just stands there waving his arms while the musicians do all the work". There was a Saturday Night Live sketch about a "Conductors Club", where a bunch of guys met in somebody's living room, compared batons, and mimed vigorously while Beethoven's 5th was on the record player. Duh-di-di-DUuh! Duh-di-di-DUUUuhh!! jnestorius^(talk) 17:43, 6 February 2007 (UTC)

I would not like to see this section created. It's trite and unnecessary.--Jeff 17:55, 6 February 2007 (UTC)

"Trite" I can't agree with; I suspect there might be countries (Germany? Russia? Japan?) where such boorish joking is inconceivable, so that people from there would find mention of it in this article insightful. See Wikipedia:Common knowledge and Wikipedia:State the obvious. "Unneccessary" might be right, but to convince me would require a more elaborate argument. Feel free not to bother, of course; it was just a suggestion. jnestorius^(talk) 18:11, 6 February 2007 (UTC)

I'd say most people don't really know what building inspectors do, or astronomers ("ha ha, all they do is drink beer and look at the sky"), or state legislators. Conductors aren't particularly distinctive in this regard. In fact, it's easy to think of professions which are much less known: quality control engineers, scientific lab assistants, warehouse managers. I don't think it's necessary in an encyclopedia article to gauge how well-known the information presented is to the general public. —Wahoofive (talk) 18:23, 6 February 2007 (UTC)

Yes, that's a fair point. I have heard what's-that-all-about jokes about quantity surveying, for example. While there may be space in Wikipedia for information about such humour, I concede this is not the place. jnestorius^(talk) 22:43, 6 February 2007 (UTC)

Beat Pattern Images

Having the diagrams of beat patterns on the page seems to imply that they are the standard way of conducting; there is a variety of styles that disagree with this. For example, the majority of my teachers have placed all the beats in the center. Maybe it should be noted that the patterns shown are from a specific style? —The preceding unsigned comment was added by 24.218.223.167 (talk) 21:06, 3 March 2007 (UTC).

Training

It would be fun if someone could add how to become a conductor. Jack Daw 22:43, 7 April 2007 (UTC)

What's the purpose of conductors?

Hi,

in all the orchestra performances I've seen, the players look at their score sheet and not the conductor 99% of the time. So, what's the purpose of the conductor?

--Murmur 81.208.83.232 12:39, 24 July 2007 (UTC)

What happened to the long List of conductors ?

Where is List of conductors ? I worked on that page a lot. There were well over a thousand names on the list. Now it doesn't come up on "go" or "search" and is in red instead of blue. In general, how does one find a lost article? Abstrator 22:32, 4 November 2007 (UTC)