Jump to content

Jack Smith (film director): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
K d f m (talk | contribs)
664 edits
No edit summary
K d f m (talk | contribs)
664 edits
No edit summary
Line 24: Line 24:
'''Jack Smith''' ([[14 November]] [[1932]] in [[Columbus, Ohio]] - [[25 September]] [[1989]] in [[New York City]]) was an [[United States|American]] filmmaker, actor, and pioneer of [[underground film|underground cinema]]. He is generally acclaimed as a founding father of American Performance Art, and has been critically recognized as a master photographer, though his photographic works are rare and remain generally unknown.
'''Jack Smith''' ([[14 November]] [[1932]] in [[Columbus, Ohio]] - [[25 September]] [[1989]] in [[New York City]]) was an [[United States|American]] filmmaker, actor, and pioneer of [[underground film|underground cinema]]. He is generally acclaimed as a founding father of American Performance Art, and has been critically recognized as a master photographer, though his photographic works are rare and remain generally unknown.
==Biography==
==Biography==
Smith was one of the first exponents of the [[aesthetics]] which came to be known as Camp and Trash, using cheap and [[no budget film|spartan means of production]] (e.g. using discarded color reversal film stock) to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and drag culture. His style influenced the film work of [[Andy Warhol]] as well as the early work of [[John Waters (filmmaker)|John Waters]], and all three of them were part of the 1960s Gay Arts Movement.<ref name="jones">{{citation |title=Gay and Lesbian Literature Since World War II: History and Memory |first=Sonya L. |last=Jones |year=1998 |publisher=Haworth Press |isbn=078900349X |page=18}}</ref>
Smith was one of the first proponents of the [[aesthetics]] which came to be known as 'camp' and 'trash', using [[no budget film|no-budget means of production]] (e.g. using discarded color reversal film stock) to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and drag culture. His style influenced the film work of [[Andy Warhol]] as well as the early work of [[John Waters (filmmaker)|John Waters]], and all three of them were part of the 1960s Gay Arts Movement.<ref name="jones">{{citation |title=Gay and Lesbian Literature Since World War II: History and Memory |first=Sonya L. |last=Jones |year=1998 |publisher=Haworth Press |isbn=078900349X |page=18}}</ref>


Smith has also been referenced by artists such as [[Laurie Anderson]], [[Cindy Sherman]] and [[Mike Kelley]], filmmakers [[David Lynch]] and [[Matthew Barney]], photographer [[Nan Goldin]], musicians [[John Zorn]], [[Lou Reed]] and [[David Byrne (musician)|David Byrne]], and theatre director [[Robert Wilson (director)|Robert Wilson]]. Theatre legend [[Richard Foreman]] writes that 'Jack Smith is the hidden source of practically everything that's of any interest in the so-called experimental theatre today.'
Smith has also been referenced by artists such as [[Laurie Anderson]], [[Cindy Sherman]] and [[Mike Kelley]], filmmakers [[David Lynch]] and [[Matthew Barney]], photographer [[Nan Goldin]], musicians [[John Zorn]], [[Lou Reed]] and [[David Byrne (musician)|David Byrne]], and theatre director [[Robert Wilson (director)|Robert Wilson]]. Theatre legend [[Richard Foreman]] writes that 'Jack Smith is the hidden source of practically everything that's of any interest in the so-called experimental theatre today.'

Revision as of 02:42, 5 November 2007

For other people named Jack Smith, see Jack Smith (disambiguation).
Jack Smith
File:16 Immortal Photos,1960 Jack Smith Untitled self portrait.jpg
Untitled self-portrait, circa 1960.
Known forfilm, photography, performance art

Jack Smith (14 November 1932 in Columbus, Ohio - 25 September 1989 in New York City) was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American Performance Art, and has been critically recognized as a master photographer, though his photographic works are rare and remain generally unknown.

Biography

Smith was one of the first proponents of the aesthetics which came to be known as 'camp' and 'trash', using no-budget means of production (e.g. using discarded color reversal film stock) to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and drag culture. His style influenced the film work of Andy Warhol as well as the early work of John Waters, and all three of them were part of the 1960s Gay Arts Movement.[1]

Smith has also been referenced by artists such as Laurie Anderson, Cindy Sherman and Mike Kelley, filmmakers David Lynch and Matthew Barney, photographer Nan Goldin, musicians John Zorn, Lou Reed and David Byrne, and theatre director Robert Wilson. Theatre legend Richard Foreman writes that 'Jack Smith is the hidden source of practically everything that's of any interest in the so-called experimental theatre today.'

The most famous (and arguably the most notorious) of Smith's productions is Flaming Creatures (1962). The movie is basically a travesty on Hollywood B movies and tribute to actress Maria Montez, who starred in many such productions. However, authorities considered some scenes to be pornographic, copies of the movie were confiscated at the premiere and it was subsequently banned (technically, it still is to this day). Despite not being viewable, the movie gained some notoriety when footage was screened during Congressional hearings and right-wing politician Strom Thurmond mentioned it in anti-porn speeches.

Smith's next movie Normal Love was the only work in Smith's oeuvre with an almost conventional length (120 mins.), and featured a whole host of underground stars, including Mario Montez, Diane di Prima, Tiny Tim, Francis Francine, Beverley Grant, John Vaccaro, and others. The rest of his productions consists mainly of short movies, many of them never to be screened in a cinema, but to feature in performances and constantly re-edited to fit the stage needs (including Normal Love).

Apart from his own work Smith has also worked as an actor himself. He played the lead in Andy Warhol's unfinished film Batman Dracula, Ken Jacobs' Blonde Cobra, and appeared in several theater productions by Robert Wilson.

He also worked as a photographer and founded the Hyperbole Photographic Studio in New York. In 1962 he released The Beautiful Book, a collection of pictures of New York artists, which has recently been re-released by Granary Books.

After his last film, No President (1967), Smith was largely inactive until his death in 1989 from the AIDS virus.

Until recently, Smith's archive was co-managed by New York performance artist and former Warhol superstar Penny Arcade, alongside the film historian J. Hoberman via their corporation The Plaster Foundation Inc. In January 2004, the New York Surrogate Court ordered Hoberman and Arcade to return Smith's archive to Smith's legal heir, his surviving sister Sue Slater, after hearing Hoberman et al.'s unsuccessful arguments that the Plaster Foundation should own Smith's work. As of October 2006, Hoberman et al. had yet to surrender Smith's archive, citing claims for monies due to them from the estate for time and expenses associated with managing the archive.

Quotes about Smith

  • "Jack oozed his aesthetic. And you either knew exactly what Jack wanted or you weren't interested in that scene. Andy [Warhol] picked up that you don't really have to direct people. You have to get them into the sense of what you are doing." Billy Name[6]

Selected Filmography

  • 1961 Scotch Tape
  • 1962-3 Flaming Creatures (b/w, 46 min.)
  • 1963 Normal Love (120 min.)
  • 1967 No President (a/k/a The Kidnapping of Wendell Wilkie by The Love Bandit, ca. 50 min.)

Books

  • By Jack Smith:
    • 1960 16 Immortal Photos
    • 1962 The Beautiful Book (dead language press, republished 2001 Granary Books)
  • About Jack Smith
    • Leffingwell/Kismaric/Heiferman (eds.), Flaming Creature: Jack Smith, His Amazing Life and Times, London: Serpent's Tail, 1997
    • J. Hoberman, On Jack Smith's 'Flaming Creatures' (And Other Secret-Flix of Cinemaroc), New York: Granary Books, 2001
    • J. Hoberman and Edward Leffingwell (eds.), Wait For Me At The Bottom Of The Pool: The Writings Of Jack Smith, New York and London: High Risk Books and PS1, 1997

References

  1. ^ Jones, Sonya L. (1998), Gay and Lesbian Literature Since World War II: History and Memory, Haworth Press, p. 18, ISBN 078900349X
  2. ^ Jordan, Mary. Interview with George Kuchar. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  3. ^ Jordan, Mary. Interview with Laurie Anderson. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  4. ^ Jordan, Mary. Interview with John Waters. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  5. ^ Jordan, Mary. Interview with John Zorn. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  6. ^ Factory Made: Warhold and the Sixties, Steve Watson, Pantheon Books (2003)
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Jack_Smith_(film_director)&oldid=169294591"