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A shoggoth (or shaggoth^[1]) is a fictional monster in the Cthulhu Mythos. The being first appeared in H. P. Lovecraft's novella At the Mountains of Madness (1936).

File:CoC Shoggoth.png

A Shoggoth as seen in the game Call of Cthulhu: Dark Corners of the Earth

Description

It was a terrible, indescribable thing vaster than any subway train – a shapeless congerie of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.
— H. P. Lovecraft, At The Mountains of Madness

The definitive description of shoggoths comes from the above-quoted story. In it, Lovecraft writes them as massive amoeba-like creatures looking like they're made out of tar, with multiple eyes "floating" on the surface. They are described as "protoplasmic", lacking any default body shape and instead being able to form limbs and organs at will. The size of an average shoggoth measured 15 feet across when a sphere, though the story mentions ones of much greater size.

Although intelligent to some degree, media* based on the Mythos often shows them as dealing with problems mainly using brute force, since their great size and strength allows them to do so with ease. As an example, in Call of Cthulhu: Dark Corners of the Earth, a shoggoth stopped a large cargo elevator going up, and quickly caused enough damage to plummet it to its doom.

The shoggoths are considered* one of the more terrible things present in the Mythos. The character of the Mad Arab, Abdul Alhazred, found the mere idea of their existence on Earth terrifying.

Origin and history

The shoggoths were created* by the Elder Things as living bioengineered construction equipment. Being amorphous, they could take on any shape needed, making them very versatile within their aquatic environment. Though able to "understand" the Elder Things' language, they had no real consciousness and were controlled through hypnotic suggestion.

The shoggoths build the underwater cities of their masters. Over millions of years of existence, some shoggoths mutated and gained independent minds. Some time after this, they rebelled. Eventually, the Elder Things succeeded in quelling the insurrection*, but thereafter watched them more carefully. By this point, exterminating them was not an option as the Elder Things were fully dependent on them for labor and could not replace them. It was during this time that, despite their masters' wishes, they demonstrated an ability to survive on land*.

Within the Mythos, the existence of the shoggoths possibly* led to the accidental creation of Ubbo-Sathla, a god-like entity supposedly responsible for the origin of all life on Earth, though At The Mountains of Madness brings up the possibility of the Elder Things being the creators, having made early life as discarded experiments in bioengineering.

Other connections

When the Elder Things retreated to the oceans*, they brought the shoggoths with them and eventually let them develop the ability to exist on land out of desperation. In contrast to their failing society, the shoggoths began to imitate their' art and voices*, taking over the cavern city underneath Antarctica and creating a twisted imitation of the society of their masters.

Aside from their main appearance in the Mountains of Madness story, shoggoths also appear in other Mythos stories, often as servitors or captives to powerful cults and entities. They are known to endlessly repeat "Tekeli-li",^[2] a cry that their old masters used.

Other appearances

Shoggoths are mentioned in the Lovecraft short stories "The Shadow Over Innsmouth" (1936) and "The Thing on the Doorstep" (1933).

Shoggoths appear in both the Chaosium and the Wizards of the Coast Call of Cthulhu role-playing game supplements.

Shoggoths are featured in Charles Stross's A Colder War, in which they are used as weapons of mass destruction.

A shoggoth appears in Grant Morrison's The Invisibles.

Shoggoths are prominently featured in the parody CD of The HP Lovecraft Historical Society: the Lovecraftian Broadway musical A Shoggoth on the Roof.

A Shoggoth is a key boss in the multi-platform video game Call of Cthulhu: Dark Corners of the Earth.

Shoggoths appear in the PlayStation game Persona 2: Eternal Punishment as enemy creatures.

Shoggoths appear as acidic recoil inflicting monsters in the online game Wyvern.

Shoggoths with approximate radial symmetry are available as plush figures produced by Toy Vault.

A Shoggoth is mentioned in the 'exit screen' (Being the text you receive when prompted to exit the game) in both Quake and Daikatana.

In the Dungeons & Dragons role-playing game system, the shoggoth is referred to as a gibbering mouther. The shoggoth also could be considered the basis of the ooze family of creatures, or more specifically the black pudding. Much like the shoggoth, the black pudding is tar-like in appearance as well as amorphous. The glossary entry for puddings in the computer game NetHack quotes and cites the eyewitness description of a shoggoth in Lovecraft's original story.

Robert Anton Wilson asserts in his Schrödinger's Cat trilogy that it is not a "shaggy shoggoth story," a portmanteau of "Shaggy dog story" and "Shoggoth," playfully implying that the book is indeed a rambling series of nonsequiturs dealing with otherworldly concepts. The Shoggoth also plays its role in the The Illuminatus! Trilogy, in which it is linked to the law of 5 and the Necronomicon, and it is a Shoggoth that consumes crimeboss Robert Putney Drake, after he has betrayed the Illuminati.

In the table top strategy game Warhammer Fantasy Battle, in the armies of Chaos, Dragon Ogre Shaggoths are ancient creatures of titanic proportions, being dragon ogres who have endured for centuries rejuvenating in lightning storms.

In the board game Arkham Horror, the Shoggoth is one of the many foul monsters from Cthulhu and the Lovecraft books that roam the streets of Arkham.

A Shoggoth appears in The Real Ghostbusters episode, The Collect Call of Cathulhu, In the episode, it is summoned by cultists to combat the Ghostbusters, however it is swiftly defeated by a spell from a Cthulhu historian.

Shoggoth is also a name for a widely-used machine for restaurants.^{[citation needed]}

Creatures matching the physical description of shoggoths, named with the alternative spelling of "shuggoths," appear toward the end of the novel Frek and The Elixir by Rudy Rucker.

Shoggoths make an appearance in the novel "Move Under Ground" by Nick Mamatas, a spin-off of the Cthulhu mythos involving Jack Kerouac.

Author Neil Gaiman has written several short stories, one of which takes place in the town of Innsmouth where a wandering American tourist is treated to several pints of "Shoggoth's Old Peculiar" ale.

Shoggoths appear as major foes in the novel The Spiraling Worm by David Conyers and John Sunseri.

A deity who bears striking resemblance to a Shoggoth appears in the novel De Hængte Mænds Hus - "The House of the Hung Men" by the Danish author Dennis Jürgensen.

In The New Traveller's Almanac, Captain Nemo encounters a shoggoth while exploring the south pole.

In Star Trek: Deep Space Nine, Shoggoth is the name given a noted writer of Cardassian enigma tales.

References

Burleson, Donald R. (1983). H. P. Lovecraft, A Critical Study. Westport, CT / London, England: Greenwood Press. ISBN 0-313-23255-5.

Harms, Daniel (1998). "Shoggoths". The Encyclopedia Cthulhiana (2nd ed. ed.). Oakland, CA: Chaosium. pp. pp. 273–4. ISBN 1-56882-119-0. {{cite book}}: |edition= has extra text (help); |pages= has extra text (help)

Lovecraft, Howard P. (1985) [1931]. "At the Mountains of Madness". In S. T. Joshi (ed.) (ed.). At the Mountains of Madness and Other Novels (7th corrected printing ed.). Sauk City, WI: Arkham House. ISBN 0-87054-038-6. {{cite book}}: |editor= has generic name (help) Definitive version.

Pearsall, Anthony B. (2005). The Lovecraft Lexicon (1st ed. ed.). Tempe, AZ: New Falcon Pub. ISBN 1-56184-129-3. {{cite book}}: |edition= has extra text (help)

Notes

^ This spelling appears in the original Arkham House printing for "The Thing on the Doorstep" (1937), though the definitive manuscripts show that the proper spelling is in fact "shoggoth". (Burleson, H.P. Lovecraft, A Critical Study, footnote #14, p. 195.)
^ This cry is a reference to the Edgar Allan Poe novel The Narrative of Arthur Gordon Pym of Nantucket, which is cited in At the Mountains of Madness. (Pearsall, "Poe, Edgar Allan", The Lovecraft Lexicon, p. 332.)

@@ Line 8: / Line 8: @@
 The definitive description of shoggoths comes from the above-quoted story. In it, Lovecraft writes them as massive [[amoeba]]-like creatures looking like they're made out of [[tar]], with multiple eyes "floating" on the surface. They are described as "protoplasmic", lacking any default body shape and instead being able to form limbs and organs at will. The size of an average shoggoth measured 15 feet across when a [[sphere]], though the story mentions ones of much greater size.
-Although intelligent to some degree, media based on the Mythos often shows them as dealing with problems mainly using brute force, since their  great size and strength allows them to do so with ease. As an example, in [[Call of Cthulhu: Dark Corners of the Earth]], a shoggoth stopped a large cargo elevator going up, and quickly caused enough damage to plummet it to its doom.
+Although intelligent to some degree, media* based on the Mythos often shows them as dealing with problems mainly using brute force, since their  great size and strength allows them to do so with ease. As an example, in [[Call of Cthulhu: Dark Corners of the Earth]], a shoggoth stopped a large cargo elevator going up, and quickly caused enough damage to plummet it to its doom.
-The shoggoths are considered one of the more terrible things present in the Mythos. The character of the Mad Arab, [[Abdul Alhazred]], found the mere idea of their existence on Earth terrifying.
+The shoggoths are considered* one of the more terrible things present in the Mythos. The character of the Mad Arab, [[Abdul Alhazred]], found the mere idea of their existence on Earth terrifying.
 ===Origin and history===
-The shoggoths were created by the [[Elder Things]] as living [[bioengineering|bioengineer]]ed construction equipment. Being amorphous, they could take on any shape needed, making them very versatile within their aquatic environment. Though able to "understand" the Elder Things' language, they had no real consciousness and were controlled through [[hypnosis|hypnotic]] suggestion.
+The shoggoths were created* by the [[Elder Things]] as living [[bioengineering|bioengineer]]ed construction equipment. Being amorphous, they could take on any shape needed, making them very versatile within their aquatic environment. Though able to "understand" the Elder Things' language, they had no real consciousness and were controlled through [[hypnosis|hypnotic]] suggestion.
-The shoggoths build the underwater cities of their masters. Over millions of years of existence, some shoggoths [[mutation|mutated]] and gained independent minds. Some time after this, they rebelled. Eventually, the Elder Things succeeded in quelling the insurrection, but thereafter watched them more carefully. By this point, exterminating them was not an option as the Elder Things were fully dependent on them for labor and could not replace them. It was during this time that, despite their masters' wishes, they demonstrated an ability to survive on land.
+The shoggoths build the underwater cities of their masters. Over millions of years of existence, some shoggoths [[mutation|mutated]] and gained independent minds. Some time after this, they rebelled. Eventually, the Elder Things succeeded in quelling the insurrection*, but thereafter watched them more carefully. By this point, exterminating them was not an option as the Elder Things were fully dependent on them for labor and could not replace them. It was during this time that, despite their masters' wishes, they demonstrated an ability to survive on land*.
-Within the Mythos, the existence of the shoggoths possibly led to the accidental creation of [[Outer God#Ubbo-Sathla|Ubbo-Sathla]], a god-like entity supposedly responsible for the origin of all life on Earth, though ''At The Mountains of Madness'' brings up the possibility of the Elder Things being the creators, having made early life as discarded experiments in bioengineering.
+Within the Mythos, the existence of the shoggoths possibly* led to the accidental creation of [[Outer God#Ubbo-Sathla|Ubbo-Sathla]], a god-like entity supposedly responsible for the origin of all life on Earth, though ''At The Mountains of Madness'' brings up the possibility of the Elder Things being the creators, having made early life as discarded experiments in bioengineering.
 ===Other connections===
-When the Elder Things retreated to the oceans, they brought the shoggoths with them and eventually let them develop the ability to exist on land out of desperation. In contrast to their failing society, the shoggoths began to imitate their' art and voices, taking over the cavern city underneath Antarctica and creating a twisted imitation of the society of their masters.
+When the Elder Things retreated to the oceans*, they brought the shoggoths with them and eventually let them develop the ability to exist on land out of desperation. In contrast to their failing society, the shoggoths began to imitate their' art and voices*, taking over the cavern city underneath Antarctica and creating a twisted imitation of the society of their masters.
 Aside from their main appearance in the ''Mountains of Madness'' story, shoggoths also appear in other Mythos stories, often as servitors or captives to powerful cults and entities. They are known to endlessly repeat "Tekeli-li",<ref>This cry is a reference to the [[Edgar Allan Poe]] [[novel]] ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'', which is cited in ''At the Mountains of Madness''. (Pearsall, "Poe, Edgar Allan", ''The Lovecraft Lexicon'', p. 332.)</ref> a cry that their old masters used.