The Source

The Source is a United States-based, monthly full-color magazine covering hip-hop music, politics, and culture, founded in 1988. It is the world's second longest running rap periodical, behind United Kingdom-based publication Hip Hop Connection. The Source was founded as a newsletter in 1988 by college students David Mays and Jon Shecter distributed from their dorm room. The current president of the publication is Jeremy Miller. From humble beginnings, the Source had grown into one of the largest and most influential hip-hop publications in the United States. It had even grown to the point of being called "The Bible of Hip-Hop."

History

The Source was started originally by David Mays and Jon Shecter while they both attended Harvard University in Cambridge, Massachusetts. The two were once radio disc jockeys and hosted Street Beat on Harvard's student-run radio station WHRB. Mays and Shecter, both white men, were influenced by hip-hop and wanted to give praise by devoting coverage to the rising music genre. The Source originally started as a concert newsletter, but its popularity grew after it scored an interview with LL Cool J. The Source was now growing from a small newsletter to a mainstream magazine.

Mays and Shecter decided to hire their college friends James Benard (as senior editor) and Ed Young (as associate publisher), and the four men immediately became equal shareholders in the ownership of the magazine. At the time, Mays handled duties as the publisher for the magazine, and Shecter was the editor-in-chief. The Source was moved from Massachusetts to New York City in 1990, a move that was made with the intention to expand the magazine into a mainstream market.

The Source soon became the most respected name in hip-hop journalism. The magazine featured cover stories on the crack/cocaine epidemic, police brutality, and New York's investigations of high-profile rappers. The magazine also included many notable features, including the famous Unsigned Hype. The publication has over eight million subscribers worldwide, and remains one of the most popular hip-hop magazines in the world.

Spinoffs

As the Source expanded, the magazine then became involved in television programs such as The Source: All-Access and The Source: Sound Lab. The Source: All-Access aired on NBC following Showtime at the Apollo with key hosts actress LisaRaye and rapper Treach, supported by correspondent VJs Abiola Abrams and Lynette Cole. The magazine's annual awards show, The Source Awards honors both hip-hop and R&B performers for their contributions to hip-hop. The "Lifetime Achievement" Award is the highest award given to a rapper who has contributed their time to succeeding in the hip-hop music industry. The Source also releases a compilation album of hip-hop/rap hits. The Source has expanded overseas with a French version of the rap magazine, alongside a Source Latino and The Source Israel magazine franchises. The company has invested in mobile phones and ringtones in which subscribers are offered their favorite choice of hip-hop ringtones. The Source also invested in its own urban clothing apparel company.

Controversies

The Source Awards

The first live Source Hip-Hop Music Awards show was held in 1994, with the only notable event being Tupac Shakur running onstage during a set by A Tribe Called Quest, interrupting their performance. No violence resulted, and Shakur was convinced to make an apology by members of Zulu Nation.

The second ceremony was held in 1995 at the Paramount Theatre at New York City's Madison Square Garden. Unlike the first show, this installment was recorded for a later television broadcast. After accepting an award, Death Row Records' CEO Suge Knight made comments imploring all aspiring artists to "come to Death Row" if they wanted to make records without their executive producers appearing in every one of their songs and/or videos -- a reference directed towards Sean "Puff Daddy" Combs of Bad Boy Records.[1] Many point to these comments, and the direction the show took afterwards, as a turning point in the heightening tensions between East Coast and West Coast factions, and specifically between the Bad Boy and Death Row labels. The ceremony was never televised.

The Source held their award show in Pasadena, California, in 2000. The program had to be stopped after a fight broke out, resulting in only five of the fifteen awards actually given out during the program, and two performances were cut short. In addition, DJ Quik was hospitalized after being injured in the melee.[2] As a result, Pasadena officials banned The Source from having their awards held in the city in the future. The award show was recorded for later broadcast by the UPN television network in the United States, and was heavily edited to exclude the fights. Despite ratings numbers that exceeded the previous year's broadcast, the bad publicity caused UPN to sever their ties with the Source after the 2001 awards show from Miami. The Source Awards were featured on BET for one year; no Source Awards program has been televised since.

Benzino and his role at The Source

After the original editors resigned from the publication, the magazine experienced several years of success as it grew along with the exploding popularity of rap music and hip-hop culture under the magazine's second editor-in-chief, Adario Strange. Several years later, with Selwyn Hinds in the editor's seat, it was suddenly announced that Raymond Scott -- a rap artist known professionally as Benzino -- had been made a co-owner of The Source.

Benzino's relationship with the magazine dated back to its early days. He was a member of the Boston-based group Almighty RSO when he first met David Mays while visiting Harvard. He needed support from Mays to get his group some credibility, and Mays soon became the Almighty RSO's manager. While Mays was gaining support from advertisers willing to invest in The Source, Benzino managed to broker a label deal at Tommy Boy Records to distribute his group. The Almighty RSO was known for their controversial song "One in the Chamba". In 1994, Benzino pressured Mays to slip a four page article about the group into the magazine against the will of the editors. The article forced a major walk-out among staff members.

The magazine had indeed inserted favorable coverage to Benzino on various occasions (including the reformed Almighty RSO, now known as the Made Men). Even at The Source Awards, Benzino, a relative unknown, performed at the show to the surprise of a stunned audience. When Benzino was arrested in Florida after taping The Source Awards, Mays rallied for an investigation of the Miami police department for their treatment of the rapper, and threatened a boycott against Miami.

Benzino also received a notorious reputation as co-owner of the publication. Benzino threatened many staffers after an issue was raised about his new group, Made Men, being shunned for other performers. This is an example of the things that provoked a number of editors at The Source to quit or walk out. In a 1999 issue, Made Men received a rating of four and-a-half mics for their album Classic Limited Edition. The rapper's involvement in the mic rating system caused the publication to lose credibility in the hip-hop community.

The feud with Eminem

In 2002, Benzino started a feud with rapper Eminem. Benzino claimed that Eminem was a product of the machine that sought to discredit black and Latino artists' contributions to hip-hop. Benzino released a diss record called "I Don't Wanna" where he claimed that Eminem was not real and true to the rap culture. Although Benzino didn't expect Eminem to respond, Eminem did with a track named "Bully". Benzino then replied with "Pull up ya Skirt" which featured on the 2003 Benzino album Redemption. After releasing this, Eminem released another two diss tracks named "The Sauce" and "Nail in the Coffin". Benzino then replied with the track "Die Another Day" to which ended the beef. Benzino then went on to do mixtape tracks "Built for This" and "Lose Yourself."

The Source then went another route to take down Eminem. It went as far to dig up an old tape in which a young Eminem was rapping thought to be racial slurs against Blacks and women. The magazine devoted its entire coverage to the discovery of the tapes, and also the negative impact that Eminem has had on the hip-hop industry. For his part, Eminem did not deny making the tapes; he claimed that he made them after a bitter break up with a black girlfriend (a situation upon which he elaborates on "Yellow Brick Road" on his Encore album). He apologized for making the tapes but also exhorted the public to consider the origin of the allegations.

Nevertheless, Eminem had sued The Source for defamation and copyright infringement. The federal courts allowed an injunction to distribute a minimal amount of lyrics of the alleged tape. The Source ignored the injunction and went forth to publish the entire lyrics on its website and in its magazine. By ignoring the injunction, The Source was found in contempt of court and were forced to pay Eminem and his label, Shady Records a considerable sum in compensation. In 2005, lawyers for Eminem were preparing for trial over copyright infringement but abruptly withdrew stating that the rapper issue with The Source was done and there's nothing from the magazine. Benzino still hasn't officially squashed the beef with Eminem. Mays and Benzino both countered the withdrawal of the lawsuit calling it a "cowardly" move. They both claimed they can finally expose the truth about Eminem and planned to eventually release the "racist tapes" in a future magazine. Nevertheless, The Source was satisfied with the results, and felt that the move was considered a win for both parties.

Benzino's Resignation

Benzino still continues to feud with Eminem and many others associated to him. Internet bloggers had rallied a petition for the removal of Benzino and Dave Mays. Under pressure, Benzino decided to step down from his post at The Source. In 2005, Benzino formally announced that he was resigning as chief operations officer and co-owner of The Source. Benzino stated that his battle with Eminem and the magazine's publishers were hurting the revenue of The Source. Within a few mere days Benzino announced that he returned to The Source as co-owner. Industry insiders believed that The Source staged a fake event in order to encourage advertisers to invest in the controversial magazine. The rapper refuted his claims about saving The Source, and instead blamed Interscope's chairman Jimmy Iovine. Benzino believe that Iovine was pressuring to fire rap mogul L.A. Reid if he didn't have Def Jam advertising removed from The Source. The reason why Benzino stepped down was to save Reid's position as president of Island Def Jam, or so he claimed. Last year, Benzino had been on radio denouncing Def Jam's founder Russell Simmons for not participating in his smear campaign to expose Eminem as a racist. He had used racial comments about Simmons in the past forcing Def Jam to pull a vast majority of their ads from The Source. As of today, Interscope, Def Jam, Tommy Boy, Virgin, Motown and Universal have pulled advertising from The Source. It is noted that Benzino was signed to each of these labels before the massive decrease in general advertising.

Joshua "Fahyim" Ratcliffe was appointed to the publication. Ratcliffe abruptly left after he was ordered to lower the rating of Little Brother's The Minstrel Show from four-and-a-half to four. Lil' Kim's release, The Naked Truth, received the five mic rating instead. Although critics speculated that Lil' Kim's manager was dating Dave Mays, this was the first time that a female rapper ever received the highest rating in the magazine.

The Sexual Discrimination Lawsuit

The magazine has experienced their recent lawsuit from former editor-in-chief, Kimberly Osorio. Osorio alongside Michelle Joyce, a former marketing executive, both filed a multi-million dollar lawsuit against the magazine over gender discrimination and sexual harassment. Osorio claimed that Benzino and his friends from Boston would get special treatment while the female staffers were to abide by the rules. Also numerous complaints about harassments to female staffers were turned down by Benzino and Mays.

Though the jury ruled that Osorio was not discriminated against and had not worked in a hostile environment as she claimed, it maintained that the magazine was vindictive in its retaliation and fired her unjustly. Osorio was awarded $15.5 million by the jury of six men and two women, a figure that was later contested by Mays and Scott,[3] who vowed to appeal the verdict. [4][5] [6]

The Future of The Source Magazine

Currently the future of The Source is uncertain. The publication is losing subscribers due to not delivering magazines on time and faces numerous lawsuits totaling over a million dollars. Rival magazine XXL is now the best-selling hip-hop magazine. The Source is losing major advertising due to the feuds with Eminem and 50 Cent.

In 2005, The Source Magazine began a wave of lawsuits. There was 100 million dollar lawsuit filed against BET on behalf of the publication. The publication's awards show was to be featured on BET until the network severed ties with the magazine. Also a dispute with Hot 97 staff personality Funkmaster Flex has led to another lawsuit against him and the radio station. Controversial statements were made by the deejay towards a recent article in which it targets Hot 97 over alleged unethical radio practices.

In addition, The Source is still facing lawsuits of their own. There is a lawsuit that targets the owners' travel expenses for the 2003 Source Awards. The Smoking Gun claimed The Source owes over 1.2 million dollars in unclaimed jewelry and unpaid airline tickets for both the Benzino and Mays families. Lawsuits from former employees of the magazine also trouble the magazine. Benzino and Mays were filming a video in the Dominican Republic, and while they were away The Source, staff had another walk-out. The protest came because paychecks were not clearing and Benzino and Dave Mays were nowhere in sight. The Source avoided paying freelance writers for the stories they wrote in the magazine.

In 2006, shareholders of The Source officially terminated the positions of Mays and Benzino. Black Enterprises the company that supports the publication has decided to fire the moguls after revenue from the publication decreased. Mays and Benzino tried to avert the firing by placing a restraining order against the company. After the restraining order was lifted shareholders moved forth and formally removed them. The company appointed former editor Jeremy Miller to assume the post of CEO of The Source.

The magazine was forced into Chapter 7 Bankruptcy on July 27, 2006 by creditors. At this time the magazine is trying to emerge from Chapter 11 Reorganization (Case No. 06-11707 AJG) which will enable it to continue operations. It is still not currently paying creditors on-time and this will seriously effect the recovery.

The magazine is currently working with a company called Music Video 2.0 in a contest featuring the rap artist Swizz Beatz. The contest allows artist to upload music to www.musicvideo20.com to compete to open for Swizz Beatz at a Music Video 2.0/The Source Event. The Source Magazine is hoping this contest and Unsigned Hype will help bring back readers and creditability.

The Source's Five Mic Albums

The "Record Report" is a special feature in the publication in which journalists rate albums. Ratings range from one to five mics paralleling a typical five-star rating scale. An album that is rated at four-and-a-half or five "mics" is considered by The Source to be a superior hip hop album. Over the first ten years or so, the heralded "five mic" rating only applied to albums that were universally lauded hip hop albums. A total of 43 albums have been awarded five mics; a complete, chronological list is below.

• Run-D.M.C. -- Run-D.M.C.
• Radio -- LL Cool J
• Licensed to Ill -- The Beastie Boys
• Raising Hell -- Run-D.M.C.
• Criminal Minded -- Boogie Down Productions
• Paid in Full -- Eric B. & Rakim
• Long Live the Kane -- Big Daddy Kane
• By All Means Necessary -- Boogie Down Productions
• Strictly Business -- EPMD
• Straight Out the Jungle -- The Jungle Brothers
• Straight Outta Compton -- N.W.A.
• It Takes a Nation of Millions to Hold Us Back -- Public Enemy
• The Great Adventures of Slick Rick -- Slick Rick
• Critical Beatdown -- Ultramagnetic MCs
• No One Can Do It Better -- The D.O.C.
• Grip It! On That Other Level -- Geto Boys
• People's Instinctive Travels and the Paths of Rhythm -- A Tribe Called Quest
• One For All -- Brand Nubian
• Let the Rhythm Hit 'Em -- Eric B. & Rakim
• AmeriKKKa's Most Wanted -- Ice Cube
• Breaking Atoms -- Main Source
• The Low End Theory -- A Tribe Called Quest
• De La Soul Is Dead -- De La Soul
• Death Certificate -- Ice Cube
• The Chronic -- Dr. Dre
• Doggystyle -- Snoop Doggy Dogg
• Enter the Wu-Tang (36 Chambers) -- Wu-Tang Clan
• Illmatic -- Nas
• Ready to Die -- The Notorious B.I.G.
• The Diary -- Scarface
• The Infamous -- Mobb Deep
• Only Built 4 Cuban Linx -- Raekwon
• Liquid Swords -- Genius/GZA
• Me Against the World -- 2Pac
• The Score -- The Fugees
• Reasonable Doubt -- Jay-Z
• All Eyez on Me -- 2Pac
• Life After Death -- The Notorious B.I.G.
• Aquemini -- Outkast
• The Chronic 2001 -- Dr. Dre
• Stillmatic -- Nas
• The Blueprint -- Jay-Z
• The Fix -- Scarface
• The Naked Truth -- Lil' Kim

References

10, 9 December 2007 (UTC)03:10, 9 December 2007 (UTC)~~

External links

• The Source magazine official website (requires Flash)
• The Source magazine official music Myspace page
• The Source magazine other official Myspace page
• The Source magazine (French edition) official website
• Details, November 2001, "Made Man: How Did White Harvard Grad David Mays End Up Atop the $100 Million Source Hip Hop Empire? And How Can He Survive It?"
• The Real History Of The Source Part 1
• Benzino: Straight From The Source from Clover Hope of Allhiphop.com
• The Source: The Greatest Story Never Told Part 2 Part 3
• The Bible of Hip-Hop, a site critical of The Source and Benzino.