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==References==
==References==
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==External Links==

;Interviews

*[http://www.heathenharvest.com/article.php?story=20050514073345369 Michael Moynihan Interview @ Heathen Harvest]


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Revision as of 21:05, 1 January 2008

Michael Moynihan (b. January 17 1969, Boston, Massachusetts) is an American journalist, publisher and musician. Moynihan is founder of the music group Blood Axis, the music label Storm Records and publishing company Dominion Press.[1] Moynihan has interviewed numerous musical figures and has published several books, translations and essays. In the 1990s, Moynihan was frequently identified as a fascist or neo-fascist by some critics and fans, allegations which Moynihan accepted with reservations in the 1990s,[2] but in the 2000s dismissed as inapplicable buzzwords used by "anti-this and anti-that activist types" and denounced the far right.[3][4]

Biography

Moynihan was born in Boston, Massachusetts to a lawyer father. His formal schooling was at BB&N, a private school in Cambridge, Massachusetts.[citation needed] Moynihan identifies his background as entirely Northern European: Irish, English, Welsh, and German.[5] He is involved in a long standing collaborative and romantic relationship with musician Annabel Lee, with whom he has fathered a child.[1] He became active in experimental music from 1984, forming Blood Axis in 1989 and releasing his first album in full length 1995.

Moynihan collaborated with Boyd Rice from 1989, and in 1990 the two men moved into an apartment in Denver.[6] Like Rice and Thorn, Moynihan was a member of the Church of Satan at this time.[7] Moynihan appeared as a guest with Rice on Bob Larson's "Manson Maniacs", a special for Larson's Christian radio talk show. During the summer of 1991, Moynihan states that he was visited at his apartment by agents of the United States Secret Service about an alleged plot to assassinate then President of the United States George H. W. Bush.

Moynihan agreed to a polygraph test and no charges were filed. Moynihan stated that it was a simple case of intimidation stemming from his correspondence with Charles Manson and visits to Sandra Good. Moynihan stated that he felt that the he had been being monitored by the Federal Bureau of Investigation since 1984, that they had taken his luggage on an occasion and that they had once called his father, admitting to him that they had taken a parcel from his mail. Moynihan cited his then-friendship with Peter Sotos as a potential cause.[5]

Differences between Boyd Rice and Michael Moynihan led to an acrimonious split between the two in the mid-1990s,[5] though Rice would later remember their time together fondly and refer positively to Moynihan.[6] Subsequently, Moynihan disassociated himself with Rice and was no longer involved with the Abraxas Foundation.[5] Moynihan has been a member of the small Asatru collective Wulfing Kindred since 1994.

In 1995, Moynihan released the first full length album by Blood Axis, The Gospel of Inhumanity and moved from Denver to Portland, Oregon where he became an editor at the at Feral House, a publishing company owned by Adam Parfrey.[7] After studying language and history at the University of Colorado and Portland State University, Moynihan received his B.A. in German language in 2001.[8]

Publishing

Moynihan is one of the editors of TYR: Myth - Culture - Tradition and the North American editor of Rûna.[8]

In 1992, Moynihan edited and published a collection of writings by ex-National Socialist Mansonite James N. Mason into a book entitled Siege: The Collected Writings of James Mason.[4][9] Published by Feral House, he co-authored the 1998 book Lords of Chaos: The Bloody Rise of the Satanic Metal Underground with Norwegian journalist Didrik Søderlind won the 1998 Firecracker Alternative Press Award.[4]

During this period Moynihan contributed to various magazines and journals, including Seconds and The Scorpion,[10] and has interviewed artists and figures such as power electronics founder Whitehouse,[11] Unleashed,[12] Bathory,[13] In the Nursery,[13] Church of Satan founder Anton LaVey,[14] controversial figure Charles Manson,[15] Peter Steele of Type O Negative, discussing Social Darwinism,[16] Misfits founder Glenn Danzig,[17] Throbbing Gristle and Psychic TV founder Genesis P-Orridge,[18] and Swans founder Michael Gira.[19]

In 2001, Moynihan co-authored The Secret King with Stephen Flowers. 2001 also saw Moynihan also editing a reprint of Introduction to Magic, originally published in 1929, and in 2002 edited the first English language translation of the 1953 book Men Among the Ruins, both by Julius Evola and both published by Inner Traditions - Bear & Company. In 2005 Moynihan edited and published a collection of essays by British philosopher John Michell's The Oldie entitled Confessions of a Radical Traditionalist.[20]

Lords of Chaos

Moynihan is best known for his 1998 account of the early Norwegian Black Metal scene. Reviews of Lords of Chaos have been mixed, with several critics praising the book for offering an informative or at least interesting view on a relatively obscure sub-culture, winning the 1998 Firecracker Alternative Press Award.[4] The publication was sometimes criticized for a perceived lack of distance towards its subject matter. This was considered especially alarming to groups and figures that had accused Moynihan of right-wing sympathies,[21] charges with Moynihan has dismissed as inapplicable due to the "intricacies of such subjects".[3]

Tyr

Tyr: Myth—Culture—Tradition is a journal edited by Moynihan together with Joshua Buckley and (in the first issue) Collin Cleary. The publication is named after Tyr, the Germanic god. The editors state that it "celebrates the traditional myths, culture, and social institutions of pre-Christian, pre-modern Europe." The first issue was published in 2002 under the ULTRA imprint in Atlanta, Georgia.

The editorial preface of Tyr, vol. 1 defines an anti-modern, anti-capitalist ideal of "Radical Traditionalism" encompassing:

  1. Resacralization of the world versus materialism.
  2. Natural social hierarchy versus an artificial hierarchy based on wealth.
  3. The tribal community versus the nation-state.
  4. Stewardship of the earth versus the "maximization of resources."
  5. A harmonious relationship between men and women versus the "war between the sexes."
  6. Handicraft and artisanship versus industrial mass-production.

Music

Influenced by first wave Industrial Music artists such as SPK and Throbbing Gristle,[22] In 1984, Moynihan started his first musical project, a power electronics project named Coup de Grace, for which he produced cassettes, image booklets, essays and performed live. In 1988, at the age of 18, Moynihan published an edition of Friedrich Nietzsche's The Antichrist featuring artwork by Trevor Brown.[23]

According to Moynihan, a cassette from his project Coupe de Grace was received by a group called Club Moral in Belgium, resulting in a positive review in an art and music magazine called Force Mental. This resulted in an invitation for Moynihan to come to Europe, which he accepted, and resulted in a small European tour for Coup de Grace. Here, he came in contact with Cthulu Records. Upon returning to Boston in the United Sates, he was invited to join the experimental music group Sleep Chamber.[22]

While a member of Sleep Chamber, Moynihan met Thomas Thorn. According to Moynihan, a falling out occurred between Thorn and John Zewizz, founder of Sleep Chamber,[22] resulting in Moynihan leaving Sleep Chamber and moving to Belgium, where he lived in a warehouse on invitation by Club Moral. During this time, Moynihan described himself as a Skinhead. Living without electricity, a low monthly fee and illegally in Belgium, Moynihan stated it was "worth the risk" but had to install many of his own utilities.[22]

Thorn, who had formed a new group called Slave State, visited Moynihan in Belgium and the two played in a room beneath the warehouse where Moynihan was staying at this time. After the show, Moynihan became displeased with his illegal status and visited the founders of Cthulhu Records in Germany for a few days.[22] After returning to the US in 1989, Moynihan formed the musical group Blood Axis and no longer produced music under the name of Coup de Grace.

Experimental musician Boyd Rice invited Moynihan to go to Japan and collaborate with him on some NON performances there in 1989. Moynihan performed in concert with the various musical groups rotating around Tony Wakeford, Douglas P., and Rose McDowall who were also performing. His performance in Japan with NON was later released as the "Live in Osaka" DVD. That year, an album entitled Music, Martinis, and Misanthropy grew out of these collaborations.

In 1995, Moynihan also released the first full length album by Blood Axis, The Gospel of Inhumanity and has seen several subsequent re-issues on various labels. It was followed by a second Blood Axis album in 1997 entitled Blot: Sacrifice in Sweden for the Swedish post-industrial music label Cold Meat Industry.

In 2001, Moynihan released a musical collaboration with French artist Les Joyaux De La Princesse entitled Absinthe: La Folie Verte themed around absinthe, a beverage Moynihan has expressed fondness for[4], and collaborated with Portland natives B'eirth of In Gowan Ring, his partner Annabel Lee and Markus Wolff of Waldteufel for a project dubbed Witch-Hunt. Largely playing traditional acoustic Irish folk music, the group played various local shows in Portland and also, in 2001, performed in Portugal, where the album Witch-Hunt: The Rites of Samhain was released.

Reception and controversy

Due interpretations of particular comments that Moynihan has made and some of the imagery he has employed, Michael Moynihan has been a controversial figure. Detractors have accused Moynihan of being a far rightist[24] an extreme leftist,[25] a fascist or neo-fascist and an anarchist.[26]

Investigative journalist Kevin Coogan has been a notable detractor of Moynihan and has accused him of having fascist leanings. William H. Kennedy alleges that Moynihan has been promoting Julius Evola's neo-fascism since the 1990's and also alleges that Moynihan was Nazi skinhead in his youth. Schobert (1998) considers Moynihan a musical lightweight who profited from association with Rice and successfully and managed to style himself as a provocative "cult figure". Examples for such provocative behaviour include a 1994 interview with No Longer A Fanzine (no. 5, p. 8) which led to activist allegations that he was "a major purveyor of Neo-Nazism, occult fascism and international industrial black metal music".[27]

The controversies stirred Moynihan as a topic of interest in Neo-Nazi and Neo-völkisch movements, and the album The Gospel of Inhumanity released at the same time met with favourable reception from those quarters, the US Nazi skin journal Resistance (no. 6, 38) praised it as a "fascist symphony". The album also brought Moynihan to the attention of the German Neo-Nazi scene, a favourable review appearing in Einheit und Kampf. Das revolutionäre Magazin für Nationalisten (no. 18, p. 29, Aufruhr-Verlag, Bremen). As a consequence, Moynihan was targeted by anti-fascist activists in the late 1990s. Blood Axis performances attracted protesters, on one occasion in 1998, "about 75" San Francisco protesters mobilized by a flyer denouncing Moynihan as "a fascist and a hatemonger" succeeded in preventing his appearance.[28] Moynihan dismissed activists labeling him a Nazi or a Fascist as misinformed hysterical alarmism.[29]

Consequently, Moynihan was listed on the Southern Poverty Law Center's 1999 Intelligence Report as a "leader of new a generation of hate mongerers" amongst convicted felons and right wing activists. The section in the report regarding Moynihan was criticized by Decibel Magazine in 2006, who stated that "The main problem with this particular part of the article—besides being totally misleading—is that Blood Axis is not a black metal band. Rather than interview Moynihan, the authors of the article excerpted quotes from an issue of Compulsion zine published in 1998."[30]

Swedish Professor Mattias Gardell wrote in 2003 that "While certainly [Moynihan] does not care about the majority of mankind, he cares even less about building gas chambers" and that "Moynihan is hardly anti-Semetic or a White Supremacist and is definitely not a radical right "leader" of anything".[26]

Moynihan has repeatedly denied political ties.[31][32] In response to the various political accusations leveled against him, Moynihan calls the Far right "a bunch of isolated losers" and further that:

"Whether they're the Marxist/Communist/Socialist people who think that humans want to get along on a grand scale, or whether it's the Nazis, who think that if everyone was just of the same race, they'd all get along perfectly, or the anarchists, who think everyone would love to live this way if you just took away the police.

They're all deluded. People should worry about what happens on their block. They should get along with their neighbors before they worry about the great ills of society and about telling someone who lives 200 miles away what to do."[4]

Bibliography

Co-authored by Moynihan
Edited by Moynihan
  • Siege: The Collected Writings of James Mason by James Mason, edited and introduced by Moynihan
  • The Secret King: Karl Maria Wiligut, Himmler's Lord of the Runes edited and prefaced by Moynihan, (Dominion Press, 2001, ISBN 0-9712044-0-3)
  • Introduction to Magic: Rituals and Practical Techniques for the Magus by Julius Evola and the UR Group, edited by Moynihan, ISBN 0-89281-624-4
  • Men Among the Ruins: Post-War Reflections of a Radical Traditionalist by Julius Evola, edited by Moynihan, ISBN 0-89281-905-7
  • Confessions of a Radical Traditionalist a collection of essays by John Michell selected and introduced by Joscelyn Godwin edited by Michael Moynihan and Annabel Lee. Designed and Typset by Michael Moynihan, (ISBN 0-9712044-4-6)
  • TYR Myth, Culture, Tradition Vol. 1, Ultra (2002), ISBN 978-0972029209.
  • TYR Myth, Culture, Tradition Vol. 2, Ultra (2004), ISBN 978-0972029216.

References

  1. ^ a b Michael Moynihan Interview, at Heathen Harvest (May 24 2005)
  2. ^ interview in the "Heretic" magazine, nr. 10, October 1994: "I would not say fascism wraps up my worldview completely, but it is a step in the right direction"; interview in "Compulsion Online": "if fascism returns to this world a sense for order, discipline and responsibility, I am absolutely in favour"[unreliable source?]
  3. ^ a b Dundas, Zach. "The Notorious Michael Moynihan
  4. ^ a b c d e f Zach Dundas. Willamette Week culture feature: "Lord of Chaos: ACTIVISTS ACCUSE PORTLAND WRITER AND MUSICIAN MICHAEL MOYNIHAN OF SPREADING EXTREMIST PROPAGANDA, BUT THEY'RE NOT TELLING THE WHOLE STORY. Available online: [1]
  5. ^ a b c d Bruun, Jan R. MICHAEL MOYNIHAN / BLOOD AXIS Interview, "Helter Skealter" magazine (1995) Available online: [2]
  6. ^ a b Pingelton, Kathleen. "Boyd Rice Interview", Filth Forge webzine, 2006. Online:[[3]]
  7. ^ a b Not Like Most magazine #4, 1996. "Blood Axis - An Interview With Michael Moynihan" Available online: [4]
  8. ^ a b "About the author" in The Secret King: Karl Maria Wiligut, Himmler's Lord of the Runes ISBN 0971204403
  9. ^ Hampshire, Dominic. "Siege Mentality" Available online:[5]
  10. ^ Moynihan, Michael. "Dry and Brown Greens" Available online: [6]
  11. ^ Seconds no. 28, 60-62
  12. ^ Seconds no. 30, 9-11
  13. ^ a b The Fifth Path magazine, issue 5. Reprinted in Vor trú issue 53
  14. ^ Seconds no. 25, pages 56-60
  15. ^ Seconds no. 32, 64-74)
  16. ^ Junge Freiheit 47/94, p. 20
  17. ^ Seconds magazine, issue 44. (1997)
  18. ^ Metzger, Richard. Book of Lies: The Disinformation Guide to Magick and the Occult (2003) ISBN 097139427X
  19. ^ Seconds magazine, 1996. Available online: [7]
  20. ^ Michell, John. Confessions of a Radical Traditionalist (2005) ISBN 0971204446
  21. ^ Coogan, Kevin (1999), "How Black Is Black Metal?", Hitlist
  22. ^ a b c d e Wulfing One (Robert N. Taylor), The Storm Before the Calm An Interview with Blood Axis, "Esoterra" magazine #5, 1995. Interview with Michael Moynihan. Available online: [8]
  23. ^ The Heretic No.10, Oct 1994
  24. ^ Coogan, Kevin. How Black Is Black Metal?
  25. ^ by fellow-Wulfing Robert N. Taylor in the 1995 Esoterra interview.
  26. ^ a b Gardell, Mattias. Gods of the Blood: The Pagan Revival and White Separatism (2003) Duke publishing press ISBN 0822330717 Portion of section regarding Moynihan available online:[9]
  27. ^ "Responding to a direct question, Moynihan stated that he would have 'more lenient entry requirements' than the Nazis had had if he were given the opportunity to start up the next Holocaust" (Gardell, p. 301f.)
  28. ^ SF weekly.com 14 October 1998
  29. ^ Moynihan's reply to Schobert (1997)[10]
  30. ^ Bennet, J. Decibel Magazine [NSBM Special Report] (2006)
  31. ^ Zach Dundas. Willamette Week culture feature: "Lord of Chaos: ACTIVISTS ACCUSE PORTLAND WRITER AND MUSICIAN MICHAEL MOYNIHAN OF SPREADING EXTREMIST PROPAGANDA, BUT THEY'RE NOT TELLING THE WHOLE STORY. Available online: [11] "They (both Nazis and Communists) [a]re all deluded. People should worry about what happens on their block. They should get along with their neighbors before they worry about the great ills of society and about telling someone who lives 200 miles away what to do."
  32. ^ Schobert, Alfred. Template:De li Heidentum, Musik und Terror (Junge Welt 1997, Duisburger Institut für Sprach- und Sozialforschung 2000, with Moynihan's reply: "No member of Blood Axis has ever been a member of a political party or group, left or right."
Interviews