Jump to content

Basil Wright: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Line 39: Line 39:


==External links==
==External links==

*[http://www.imdb.com/name/nm0942217/ IMDB Entry For Basil Wright]
*[http://www.screenonline.org.uk/people/id/454662/ Bfi's Screenonline entry for Basil Wright]
*[http://www.screenonline.org.uk/people/id/454662/ Bfi's Screenonline entry for Basil Wright]
*[http://www.oxforddnb.com/index/101039952/ Oxford Dictionary of National Biography]
*[http://www.oxforddnb.com/index/101039952/ Oxford Dictionary of National Biography]
*[http://artsonfilm.wmin.ac.uk/ Watch at the Arts Council Film Collection]
*[http://artsonfilm.wmin.ac.uk/ Watch Films from the Arts Council Film Collection]

==See also==
==See also==
*[[Michael Ayrton]]
*[[Michael Ayrton]]

Revision as of 13:19, 25 January 2008

Basil Wright, (June 12, 1907, Sutton, Surrey - 14 October, 1987, Frieth, Buckinghamshire, England), was an English documentary film-maker, film historian, film critic and teacher. He was a key figure in the British documentary film movement and the first recruit to join John Grierson at the Empire Marketing Board's film unit early in 1930.

Wright's 1934 film Song of Ceylon is his best known work, although he also received a joint directorial credit with Harry Watt for the GPO Film Unit's Night Mail (1936). Wright acted as a Producer during the War, first at John Grierson's Film Centre before joining The Crown Film Unit between 1945 and 1946 as producer-in-charge. Among the best known films he produced for Crown are Humphrey Jennings' A Diary For Timothy (1946) and A Defeated People (1946).



Centenary Celebrations

In honor of Basil Wright's centenary year, his career, and the careers of his colleagues and fellow centenarians: Edgar Anstey, Marion Grierson, Humphrey Jennings and Paul Rotha, were celebrated with a season of films between August and October 2007 at the British Film Institute in London.


Filmography As Director

References

  • Basil Wright, (1948), The Uses of Film, Bodley Head, Oxford.
  • Basil Wright, (1974), The Long View: An International History of Cinema, Secker & Warburg, London.
  • Ian Aitken, (1998), The documentary film movement: an anthology, Edinburgh, Edinburgh University Press.
  • Martin Stollery, (2000) Alternative empires: European modernist cinemas and the cultures of imperialism, Exeter, University of Exeter Press.


See also