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Several musicians and bands around the world have been influenced by this specific tune and homonymous concert, among them, the Brazilian rock and roll band from [[São Paulo]] also named "Salt Peanuts".
Several musicians and bands around the world have been influenced by this specific tune and homonymous concert, among them, the Brazilian rock and roll band from [[São Paulo]] also named "Salt Peanuts".

New York-based jazz percussionist and bebop band leader Toots Sequoia composed "Salt Peanuts Squared" (2007), a modern jazz redux of Dizzy Gillespie's famous "Salt Peanuts" that captures the unpredictability of percussion and the tacit language it speaks in modern jazz sessions. Sequoia, accompanied by the jazz collaborations of Whipple Rose on bass, John Hamper on piano, and Siddy Cup on trumpet, recorded the tune as part of a forthcoming album, "Justice & Jazz," to be released on Blue Relative Records in May 2008.


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Revision as of 18:57, 4 February 2008

"Salt Peanuts" is a bebop tune composed by Dizzy Gillespie in 1942, also credited as "with the collaboration of" historical bebop drummer Kenny Clarke. It is unique in that it has a small sung part in which the singer sings "Salt peanuts, salt peanuts." Most bebop songs have no singing (aside from Scat singing.) It's by now considered a bop jazz standard by many. Perhaps one of the most famous recordings of this tune is the one on the album Live at the Massey Hall, Toronto, 1953, where Dizzy Gillespie and Charlie Parker play with one of their most successful line-ups, which included Max Roach on drums, Bud Powell on piano and Charles Mingus on bass.

The "Salt Peanuts" motif predates Gillespie/Clarke by at least several months, as it appears as a six-note instrumental phrase played on piano by Count Basie on his July 2, 1941 recording of "Basie Boogie" for the Columbia/OKeh label. He repeated it in a recorded live performance at Cafe Society later that year.

"Salt Peanuts" emphasizes the beats two and four, the weak beats in a 4/4 measure. This was a rhythmic innovation of early bebop, giving the music a significantly different rhythmic feel from the prevailing swing styles that preceded bebop.

Several musicians and bands around the world have been influenced by this specific tune and homonymous concert, among them, the Brazilian rock and roll band from São Paulo also named "Salt Peanuts".