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==History==
==History==
The band was formed by [[Michelle Doucette]], [[Lindsay Roe]], and [[Kevin Barnhorst]] in the summer of 2006, following several jam sessions Roe and Barnhorst had held in the backyard of the "Grange House"; at that time the place of operation for [[Guelph, Ontario|Guelph]]'s [[Burnt Oak Records]]. Fueled by the musical activity around them, the band finalized its roster by the end of the summer and began playing shows, with Doucette departing to pursue other projects, and [[Kirsten Palm]], [[Brad McInerney]], and [[Dave Bazinet]] entering into the fold.
The band was formed by [[Michelle Doucette]], [[Lindsay Roe]], and [[Kevin Barnhorst]] in the summer of [[2006]], following several jam sessions Roe and Barnhorst had held in the backyard of the "Grange House"; at that time the place of operation for [[Guelph, Ontario|Guelph]]'s [[Burnt Oak Records]]. Fueled by the musical activity around them, the band finalized its roster by the end of the summer and began playing shows, with Doucette departing to pursue other projects, and [[Kirsten Palm]], [[Brad McInerney]], and [[Dave Bazinet]] entering into the fold.


Elbow Beach's initial performances were well-received, and witnessed the group's tacit blending of both [[Surf Rock|Surf]] and [[Indie Rock]]. Enthused by these successes, the group released its first, self-titled EP, [[Elbow Beach Surf Club (album)|Elbow Beach Surf Club]], in February [[2007]]. Of the record, [[Helen Spitzer]] of [[Eye Weekly]] and [[Brave New Waves]] stated:
Elbow Beach's initial performances were well-received, and witnessed the group's tacit blending of both [[Surf Rock|Surf]] and [[Indie Rock]]. Enthused by these successes, the group released its first, self-titled EP, [[Elbow Beach Surf Club (album)|Elbow Beach Surf Club]], in February [[2007]]. Of the record, [[Helen Spitzer]] of [[Eye Weekly]] and [[Brave New Waves]] stated:
Line 26: Line 26:
Following the record's release, Elbow Beach played a handful of shows in support of it, earning them broader exposure than they had previously enjoyed, and culminating in a performance at [[Pop Montreal]] alongside their [[Burnt Oak Records|Burnt Oak]] labelmates. Their sound also began to diversify as a seeming result of their improved chemistry, taking on a more visceral and experimental quality, and embracing previously unexplored musical genres. This was acknowled in Sarah Liss' review of their November 2007 follow-up EP, [[Billy Clup EP|Billy Club]]:
Following the record's release, Elbow Beach played a handful of shows in support of it, earning them broader exposure than they had previously enjoyed, and culminating in a performance at [[Pop Montreal]] alongside their [[Burnt Oak Records|Burnt Oak]] labelmates. Their sound also began to diversify as a seeming result of their improved chemistry, taking on a more visceral and experimental quality, and embracing previously unexplored musical genres. This was acknowled in Sarah Liss' review of their November 2007 follow-up EP, [[Billy Clup EP|Billy Club]]:


<blockquote>''Don’t be thrown off by their far-out Sex-Wax-a-delic name, or by the snarly tangle of echoing reverb guitars that ride the wave of the Billy Club EP’s lead track “Turf Dream” — Guelph’s Elbow Beach Surf Club are definitely not the [[Southern Ontario]] answer to [[The Surfaris]], or even [[The Ventures]]. Rather, the energetic collective take a handful of standard genres that could fall under the indie-rock umbrella — [[post-punk]], [[Math Rock|math-rock]], garage-pop — and devote themselves to experimenting with style and texture, adding layers of scratchy distortion to muted femme vocals, burying subtle sax (courtesy of satellite Republic of Safety member Martin Eckart) at the bottom of the mix and smashing together contrasting guitar tones. The songs here occasionally threaten to blow apart at their seams; not coincidentally, some of Billy Club’s best moments come when the group comes together in choral harmonies, as on “No Volume” and “The Nest.”''<ref name="Exclaim">[http://www.eyeweekly.com/music/ondisc/article/12807 Review of Billy Club EP] by ''Eye Weekly''. Retrieved [[21 February]] [[2007]]</ref></blockquote>
<blockquote>''Don’t be thrown off by their far-out Sex-Wax-a-delic name, or by the snarly tangle of echoing reverb guitars that ride the wave of the Billy Club EP’s lead track “Turf Dream” — Guelph’s Elbow Beach Surf Club are definitely not the [[Southern Ontario]] answer to [[The Surfaris]], or even [[The Ventures]]. Rather, the energetic collective take a handful of standard genres that could fall under the indie-rock umbrella — [[post-punk]], [[Math Rock|math-rock]], [[List of garage rock and psychedelic rock compilation albums|garage-pop]] — and devote themselves to experimenting with style and texture, adding layers of scratchy distortion to muted femme vocals, burying subtle sax (courtesy of satellite Republic of Safety member Martin Eckart) at the bottom of the mix and smashing together contrasting guitar tones. The songs here occasionally threaten to blow apart at their seams; not coincidentally, some of Billy Club’s best moments come when the group comes together in choral harmonies, as on “No Volume” and “The Nest.”''<ref name="Exclaim">[http://www.eyeweekly.com/music/ondisc/article/12807 Review of Billy Club EP] by ''Eye Weekly''. Retrieved [[21 February]] [[2007]]</ref></blockquote>


As of January [[2008]], Elbow Beach are continuing to tour in support of Billy Club, and are preparing their next record.
As of January [[2008]], Elbow Beach are continuing to tour in support of Billy Club, and are preparing their next record.

Revision as of 20:14, 29 March 2008

Elbow Beach Surf Club

Elbow Beach Surf Club are an indie rock band from Guelph, Ontario, Canada.

History

The band was formed by Michelle Doucette, Lindsay Roe, and Kevin Barnhorst in the summer of 2006, following several jam sessions Roe and Barnhorst had held in the backyard of the "Grange House"; at that time the place of operation for Guelph's Burnt Oak Records. Fueled by the musical activity around them, the band finalized its roster by the end of the summer and began playing shows, with Doucette departing to pursue other projects, and Kirsten Palm, Brad McInerney, and Dave Bazinet entering into the fold.

Elbow Beach's initial performances were well-received, and witnessed the group's tacit blending of both Surf and Indie Rock. Enthused by these successes, the group released its first, self-titled EP, Elbow Beach Surf Club, in February 2007. Of the record, Helen Spitzer of Eye Weekly and Brave New Waves stated:

...This debut EP rushes forth under the momentum of the three opening tracks: the red-hot economy of opening salvo "Surf Theme"; the sweet melodicism of "The Letter" (folding the tartness of SS Cardiacs into Republic of Safety's crunchy centre); and the sweet, skronky sax on "The Waltz" that might remind certain old-timers of '80s Can-rockers Condition. The ground EBSC cover on the remaining 10 minutes shows they're no one-trick pony, though you can't help but hope they'll kick out a few more short, sharp and instantly gratifying hooks. Instead, you make do with the group channelling J. Geils Band's "Freeze Frame" and make your own plans for the beach. A quick and tasty morsel that more than proves they have the necessary chops. [1]

Following the record's release, Elbow Beach played a handful of shows in support of it, earning them broader exposure than they had previously enjoyed, and culminating in a performance at Pop Montreal alongside their Burnt Oak labelmates. Their sound also began to diversify as a seeming result of their improved chemistry, taking on a more visceral and experimental quality, and embracing previously unexplored musical genres. This was acknowled in Sarah Liss' review of their November 2007 follow-up EP, Billy Club:

Don’t be thrown off by their far-out Sex-Wax-a-delic name, or by the snarly tangle of echoing reverb guitars that ride the wave of the Billy Club EP’s lead track “Turf Dream” — Guelph’s Elbow Beach Surf Club are definitely not the Southern Ontario answer to The Surfaris, or even The Ventures. Rather, the energetic collective take a handful of standard genres that could fall under the indie-rock umbrella — post-punk, math-rock, garage-pop — and devote themselves to experimenting with style and texture, adding layers of scratchy distortion to muted femme vocals, burying subtle sax (courtesy of satellite Republic of Safety member Martin Eckart) at the bottom of the mix and smashing together contrasting guitar tones. The songs here occasionally threaten to blow apart at their seams; not coincidentally, some of Billy Club’s best moments come when the group comes together in choral harmonies, as on “No Volume” and “The Nest.”[2]

As of January 2008, Elbow Beach are continuing to tour in support of Billy Club, and are preparing their next record.

Members

Current members

Former members

Discography

EPs

References

  1. ^ Review of Elbow Beach Surf Club EP by Eye Weekly. Retrieved 21 February 2007
  2. ^ Review of Billy Club EP by Eye Weekly. Retrieved 21 February 2007
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