Contrapposto: Difference between revisions
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'''Contrapposto''' is an Italian word for counterpoise referring to an analytical [[sculpture|sculptural]] technique in which the |
'''Contrapposto''' is an Italian word for counterpoise referring to an analytical [[sculpture|sculptural]] technique in which the artist illustrates the natural counterbalance of the body through the bending of the hips in one direction and the legs in another direction. The term was first coined during the [[Italian Renaissance]]. |
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The first civilization to use contrapposto |
The first civilization to use contrapposto was the ancient Greeks. Greek life-sized sculpture began in the Archaic period with statues of standing youths, ''[[kore]]'' (pl. ''korai'') being female figures and [[kouros]] (pl. ''kouroi'') male. These artworks were based on the [[ancient Egypt]]ian model: very rigid and formal, with movement expressed only through one foot being placed slightly in front of the other. The first Greek statue to exhibit contrapposto is the famed [[Kritios Boy]]. Contrapposto soon became a defining element of Greek sculptural technique, culminating in the Canon of the [[Doryphorus]] ("spear-bearer"), which adopted extremely dynamic and sophisticated contrapposto. |
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One of the major achievements of the [[Italian Renaissance]] was the re-discovery of contrapposto. |
One of the major achievements of the [[Italian Renaissance]] was the re-discovery of contrapposto. |
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Revision as of 23:30, 6 August 2005
Contrapposto is an Italian word for counterpoise referring to an analytical sculptural technique in which the artist illustrates the natural counterbalance of the body through the bending of the hips in one direction and the legs in another direction. The term was first coined during the Italian Renaissance.
The first civilization to use contrapposto was the ancient Greeks. Greek life-sized sculpture began in the Archaic period with statues of standing youths, kore (pl. korai) being female figures and kouros (pl. kouroi) male. These artworks were based on the ancient Egyptian model: very rigid and formal, with movement expressed only through one foot being placed slightly in front of the other. The first Greek statue to exhibit contrapposto is the famed Kritios Boy. Contrapposto soon became a defining element of Greek sculptural technique, culminating in the Canon of the Doryphorus ("spear-bearer"), which adopted extremely dynamic and sophisticated contrapposto.
One of the major achievements of the Italian Renaissance was the re-discovery of contrapposto.
Famous sculptures incorporating contrapposto include Michelangelo's David.
The term should not be confused with the very similar musical term contrapunto.
See also
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