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Cary White, the production designer for ''[[The Faculty]]'' and ''[[Spy Kids]]'', amongst other movies, was the projectionist and janitor at the Ritz during some of its last days as a movie house.<ref>Larry Craddock, building owner</ref>
Cary White, the production designer for ''[[The Faculty]]'' and ''[[Spy Kids]]'', amongst other movies, was the projectionist and janitor at the Ritz during some of its last days as a movie house.<ref>Larry Craddock, building owner</ref>


The theater remained shuttered until 1970, when it re-opened for three years as an [[adult theater]]. In October 1974, entrepreneurs Jim Franklin and Bill Livinggood renovated the theater and opened the doors as a music venue, offering an eclectic mix of programming from classical to rock and including live theater and movies. This was also short-lived, and the club closed in 1975.<ref>Saez, Daniel D. "Ritz Theater Revived" ''[[The Daily Texan]]'', [[September 13]], [[1974]]</ref> Several other groups moved in over the years. The Center Stage theater group took it over in 1977, closing off the balcony to make a second, separate theater. Again, the venue didn't last long and the late 1970s saw a serious decline in the theater's fortunes, including another stint into porn exhibition.<ref name="Left_of_the_Dial_Magazine">Underwood, Craig "Punk Rock Folklore, Part One: Austin, Black Flag and the Big Boys" ''Left of the Dial Magazine'', [[July 25]], [[2007]]</ref>
The theater remained shuttered until 1970, when it re-opened for three years as an [[adult theater]]. In October 1974, entrepreneurs [[Jim Franklin]] and Bill Livinggood renovated the theater and opened the doors as a music venue, offering an eclectic mix of programming from classical to rock and including live theater and movies. This was also short-lived, and the club closed in 1975.<ref>Saez, Daniel D. "Ritz Theater Revived" ''[[The Daily Texan]]'', [[September 13]], [[1974]]</ref> Several other groups moved in over the years. The Center Stage theater group took it over in 1977, closing off the balcony to make a second, separate theater. Again, the venue didn't last long and the late 1970s saw a serious decline in the theater's fortunes, including another stint into porn exhibition.<ref name="Left_of_the_Dial_Magazine">Underwood, Craig "Punk Rock Folklore, Part One: Austin, Black Flag and the Big Boys" ''Left of the Dial Magazine'', [[July 25]], [[2007]]</ref>


In 1981, Shannon Sedwick and Michael Shelton took out a lease and turned management over to Craig Underwood, who began running the venue as a punk rock club. Shows such as [[Black Flag]], which inaugurated the punk era on [[May 7]], [[1982]], [[The Misfits]], [[Husker Du]], [[The Circle Jerks]], [[The Dead Kennedys]], [[Minor Threat]] and others showed that there was an audience for [[hardcore punk|hardcore]] and opened the doors for an influx of punk rock into the [[music of Austin|Austin music scene]]. The violence inherent to punk rock shows eventually cost the operators their liquor license, forcing another closure in late 1982.<ref name="Left_of_the_Dial_Magazine"> In fall 1983, Sedwick and Shelton relocated their successful [[Esther's Follies]], a comedy troupe that still entertains Austin just a few blocks further east on 6th St. Esther's Follies was only one of the attractions hosted by the Ritz at that time. The managers also began reintroducing music, from Texas bands to heavy metal, and very cautiously brought back a little bit of punk rock.<ref name="The Daily Texan-1985" /> The building has consistently been a music venue, bar, and pool hall since that time.
In 1981, Shannon Sedwick and Michael Shelton took out a lease and turned management over to Craig Underwood, who began running the venue as a punk rock club. Shows such as [[Black Flag]], which inaugurated the punk era on [[May 7]], [[1982]], [[The Misfits]], [[Husker Du]], [[The Circle Jerks]], [[The Dead Kennedys]], [[Minor Threat]] and others showed that there was an audience for [[hardcore punk|hardcore]] and opened the doors for an influx of punk rock into the [[music of Austin|Austin music scene]]. The violence inherent to punk rock shows eventually cost the operators their liquor license, forcing another closure in late 1982.<ref name="Left_of_the_Dial_Magazine"> In fall 1983, Sedwick and Shelton relocated their successful [[Esther's Follies]], a comedy troupe that still entertains Austin just a few blocks further east on 6th St. Esther's Follies was only one of the attractions hosted by the Ritz at that time. The managers also began reintroducing music, from Texas bands to heavy metal, and very cautiously brought back a little bit of punk rock.<ref name="The Daily Texan-1985" /> The building has consistently been a music venue, bar, and pool hall since that time.

Revision as of 17:40, 3 June 2008

Ritz
Ritz, circa 2006
Map
Address320 E 6th St
Austin, Texas
 United States
OwnerLarry Craddock
TypeMovie theater
Construction
OpenedOctober 13, 1929
Rebuilt2007
Years active1929–1964
1970–present
ArchitectHugo Kuehne
Website
www.originalalamo.com

The Ritz is a historic theater in the 6th Street district in Austin, Texas. The building's history includes use as a movie theater, music hall, club, and comedy house. It reopened after renovations in fall 2007 as the new downtown location for the Alamo Drafthouse.

History

The Ritz was built in 1929 by L.L. Hegman, who owned several movie theaters in Austin. It was the first theater in Austin to be built specifically for the talkies. The architect was Hugo Kuehne, the founding dean of the University of Texas School of Architecture, who also designed the Austin History Center (originally the Austin Public Library). The Ritz was originally a long narrow space, and was segregated like most movie theaters of the time; there was a separate entrance leading to a balcony reserved for people of color.[1]

The theater opened on 6th Street on October 13, 1929. It showed primarily first-run westerns with a lower ticket price than any other theater in town and frequently brought in stars like Wild Bill Elliott and Dub Taylor, along with country music acts who performed before the movies.[2]

In 1937, Hegman's son Elmo took over management and expanded the theater to 800 seats by widening the theater by 25 feet. He continued showing Westerns until television siphoned off the audience; Elmo closed the theater in 1964.[1]

Cary White, the production designer for The Faculty and Spy Kids, amongst other movies, was the projectionist and janitor at the Ritz during some of its last days as a movie house.[3]

The theater remained shuttered until 1970, when it re-opened for three years as an adult theater. In October 1974, entrepreneurs Jim Franklin and Bill Livinggood renovated the theater and opened the doors as a music venue, offering an eclectic mix of programming from classical to rock and including live theater and movies. This was also short-lived, and the club closed in 1975.[4] Several other groups moved in over the years. The Center Stage theater group took it over in 1977, closing off the balcony to make a second, separate theater. Again, the venue didn't last long and the late 1970s saw a serious decline in the theater's fortunes, including another stint into porn exhibition.[5]

In 1981, Shannon Sedwick and Michael Shelton took out a lease and turned management over to Craig Underwood, who began running the venue as a punk rock club. Shows such as Black Flag, which inaugurated the punk era on May 7, 1982, The Misfits, Husker Du, The Circle Jerks, The Dead Kennedys, Minor Threat and others showed that there was an audience for hardcore and opened the doors for an influx of punk rock into the Austin music scene. The violence inherent to punk rock shows eventually cost the operators their liquor license, forcing another closure in late 1982.Cite error: A <ref> tag is missing the closing </ref> (see the help page).

During renovation, a group of filmmakers from Fantastic Fest were given a tour of the construction site, and inaugurated the theater with the first film to play there — Maurice Devereaux's End of the Line. The official grand opening was held on November 2, 2007, with a triple feature of Matango, No Country for Old Men, and War of the Gargantuas.

The Ritz is still owned by the grandchildren of L.L. Hegman.

References

  1. ^ a b Pearson, Jon "The Ritz: 50-year survivor" The Daily Texan, February 8, 1985
  2. ^ Advertisement "Elliott finds heart of Texas mighty big" Austin American-Statesman, March 7, 1942
  3. ^ Larry Craddock, building owner
  4. ^ Saez, Daniel D. "Ritz Theater Revived" The Daily Texan, September 13, 1974
  5. ^ Underwood, Craig "Punk Rock Folklore, Part One: Austin, Black Flag and the Big Boys" Left of the Dial Magazine, July 25, 2007